"As soon as I get back to Chicago, I'm definitely getting some Lou Malnati's Pizza or something," Jasmine Jordan confesses.
Currently quarantining from her home in Charlotte, North Carolina, the Chi-town native speaks of better days when the coronavirus no longer confines us to our couches. She's not complaining though. The newly-engaged mom is appreciating the trips that were traded in for some much-needed family time. "I could go for a deep-dish pizza right now."
OK, so maybe she craves just a little bit of normalcy.
But normal looks a little different for the daughter of a basketball legend. And though her life may seem predestined, Jordan is determined to build a legacy that lives beyond that of her father's accomplishments. After all, the apple doesn't fall far from the tree. She's a star in her own right.
DADDY’S LITTLE GIRL IS MORE THAN A PRINCESS.
Born and raised in the Windy City, she lived a life of both sunny skies and winter storms. Growing up in the lap of luxury afforded her a privileged life that she certainly doesn't deny, but her parents made sure that she was aware of life on the other side. Grandma's house on Wallace Street gave her a taste of the Southside talked about in headlines.
"[My mom] was like it's not about a scare tactic or anything like that, you just need to know how the world is around you," says Jordan, reminiscing on days of family visits where pops would play ball in the backyard with the neighborhood kids. "It felt like home. No matter what we did behind those gates, we knew we're still a part of this community. They made sure that we knew how life was around us so we never felt like we were in a bubble or sheltered, and never felt like we couldn't connect and relate to other people that look like us because of our economic backgrounds."
At Loyola Academy, a predominately white private school where wealth wasn't uncommon, Jordan was welcomed as the heiress to the throne. But she wanted to be known for something more than her pedigree. "My father is my father. He has his fame and he's built his empire and brand, but at the end of the day those are his accomplishments," she says. "Do I reap the benefits of it being his daughter? Absolutely. But I have no right to claim those things, and I never do because those are his accomplishments. I'm his daughter and I'm still going to make a name and do whatever I need to do so people can see me for me."
Courtesy of Jasmine Jordan
"My father is my father. He has his fame and he's built his empire and brand, but at the end of the day those are his accomplishments. Do I reap the benefits of it being his daughter? Absolutely. But I have no right to claim those things, and I never do because those are his accomplishments. I'm his daughter and I'm still going to make a name and do whatever I need to do so people can see me for me."
When she transitioned to public school during her junior year, however, titles and worldly treasures no longer held rank amongst her new group of friends. "They're not checking for my bank account. They're not checking for my last name. They're trying to see, all right, can you hang with us? You know, do you know how we go off? Do you know our background? And my thing is, I may not have grown up on the streets or anything like that, but I'm fully aware of it. I'm a well-rounded individual and that's critical."
Living in both worlds gave her the confidence to own her privilege and simultaneously embrace her people. While life at home was much different than the one at school, moving amongst her peers where she wasn't defined by who her parents were allowed her to become her own woman.
"We knew we were fortunate. We are blessed, but we aren't different. Once you remove those materials factors away then you realize that I'm just Jasmine. I'm just me."
SHE'S DADDY’S LITTLE GIRL BUT ALSO A GROWN A** WOMAN.
And as an executive of the Jordan Brand, the 27-year-old boss chick is helping to run an empire, working as the liaison between the Jordan Brand and its respective athletes. From ensuring the players get their footwear and apparel to ball in style to coordinating efforts for photoshoots and media appearances, Jordan often takes on the role of a mama bear protecting her young, many of which aren't too far off in age.
"Being their representative and making sure that they are representing the brand as well, I'm going to be super protective about them and make sure they're comfortable and make sure that they're being heard in different settings," she says. "I just want to make sure that my athletes and whoever I'm working with or having meetings with are comfortable in that setting as we get the job done, and whatever that entails. [I want to] make sure we execute at the highest level."
As a Black woman in a male-dominated industry, Jordan is fighting for her own voice just as much as those of her athletes.
And as the oldest, female sports representative for the Jordan Brand, all eyes are on her, and expectations are set high. Not to mention the fact that her father's a legend. That's pressure on another level of pressure. "I'm getting hit left and right with all these expectations, but I don't run from them. I embrace it because at the end of the day, if I can pave the way for more Black women to get into this industry, then I'm doing my job."
Courtesy of Jasmine Jordan
"I'm getting hit left and right with all these expectations, but I don't run from them. I embrace it because at the end of the day, if I can pave the way for more Black women to get into this industry, then I'm doing my job."
A 2014 graduate of Syracuse University with a degree in sports marketing, Jordan hit the ground running just three days after graduation working as the coordinator of Basketball Operations for the Charlotte Hornets, where she stayed for four seasons before moving on to the Jordan Brand. She credits the job for giving her the business etiquette required in her role today.
"A lot of my communications outside of the athletes were with the teams or colleges, so it was a lot of emails," she recounts. "It really took me out of my element. I'm a people person, I like to talk on the phone or see you and engage with you in person and knowing that I couldn't connect with the colleges or the reps from other NBA teams on a consistent basis outside of email was definitely hard. So, I definitely loved the fact that I had to really sit down at a computer for eight or nine hours out of the day and constantly engage that way and make sure that they still felt my personality or my words through the emails I was sending."
Despite what naysayers may think, her transition to the Jordan Brand, initially as a Field Representative, was no easy feat. "I'm not checking for people who think I have a handout or assume because it's my father's brand it should be easy for me. I had to go through the same process as everybody else. I had to do interviews, I had to submit resumes, so on and so forth. My work ethic is definitely going to speak for itself."
Courtesy of Jasmine Jordan
"I'm not checking for people who think I have a handout or assume because it's my father's brand it should be easy for me. I had to go through the same process as everybody else. I had to do interviews, I had to submit resumes, so on and so forth. My work ethic is definitely going to speak for itself."
On her first day, she felt like the new girl on campus. Dividing her time between Nike's headquarters in Portland while maintaining relations with the team in Charlotte presented its own set of challenges, and she spent the first few months in her role trying to prove herself, only to learn that there is no "I" in "team". "I didn't reach out and ask for help when doing projects," says Jordan. "At first I was like, I just want to hold everything close to me and master it. I'm going to figure it out and then, boom, I'll present."
That mindset failed her when Kemba Walker, who was known for sporting Air Jordan 32s, expressed that the shoe design was uncomfortable when having to cut and drive to the basket. "Instead of asking the team for the proper language to explain what Kemba was uncomfortable with, I just kept saying, 'No, it's the Achilles; it's hurting him.' So, we had to create like three or four different shoes and none of them were accurate or correct because I wasn't speaking in their language."
Pride often comes before a fall, and her own mistakes led to an understanding that asking questions and learning the designer's lingo would help better translate her requests and reduce inefficiency. "I really had to humble myself and understand it's not that anyone's taking anything from me, it's the fact that we're a family. We're a small organization, Jordan Brand. I've got to look at them as family and not just colleagues, and understand that if one person's down, then we're all down."
SHE'S BUILDING HER OWN LEGACY.
Embracing her new "family" would help her go on to launch the Jordan Heiress collection, complementing the growing line of women-focused sneakers. A sneakerhead and fashion lover herself (her personal collection is well over 500 pairs), Jordan regards the experience as a passion project, echoing the advice of her mentor Jeanie Buss, President of the Los Angeles Lakers, to "make sure you love it and it aligns with your heart and it feels right."
"I wanted it to feel like that rich design and have that texture really feel like it could be a designer shoe like the Louis Vuitton, but it's still true to Jordan and true to our retro story," she says.
It's that love and commitment that has allowed Jordan and the Jordan Brand team to continue to catapult the brand which, according to Forbes, just reached its first billion-dollar quarter after an impressive $3.1 billion in wholesale revenue over the previous fiscal year. "If I can have my work ethic, my accomplishments, and my success on projects outshine the fact that I'm my father's child, then my job is done."
Courtesy of Jasmine Jordan
"If I can have my work ethic, my accomplishments, and my success on projects outshine the fact that I'm my father's child, then my job is done."
Jasmine Jordan's building her own. She's a hustler and a go-getter, just like Mike. But she's also a new mother and a soon-to-be wife to fiancé and NBA player Rakeem Christmas. Both roles she embraces with open arms while carrying the workload of a corporate executive on her shoulders. But no worries, she was built for the league of extraordinary women. Between phone calls and emails from work and the never-ending demands of life at home, she slips in five minutes of prayer and meditation here, a currently self-administered manicure there—moments of stillness that are much welcomed in her busy schedule. Motherhood has taught her to practice patience and peace, lessons that extend from the baby room to the boardroom.
"He's new to this world and he's depending on me—depending on his dad and really just depending on us to figure out how to function and understand what's happening around him, and that takes a lot of patience and being calm and laughing," she admits. "I think those are definitely the things that have really come because of becoming a mother. But I appreciate it because now I'm way more patient and I laugh at almost anything and everything just to shake off whatever I might actually be feeling."
It doesn't escape Jordan that she's also raising a Black son in a world that judges him not by his bank account but by the color of his skin. Success, it turns out, isn't a shield from white supremacists or racism.
"He's only blind because he doesn't even realize what's happening, which is a blessing in disguise," says Jordan. "But it is going to be the conversations that I remember my mom having with my brothers (Jeffrey and Marcus) and just saying like, hey, when you go out in public, make sure you're like 'yes or no sir,' 'yes ma'am no ma'am.' You know, manners and be polite. Don't sag your jeans, things that aren't typical conversations for white people or anybody that's not Black. It's about making sure we've raised him just to be a respectful young man and a respectful individual, but we're going to have to have those additional conversations so he can understand what life is like as a Black man."
For now, the little prince can rest easy knowing that he's well-loved and taken care of, though Jordan is clear that she won't just be handing over the keys to the empire. Like her, he'll have to learn about business beyond that of her family to make sure the bag stays secure. "I'm now working with financial advisors and wealth management programs to truly understand what it is to be a beneficiary of wealth," she says. "It's not just about getting money and being able to spend it, you want to make sure that money outgrows and outlives you."
For five Sundays in a row, millions of viewers tuned in to watch The Last Dance, which documented the life and the legacy of her father. But Jasmine Jordan's own story is just getting started, and she's already proving that she's just as worthy of the spotlight.
For more of Jasmine, follow her on Instagram.
Featured image courtesy of Jasmine Jordan.
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A Goddard College graduate, who earned an MFA from Pratt Institute and was awarded an honorary doctorate from Marymount Manhattan College, Mahogany offers unapologetic realness with a side of grace and empowerment. "I started touring locally. I started creating chat books so that those poems will go in the hands of the people who were sitting in the rooms," she shared.
"And then I started facilitating poetry workshops, so I used my chat books as curriculum. And that, in turn, allowed me to further invest in my art and show the community and people who were hiring me that it wasn't just a one-off, that it's not just, you know, a fly by night—that I am invested in this art as much as I am invested in your community, in your children's learning, in our growth."
Mahogany has a special way of moving audiences, and her superpower sparks shifts in perspective, post-performance introspection, and strengthening of community bonds, especially among Black women. (One can undeniably recognize her gift for arousal of the spirit and mind merely from her listening to her insights from the other side of a Google Hangout call. I can only imagine the soul-stirring, top-tier sensory encounter when watching her perform in person.)
In this chat with xoNecole, Mahogany reflects on sustaining a creative career, the aftermath of writing a banned book, and using poetry for both healing, community-building, and activism.
Anthony Artis
xoNecole: What are three key things that have laid the foundation for a sustainable creative career for you?
Mahogany L Browne: What has helped me is that I'm willing to go in being an expert at knowing poetry and knowing the way in which art can change the landscape of our lives, not just as a poet, but also as a poetry facilitator. How you move through classes, those things are mastered, right? So when I go into another space that's maybe tech-heavy, I don't mind learning and being, you know, a student of the wonder of how we can make this magic, work together.
Two, you’ve got to know how to pivot. Sometimes we say, ‘Alright, this is what my life is going to be. I'm going to be a New York Times best-selling author. I'm going to, you know, have an album that's Grammy-nominated. And then, say you get dropped from your record label. That doesn't mean you can't make an album anymore. You can also still create an album that can be submitted to the Grammys. So, what does a pivot look like as an artist who doesn't have an institution behind them? Pivot being a student of the wonder.
Relationships also really help. How do I serve the community? And in turn, that tells me how the community can show up. For me, I have long-standing ties with a community that will outlast my one life. So, what does it mean to create space where these relationships can develop, can be nurtured, can be rooted, can be cultivated? Creating space—it happens through relationships.
xoN: With today’s economic challenges, what does your current creative process look like, and what are you working on?
MB: I’m always thinking five years ahead. I just reviewed the pages for two children’s books and recently released a YA novel. I’m drafting an adult fiction manuscript now.
Anything I create is founded with the root of poetry, but it can exist in captions. It can exist in commercials. It can exist as a musical. So that's where I’m at now.
xoN: You started performing "Black Girl Magic" in 2013, had an acclaimed performance of it via PBS and the work went on to viral success shortly after. Talk more about the inspiration. And what do you think about the continued relevance more than a decade later?
MB: I wrote it as a rally cry for the mothers who had been keeping themselves truly in harm's way by, you know, being a part of the community right after the death of their child or their loved one. They are usually mothers of victims of police brutality—and just seeing how they showed up in these community spaces, they are devout to the cause but obviously still grieving.
"I wanted this poem to be just a space of reclamation, of joy and of you, of your light, of your shine, of your brilliance, in any which way in which you fashion. Every room you enter is the room you deserve to be in. What does it mean to have a poem like that that exists?"
And the first time I did the poem, the Weeping that occurred, right? It was like this blood-letting of sorts. The next time I performed it, I'm moved to tears because I'm seeing how it's affecting other women who have just been waiting to hear, ‘You belong. You deserve. You are good. We see you. Thank you, despite everything that they said to make you regret being born in this beautiful brown, dark-skinned, light-skinned, but Black body.’
Black women are the backbone—period. Point blank. And so, that that poem became a necessity, not just to the fortitude of Black women in the community, but like you know, in service of healing the Black women.
xoN: One of your books was banned at a school in Boston, and it was later reinstated due to parental and activist support. What was that experience like?
MB: Well, I think it happened because they were racist. That's it. Point blank. The reversal of it was empowering, right? I realized, oh, I thought we just had to sit here and be on a banned book list. But no, parents are actually the leaders of this charge.
So to see that, the parents said, ‘Nah, we're not gonna let you take this book out of my baby’s school just because it's a Black kid on the front saying, ‘Woke’ and they're talking about being a global citizen. They're talking about accountability. They're talking about accessibility. They're talking about allyship, and you don't want them to have compassion or empathy or have even an understanding, right? So no, we rebuke that, and we want this book here anyway.’ To see that happen in that way. I was, like, reaffirmed. Absolutely.
xoN: You recently organized the Black Girl Magic Ball at the Lincoln Center in New York. Honorees included author and entrepreneur Rachel Cargle and National Black Theater CEO Sade Lythcott. What impact did it have and what expanded legacy do you hope to leave with your creative works?
MB: I was really interested in not celebrating just the book, but celebrating the community that made the book possible. And so I gave out five awards to women doing that thing, like, what does it mean to be a Black girl in this world?
I just thought it was gonna be an amazing time. Everybody's gonna dress up—we're gonna celebrate each other. And boom, I then realized that it responded to like a gaping hole. There was a missing thing for Black girls of all walks of life, all ages, right?
"It's very intergenerational. That was intentional to come together and celebrate just being us."
You have all these instances where just being you is either the butt of a joke or it's diminished and not worthy of a specific title in these larger institutions. So what does it mean to just to be loved up on and celebrated?
It felt like a self-care project at first. You know, for the first couple of years, folks were coming and they were getting that sisterhood. They were getting that tribe work that they were missing in their everyday lives.
I love the Black Girl Magic Ball because we got us. If I go out with a bang, they'll remember that Mahogany worked her a** off to make sure all the Black girls everywhere knew that she was the light. We are the blueprint.
For more information on Mahogany L. Browne, her work, and her future projects, visit her website or follow her on IG @mobrowne.
Featured image by Anthony Artis
“I think for me, an all-American girl, for some reason, brings me back to when I was younger, and just like playing at my grandma’s house and just being outside,” Kennedy told xoNecole ahead of her attendance at the 2025 BET Awards.
“I just feel like when I was younger, you know, you don’t have as many responsibilities. There’s not as much weighing you down, and so I kind of go back to that mindset. Like, even now, being 27, I’m trying to get back to that younger girl.”
The 2025 BET Awards, hosted by Kevin Hart, took place in Los Angeles at the Peacock Theater on Monday night (June 9). The star-studded event was filled with tons of surprises, including a trip down memory lane with a 106 & Park reunion, coupled with performances by artists that dominated the top spots during the music video countdown show’s reign from 2000 to 2014.
Kennedy, who received her first nomination alongside Tanner Adell, Brittney Spencer, Reyna Roberts, and Beyoncè in the BET Her category for “Blackbiird,” the reimagination of the original The Beatles of the same title (minus the extra i), invited xoNecole to get ready with her as she prepared for her first-ever BET Awards.
Beauty Rituals Inherited From Her Mother.
Rather than booking her makeup artist ahead of the big night, Kennedy decided to go on a budget and do the task herself, something that isn’t too out of her norm. She noted how she incorporates some of the things she witnessed her mother do while growing up in her routine.
“I remember being younger and seeing all the makeup laid out on my mom’s counter,” the “I Look Good In That Truck” singer recalled. “I don’t even think she knows this, but there were moments where I would like to go and steal her makeup. She would have Mac. I think it was some kind of foundation powder, and I would go in there and I would put it on, and I’m like I hope she doesn’t see.”
She added, “My mom is very natural with her makeup, so even though I’ve got these big lashes on, I always gravitate towards just neutral looks… I don’t do anything too fancy.”
Tiera Kennedy’s Holy Grail of Products.
Kennedy took it upon herself to take a class to ensure that she’s prepared for nights like these, where she’s the one responsible for bringing her glam look to life.
“We are independent,” she said, reminding us that she is no longer tied to a big machine when it comes to her work as an artist. “We ball on a budget. I have to do my makeup for award shows, events, all the things, and so my makeup artist that taught me how to do all of this, Hailee Clark, she put me on to Nars, the foundation. I don’t know exactly what the name of it is, but I love it.”
“I don’t know all the fancy technicals, but I know that it makes me just look kind of airbrushed, and so I love it. Then, I always use this Laura Mercier [setting] powder because I get real shiny, so I’ve gotta reapply that quite often.”
“We are independent. We ball on a budget. I have to do my makeup for award shows, events, all the things, and so my makeup artist that taught me how to do all of this, Hailee Clark, she put me on."
Her Decision To Wear Hanifa For The Big Night.
Intentionality is essential for Kennedy, which is why she jumped at the opportunity to support Black designer Anifa Mvuemba with a dress from her fashion brand, Hanifa.
“Takirra on my team helped me pick out the dress. I really like to represent in country music, and being in Nashville, I like to represent Black culture through the things that I wear, and I was excited to get to wear a Black brand to the BET Awards,” said Kennedy.
“She was telling me about this brand, Hanifa, and we were on FaceTime just scrolling through the website, and she was like this looks like you. This feels very rooted, like fits those natural tones, and so she bought the dress and was like, ‘This is what you’re wearing.’”
The look was a Raven Knit Dress in Eggplant/Dark Brown Mesh from Hanifa.
Tiera Kennedy in her younger years.
Courtesy
Kennedy also nurtured her inner child for the look, taking it back to her roots with one small detail in her hair that she had her mother carry out before she hopped on the flight to LA.
“I had this vision of wearing beads in my hair because when I was younger, my mom would always do that, and I didn’t love it, but now I’m like, it would be really beautiful to tie all of that together, and the Hanifa dress just fit perfectly.”
“Just even in the past couple of days, I’ve had to take a second, and just look back at all of the awesome things we’ve gotten to do,” said Kennedy when asked what baby Tiera is feeling in this moment.
“I had this vision of wearing beads in my hair, because when I was younger, my mom would always do that, and I didn’t love it, but now I’m like, it would be really beautiful to tie all of that together, and the Hanifa dress just fit perfectly.”
“I dreamed of having a record and having this team that was doing all of these things for me, and now, being an independent artist, and being in control of my career, I’ve gotten to build an awesome team behind me that helps me get to where I am. It’s been a lot of hard work, and I think when I was younger, I would have never imagined that I could do all of these things, and so, yeah, to be here, I don’t even think I would believe it.”
Although “Blackbiird” didn’t win in the BET Her category during Monday night’s show, Kennedy’s future is brighter than ever, which she attests to her faith playing a huge role in guiding her next steps as she continues to rise to stardom.
“Thinking about the next thing, I think that can be really daunting when you’re an independent artist. It’s like you have to be thinking of what’s coming next, to prepare for that, but I think the way that I like to walk through life in general is letting the Lord lead,” Kennedy said.
“I know that a lot of time when I have a vision of what I want things to look like in my head, He always exceed my expectations. So, I think the plan is to continue to release music, and continue to show up as my authentic self. Getting to have these moments like the BET Awards is so awesome, but also, at the same time, that’s not what I do this for. I do it for the humans that are listening to my music, that are [having] fun and healing through my music, so I hope that I can just continue to do that.”
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Feature image by Rob Latour/Shutterstock