
Eldest Daughter Syndrome Might Be To Blame For Your Martyr Complex

Two years ago, I moved out and got my own apartment. I was so proud of that moment because I found a beautiful place and I did it all on my own. A few days after moving in, my Dad called asking if he could borrow money to pay for my little brother's summer camp. Did I have the money? Yes, and honestly, I hesitated to say no because my father is giving, and I love my brother. But I’d just moved out with no help from him or anyone else.
I spent thousands on moving and still had to pay rent, furnish my home, and feed myself, and pay rent again in the next thirty days. So why would he think it was okay to ask me for anything in the middle of one of the most pivotal points of adulthood? My answer is that I'm the oldest daughter.
In recent years, there’s been discussion of the plight of the oldest daughter online. Don’t believe me? Ask yourself why the TikTok hashtag #eldestdaughtersyndrome has over 41 million views, then ask yourself to think of the first oldest daughter you know that comes to mind. She’s exhausted from being there for her family, isn’t she?
What Is Eldest Daughter Syndrome?
Eldest Daughter Syndrome (EDS), while not an official psychiatric diagnosis, is an often unconscious family role that many young girls inherit as the oldest child, in which they find themselves doing more domestic labor and emotional caretaking and face higher expectations than their younger siblings. A clinical review from Don Gasparini, Ph.D., M.A., CASAC, showed how due to this pressure the oldest daughter may face, she can develop certain personality traits or even mental health challenges.
And it doesn’t stop at your siblings; eldest daughters can also find themselves mothering everyone around them due to you taking on that responsibility of parenting children that were not yours.
Eldest Daughter Syndrome Through the Lens of My Mother
My first case study of the oldest daughter syndrome was my own mother. Often, we talk about the countless videos I’d seen on TikTok, and she’d laugh and share their sentiment saying, “It was no joke; you are like the parent that never gets any credit.” Despite living solely with my mother (and not my father or siblings), my childhood, adolescence, and adulthood were rooted in the dynamics of the life of the eldest daughter.
My mother is not only the oldest daughter, but the oldest child, and as her child, she placed expectations on me to do more for my siblings and so did my father.
My siblings and I have never been close despite my desire. Still, as their older sister, she’d instruct me to call them, send birthday gifts, check on them, and it always upset me when after they weren’t receptive, she’d ask me to continue, and so did my dad. Finally, I decided that while I love my siblings, I had no interest in begging them to be a part of my life and that if my father wanted us to be a family unit, he’d need to orchestrate that - not me.
There were many years that I felt like I didn’t do enough to bring us together, that maybe I needed to try one more time and send one more text that would likely go unanswered. But I chose my sanity and decided to leave the door open for my siblings to reach out if they ever needed me.
My mother’s story, on the other hand, was quite different. Her life has been devoted to caring for her siblings on levels they are aware and unaware of.
Since I was a child, I saw not only how she cared for her siblings but how she cared for my grandmother. How ingrained it was in her to be their defender, helper, and unofficial co-parent who never got a thank you. As a child, my mother looked after her siblings and helped her little brother cope with their parent's divorce. As an adolescent, she was forced to make decisions in silence that still impact her to this day.
As a college student, she babysat my aunt from her dorm room. As an adult, her siblings lived with us when my grandmother would put them out or when they struggled to navigate life on their own. And even now, in her 50s, she’s still showing up for her siblings and their children.
Eventually, that level of expectation trickled down to me from as early as when I entered adolescence. If my mom wasn’t available, my phone would ring. From babysitting to listening to her siblings' marital problems or my grandmother's frustration with all of them, they had no problem inserting me into the dynamics of their family unit (despite my mother asking them to leave me out of it.)
A few years back, I remember my mother sitting her siblings down and telling them she had to live her life for her and how exhausted she was. She wasn’t telling them I don’t want to be your sister anymore; she was trying to express that she was in a place of healing, and because of that, she needed to back away from their everyday lives and prioritize herself. I remember my aunt (the youngest sibling) being furious with her and asking her what she had done for her and later sharing how she felt the conversation was unnecessary.
My first thought was, “Are you kidding me? What hasn’t she done for y’all?”
Family dynamics aren’t easy to navigate, and you can love them deeply - and get fed up with how much you’re expected to do for them. My mom and I often talk about how much sacrifice and servitude was expected of her and even her regrets of attempting to pass that on to me.
As I look at my mother, myself, and the women in my life who are also eldest daughters who have very similar stories and share the sentiments of my mother, I wonder where this comes from. Why do we feel the need to save our siblings (and, at times, our parents)?
Where does that come from, our need to save and pick up all the pieces as the eldest daughter? I asked psychotherapist Justine Ashlee, LCSW, her thoughts on the plight of the oldest daughter.
A Therapist’s Expert Opinion on Eldest Daughter Syndrome:
"There are two important factors that are in play when it comes to eldest daughter syndrome. First, it's important to state that children who were born first in families where they experience any kind of environment where stress, poverty, drug abuse, or issues are present tend to see those struggles longer than the younger siblings just by nature of being born first. As the eldest that witnesses those family dynamics of struggle and hardship, you can develop a sense of obligation to help the family unit escape the situation they’re facing to not only help the parent, but the younger siblings," Ashlee explains.
She adds, "This impacts the eldest daughter times a thousand because, as a society, we place servitude and adult responsibility onto little girls, especially Black girls, and make it their identity from as early as childhood. We praise that behavior and tell them their worth is tied to what they do for their families and how hard they work. Now, as adults, these traits are praised, and those same children are now women in adulthood being commended for their work ethic, not knowing that those positive traits were born out of an unhealthy place."
"I find that my clients who are eldest siblings are also type A, typically because if there was a part of their childhood that they couldn’t control, now they always have to be in control in order to function. In tandem, the oldest can also end up expressing resentment towards their parents and even younger siblings if they were able to experience a better version of their parents than they had because, with the first child, there’s often a lot of trial and error.”
How Eldest Daughters Can Free Themselves From the Shackles of Servitude
To release yourself from the sense of obligation tying you to the instinct of tirelessly sacrificing and serving, Ashlee suggests that you “ask yourself who you are after the work is done; who are you when the job is done, and you aren’t needed?" She continues, "Granted, we are all beings put on this earth to love and serve, but your identity should not rest in serving others."
Ashlee also reminds us that you can love your parents and also critique them. "I think this is often where we struggle to think that disagreeing with your parents means you don’t love them, but there is power in saying, 'I love you, but you fucked up.' Your intentions as a parent have nothing to do with how they impact your child, and many parents miss the mark in that regard, especially as it relates to their eldest children. As the eldest daughter, it is your right to know that you can love your parents and know that their children and their obligations as parents are not your responsibility."
"Your intentions as a parent have nothing to do with how they impact your child."
If you are the eldest daughter in your family, I challenge you to radically put yourself first. Love your family and your siblings but not at the expense of your sanity and know that you deserve love for who you are, not what you do.
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Dubbed one of the "21 Black Women Wellness Influencers You Should Follow" by Black + Well, Yasmine Jameelah continues to leave her digital footprint across platforms ranging from Forever 21 Plus, Vaseline, and R29 Unbothered discussing all things healing and body positivity. As a journalist, her writing can be found on sites such as Blavity, Blacklove.com, and xoNecole. Jameelah is also known for her work shattering unconventional stigmas surrounding wellness through her various mediums, including her company Transparent Black Girl. Find Yasmine @YasmineJameelah across all platforms.
Claudia Jordan, Demetria McKinney & Jill Marie Jones On 'Games Women Play' & Dating Over 40
What do you get when you mix unfiltered truths, high-stakes romance, and a few well-timed one-liners? You get Games Women Play—the sizzling new stage play by Je’Caryous Johnson that’s part relationship rollercoaster, part grown-woman group chat.
With a powerhouse cast that includes Claudia Jordan, Demetria McKinney, Jill Marie Jones, Carl Payne, Chico Bean, and Brian J. White, the play dives headfirst into the messy, hilarious, and heart-wrenching games people play for love, power, and peace of mind. And the women leading this story? They’re bringing their whole selves to the stage—and leaving nothing behind.
From Script to Spotlight
The road to Games Women Play started over 20 years ago—literally.
“This script was written 20 years ago,” Jill Marie Jones said with a smile. “It was originally called Men, Money & Gold Diggers, and I was in the film version. So when Je’Caryous called me to bring it to the stage, I was like, ‘Let’s go.’” Now reimagined for 2025, the play is updated with sharp dialogue and modern relationship dynamics that feel all too real.
Demetria McKinney, no stranger to Je’Caryous Johnson’s productions, jumped at the opportunity to join the cast once again. “This is my third time working with him,” she shared. “It was an opportunity to stretch. I’d never been directed by Carl Payne before, and the chance to work with talent I admire—Jill, Claudia, Chico—it was a no-brainer.”
Claudia Jordan joked that she originally saw the role as just another check. “I didn’t take it that seriously at first,” she admitted. “But this is my first full-on tour—and now I’ve got a whole new respect for how hard people work in theater. This ain’t easy.”
Modern Love, Stage Left
The play doesn’t hold back when it comes to the messier parts of love. One jaw-dropping moment comes when a live podcast proposal flips into a prenup bombshell—leaving the audience (and the characters) gasping.
Demetria broke it down with honesty. “People don’t ask the real questions when they date. Like, ‘Do you want kids? How do you feel about money?’ These convos aren’t happening, and then everyone’s confused. That moment in the play—it’s real. That happens all the time.”
Jill chimed in, noting how the play speaks to emotional disconnect. “We’re giving each other different tokens of love. Men might offer security and money. Women, we’re giving our hearts. But there’s a disconnect—and that’s where things fall apart.”
And then Claudia, of course, took it all the way there. “These men don’t even want to sign our prenups now!” she laughed. “They want to live the soft life, too. Wearing units, gloss, getting their brows done. We can’t have nothing! Y’all want to be like us? Then get a damn period and go through menopause.”
Dating Over 40: “You Better Come Correct”
When the conversation turned to real-life relationships, all three women lit up. Their experiences dating in their 40s and 50s have given them both clarity—and zero tolerance for games.
“I feel sexier than I’ve ever felt,” said Jill, who proudly turned 50 in January. “I say what I want. I mean what I say. I’m inside my woman, and I’m not apologizing for it.”
Demetria added that dating now comes with deeper self-awareness. “Anybody in my life is there because I want them there. I’ve worked hard to need nobody. But I’m open to love—as long as you keep doing what got me there in the first place.”
For Claudia, the bar is high—and the peace is priceless. “I’ve worked hard for my peace,” she said. “I’m not dating for food. I’m dating because I want to spend time with you. And honestly, if being with you isn’t better than being alone with my candles and fountains and cats? Then no thanks.”
Channeling Strength & Icon Status
Each actress brings something different to the play—but all of them deliver.
“I actually wish I could be messier on stage,” Claudia joked. “But I think about my grandmother—she was born in 1929, couldn’t even vote or buy a house without a man, and didn’t give a damn. She was fearless. That’s where my strength comes from.”
For Jill, the comparisons to her iconic Girlfriends character Toni Childs aren’t far off—but this role gave her a chance to dig deeper. “If you really understood Toni, you’d see how layered she was. And Paisley is the same—misunderstood, but strong. There’s more to her than people see at first glance.”
Demetria, who juggles singing and acting seamlessly, shared that live theater pushes her in a new way. “Every moment on stage counts. You can’t redo anything. It’s a different kind of love and discipline. You have to give the performance away—live, in the moment—and trust that it lands.”
Laughter, Lessons & Black Girl Gems
The show has plenty of laugh-out-loud moments—and the cast isn’t shy about who steals scenes.
“Chico Bean gets a lot of gasps and laughs,” Claudia said. “And Naomi Booker? Every scene she’s in—she’s hilarious.”
But the play isn’t just about humor. It leaves space for reflection—especially for Black women.
“I hope we get back to the foundation of love and communication,” said Demetria. “A lot of us are in protector mode. But that’s turned into survival mode. We’ve lost softness. We’ve lost connection.”
Claudia agreed. “We’re doing it all—but it’s not because we want to be strong all the time. It’s because we have to be. And I just want women to know: You can have peace, you can be soft. But stop bringing your old pain into new love. Don’t let past heartbreak build walls so high that the right person can’t climb over.”
Final Act: Pack the House
If there’s one thing this cast agrees on, it’s that this play isn’t just entertainment—it’s necessary.
“Atlanta is the Black entertainment hub,” Claudia said. “We need y’all to show up for this play. Support the arts. Support each other. Because when we pack the house, we make space for more stories like this.”
Games Women Play is more than a play—it’s a mirror. You’ll see yourself, your friends, your exes, and maybe even your next chapter. So get ready to laugh, reflect, and maybe even heal—because the games are on.
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Patricia "Ms. Pat" Williams has always marched to the beat of her own brutally honest drum — and that’s exactly what makes her so magnetic to watch. Whether she’s making us laugh until we cry on The Ms. Pat Show or now laying down the law on her courtroom series Ms. Pat Settles It, the comedian-turned-judge proves time and again that there’s nobody quite like her. Unfiltered, hilarious, and real to the core, she’s made a name for herself by turning her life’s journey — including the pain — into purpose.
Now in her second season of Ms. Pat Settles It, airing on BET and BET+, she’s not only delivering verdicts — she’s dishing out life lessons in between the laughs. The show feels less like your typical courtroom drama and more like your outspoken auntie running a court session at the family cookout, complete with celebrity jurors, petty disputes, and a whole lot of real talk. xoNecole sat down with Ms. Pat to talk about her wildest cases, balancing motherhood and fame, and why sleeping in separate bedrooms might just be the key to joy.
CASE CLOSED, BUT MAKE IT CHAOS
If you’ve ever tuned in to Ms. Pat Settles It, you already know the episode titles alone deserve awards. But when we asked Ms. Pat which case stood out most, she didn’t even have to think twice. “There was this one woman — Shay — who got out of federal prison and was working for her old bunkmate. But the bunkmate didn’t want to pay her!” she says, chuckling. “That girl came in the courtroom like a firecracker.”
It’s moments like those that remind viewers Ms. Pat isn’t just bringing the laughs — she’s giving people a platform, even if it’s a little messy. And if her court ever gets turned into a real-life franchise, we need Shay on the promo posters immediately.
WHEN THE CELEBS SHOW OUT
It’s already hard enough to get a word in with Ms. Pat running the show, but throw in a celebrity jury featuring Tamar Braxton, Ray J, TS Madison, and Karlous Miller? Whew. “I don’t even try to control them,” she laughs. “Thank God we have something called editing.” According to her, behind the scenes, things get wild — but that chaos is part of the magic. “People only see the cut-down version. What you don’t see is all of us losing it in real time.”
Still, Ms. Pat makes it work. The courtroom becomes a stage, but also a safe space for guests and jurors to show up as their full, unfiltered selves. “It was a wild season,” she explains. Let’s be honest — if your jury looks like a BET Awards afterparty, you might as well let it rock.
IF FAMILY COURT WAS REALLY A THING
Ms. Pat might wear the robe on screen, but at home, she’s still managing her own wild bunch. When asked what kind of case her kids would bring into her courtroom, she burst into laughter. “Oh, they’d be suing my oldest son for eating their food,” she says. “You know how you have that one roommate that eats up everybody’s food? I can see my oldest son getting sued for that..”
And let’s face it, we’ve all either been that sibling or have one. Ms. Pat says moments like that — the everyday family squabbles and real-life irritations — are what make her courtroom show so relatable.
THE VERDICT SHE WISHES SHE COULD REWRITE
Ms. Pat is known for keeping it real, even when the conversation turns serious. When asked if there was one “verdict” in her real life she’d change, she pauses for a second before answering. “I wish I had graduated high school,” she admits. “All my kids went to prom and I took all of their high school diplomas.”
“I wish I had graduated high school,” she admits. “All my kids went to prom and I took all of their high school diplomas.”
It’s a rite of passage in most Black households — your diploma doesn’t really belong to you, it lives at your mama or grandma’s house like a family heirloom.
HOW SHE STAYS GROUNDED
Between filming TV shows, headlining comedy tours, and running a household, Ms. Pat makes it very clear: she will find time to rest. “People swear I don’t sleep, but I do — I just knock out early and wake up early,” she shares. “And sometimes, I’ll just sit in my car.” She’s also a big fan of solo naps and mini getaways when things get overwhelming.
But one of her favorite forms of self-care? Separate bedrooms. “Me and my husband don’t sleep in the same room. That way, when I don’t feel like being bothered, I go to my space,” she laughs. She’s also found a new love for facials. “They’re addicting! I don’t need a lot — just sleep, a facial, and a little quiet.” Honestly? That’s a self-care routine we can get behind.
FROM PAIN TO PURPOSE
Ms. Pat’s story is one that’s deeply rooted in resilience — and she’s always been transparent about how her journey shaped her. Her advice to other Black women trying to turn their pain into purpose? Speak up. “You have to tell your story,” she says. “Because once you tell your story, you realize you’re not the only person that’s been through that situation.”
She adds that sharing your truth can be one of the most powerful things you do. “When you give a voice to pain so many other people who have that pain gravitate to you,” she says. “To heal, you have to speak out loud about it. What you keep inside is what eats you up.” Coming from someone who built an entire brand on truth-telling? We believe her.
WHAT’S NEXT FOR MS. PAT?
While Ms. Pat’s got her hands full with Ms. Pat Settles It and her comedy show, she hints there’s much more to come. “I got some stuff poppin’ that I can’t even talk about yet,” she teases. “But just know, like Kendrick [Lamar] said, we about to step out and show ‘em something.” That multi-genre deal with BET and Paramount is clearly working in her favor — and she’s not slowing down anytime soon.
She says one of her proudest moments in this chapter of her career is seeing things she once dreamed of finally come to life. “In this business, you never know what’s gonna work or what’s gonna stick. But now I’m working with a network that really understands me — and that’s special,” she says. “I feel seen. And I’m just getting started.”
Whether she’s in the courtroom cracking jokes or catching up on rest in her own sanctuary, Ms. Pat is living proof that success doesn’t have to come at the cost of authenticity. She’s rewriting the rules in real time — on her terms, in her voice, and for her people. As she continues to turn pain into purpose, laughter into legacy, and everyday mess into must-see TV, one thing’s clear: Ms. Pat is in her prime. And we’re lucky enough to watch it unfold.
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