A Cancer and Virgo relationship is often a match made in heaven. There are a lot of similarities in the ways that Cancers and Virgos love that gives them a special kind of kinship. Cancer and Virgo are service-oriented signs. They love to give, be there for each other and have a natural gift for making others feel good or better in some way.
In a relationship, there is a sweet alliance these two form, and they quickly become each other's strongest allies. A Cancer woman's emotional world may be a little more foreign to a Virgo man’s analytical mind, but he has a sense of wanting to protect and know this soul. They both live up to each other’s type of ideal partner in many ways and they are more about working together rather than anything else. This partnership can last the tests of time and is one that both nourishes and grounds.
What attracts a Cancer woman and a Virgo man to each other?
There is an attraction between these two that is often one of those, “how have we not met sooner” moments. These two almost always meet like magnets and are at the right place at the right time when this connection forms. The Cancer woman is attracted to the Virgo man's sense of assuredness yet humble nature and wants to know what else is behind the stern exterior. She can immediately sense there are layers to this man and she is intrigued to dive deeper and know more.
The Virgo man is attracted to the Cancer woman's nurturing yet empowering nature. There is alluring energy that a Cancer woman exudes that makes the connections she forms somewhat mysterious to others. The Virgo man likes to make sense of things and will find the Cancer woman an intriguing mystery he wants to figure out. The immediate connection between these two is empowering yet almost vague and it’s once these two dive deeper, trust each other, and let their guards down, that the true connection and relationship begin to form.
What is the relationship like between a Cancer woman and a Virgo man?
When in a relationship this couple loves to spend time at home in their safe spaces, they love to make food or go out to eat together, and their relationship is filled with doing sweet things for one another as well as for others. Tiny gestures go a long way with these two and they quickly learn this about each other. Both Virgo and Cancer’s love language is acts of service and they both tend to feel fulfilled in what they are receiving in the relationship. If one person can keep up with a Virgo’s perfectionist eye, it’s another Virgo or a Cancer.
These two create a strong bond almost immediately, and that bond doesn’t go away. As they continue to learn more about each other they continue to fall even deeper in love, and this relationship is a gift that keeps giving. Although both signs can get a little cranky and critical over the tiny things, they also remember the tiny things, and this relationship is filled with a lot of sweet moments.
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What is the sex like between a Cancer woman and a Virgo man?
Sex between a Cancer woman and a Virgo man is all about understanding each other's needs. Both of these signs love to cater to one another, and they will take their time in figuring out what works for them and what doesn’t. The chemistry these two have does most of the work, and there isn’t much these two have to complain about in the bed. A Cancer woman is all about creating the right vibe and atmosphere, and this sense of comfortability and care is important to the Virgo man. They both want to have the best experience and will work with one another to provide that.
Differences can arise here between the two when it comes to the Cancer woman wanting their sex life to be more surprising and impulsive and will want to make love in those emotionally exciting moments. A Virgo man has to make sure everything is checked off his to-do list before he can feel fully relaxed and in the moment more often than not. The biggest challenge these two will have is timing when it comes to making love, and will have to work together here.
What makes a relationship between a Cancer woman and a Virgo man work?
What makes a relationship between a Cancer woman and a Virgo man work is their chemistry and dedication towards one another. Both signs aren’t ones to give up on something important to them, and they create the right conditions for their relationships to continue to bloom. The Cancer woman makes the house a home, and the Virgo man wants to sustain what world they have created together. Their support systems outside of the relationship all most likely see them as the nurturers and givers in their own lives and value that these two types of people have found each other.
There are not too many dull moments in the relationship of a Cancer woman and a Virgo man as Cancer is always feeling through something and Virgo is always thinking through something. If the Cancer woman wants to be in her shell, the Virgo man is probably in his too, and rather than poke at each other all day, they respect each other’s boundaries and needs. Both of these signs tend to feel more pressured around the fire or air signs as they need a lot more external stimulation than they can always provide. What makes this relationship work is that they can truly just be in each other’s company in silence or laughter and feel completely fulfilled and satisfied.
What may cause a Cancer woman and a Virgo man to break up?
What can get these two tangled in challenges is their tendency to be too critical toward one another. Both of these signs have a moody nature to them and if they aren’t on the same page immediately, it can be difficult to get there. If the Cancer woman isn’t feeling good internally, she isn’t feeling good externally; and if the Virgo man isn’t feeling good about what’s happening externally, he isn’t feeling good internally. Although these signs both tend to be more introverted, Virgo’s high sensitivities are activated by external circumstances, which cannot always be controlled. Virgo will try to fix the outside before the in, whereas Cancer is like let's work through these emotions before we figure out what to do externally. They both will need to work on getting on the same page and meeting each other in the middle in this relationship.
They have to understand that they aren’t always going to be on the same emotional plane and learning how to find the balance between each other’s needs in that moment is critical to giving each other and the relationship the proper support and nurture needed to grow. These two can learn a lot from each other through open and honest discussion and by allowing each other space and time for reflection when needed. They have to remember that they won't always have the same needs or ways of expression, and learning to understand one another’s personal habits or rituals can lead to more synergy in the relationship.
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Summary
Overall, this is a relationship that takes less effort to work and leaves more room to love. These two naturally can give each other what the other is looking for, and even through their differences, they see so many similarities between each other that are heart-warming. Often an immediate attraction, the Cancer woman and Virgo man get together with the idea of forever in mind.
They understand that this is a love they both can’t pass up, and they truly value each other’s presence and heart. Loyalty is both important to the two, and they can provide this type of trust, security, and happiness in the relationship. Water and earth signs tend to give soulmate energy, and this pairing resonates well with that.
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Amber Riley has the type of laugh that sticks with you long after the raspy, rhythmic sounds have ceased. It punctuates her sentences sometimes, whether she’s giving a chuckle to denote the serious nature of something she just said or throwing her head back in rip-roarious laughter after a joke. She laughs as if she understands the fragility of each minute. She chooses laughter often with the understanding that future joy is not guaranteed.
Credit: Ally Green
The sound of her laughter is rivaled only by her singing voice, an emblem of the past and the future resilience of Black women stretched over a few octaves. On Fox’s Glee, her character Mercedes Jones was portrayed, perhaps unfairly, as the vocal duel to Rachel Berry (Lea Michele), offering rough, full-throated belts behind her co-star’s smooth, pristine vocals. Riley’s always been more than the singer who could deliver a finishing note, though.
Portraying Effie White, she displayed the dynamic emotions of a song such as “And I'm Telling You I'm Not Going” in Dreamgirls on London’s West End without buckling under the historic weight of her predecessors. With her instrument, John Mayer’s “Gravity” became a religious experience, a belted hymnal full of growls and churchy riffs. In her voice, Nicole Scherzinger once said she heard “the power of God.”
Credit: Ally Green
Riley’s voice has been a staple throughout pop culture for nearly 15 years now. Her tone has become so distinguishable that most viewers of Fox’s The Masked Singer recognized the multihyphenate even before it was revealed that she was Harp, the competition-winning, gold-masked figure with an actual harp strapped to her back.
Still, it wasn’t until recently that Riley began to feel like she’d found her voice. This sounds unbelievable. But she’s not referring to the one she uses on stage. She’s referencing the voice that speaks to who she is at her core. “Therapy kind of gave me the training to speak my mind,” the 37-year-old says. “It’s not something we’re taught, especially as Black women. I got so comfortable in [doing so], and I really want other people, especially Black women, to get more comfortable in that space.”
“Therapy kind of gave me the training to speak my mind. It’s not something we’re taught, especially as Black women."
If you ask Riley’s manager, Myisha Brooks, she’ll tell you the foundation of who the multihyphenate is hasn’t changed much since she was a kid growing up in Compton. “She is who she is from when I met her back when she was singing in the front of the church to back when she landed major roles in film and TV,” Brooks says. Time has allowed Riley to grow more comfortable, giving fans a more intimate glimpse into her life, including her mental health journey and the ins and outs of show business.
The actress/singer has been in therapy since 2019, although she suffered from depression and anxiety way before that. In a recent interview with Jason Lee, she recalls having suicidal ideation as a kid. By the time she started seeing a psychologist and taking antidepressants in her thirties, her body had become jittery, a physical reminder of the trauma stacked high inside her. “I was shaking in [my therapist’s] office,” she tells xoNecole. “My fight or flight was on such a high level. I was constantly in survival mode. My heart was beating fast all the time. All I did was sweat.”
There wasn’t just childhood trauma to account for. After auditioning for American Idol and being turned away by producers, Riley began working for Ikea and nearly missed her Glee audition because her car broke down on the highway while en route. Thankfully, Riley had been cast to play Mercedes Jones. American Idol had temporarily convinced her she wasn’t cut out for the entertainment industry, but this was validation that she was right where she belonged. Glee launched in 2009 with the promise of becoming Riley’s big break.
In some ways, it was. The show introduced Riley to millions of fans and catapulted her into major Hollywood circles. But in other ways, it became a reminder of the types of roles Black women, especially those who are plus-sized, are relegated to. Behind the scenes, Riley says she fought for her character "to have a voice" but eventually realized her efforts were useless. "It finally got to a point where I was like, this is not my moment. I'm not who they're choosing, and this is just going to have to be a job for me for now," she says. "And, that's okay because it pays my bills, I still get to be on television, I'm doing more than any other Black plus-sized women that I'm seeing right now on screen."
The actress can recognize now that she was navigating issues associated with trauma and low self-esteem at the time. She now knows that she's long had anxiety and depression and can recognize the ways in which she was triggered by how the cult-like following of the show conflicted with her individual, isolated experiences behind the scenes. But she was in her early '20s back then. She didn't yet have the language or the tools to process how she was feeling.
Riley says she eventually sought out medical intervention. "When you're in Hollywood, and you go to a doctor, they give you pills," she says, sharing a part of her story that she'd never revealed publicly before now. "[I was] on medication and developing a habit of medicating to numb, not understanding I was developing an addiction to something that's not fixing my problem. If anything, it's making it worse."
“[I was] on medication and developing a habit of medicating to numb, not understanding I was developing an addiction to something that’s not fixing my problem. If anything it’s making it worse.”
Credit: Ally Green
At one point, while in her dressing room on set, she rested her arm on a curling iron without realizing it. It wasn't until her makeup artist alerted her that she even realized her skin was burning. Once she noticed, she says she was "so zonked out on pills" that she barely reacted. Speaking today, she holds up her arm and motions towards a scar that remains from the incident. She sought help for her reliance on the pills, but it would still be years before she finally attended therapy.
This stress was only compounded by the trauma of growing up in poverty and the realities of being a "contract worker." "Imagine going from literally one week having to borrow a car to get to set to the next week being on a private jet to New York City," she says. After Glee ended, so did the rides on private planes. The fury of opportunities she expected to follow her appearance on the show failed to materialize. She wasn't even 30 yet, and she was already forced to consider if she'd hit her career peak.
. . .
We’re only four minutes into our Zoom call before Riley delivers her new adage to me. “My new mantra is ‘humility does not serve me.’ Humility does not serve Black women. The world works so hard to humble us anyway,” she says.
On this Thursday afternoon in April, the LA-based entertainer is seated inside her closet/dressing room wearing a cerulean blue tank top with matching shorts and eating hot wings. This current phase of healing hinges on balance. It’s about having discipline and consistency, but not at the risk of inflexibility. She was planning to head to the gym, for instance, but she’s still tired from the “exhausting” day before. Instead, she’s spent her day receiving a massage, eating some chicken wings, and planning to spend quality time with friends. “I’m not going to beat myself up for it. I’m not going to talk down to myself. I’m going to eat my chicken wings, and then tomorrow I’m [back] in the gym,” she says.
“My new mantra is ‘humility does not serve me.’ Humility does not serve Black women. The world works so hard to humble us anyway."
This is the balance with which she's been approaching much of her life these days. It's why she's worried less about whether or not people see her as someone who is humble. She'd rather be respected. "I think you should be a person that's easy to work with, but in the moments where I have to ruffle feathers and make waves, I'm not shying away from that anymore. You can do it in love, you don't have to be nasty about it, but I had to finally be comfortable with the fact that setting boundaries around my life – in whatever aspect, whether that's personal or business – people are not going to like it. Some people are not going to have nice things to say about you, and you gotta be okay with it," she says.
When Amber talks about the constant humbling of Black women in Hollywood, I think of the entertainers before her who have suffered from this. The brilliant, consistent, overqualified Black women who have spoken of having to fight for opportunities and fair pay. Aretha Franklin. Viola Davis. Tracee Ellis Ross. There's a long list of stars whose success hasn't mirrored their experiences behind the scenes.
Credit: Ally Green
If Black women outside of Hollywood are struggling to decrease the pay gap, so, too, are their wealthier, more famous peers.
Riley says there’s been progress in recent years, but only in small ways and for a limited group of people. “This business is exhausting. The goalpost is constantly moving, and sometimes it’s unfair,” she says. But, I have to say it’s the love that keeps you going.”
“There’s no way you can continue to be in this business and not love it, especially being a plus-sized Black woman,” she continues. “We’re still niche. We’re still not main characters.”
"There’s no way you can continue to be in this business and not love it, especially being a plus-sized Black woman. We’re still niche. We’re still not main characters.”
Last year, Riley starred alongside Raven Goodwin in the Lifetime thriller Single Black Female (a modern, diversified take on 1992’s Single White Female). It was more than a leading role for the actress, it also served as proof that someone who looks like her can front a successful project without it hinging on her identity. It showcased that the characters she portrays don’t “have to be about being a big girl. It can just be a regular story.”
Riley sees her work in music as an extension of her efforts to push past the rigid stereotypes in entertainment. Take her appearance on The Masked Singer, for instance. Riley said she decided to perform Mayer’s “Gravity” after being told she couldn’t sing it years earlier. “I wanted to do ‘Gravity’ on Glee. [I] was told no, because that’s not a song that Mercedes would do,” she says. “That was a full circle moment for me, doing that on that show and to hear what it is they had to say.”
As Scherzinger praised the “anointed” performance, a masked Riley began to cry, her chest heaving as she stood on stage, her eyes shielded from view. “You have to understand, I have really big names – casting directors, producers, show creators – that constantly tell me ‘I’m such a big fan. Your talent is unmatched.’ Hire me, then,” she says, reflecting on the moment.
Recently, she’s been in the studio working on original music, the follow-up to her independently-released debut EP, 2020’s Riley. The sequel to songs such as the anthemic “Big Girl Energy” and the reflective ballad “A Moment” on Riley, this new project hones in on the singer’s R&B roots with sensual grooves such as the tentatively titled “All Night.” “You said I wasn’t shit, turns out that I’m the shit. Then you called me a bitch, turns out that I’m that bitch. You said no one would want me, well you should call your homies,” she sings on the tentatively titled “Lately,” a cut about reflecting on a past relationship. From the forthcoming project, xoNecole received five potential tracks. Fans likely already know the strengths and contours of Riley’s vocals, but these new songs are her strongest, most confident offerings as an artist.
“I am so much more comfortable as a writer, and I know who I am as an artist now. I’m evolving as a human being, in general, so I’m way more vulnerable in my music. I’m way more willing to talk about whatever is on my mind. I don’t stop myself from saying what it is I want to say,” she says.
Credit: Ally Green
“Every era and alliteration of Amber, the baseline is ‘Big Girl Energy.’ That’s the name of her company,” her manager Brooks says, referencing the imprint through which Riley releases her music after getting out of a label deal several years ago. “It’s just what she stands for. She’s not just talking about size, it’s in all things. Whether it’s putting your big girl pants on and having to face a boardroom full of executives or sell yourself in front of a casting agent. It’s her trying to achieve the things she wants to do in life.”
Riley says she has big dreams beyond releasing this new music, too. She’d love to star in a rom-com with Winston Duke. She hasn't starred in a biopic yet, but she’d revel in the opportunity to portray Rosetta Tharpe on screen. She’s determined that her previous setbacks won’t stop her from dreaming big.
“I think one of my superpowers is resilience because, at the end of the day, I’m going to kick, scream, cry, cuss, be mad and disappointed, but I’m going to get up and risk having to deal with it all again. It’s worth it for the happy moments,” she says.
If Riley seems more comfortable and confident professionally, it’s because of the work she’s been doing in her personal life.
She’d previously spoken to xoNecole about becoming engaged to a man she discovered in a post on the site, but she called things off last year. For Valentine’s Day, she revealed her new boyfriend publicly. “I decided to post him on Valentine’s Day, partially because I was in the dog house. I got in trouble with him,” she says, half-joking before turning serious. “The breakup was never going to stop me from finding love. Or at least trying. I don’t owe anybody a happily ever after. People break up. It happens. When it was good, it was good. When it was bad, it was terrible, hunny. I had to get the fuck up out of there. You find happiness, and you enjoy it and work through it.”
Credit: Ally Green
"I don’t owe anybody a happily ever after. People break up. It happens. When it was good, it was good. When it was bad, it was terrible, hunny. I had to get the fuck up out of there. You find happiness and you enjoy it and work through it.”
With her ex, Riley was pretty outspoken about her relationship, even appearing in content for Netflix with him. This time around is different. She’s not hiding her boyfriend of eight months, but she’s more protective of him, especially because he’s a father and isn’t interested in becoming a public figure.
She’s traveling more, too. It’s a deliberate effort on her part to enjoy her money and reject the trauma she’s developed after experiencing poverty in her childhood. “I live in constant fear of being broke. I don’t think you ever don’t remember that trauma or move past that. Now I travel and I’m like, listen, if it goes, it goes. I’m not saying [to] be reckless, but I deserve to enjoy my hard work.”
After everything she’s been through, she certainly deserves to finally let loose a bit. “I have to have a life to live,” she says. “I’ve got to have a life worth fighting for.”
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