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Review: From Riffs To Remixes, These Reimagined Masego Tracks Are Worth A Listen
Masego's critically praised self-titled sophomore album was released earlier this year to fans' delight. Leaning on a cool, breezy, and smooth production, this 44-minute album highlights the singer's distinct musical delivery, which is steeped in neo-soul, R&B, and jazz. Through the album, Masego demonstrates his emotional and musical maturity via subjects of pursuing one's aspirations, looking for Black love, discovering oneself, and the scrutiny of contemporary fame.
Now, in response to the album's critical praise, Masego has released four remixes that provide an alternative take on some of his original tracks. With the help of Kweku Sanderson, Grammy-nominated producer Kooldrink, Pocket, and Jamie Brown, the tracks "What You Wanna Try," "Say You Want Me," and "Black Anime," the Grammy-nominated artist gives an already excellent compilation a new look and vibe.
To ride the wave of his successful sophomore album, Masego will kick off his headline Europe/UK Tour called "Where We Goin?" in 2024, where he will visit Berlin, Milan, Madrid, Amsterdam, London, and many more cities. In the meantime, however, you should definitely listen to the stellar Masego album, and give a listen to Masego Remixes.
"What You Wanna Try (Kweku Saunderson Detroit Mix)"
I was intrigued and annoyed by this song's melody when I first heard it. I was intrigued by the distinctive sound of the tune, but I was also annoyed because there was, somehow, a familiarity behind the tune that I couldn't place. Nevertheless, after giving it some thought, I discovered that the familiar melody was lifted from "Tom's Diners" and given Masego's unique trap-jazz twist.
This tune is simply the beginning of Masego's musical brilliance. Cleverly, he produced a tune that felt familiar and brand-new by layering his original beat and flow over parts of the well-known track. When it comes to Black love, he appears to be asking the same questions that he asked himself in the song "Mystery Lady" from his last record.
He wants to know what she's willing to try, and he's prepared to give it to her, whatever that may be. A partnership? There he is. A fling? He is also able to accept that. The song is welcoming and forces you to want to find an answer to whatever question the artist poses.
With layered vocals, a drill rhythm, and an inverted echo of the singer repeating the first chorus over a variety of instruments, Kwekku Saunderson's remix has the most club-like vibe. Since this is the most significant song modification of all the remixes, the charm and sensual qualities typical of Masego's music aren't as evident here, which may leave the listener wanting more from the remix than from the original. However, its interpretation is still worth the listen, as it is intriguing to hear Saunderson's version of the single over a Detriot House beat.
"What You Wanna Try (Kooldrink (Amapiano) Remix)"
Masego's song "What You Wanna Try" is featured in this remix over an amapiano beat. The dance-like element of the single is emphasized at the beginning of the song, but when Masego enters, the song is almost as alluring as it was in the original. Why? This is largely due to being absorbed in the Afro-dance rhythms for such an extended period, that when the singer eventually makes an appearance and extends a warm welcome, it feels as if he is extending a sense of companionship following the protracted periods of isolation.
Since it seems like the more collaborative of the two remixes, I might appreciate this one a little bit more. Though it sounds more like Saunderson than Masego, the first song isn't a terrible cover. Nevertheless, despite maintaining Masego's self-assurance, the first song lacked the singer's easygoing charm and swagger when pursuing a lover. That's why it wasn't as interesting as this one, which manages to keep the charm and lyrics that make Masego so appealing and enjoyable to listen to, while also veering toward club-like sounds.
"Say You Want Me (Pocket Remix)"
Prior to Study Abroad: Extended Stay, Masego occasionally performed songs with elements of Caribbean music, although not as frequently as he does these days. In this single, Masego draws on his Jamaican roots in the original "Say You Want Me," playing a lively Afro-R&B groove that feels like warm sunshine. However, it is precisely because of this emotion that the song is so brilliant and flows so naturally, making the message all the more devastating for his pursuer. Masego takes the lead on the song with a player's mentality, talking about leading ladies on, while competing for their attention at the same time. There are times when he seems invested, changed even, but he quickly implies—almost tauntingly—that it was all just him lying to her.
The backing vocals, which are contributed by Ambré, Ari PenSmith, Mannywellz, and Destin Conrad, only serve to emphasize this point as they act as possible echoes of Masego's affections—only for them to learn that the voices are just an endless part of Masego's inconsistent actions.
The Afro-R&B is dropped in favor of a faster-paced, more energetic party song in the remix. This rendition of the song has some appeal, even if it's not as seductive as the original. Like other club hits, its irresistible rhythmic quality is the primary attraction. You won't be able to sit still, even if you don't like the song; and don't get me wrong, not enjoying this song is a big "if" because even in this rendition, you can't help but think that Masego meant something else for his lover, even if he is explicit about what he intended.
After this, it is impossible not to hope that he changes and searches for a greater romance.
"Black Anime (Jamie Brown Remix)"
In its original version, the opening of "Black Anime" has a piano riff that possesses a dream-like quality. Lasting only forty seconds, its melody brings the audience to an alternate reality full of grandeur and wonder that showcases the value of using one's imagination and how this exploration can foster new ideas that may contribute to one's success. Though, the melody does not nurture this idea alone. Instead, when Masego's vocals finally emerge, he gives off an impression of expansiveness mixed with the feeling of a distant, maybe illusive dream.
This is done when he uses the familiar tune from "The Cha-Cha Slide" to lull his audience into a dream-like state, illustrating the addictive nature of pursuing one's desires and "money dreams" through a captivating cycle of pleasurable contemplation.This song's Jamie Brown remix is intriguing since it produces the same engrossing loop as the original but in a novel and intoxicating way. This version instills a sense of urgency and agitation, rather than lulling us into following our aspirations through this infinite cycle of repetition. For example, if we don't achieve our goals with a swift and nearly frantic energy, they cannot materialize at all.
By the time the well-known tune of "The Cha-Cha Slide" appears during this performance, it seems as though Masego has reached a point of exhaustion and is being forced to take a break after working nonstop for many nights, only to have the cycle repeated the instant his eyelids open, again.
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Taysha Robinson is a writer and high school English teacher, based in metro-Atlanta. A self described philomath, you can find her reading books and articles of every genre, attending educational conferences, and hiking wherever the terrain will allow.
This article is sponsored by Hulu.
UnPrisonedhas returned for its highly anticipated second season, delving deeper into the complex dynamics of the Alexander family.
The series premiere comes a year after its debut season garnered rave reviews from fans and critics and earned record-breaking ratings for Hulu's Onyx Collective brand. UnPrisoned's success can be attributed to its raw, relatable themes and comedic appeal.
Inspired by creator Tracy McMillan's life, the show follows Paige (Kerry Washington), a therapist and single mother whose life takes an unexpected turn when her father, Edwin (Delroy Lindo) --who was released from prison-- moves in with her and her teenage son, Finn (Faly Rakotohavana).
Throughout UnPrisoned's first season, viewers witnessed how Edwin's incarceration deeply affected Paige's life and relationships. In the series, Paige unpacks her trauma through interactions with her inner child and her online followers. Meanwhile, Edwin is overcoming specific struggles with his own past that led to his life of crime, including a dysfunctional upbringing and his mother's arrest. As the Alexanders attempt to reconcile, new challenges arise.
This new season promises to further explore their unconventional family dynamic. Here are several compelling reasons why season two of UnPrisoned should be on everyone's watchlist.
The Alexander Family Life Is Still In Shambles
UnPrisoned's second season resumes where the series left off, with Paige grappling with the fallout from her troubled therapy practice and Edwin navigating life independently after moving out. Meanwhile, Finn faces his own challenges. The teenager is battling anxiety and seeking information about his father—a topic Paige avoids discussing.
The Alexander Family Are Attending Therapy To Resolve Their Underlying Issues
Amid the chaos in their lives, the Alexander family decides to mend their bond by confronting their past traumas. They seek professional help and attend therapy sessions with a “family radical healing coach,” played by John Stamos, a new cast member. This collective effort aims to unravel the complexities of their shared history and strengthen their relationships.
The process of unraveling each character's internal conflicts and their potential impact on future relationships may clash with Paige's textbook therapy approach. While Paige is used to being in the therapist's seat in both career and family, this forces her into the unfamiliar role of a patient during therapy sessions. This shift would compel her to look in the mirror and try a radically different approach.
The Alexander Family Learned A Big Lesson During A Therapy Session
In therapy, the Alexanders are tasked with addressing their individual traumas to salvage their remaining relationships. One of the family therapist’s eccentric suggestions was an exercise involving a family wrestling match. During this session, Paige faces tough questions about her refusal to share information about Finn's father.
While it's unclear whether this scene is reality or fantasy, the image of the family duking it out in the ring certainly makes for hilarious yet compelling television.
Paige Tries Dating Again Following Failed Relationships
Amid her life's chaos, Paige decides to step back into the dating field. However, her many attempts have left her with mixed results. The dating apps have turned out to be a fail, and an outing with her ex Mal (Marque Richardson), who is also her father's parole officer, doesn’t go quite as expected after he brings an unexpected guest – his new girlfriend.
The situation takes an awkward turn when Mal's new partner learns why the former couple split, partly due to Paige's self-sabotage.
UnPrisoned Is A Perfect Balance Of Comedy And Drama
As a dramedy, UnPrisoned takes a comedic approach to its heavy subjects. The show takes us on a ride with Paige's dating misadventures and navigating a friendship with her ex.
Other lighthearted moments include Edwin's attempts at CPR based on online videos and, of course, the antics of the Alexander family's unconventional new healing coach.
The second season of UnPrisoned is now available on Hulu.
UnPrisoned | Season 2 Trailer | Hulu
Feature image courtesy
Blair Underwood Initially Turned Down 'Sex And The City' Because 'It Was About How Samantha Was Fascinated By Dating A Black Man’
Actor and heartthrob Blair Underwood is opening up about why he turned down Sex and the City the first time he was offered a role. Many fans of the HBO series may recall Blair's time on the show in which his character was dating Miranda (Cynthia Nixon). However, he was previously offered another role where his character would date Samantha (Kim Cattrall).
During his interview with AV Club, the Set It Off star revealed that he was uncomfortable with the initial offer due to the character's fascination with him being a Black man.
“I actually did say ‘no’ the first time,” he said. “The first time they had offered the role, to be honest with you, it was about how Samantha was fascinated by dating a Black man and wanted to know if, uh, all of the rumors were true about our anatomy! And I said, ‘Listen, I’m honored, thank you, but I just don’t want to play a character based on race, on curiosity about a Black man.'”
But that didn't stop them from reaching out again. This time he was offered to play Dr. Robert Leeds, the love interest to Miranda and he decided to go for it. "So they were nice enough to call about a year later, and I said, 'Well, is it gonna be about race?' And they said, 'No, no, no, we’re not even gonna mention race!' And I think it really did only come up maybe once," he recalled.
"It did five episodes, and I think Samantha mentioned it once, saying something about 'a Black doctor' that Miranda was dating. And that’s really been a consistent thing in my career: not wanting to be boxed as 'the Black guy.'
"I’ve had that conversation with many producers along the way, and they were so great. They said, 'No, he’s just a doctor who Miranda meets in the elevator, and they have a nice little fling.' And it was amazing."
Blair has had a wide-ranging career playing everything from a lawyer on L.A. Law to playing Madame CJ Walker's husband on Self Made: Inspired by the Life of Madame CJ Walker. And during his interview, he revealed another role that he initially turned down, Set It Off. The movie, which is considered a classic in Black culture, stars Queen Latifah, Jada Pinkett Smith, Vivica A. Fox, and Kimberly Elise. Blair's character, Keith, played a banker and love interest to Jada's character, Stony.
He explained why he said no at first and eventually accepted the offer. "I had initially said “no” to that. Because I was playing this historic, iconic African-American historical figure in Jackie Robinson, and the time, y’know, there was Boyz N The Hood, and Menace II Society was out there, and I’d finished playing this noble Negro… [Laughs]," he said.
"And I’m reading the script, and there’s a scene where Jada Pinkett’s character—Jada Pinkett-Smith now—was going to sell her body so she could make some money to send her brother to college. And I remember, honestly, I threw the script across the room. I was, like, “I don’t want to do this. I want to do something uplifting for the Black culture and Black characters, and I don’t know if I want to see this.”
After a conversation with the movie's director F. Gary Gray and the actor's manager encouraging him to finish reading the script, Blair had a change of heart. What he first thought about the movie turned out to be totally different.
"So I finished the script, and I saw that the character they were asking me to play was really the love story in the midst of all of this turmoil of all of these characters, the four ladies: Queen Latifah, Vivica Fox, Kimberly Elise, and Jada," he explained.
"It was so well-written, it was such a great platform for them. And to be able to play the love story and the storyline that gave Jada’s character a leg up and a way out of this world, something to hope for, to wish for, someone to love her… I said, 'You know what? I’d like to be a part of that.'
"And I’m so glad I did, because that film resonates to this day. People all the time come up to me and say that they love that movie. So I’m glad that I did it."