Taysha Robinson is a writer and high school English teacher, based in metro-Atlanta. A self described philomath, you can find her reading books and articles of every genre, attending educational conferences, and hiking wherever the terrain will allow.
In the last decade, Black cinema has seen a revival like no other, thanks to writers and directors Jordan Peele, Barry Jenkins, and Ava DuVernay. Through their narratives, we have been enamored with Black stories of normalcy and horror that have captivated audiences and shown exactly what narratives are deserved and desired by Black viewers. Nevertheless, the current state of Black films still has some ways to go, and can easily accomplish the next stage of its reemergence if it considers the genres where representation is still lacking.
For years, Black audience members have been treated like they're secondary, forced to enjoy the experiences of their white counterparts as if they were sidekicks to their journey instead of walking in their shoes.
On the heels of his Oscar win for "Best Screenplay" for the 2023 comedy/drama American Fiction, first-time director Cord Jefferson shared his perspective on the narrow view of Black characters on-screen and why there's a need for diversity in the Black stories we choose to tell in film. "There is an appetite for things that are different and a story with Black characters that’s going to appeal to a lot of people," Cord explained. "[Black films don’t] need to take place on a plantation, they don’t need to take place in the projects. It doesn’t need to have drug dealers in it and doesn’t need to have gang members in it. There’s an audience and market for depictions of Black life that are as broad and as deep as any other depictions of people’s lives."
Now, as Black cinema continues to grow, they must challenge themselves to create tales that reflect the Black experience beyond the narratives of racism, slavery, and segregation. Instead of creating more window-filled films, where we must peek into the lives of others in hopes of seeing ourselves, it is imperative the new films provide mirrors for Black audiences to finally see themselves as worthy of romance, levity, fantasy, action, and time.
The art we create must challenge Black cinema as they know it to create the Black movies that should have always been. Here's how:
Black Cinema Needs More Romance and Romantic Comedies
Black cinema deserves whirlwind romances with tenderness, complexity, kindness, erraticness, playfulness, and compassion.
Instead of being the second-hand side quest to a tale filled with hardship and misery, Black romantic stories should be placed center stage with intentionality and eloquent execution. It is important that Black romantic comedies be recreated with the same gusto they did in the early 2000s for white romantic comedies, with narratives that are better than the ones we idealize today. In these new narratives, Black romance must show that Black men can be whole and Black women can be easy to love. It is also essential to show that love can be held by same-sex couples.
In Black films, our love needs levity. It needs warmth. It needs nurture, and it needs to come in abundance so that we have examples of more than one way to love. Because at this moment, the only narrative we have been given on Black love comes from that of sadness and grief. Love that requires one or both parties be broken and bruised and bleeding all over the other to the point that hate and self-loathing breed a love like one has never known. This narrative is overplayed, and even more so, it is cruel in creating a falsehood that everything black must be birthed from sorrow.
Take Love & Basketball, the romance/drama, for example, which many consider to be the pinnacle of Black love. I don't need to tell you why because there are a thousand and one comments and videos on how everyone tries to defend this romance. Instead, I’ll tell you why it is not. Their romance is toxic. Simple as that. It’s cultural and controversial, so I won’t go too much into detail, and if I need to, we can have a separate article for that. But the relationship is toxic, and there are moments when both Monica and Q are giving nothing, but expecting everything.
Omar Epps and Sanaa Lathan in 'Love & Basketball'
They never truly learn how to love one another properly and justify their bad examples of love on what they experienced in the past (read "generational trauma"). Though that could be the reason, it did not justify the ultimate outcome. And though some of us might have felt seen by a story like this, especially in our own imperfect love and dating experiences, the Black experience is not a monolith, and it does not represent the healthy love we now seek to cultivate in our lives.
Plus, with such an emphasis placed on films that are dramas, there is a focus on the struggle, whether it be life or love. Paving the way to see ourselves in more films as romantic leads that offer levity, like a romantic comedy, is a welcomed change to the moving and culturally impactful stories we see. When we think of Black romantic comedies of yesteryear, actresses like Queen Latifah and even Gabrielle Union come to mind, but since the early 2000s, we haven't seen nearly as much traction in the world of romantic comedies overall, but especially ones that feature Black leads with Black love interests.
When Black romance stories are made, love should be given to the characters as a gift, not a sentencing. It should unravel beautifully, and the characters and their romance should be cherished. Their love should be watered, tended, and filled with so much beauty the gods themselves cry.
Kofi Siriboe and Jade Eshete in 'Really Love'
Netflix
Black Cinema Needs More Sci-Fi and Fantasy
In the last three decades, we have seen films about a boy who flew across the sky because of the alien he carried in his bicycle basket, objects that have come to life to tell children stories, vampires who glitter in the sun, and children who can visit a magical world by running through brick walls. Yet, you’re still telling me that our imaginations cannot expand far enough to see all this done with characters who are Black? Ridiculous. Pure absurdity. There needs to be more moments of wonderment and amazement in Black cinema.
There needs to be realms that children and adults can escape into when the reality of institutions becomes too much to bear or rationalize. We shouldn’t be thankful that white stories change characters into Black ones so that we can travel along and hope to experience the same sense of wonder as our white counterparts.
Instead, we should have stories that were made for Black characters to travel freely and happily escape the challenges faced in our society. We need realms where we fit perfectly in and can be just as magical and enchanting as we’ve always been.
Black Cinema Needs More Action and Thrillers
Last year, the Times wrote an article focusing on the influence of Richard Rountree's Shaft on the Black action hero narrative. In this article, the writer listed eight movies that were essential to watch that held Black leads as action heroes. Unfortunately, the majority of these movies listed came from the 1900s, with very few films featuring Black action leads in the 2000s or later.
Recently, Amazon Prime released their version ofMr. and Mrs. Smith, where Donald Glover has the chance of being the infamous spy that stole our hearts in 2005. In this, he is the same, charismatic character that he always portrays, with a little more action and thrill than we have associated with him before. Although the show has its flaws, Glover as an action hero makes for an entertaining watch and an interesting take on what it would mean to be a Black spy during moments where blending in in white spaces is essential.
Donald Glover starring in 'Mr. & Mrs. Smith' (2024)
Prime Video
On the other hand, we have Michael B. Jordan, who finds himself in action and thrillers where he is either the villain (Black Panther), anti-hero(Creed), or reluctant, and controversial savior (Without Remorse). In his films, he shows how Black characters can be both the hero and the villain simultaneously based on circumstances and unfortunate interactions with institutions that he has sworn to protect and have sworn to protect him. And of course, we cannot forget about the action films Samuel L. Jackson has starred in, including a revival of the aforementioned Shaft in the 2000s.
However, despite the list of Black actors above, the film industry still lacks tremendously in the Black action protagonist department. Despite its need, we rarely see Black actors allotted the opportunity to run from exploding buildings like Tom Cruise in any Mission Impossible film or the ability to hunt down the kidnappers of various Black girls taken from their father's home, as Liam Neeson does in Taken.
To enhance Black cinema, the industry needs to consider making Black characters the hero of their own stories, and for their own people. These action films must be just as outlandish and enticing as the action films made before, without a greater chance of a happy ending and outcome. Now that the action and thriller genre is looking for a revival, it is wise to consider using Black people as the heroes they've always been and rarely recognized as.
Black Cinema Needs More Black Period Pieces (outside of slavery and segregation)
The last thing we need is another damn story rotted in our nation’s mistreatment of Black people. Don’t get me wrong, I’m not saying that these stories are not important. I am just saying it is the last damn thing that we need. Why? Because we already have 101 Dalmatians worth of these, and we don’t need more. If you want a period piece on slavery and segregation, watch 12 Years a Slave or Harriet, or Birth of a Nation, or Emancipation, or Antebellum, or Hidden Figures, or Freedom, or Remember the Titans, or Emperor, or….you get the point. There are plenty of movies about Black people and our centuries’ worth of hardship.
However, our stories are more than this, and there are moments in history that I believe fiction writers can integrate Black people and their experiences without making slavery and segregation stand in the forefront; think series likeBridgertonor Queen Charlotte.
India Ria Amarteifio as Queen Charlotte in 'Queeen Charlotte: A Bridgerton Story'
Netflix
Hell, take Lovecraft Country, for example. This story acknowledged racism, segregation, and mistreatment of Black people. However, the narratives given to the characters in this period piece were so complex and intricate, that the last thing they worried about was racism itself. In a world where monsters are rooted at every corner, the societal pressures of segregation are in the back of their minds.
Though they still dealt with moments relating to racism, their character’s experiences weren’t based only on it. The only time it was was when they were around white characters, and outside of it, they were well-rounded characters who experienced life as it was, most importantly outside of the box society tries to fit them in. This needs to happen, again. I want stories where Black people speak in modern English, walking around their big ass gardens in dolly, vintage, and cottage-core dresses, and pleated pants with suspenders.
We need stories in history where Black people can exist outside of the white historical lens.
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xoNecole's I Read It So You Don't Have To is a recurring series of self-discovery that breaks down self-help books into a toolkit of takeaways and tips that are meant to assist you in finding the best life you can live. Take what works for you, and leave everything else where it is.
I considered myself a bad feminist until I read Mikki Kendall's Hood Feminism. This is mostly due to the perception of what mainstream feminism characterized itself as. For example, January 2017 comes to mind when I think of feminism. I consider the time when 4.6 million women—the majority of whom were white—demonstrated around the United States in favor of gender parity and the difficulties we would unavoidably encounter under the newly elected Donald Trump. I remember the placards insisting that people should never "grab their pussies." The banners complaining that "we" only get paid 75 cents for every man's dollar, and the shouts demanding equal pay, despite this being the least of our problems.
Yes, I give its superficiality a lot of thought.
While many lamented that women only earn 75 cents for every dollar earned by white males, I considered the reality that Latina, Indigenous, and Black women make even less. I considered all the significant concerns that were overlooked since white feminist issues constituted a huge portion of the feminist vision. However, I was unaware of the degree and rationale behind this contempt until I read Hood Feminism: Notes from the Women That a Movement Forgot.
'Hood Feminism' by Mikki Kendallwww.shopatmatter.com
Hood Feminism introduced me to the several reasons why I believe my feminist credentials were inadequate. It gave me insight into the various areas that feminism should concentrate on to achieve success in my lifetime and that of my potential children. It taught me how to be a feminist in ways I've always wanted to be. This book covers all the issues and arguments that feminists should be paying attention to, to ensure that feminism is more than just a term. It isn't necessarily a call to action, but it is a playbook of how to create feminist movements that hold the ideals of all individuals involved.
To be an effective feminist, we must emphasize Hood Feminism, and Kendall provides us with a number of strategies to help us do just that.
"Solidarity" Is for White Women
"We can't afford to wait for equality to trickle down eventually."
The Problem: The feminist agenda has prioritized narrowing the pay gap as the top feminist concern. While the salary gap is undoubtedly a problem that has to be addressed, the feminist movement's decision to make it a central issue is the ideal illustration of the trickle-down method and how solidarity is truly for white women. The idea behind the trickle-down approach is that if all women band together to address the problems facing the majority, like equal pay, then they would be able to assist minority groups in fulfilling their objectives. In essence, we should scratch their backs before they scratch ours.
Nevertheless, this idea functions only proficiently in theory. Particularly when minority concerns like food poverty, child care, and gun violence demand more urgent attention and action, while some legal processes—like equal pay—take years to resolve. The mainstream media makes us believe that solidarity means forgetting that other problems need to be addressed first.
With the clear difference between abstract ideals and very real lives, there isn't a possible way all women can stand united, when fighting one issue worsens the survivability of another.
How It Can Be Solved: It is obvious how to handle this problem: take care of the larger problems first, and the smaller ones will be taken care of afterward. Work on bigger concerns like child care services, gun violence, and food poverty, which impact all women regardless of race, rather than the wage gap, when the majority of women barely even make the alleged 75 cents to a white man's dollar.
Hunger
The Problem: Two other feminism-related concerns that must be at the forefront of the movement are affordable housing and food poverty. Families' capacity to make ends meet is rarely given much concern, despite the fact that women have access to food stamps and public housing, among other government support programs. Hunger disproportionately affects women, with food insecurity being more common in families headed by single women than in those headed by married couples or single men.
Even worse, women make up 60% of the lowest-paid workers in the nation despite making up almost half of the workforce. In addition to all of this, the majority of their income is allocated to housing and child care, which leaves very little money for household maintenance and much less for food purchases, particularly in light of the ongoing inflation. Everything is simply unaffordable.
How It Can Be Solved: Call for lawmakers to be held responsible and to boost federal nutrition programs via practical measures. Nearly two-thirds of adult and senior participants in the Supplemental Nutrition Assistance Program (SNAP) are female, yet the program offers very few advantages. The monies allotted to each household hardly even cover the costs of keeping the mother and kids fed. Increasing the monthly SNAP payment should be a top goal for policymakers in order to help more women become food secure and escape poverty.
Then, one may mention the pay disparity. Even though they make up the majority of workers, women still earn a lot less than males. As a result, women head homes that spend a larger percentage of their income on costs than men. Enforcing lawmakers to reduce the pay disparity may lead to more accessible housing and a decrease in food insecurity.
"Fast Girls" and the Festishization of Fierce
The Problem: Black women must mature more quickly than other girls. This is either due to expectations—where society stops viewing young black girls as girls around puberty—or needs—like needing to raise siblings or take care of oneself before one should. In any case, the perception that young Black girls are "fast" prevents them from being recognized for what they actually are: children. Given the battle being waged against Black girls, this adultification bias misses the fact that black girls need to learn how to fight, escape, and protect themselves at a very young age.
Black girls become strong women as a result of this instant adultification, and they are typically portrayed as "fierce" for conquering their surroundings. Sadly, this simply makes matters worse because Black women are increasingly viewed as self-sufficient and capable of defending themselves. They can preserve themselves because they are powerful. Because it is assumed that Black women can and will continue to help themselves, violence is inflicted upon them more frequently and major difficulties are disregarded.
How It Can Be Solved: Regard Black women as simply put, women—not "strong," nor "fierce." Regard them as people who deserve to be taken care of, fed, shielded, and given consideration. Black women and other minority groups need to be supported and encouraged when they seek help; instead of it being assumed they are capable of taking care of themselves.
Gun Violence
"The bullets that didn't hit me, still changed me."
The Problem: It is difficult to go five yards in predominately Black communities, where poverty meets life, without someone bringing up the topic of how unsafe the neighborhood is due to gun violence. Nevertheless, the same could apply to anyone who chooses to enter a public space in America, such as grocery stores, malls, hospitals, or schools. For the unfortunate, unforeseeable future, America and gun violence are synonymous. However, this truth is disregarded or publicized as a racial issue because it is only thought to exist in the context of poverty and Blackness. Never mind the sad truth, that women are the main victims of gun violence, due to domestic violence, mass shootings, and gang violence.
How It Can Be Solved: Gun violence must be seen by feminists as a feminist issue as much as a "Black issue." Guns are a leading cause of death for children in the United States; when they don't kill them, they terrorize them instead.
Race, Poverty, and Politics
The Problem: Always the savior, never the saved. Ironically, Black women are frequently viewed as the Democratic party's saviors. Black women voted 94% for Hilary in 2016, 96% for Obama in 2012, and 93% for Biden in 2020. Therefore, Democrats appeal to Black women if they want to win. However, Black women and their promised policies are frequently overlooked while legislation is being produced. Rather, the laws that are always remembered have to do with restricting Black women's rights and limited authority.
The majority of them lead to gerrymandering, such as that which is occurring in Alabama, or the development of laws that further downplay the hardships faced by Black women, such as poverty. Even worse, the policies that are being imposed are the result of white women's votes, who hurried to support the undermining of the laws that granted them the same liberties.
How It Can Be Solved: It is imperative that white feminists recognize the ways in which racism affects elections and the growing disparity in voting rights and access. Furthermore, Black women must recognize and resist ongoing limitations on our right to vote as well as the rights of other groups whose voting rights have been curtailed, such as those of those incarcerated. Racism is being utilized to deny our voices a platform and make our votes insignificant, and we can no longer afford to ignore this. This includes combating policies that undermine the right to vote, or even the right to vote easily, and making protecting voting rights a priority.
To understand other various ways you can use Hood Feminism to combat other feminist issues, such as education, housing, parenting while Black, the reigning patriarchy, reproductive justice, allies, and more, give Hood Feminism by Mikki Kendall a read or listen.
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Review: From Riffs To Remixes, These Reimagined Masego Tracks Are Worth A Listen
Masego's critically praised self-titled sophomore album was released earlier this year to fans' delight. Leaning on a cool, breezy, and smooth production, this 44-minute album highlights the singer's distinct musical delivery, which is steeped in neo-soul, R&B, and jazz. Through the album, Masego demonstrates his emotional and musical maturity via subjects of pursuing one's aspirations, looking for Black love, discovering oneself, and the scrutiny of contemporary fame.
Now, in response to the album's critical praise, Masego has released four remixes that provide an alternative take on some of his original tracks. With the help of Kweku Sanderson, Grammy-nominated producer Kooldrink, Pocket, and Jamie Brown, the tracks "What You Wanna Try," "Say You Want Me," and "Black Anime," the Grammy-nominated artist gives an already excellent compilation a new look and vibe.
To ride the wave of his successful sophomore album, Masego will kick off his headline Europe/UK Tour called "Where We Goin?" in 2024, where he will visit Berlin, Milan, Madrid, Amsterdam, London, and many more cities. In the meantime, however, you should definitely listen to the stellar Masego album, and give a listen to Masego Remixes.
"What You Wanna Try (Kweku Saunderson Detroit Mix)"
I was intrigued and annoyed by this song's melody when I first heard it. I was intrigued by the distinctive sound of the tune, but I was also annoyed because there was, somehow, a familiarity behind the tune that I couldn't place. Nevertheless, after giving it some thought, I discovered that the familiar melody was lifted from "Tom's Diners" and given Masego's unique trap-jazz twist.
This tune is simply the beginning of Masego's musical brilliance. Cleverly, he produced a tune that felt familiar and brand-new by layering his original beat and flow over parts of the well-known track. When it comes to Black love, he appears to be asking the same questions that he asked himself in the song "Mystery Lady" from his last record.
He wants to know what she's willing to try, and he's prepared to give it to her, whatever that may be. A partnership? There he is. A fling? He is also able to accept that. The song is welcoming and forces you to want to find an answer to whatever question the artist poses.
With layered vocals, a drill rhythm, and an inverted echo of the singer repeating the first chorus over a variety of instruments, Kwekku Saunderson's remix has the most club-like vibe. Since this is the most significant song modification of all the remixes, the charm and sensual qualities typical of Masego's music aren't as evident here, which may leave the listener wanting more from the remix than from the original. However, its interpretation is still worth the listen, as it is intriguing to hear Saunderson's version of the single over a Detriot House beat.
"What You Wanna Try (Kooldrink (Amapiano) Remix)"
Masego's song "What You Wanna Try" is featured in this remix over an amapiano beat. The dance-like element of the single is emphasized at the beginning of the song, but when Masego enters, the song is almost as alluring as it was in the original. Why? This is largely due to being absorbed in the Afro-dance rhythms for such an extended period, that when the singer eventually makes an appearance and extends a warm welcome, it feels as if he is extending a sense of companionship following the protracted periods of isolation.
Since it seems like the more collaborative of the two remixes, I might appreciate this one a little bit more. Though it sounds more like Saunderson than Masego, the first song isn't a terrible cover. Nevertheless, despite maintaining Masego's self-assurance, the first song lacked the singer's easygoing charm and swagger when pursuing a lover. That's why it wasn't as interesting as this one, which manages to keep the charm and lyrics that make Masego so appealing and enjoyable to listen to, while also veering toward club-like sounds.
"Say You Want Me (Pocket Remix)"
Prior to Study Abroad: Extended Stay, Masego occasionally performed songs with elements of Caribbean music, although not as frequently as he does these days. In this single, Masego draws on his Jamaican roots in the original "Say You Want Me," playing a lively Afro-R&B groove that feels like warm sunshine. However, it is precisely because of this emotion that the song is so brilliant and flows so naturally, making the message all the more devastating for his pursuer. Masego takes the lead on the song with a player's mentality, talking about leading ladies on, while competing for their attention at the same time. There are times when he seems invested, changed even, but he quickly implies—almost tauntingly—that it was all just him lying to her.
The backing vocals, which are contributed by Ambré, Ari PenSmith, Mannywellz, and Destin Conrad, only serve to emphasize this point as they act as possible echoes of Masego's affections—only for them to learn that the voices are just an endless part of Masego's inconsistent actions.
The Afro-R&B is dropped in favor of a faster-paced, more energetic party song in the remix. This rendition of the song has some appeal, even if it's not as seductive as the original. Like other club hits, its irresistible rhythmic quality is the primary attraction. You won't be able to sit still, even if you don't like the song; and don't get me wrong, not enjoying this song is a big "if" because even in this rendition, you can't help but think that Masego meant something else for his lover, even if he is explicit about what he intended.
After this, it is impossible not to hope that he changes and searches for a greater romance.
"Black Anime (Jamie Brown Remix)"
In its original version, the opening of "Black Anime" has a piano riff that possesses a dream-like quality. Lasting only forty seconds, its melody brings the audience to an alternate reality full of grandeur and wonder that showcases the value of using one's imagination and how this exploration can foster new ideas that may contribute to one's success. Though, the melody does not nurture this idea alone. Instead, when Masego's vocals finally emerge, he gives off an impression of expansiveness mixed with the feeling of a distant, maybe illusive dream.
This is done when he uses the familiar tune from "The Cha-Cha Slide" to lull his audience into a dream-like state, illustrating the addictive nature of pursuing one's desires and "money dreams" through a captivating cycle of pleasurable contemplation.This song's Jamie Brown remix is intriguing since it produces the same engrossing loop as the original but in a novel and intoxicating way. This version instills a sense of urgency and agitation, rather than lulling us into following our aspirations through this infinite cycle of repetition. For example, if we don't achieve our goals with a swift and nearly frantic energy, they cannot materialize at all.
By the time the well-known tune of "The Cha-Cha Slide" appears during this performance, it seems as though Masego has reached a point of exhaustion and is being forced to take a break after working nonstop for many nights, only to have the cycle repeated the instant his eyelids open, again.
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Elmiene's "Marking My Time," Cecily's "I Am Love," And More Songs By Black Artists To Vibe To
The nicest thing about the music business over the holidays is that most well-known artists have already released their albums and singles for the year and have taken a seasonal slumber until the new year arrives. This gives lesser-known musicians who must work year-round a chance to shine and take over the airwaves for a short period of time. Therefore, this week's new music is filled with artists that you don't know but should.
With songs that share relatable themes of self-sabotage ("Ruined" and "Departure"), self-assurance and confidence ("I Am Love" and "Limbo"), and self-love and reflection ("Learn Ya" and "project"), this week's new songs illustrate the self-awareness that comes at the end of the year when everything has slowed down and solidified itself. Here are the top ten new songs of the week.
"Ruined" - Michael J Woodard
This song feels... familiar. The songs that the guitar strums remind me of were probably released in the late 2000s or early 2010s. The song's tempo, reminiscent of the time period, soothes listeners into a state of comfort as Michael J Woodard speaks on how a previous romance destroyed him. The ballad "Ruined" highlights two key points: first, the singer takes responsibility for his own life's devastation, and second, he is now pleading for some sense of pity, since his partner has moved on, indicating that his careless actions in the relationship have destroyed whatever prospects he may have had.
The song is enjoyable. However, listening to Woodard sing over the chorus of this song, which expresses how he created the riff in his relationship, yet is offended that his love has the nerve to go on, is annoying after a while. One finds it difficult to feel sorry for someone who is so self-aware. Mostly because, like a lot of others, he thinks that just admitting his mistakes and making a commitment to never make them again absolves him of responsibility for what he has done.
Although he doesn't appear to entirely believe in this "forgive and forget" truth, there is a part of him that thinks his love will hear about his suffering and understand that he is ready to change now that he understands where he went wrong. And with this belief, it feels like he never truly learned the lesson that ruined him in the first place.
"Marking My Time" (Live) - Elmiene
Futuristic neo-soul musician Elmiene released his newest EP, Marking My Time, in October 2023. When discussing the EP's release, the singer states that it was meant to mark time in his personal history so that he wouldn't "get lost." Almost creating an adhesion checkpoint, the singer wanted to be sure to document and acknowledge the imprint he left on the musical world, no matter how small. This, of course, makes sense, given the R&B singer is someone we will likely hear about for years to come, especially after being dubbed the "Golden Boy" of Brit R&B.
In his latest single, "Marking My Time," the singer speaks of putting his soul on fire and escaping a society that he believes is morally corrupt and damaged over a soft guitar and dramatic string orchestra. The live version of the song is warm, comforting, and a little disheartening as we hear the singer's smooth vocals moan and plea over the ability to free himself and how doing so is easier said than done. The entire EP is worth listening to. However, if you don't have the time, treat yourself to the live rendition on YouTube.
"I Am Love" - Cecily
"You're my favorite, dubby dubby doo."
Cecily Bumbray, I believe, would be the musical love child of Jill Scott, Kaiit, and Esperanza Spalding. A singer and songwriter from Washington, DC, Cecily finds her footing in the R&B/Soul/Jazz world in her newest single, "I Am Love," in which she sings of being the epitome of love. The lead track from her next project, Awakening Pt. 2, which drew inspiration from bell hooks' book All About Love, emphasizes the value of affirmations, as the song highlights one's ability to remind oneself, especially during times of hardship, that you are love.
Due to its earnestly positive themes, the song has a cozy, milk-and-honey feel about it. It is endearing, restorative, and full of affection.
In the end, the song provides a nice groove that shows that love can come from many places, even and especially from within. "I Am Love," characterized by a laid-back rhythm and deep harmonies, seamlessly resides at the nexus of jazz and soul, mirroring the romantic sentiments of 1990s neo-soul artists with a contemporary spin.
"Black Owned Friday" - Keke Palmer ft. Crystal Waters
This song would probably be a terrific choice for a ballroom challenge if Max hadn't canceled the show, Legendary, which Keke Palmer used to cohost. Unfortunately, it has been canceled, so this song would only work well at a club during a Renaissance- or 1980s/90s-themed night. During Black Friday weekend, the song honored Black-owned companies and provided unwavering support for them. Palmer reworked the 90s hit song "100% Pure Love" by Crystal Waters in collaboration with Google to highlight Black-owned businesses.
The song is entertaining and catchy, while the music video features several Black-owned businesses and goods. She exhorts that everyone, regardless of race, invest in Black-owned companies and use their earnings for projects that would help more underprivileged entrepreneurs. The message conveys the importance of building financial success in communities that otherwise wouldn't be able to do it on their own.
"Learn Ya" - 6LACK
In preparation for his upcoming fifth studio album, 6Lack is releasing the lyric video to some of his older songs. One of those songs is "Learn Ya" from his 2016 album, Free 6Lack. Now that I have the opportunity to listen to the song again, I can't help but think of how masterfully written the song is and how it makes one accountable to their partner.
In the ballad "Learn Ya," 6Lack describes the problematic relationship he has found himself in. Confronting his girlfriend, or soon-to-be ex, the singer lists many attributes that are necessary to have a successful relationship. Unfortunately, his lover doesn't seem to possess any of them. So, throughout the song, he brings her shortcomings to her attention in a straightforward, non-accusatory tone. He merely points out how she could love him better, and in hopes of succeeding together, he holds himself accountable for teaching her how to love him correctly.
Although she appears purposefully ignorant of her mistakes, throughout the song, she seems unwilling to correct them. Still, throughout the song, 6Lack continues to use words like "we" and "us" to show that she doesn't have to grow alone in their relationship and that despite being frustrated with her, he still desires to make their relationship work.
"Limbo" - Meduulla ft. The Mouse Outfit
How evocative this tune is.
I've been missing the storytelling rap that only a few artists—Kendrick Lamar, an early J.Cole, and older rappers from the 1980s and 1990s—can provide. Meduulla discusses finding contentment in simple existence in a narrative akin to a lullaby. Living such a life means remaining loyal to herself and without compromising the qualities that define her. She struggles, though, to balance the life she is now attempting to give up and leave behind with the one she is creating for herself through her goals.
Her biggest struggle at the moment is how to handle herself during this transitional period, or how she will manage to overcome being in limbo.
Even yet, it doesn't sound like she's doing this in a melancholy manner in the song.
As she creates the life she believes she deserves, she is primarily interested in learning the answer to her question in order to make sure she takes the most tranquil and healing path possible for herself. The song is easy listening and fun, making you question where people feel safest while they're going through their transformations and how one can obtain the most peaceful manner in accomplishing their purposeful growth.
"Lonely At the Top" (Remix) - Asake & H.E.R.
Nigerian singer-songwriter Asake's song "Lonely At The Top (Remix)" is the newest single from his latest project, Work of Art [WOA]. In the song, Asake and H.E.R. delve into the themes of determination, tenacity, and the cost incurred in pursuing one's dreams despite naysayers' beliefs. The song captures the loneliness that one can acquire when at the top, and how it frequently accompanies achievement when one is in unwavering pursuit of their dreams. The singers consider the difficulties associated with success and how it can create a feeling of loneliness, while one longs for understanding and human connection.
This is one of the better H.E.R. collaborations to come out in the last few weeks. This is mostly because the song does a fantastic job of capturing the artists' dedication to following their passion relentlessly, regardless of what other people might approve of or desire. The song's lyricism is serious, but the melody is relaxing and surefooted, allowing for moments of reflection on one's circumstances. The single demonstrates the artists' will to follow their ambitions despite opposition and loneliness.
It emphasizes putting one's own aspirations ahead of other people's ideas and expectations by showing the sacrifices and steadfast devotion that come with chasing dreams.
"Departure" - Fetty Wap
It appears that a number of musicians have encountered significant legal issues recently. For instance, Young Thug's long-delayed trial for gang-related charges has recently begun after more than a year of the rapper's incarceration, Tory Lanez was just sentenced to ten years in prison, and YNW Melly is awaiting a retrial on his charges of double murder. And that's only a handful of the musicians facing difficulties; Fetty Wap, for example, hasn't put out an album in what seems like 1,738 years due to his legal issues. Nevertheless, the musician has released his most recent album, King Zoo, months after being sentenced to six years in prison on drug trafficking charges. While away, the "Trap Queen" artist released his newest single, "Departure" from his newly released project.
It's a smart release that makes for a great single for his next album. The song's melody, which has a chord pattern similar to DJ Khaled and Rihanna's "Wild Thoughts" in certain portions and Ashanti's early 2000s smash "Foolish" in others, is catchier than its words. Though the message is clear: Fetty Wap trusted the wrong people, and despite all of his accomplishments and "good behavior," this has resulted in his downfall and inevitable departure from those in his original crew.
"project" - Zowie Kengocha
This song has the sense of a seductress luring you in with the promise of love and affection. And instead of taking a measured approach with every barrier up, you joyously disarm each act of protection in the hopes of feeling even a tiny bit of her professed devotion. Until today, I've never heard a song from Zowie Kengocha, a singer-songwriter raised in Nairobi, and born in New Jersey, but after I did, I wish I had heard from the artist sooner. However, as they say, I'm glad to have arrived later than never.
In her newest single for her forthcoming EP, Kengocha's voice is clear, clean, and seductive, as she gives listeners the impression of being enveloped in warmth while swaying in a lover's embrace.
This song is ideal to play for a new love since it describes the euphoric sensation that one has when one first falls in love and their sentiments are reciprocated. The track "project" is transparent and straightforward, adding to its charm that makes downloading this gem ideal for spending a beautiful evening with the one you fancy.
"Diversion" - Tamera
I really enjoy it when performers introduce their audience to other deserving musicians that they may not have otherwise heard of. R&B artist Mahalia presents her listeners to R&B singer Tamera in her most recent single. In the acoustic rendition of the more upbeat song "Diversion," Tamera declares a warning to her partner about the thoughtless and risky conduct she has noticed in their relationship. Primarily, she sings of how, after she sees the warning signs, his erratic and dubious conduct makes her suspicious and makes her battle between the urge to fall in love with him versus leaving him where he stands.
She understands that his actions are making her respond in a way that is consistent with her nature and how she has forgiven guys like him before. Though, based on her experience, she quickly acknowledges that he is nothing more than a diversion whose sole intention is to manipulate her emotions for his own amusement. The intriguing aspect of this song is Tamera's self-awareness, as she expresses discontent with the relationship. By the end of the song, listeners question why she hasn't "tapped out of the circus" she claims to be in when it is so clear that he doesn't mind making her look like a clown.
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A Movie Buff's Guide To The Ultimate Thanksgiving Movie Marathon
Thanksgiving is the ideal occasion to unwind, indulge, and enjoy movies with loved ones. Therefore, for your inevitable movie marathon, we have curated a selection of comedies, dramas, and thrillers to keep you and your family entertained. With so many fantastic Thanksgiving films to pick from, the ones on this list are guaranteed to bring you joy and tears through empathy and compassion. These films will serve as a mirror to your daily life and lighten the mood of the holidays, whether they bring back memories of your own family, your in-laws, or your friends.
The top 15 movies that you should watch this holiday season are listed in no particular order. Though they don't all revolve around Thanksgiving as a theme, they do involve family and chosen family. Some of them will make you think of the dysfunctional family you may be trying to avoid (The Temptations and Soul Food), the political arguments that everyone can't help but talk about (The Oath and Remember the Titans), or the chaos that has been created in your chosen family (Dreamgirls and Friendsgiving). Whichever movie you choose, you'll be able to appreciate the various families that are reflected throughout the list.
15 Movies To Watch on Thanksgiving That Focus on Family & Chosen Family Dynamics
Soul Food (1997)
What a crazy, dysfunctional family the Josephs are. From the opening scene to the rolling credits of the movie Soul Food, this family screams "red flag" brightly and boldly during the holidays. Yet, we can't help but watch their madness. Every Sunday, the family gathers for dinner adorned with soul food and inevitable family antics. However, the Joseph family experiences turmoil when "Big Mama" Joseph (Irma P. Hall), the family's matriarch, goes into a coma following a diabetic episode and limb amputation procedure.
From there, Ahmad (Brandon Hammond) observes his mother, Maxine (Vivica A. Fox), aunts Teri (Vanessa Williams) and Bird (Nia Long), and other family members as they attempt to keep up with the long-standing custom of Sunday dinners while falling back on old grudges, family rivalries, and a possible life without "Big Mama."
Guess Who's Coming to Dinner (1967)
I'll give you one guess, but it's not Morgan Freeman, I promise. In a way, the 1967 romantic comedy Guess Who's Coming to Dinner was both ahead of its time and right on time. The renowned Sidney Poitier and Katharine Houghton portray an interracial couple who want to be married far too soon in this once-controversial romantic comedy classic. Joey Drayton brings her fiancé, the exceptionally talented Dr. John Prentice, back to her parents' house following a Hawaiian vacation. However, the sole issue is that Joey is white, and John is Black.
Their parents are taken aback to learn that their children plan to marry someone of a different race when they get to dinner. Consequently, the families discuss the challenges surrounding their son and daughter's nuptials and how they can possibly disband it.
The Wiz (1978)
Diana Ross. Michael Jackson. Mabel King. Richard Pryor. Nipsey Russell. Lena Horne. Ted Ross. All in one musical. That’s it. That’s the selling point. Those names alone should be a good enough reason for you to ease on down that yellow brick road. You’re welcome.
The Oath (2018)
The Oath captures just how frustrating it is to realize that you and your family have become so distant since your previous visit, just as you are going home for the holidays. And your family just won't stop talking about politics, even if there's an unwritten taboo about it. Your elderly uncle is bringing up something offensive with pride. The things your grandma is saying are inappropriate or no longer relevant in your culture. Your mom and dad are always discussing the wrong side of politics. Furthermore, your aunt won't stop talking about the candidates she supported and how America is rapidly going to hell in a handbasket. It's a mess. A hot mess, and it doesn't appear to be getting easier anytime soon.
This film depicts what happens when a family is so devoted to the past that they allow it to ruin the present. Chris and Kai (Tiffany Haddish) promise in the oath not to swear allegiance to the U.S. in exchange for tax breaks. Black Friday is the deadline, and it's a politically fraught Chris who pours over the news of The Oath while concentrating on getting through the holiday with his family. Nevertheless, when the police arrive the day after Thanksgiving, the family finds that they have to make a decision on how to keep their family safe and avoid going to jail.
Black Nativity (2013)
Although this is a Christmas movie, as you and I both know, very few people have watched it, and it hasn't even been a part of our holiday traditions. This movie is the awkward in-between, much like Thanksgiving, unlike Home Alone or This Christmas. But it doesn't mean it's not entertaining to watch. Black Nativity, which stars Jennifer Hudson, Angela Bassett, and Forest Whitaker among its star-studded ensemble, centers on Langston, a teenage boy from Baltimore raised by a single mother, as he visits New York City to celebrate Christmas with his estranged cousins, the Rev. Cornell Cobbs and his wife Aretha.
Langston quickly discovers, although, that Cobbs has severe guidelines, and he refuses to abide by them. Rather, he embarks on a voyage of return to his mother, discovering the significance of religion, healing, and family in the process.
The Temptations (1998)
Say it with me: "Ain't nobody coming to see you, Otis." And in a way, he is right, we’re all here for The Temptations. Even though it's dreadful, the tale of the original The Temptations is worth knowing, especially if you're with family. Why? Well, because The Temptations were a family unto itself and, prior to their notoriety, a fraternity that encouraged one another to pursue their own goals. They were the band that was Motown's greatest success story; they went on to become platinum-selling vocalists and had the whole world in the palm of their hands. However, a cocktail of conceit, cocaine addiction, and strained relationships ultimately brought them to an end.
With this four-hour miniseries, it’s easy for families to understand what happens when they stop considering one another and begin living selfishly for themselves.
Four Brothers (2005)
To put it plainly, this film shouldn't work. The casting director chose two musicians (Tyrese Gibson and André 3000), an actor who was not well known (Garrett Hedlund), and Marky Mark, who was a combination of the two but on the well-known side of things. With a cast like that, Four Brothers just shouldn't work, but strangely enough, it does. This film is all you could ask for in a Thanksgiving movie since it depicts the lengths individuals can go to in order to show an unconditional act of love. These foster brothers come home to seek justice—pardon, retribution—for their mother's murder after learning of her death. Local police are pursuing them throughout this time as they are aware that they are going home for more than just a funeral.
Is this the best film you have ever watched? Not at all? However, it's amusing, and you will be pleased to watch people relate to each other so well, even if they have to commit several crimes to do so.
Black Friday (2021)
Black Friday is, in my opinion, the Seinfeld of films. The film is enjoyable even though it doesn't really have a purpose—everything simply happens as they go about their ordinary lives. In the film Black Friday, the action takes place on Thanksgiving night, when irate workers at toy stores reluctantly show up for work in order to open the store at midnight on the largest shopping day of the year. The narrative abruptly changes course as a meteor carrying an extraterrestrial parasite hits Earth.
This gang of outcasts, led by longstanding employee Ken and store manager Jonathan, eventually find themselves in conflict with throngs of Black Friday consumers who have been transformed into hideous beasts determined to go on a deadly spree.
Knives Out (2019)
It is easy to gripe about family members around the holidays and even threaten to murder them if they have irritated you too much. However, it is rarely carried out or genuinely intended. In Knives Out, this is a different story. In this film, the very problematic Thrombey family comes under suspicion when it is discovered that crime author and family member Harlan Thrombey's death was caused by unexplained circumstances. To find the truth, renowned detective Benoit Blanc (Daniel Craig) must sort through a maze of falsehoods and red herrings in this dark comedy.
Finding the ideal harmony between dark comedy, drama, and humor, this movie is an excellent choice for a family viewing experience.
Friendsgiving (2020)
Friendsgiving: I'm not sure who came up with the phrase, but my entire soul yearns to give Leslie Knope, the legendary character from Parks and Rec, all the credit. Leslie emphasizes the value and beauty of friendships in her Friendsgivings, demonstrating how the holiday is an excellent alternative to the custom of spending the day with close and extended family, which is sometimes draining and toxic. However, in spite of its lovely idea, this Friendsgiving is not that.
Friendsgiving, also called Dinner With Friends, demonstrates how sometimes the family we choose may be just as offensive as the family we were born into. Molly and Abbey (Malin Åkerman and Kat Dennings), together with their group of close friends, throw a dysfunctional and chaotic Thanksgiving meal in this comedy from 2020. Demonstrating how even the family we choose may occasionally be questionable and blatantly obnoxious.
Chicken Run (2000)
Unexpectedly, this film still holds up. I recall thinking this movie was the oddest thing I had ever seen or experienced when I watched it for the first time as a child. The jokes were beyond me. I was unaware that it made a communist allusion and missed all the innuendos. Thus, the sheer brilliance of this film delighted me greatly when I saw it as an adult. The narrative of Chicken Run centers on a group of hens destined for a life of egg-laying on a Yorkshire farm. The hens believe a flashy American rooster is capable of showing them how to fly to freedom.
August Osage County (2013)
What a disaster this family is.
There is a cruel mom who is hooked to prescription drugs. A daughter who is addicted to being anywhere else. The lovebird cousins. A father who has suddenly vanished and a strained couple who no longer understand one another. This movie is exactly how I see a horrible Thanksgiving going. A toxic, codependent, manipulative family forced to survive time together without murdering one another. In the beginning, you sympathize with the characters, but around halfway through, you start to think that maybe they deserve each other. It's a comedy about tragedy and how terrible it can get. That being said, this is advantageous for those who become irritated with their own families quickly during holidays. After all, you will have a greater appreciation for your family after witnessing the devastation that this one brings to one another.
Remember the Titans (2000)
Na na na na na na na na hey, hey, hey, goodbye...
I can't exactly say what it is about Remember the Titans that makes it so special. It could be the brotherhood Gerry and Julius have for one another. It could be the fierceness and compassion Denzel Washington brings to Coach Boone. It could be the hilarity brought by singing "Sunshine" in a high-pitched voice. It could be the genuine smiles created from hearing "Ain't No Mountain High Enough" being sung by big football players. It could even be that it is based on a true story.
Whatever the case may be, this film is unique and ideal for the Thanksgiving holiday because it exemplifies the beauty that arises from putting aside differences and embracing your chosen family. This film explores the importance of human connection. A breath of fresh air, this masterpiece shows individuals truly choosing to love one another unconditionally, in spite of their differences and upbringings.
Left side. Strong side.
Dreamgirls (2006)
I was forced to listen to the school choir sing several arrangements of "Family" from this musical during my whole time in high school. They played it at Thanksgiving, Christmas, and any other occasion when they needed to jog our memories that we were a family and not just a group of people compelled to know one another by virtue of our shared school zone and residential communities. And although that was a nice message to deliver, I think they completely misunderstood it. It was comical how the group first used this song to manipulate listeners by singing about being a family before betraying their, let's face it, somewhat conceited and demanding friend.
This musical is ideal for the occasion since it depicts the dysfunction that our chosen families may also create in us, particularly if we are unable to learn how to properly connect with one another. This family is turbulent and frequently causes harm to one another for sport, but in the end, they demonstrate how, with time and when we put our egos aside and realize that we are family, we can find our way back to one another and support one another no matter what. Plus, who wouldn't want to hear Jennifer Hudson and Beyoncé give performances of a lifetime?
Fantastic Mr. Fox (2009)
Fantastic Mr. Fox is a superbly written and beautifully animated movie that addresses the issue of greed. Following twelve years of idyllic bliss, Mr. Fox betrays his wife by raiding the fields owned by Boggis, Bunce, and Bean, their human neighbors. His marriage, his family's life, and the lives of his animal companions are all at risk when he gives in to his primal cravings. Mr. Fox must use his innate cunning abilities to overcome the farmers attempting to drive him and his group deep below.
This movie is ideal for the occasion since it emphasizes the importance of contentment and gratitude for what you already have rather than always yearning for more. This film ultimately demonstrates that you will never be content if your wants exceed what you now have.
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Ari Lennox's "Get Close," André 3000's "Ninety Three 'Til Infinity And Beyoncé" & More Tracks To Vibe To
The new music released this week is alluring in the sense that it seems like everyone has stopped to consider how they relate to others and how they see themselves. Some analyses ("Chanel Pit" and "First Person Shooter") conclude that they are fantastic individuals, while other analyses ("Red Flags," "These Four Walls," "Tummy Hurts," and "Get Close") leave artists feeling angry with the people in their immediate environment and the way they have been treated by them.
Other tunes, like "Ninety Three 'Til Infinity And Beyoncé" and Noname's recent Tiny Desk Performance, induce a sense of calm by encouraging introspection. This week's music, in contrast to previous weeks, exudes confidence and self-assurance. Although the artists are still seeking personal development, it's encouraging to see people recognize their own beauty and opportunities for growth without criticizing or punishing themselves for not reaching their goals.
Here are the top ten songs of the week, you'll be thankful you gave them a listen.
"ON THE RIVER (Live Session)" - Offset
If you haven't viewed this video and song yet, please do so immediately, as it is less than two minutes long. For what reason? Well, a variety of factors. First off, Offset's career is at its pinnacle. Following the release of his most recent album, SET IT OFF, Offset has demonstrated remarkable artistic development.
He has exceptional lyricism, and his creative approach is more methodical. With these changes since his 2019 album, it has been a delight to observe his superabundance of imagination.
This song "On the River" demonstrates just how strategic he has become in his artistry. With Kirby talking about the Mississippi River in the backdrop, Offset performs his song in a fast-paced flow with his son, Wave, acting as his hype-man. With his son in hand, Offset raves about his success and lists how he has gained riches since he left his group. When he begins talking about how these riches provide for his family, Wave begins dancing creating a charming father-and-son moment.
"First Person Shooter" - Drake ft. J. Cole
It was a wise choice for Drake to release "First Person Shooter," which features J. Cole for his newest single and video. This is mostly because the other tracks on the album For All the Dogs—aside from "Rich Baby Daddy," "8am in Charlotte," and "Calling For You"—are mediocre at best, if not downright dull. "First Person Shooter" was released a few days after Drake and Cole revealed their 2024 joint tour, and the song tracks the two artists as they talk about their present standing in the rap business and how they demand to be considered one of the best.
Drake discusses his lavish lifestyle, comparing himself to a Super Bowl game or concert, and how he nearly surpassed Michael Jackson, the greatest artist in history. He also touches on his ruthless and opulent lifestyle during the two verses he raps.
Conversely, Cole talks about how other rappers use his name as a kind of "beef" to start a rivalry with him in order to gain something from it. He also discusses his standing in the rap game as a result of the praise that his albums have received from critics, his notable feature runs, and his luxurious musical productions, all of which have led to him being regarded as one of the greatest rappers of the present generation. The video is fun and clever and in the end, you can't help but agree that they are two of the greatest rappers in the game.
"Chanel Pit" - Tierra Whack
Speaking of the greatest rappers in the game, Tierra Whack needs to be held in that regard, as well. Unfortunately, I am certain that her gender prevents many people from viewing her as such. Even more tragically, she is seldom ever acknowledged for her brilliance when people consider the female rappers who are currently dominating the rap scene. In any case, it's long overdue that Tierra Whack receives recognition for her artistic ability, and I hope this song contributes to that. She creates catchy, fun, lighthearted, and entertaining songs and frequently presents them in the same way. Is this among her finest compositions?
No. If you're looking for that you need to go to her 2018 album, Whack World, or listen to her singles "Only Child" or "Unemployed." Even yet, this song is nonetheless worthy of its popularity since she mumbles humorously over a Kalimba tune, and her strange lines about smells and sensory overload in a mosh pit are accompanied by massive, bass-heavy beats. The term "Chanel Pit" refers to a very real place, a recalls a time when a friend of Whack's noticed her perfume odor while she was at a performance with a mosh pit. The song serves as the first taste of Whack's next album, which is set to be released in early 2024. Judging by her previous singles, it might be something wonderful.
"Get Close" - Ari Lennox
My displeasure with Ari Lennox's lack of recognition is similar to my initial feelings of annoyance with SZA and Victoria Monét. Although the other two have finally begun to receive the credit they deserve, Ari has still been left out in the cold, receiving fleeting moments of acclaim. Despite being a fantastic singer and artist with a vast repertory, for some reason, not enough people have recognized her as the mainstream star that she truly is.
In her latest single, "Get Close," Lennox sings over the chorus with a melodic yearning, demanding her love get close in proximity, and emotionally.
The song is not long, and in all honesty, the song doesn't need to be—it lasts less than three minutes. The message doesn't have to take longer to reach its intended audience, because it is clear-cut and simple. She wants to be close to her lover. She gently draws his attention to his sporadic distancing, despite her worry, and reminds him of the occasions when it is appropriate to trust her enough to be close. So, she knows how obstinate he can be and when he might want to retreat. With this song, she may easily entice him back into her embrace and their inevitable bond.
"These Four Walls" - Khamari
In the sea of R&B singers, it is no surprise that the artist Khamari finds himself drowning in their artistry. Another artist deserving of recognition, his sultry voice is on full display in his newest single "These Four Walls." A song about loneliness and longing for love to come back to him, Khamari proclaims his love for his lover but is only met with disappointment at her ever-flighty behavior.
This forces him to place a higher value on the walls than he ought to because he perceives them as more trustworthy and consistent than the partner who ignores him, betrays him, and makes unobtainable and unreasonable demands. In the end, he sadly recognizes that the walls are the only things in his life that can provide stability and protection for his love's selfishness and although it is not something he wants, he realizes it's the only thing he has.
"Tummy Hurt" - Reneé Rapp and Coco Jones
I will admit that I am not a huge fan of Reneé Rapp. Although I don't have anything against the musician, I haven't found a song of hers that I find particularly noteworthy or that I care about enough to download. That was before today. I didn't anticipate this remix of "Tummy Hurts," coming out like this, but all of a sudden I was downloading and playing the song nonstop. Coco Jones, a five-time Grammy nominee (I love writing that), is featured on the remix, which has brought the song to life in a manner I never imagined.
Rapp starts the song by singing on how difficult it is to depend on her ex for both emotional and financial assistance while an electric guitar is strumming along. She showed him affection even though he wasn't worthy of it, and in exchange he showed another person his affection. She therefore only wants the best for the couple, but she also has a secret hope that they will learn a valuable lesson via the suffering of their predestined kid, whom Rapp hopes would suffer the same anguish she had. Jones reflects similar sentiments, wondering how the devil maintains all of his wicked traits while maintaining such a lovely appearance. It's entertaining to hear the vocalists belt over each other as they join the chorus and express their fervent desire for the demise of both his new partner and their ex.
"The Glass" - H.E.R. ft. Foo Fighters
Remember that time Imagine Dragons and Kendrick Lamar performed together at the 2014 Grammy Awards, and everyone thought, "What the f***?" and "Why the f***?" However, it ended up being a song worth listening to and one of the night's top performances. Well, that's the exact sentiments I expressed when I saw H.E.R.'s name next to the Foo Fighters. Though, unexpectedly this does not have much of the Foo Fighters on the song. Instead, this is a cover of Foo Fighter's "The Glass."
Reflective of her debut album, this song is very ballad-based and anthem-like, which isn't always a bad thing. But after hearing one ballad-like speech too many, it becomes redundant and leaves a lot to be desired with this chosen single. Her voice is beautiful, but once the song concludes, it doesn't leave much of an impression on the listener.
"Red Flags" - Brittany Howard
The excitement I hold for this upcoming album is simply unfathomable. And with the constant releases of her singles, I find that I am getting more and more excited as the weeks drag on. "Red Flags," Brittany Howard's latest single, is an emotional, expressionist rumination on a failing relationship.
Brittany Howard's "Red Flags" unfolds like an ethereal jazz emotional breakdown, except in her interpretation. The topic of the song is the propensity to see warning signs and to ignore them entirely despite knowing better.
Unlike the songs that Howard usually creates, this song leans less on the electric guitar and more on the funky and at times erratic beats of the drum, and Howard's low raspy voice told as if she is coming to some kind of realization throughout the song. When she finally acknowledges where she is at fault, her low rasp turns into a high-pitched scream of frustration.
"Ninety Three 'Til Infinity And Beyoncé" - André 3000
The music on the new album New Blue Sun, is lovely and a great example of how people may get more introspective as they age. André 3000 opted to use a flute, which has been an inspiration to him for the past few years, to produce an album because he wanted to make a rap record but had nothing to talk about. This album, which lasts for one hour and eight minutes, is a peaceful, serene experience as all of the tracks are at 432 Hz, the healing frequency for calmness and relaxation.
With "Ninety Three 'Til Infinity And Beyoncé," André 3000 crafts a catchy, melodious atmosphere that keeps you enthralled for over four minutes.
Noname: Tiny Desk Concert
Not many artists have returned to the Tiny Desk performances. When they do, however, Tiny Desk demands that they either come in a new version or give something completely different. The 23-minute performance included revolutionary raps from Noname's third album Sundial, as well as the premiere of an unreleased song by hip-hop trio Ghetto Sage, which includes her and longtime collaborators Smino and Saba. The album, Sundial, is a brilliant examination of American culture and marks Noname's first release in five years.
Noname is tired of the anti-critical positive culture we've fostered over the years and is disgusted by the way this movement has produced marketed performances that turn Black art and culture into commodities.
This record is remarkable, enlightening, and self-aware in a manner that Noname has never been before. She is not trying to portray herself as a revolutionary in this, but she is also not going to remain silent about the absurdity she is seeing all around her or for other people. Watch the entire 23 minutes of this performance, and become enraptured in the artist as she finally shows that she deserves to be recognized as a groundbreaking artist of her time.
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