

You gotta love Black love, especially when it's shown in its full, hot, sticky, magical lusciousness on the big screen through Black sex scenes. When we see ourselves loving on one another in ways that are passionate and real, we get the feels, not just because it's great to fantasize about replicating in real life---but because it humanizes our experiences and showcases a side of us that's not always fighting, suffering, or traumatized.
The memories of classic Black sex scenes on film and TV live forever. Here are 15 Black sex scenes to take you back and reignite the love and passion in your life:
'Moonlight'
When Kevin and Chiron shared their first kiss, validating feelings they'd had for each other and taking unspoken bonds to the next level, it was passionate and endearing. Kevin then pleasured Chiron via a hand job, which is another act of endearment that further solidified a gift of freedom in sexual identity that they could not fully reveal in their everyday lives. That scene from the 2016 Academy Award-winning film reminded us all of our own first time with a deep crush or connection from our teen years.
'The Photograph'
You gotta love a story of instant attraction between two creatives, and Micheal and Mae don't disappoint in this film. The journalist and art curator (respectively) enjoy a steamy romp during a New York City rainstorm, reminding us all how deliciously fun having a storm bae can be. And the fact that their love has a backdrop of Mae's mother's affair with the father she never knew adds that much more allure. (A close second in the favorite love scene category for this film is the one with her mother and father in 1980s New Orleans enjoying their first time to Luther Vandross and Cheryl Lynn's "If This World Were Mine.")
'Belly'
You've got thug-loving at its finest in this scene, and DMX showed us that doggy style means more than just barking in a rap song. Though his character in the film, Tommy Buns, had a very toxic relationship with his live-in bae Kiesha, played by the beautiful Taral Hicks, this scene made us all---OK maybe just me---think back on that one street dude you had to let go but who could have you climbing the walls and answering his calls a little longer than you should have.
'School Daze'
Tisha Campbell played Jane Toussaint, an HBCU student, and leader of the Gamma Rays, a social group that supported the fictional fraternity in the film, Gamma Phi Gamma. The frat's leader, Julian, was her bae (played by Giancarlo Esposito). There's a spicy scene in the film where the two take a break from stepping, party-planning, and being messy to get their freak on. Speaking of freaky, Jane goes as far as licking Julian's parted haircut, giving a whole new meaning to fetishes among undergrads. (When my girls and I saw this film for the first time as college freshmen, some were totally grossed out, others argued the feminist implications of a young woman doing such a thing, and the rest---including me---wondered whether there was indeed a fruit-flavored hair oil on the market for ... nevermind.
'Sylvie's Love'
This film, set in the 1960s, gives Carmen Jones vibes with a bit of edge. When Sylvie meets saxophonist Robert, it's love at first sight on a Harlem street, and things get much more sensual and romantic. Their first time making love is on a rooftop, and then they meet up again, years later, at New York's iconic Plaza Hotel. What adds to the appeal of the sex scenes between the two is the legendary jazz and R&B soundtrack and the nostalgic style of lingerie Sylvie wears, providing inspo for all of us to role play and get into a few 60s-inspired pieces ourselves.
'She's Gotta Have It'
We are so here for artist Nola, who identifies as a polyamorous bisexual, and her relationships with men and women that include wonderfully entertaining escapades in her "loving bed." One major relationship was the one she had with Opal, a single mother and a horticulturalist. The two explore not only physical awareness and intimacy but a deep personal connection, leading Nola to rethink her life and consider settling down. Good sex will do that to ya!
'Jason's Lyric'
When blue-collar Jason (played by Allen Payne) wanted to take Lyric (played by Jada Pinkett-Smith) out of the Houston hood and into a new life of love and infinite possibilities, we'd already fallen for him. When he commandeered a whole city bus to take her on a date, we swooned. But when we saw his chiseled back and hairy man-parts putting in work with Lyric in a field of lilac flowers, we all wet our panties and reconsidered giving that hard-working brotha at the Radio Shack a chance. (Go ahead, sis. Don't be ashamed. You know you did.)
'The Skinny'
This indie film is about a group of friends from Brown University who travel together for a weekend filled with drama, sex, and revelations. Especially sexy and sultry are the exchanges between Magnus and his boyfriend Ryan, including long, deep kissing sessions and lots of deep stroking.
'Love Jones'
This is, without a doubt, a classic favorite, and Darius Lovehall (played by the never-aging-a-day-in-his-life Larenz Tate) awakened the sapiosexual in all of us with his sensual wordplay and intellectual prowess during house-party debates. But when he and Nina Mosley (played by another actress who proves that Black indeed doesn't crack, Nia Long) finally hit the sheets, it was more than a sight for sore eyes. Add Maxwell's "Somethin' Somethin'" remix laying the vibes for lovemaking and you've got the peak to a love story that just made us all wish we had a writer boyfriend to be the "blues" in our "left thigh trying to become the funk" in our "right." Yas! That's all right!
'Power'
Flexing muscles just always does something to me, and Ghost (played by Omari Hardwick) knew just how to do that while stroking the living daylights out of Tasha (Naturi Naughton). Half the time I didn't care that it was often angry make-up sex between the hubby-and-wife crime duo because, TBH, seeing a strong Black man with a coin---and clearly great gym form---getting it on was always fine by me. The determination on his face, the multiple positions, and the look of bliss at the end of almost every scene...whew chile! Just go ahead and rewind again. We won't be mad.
'Insecure'
Issa Rae reminds us all that everyday women---even us awkward girls---can get our rocks off on the regular, and enjoy sex with some fine men to boot. From your usual comfy-couple sex on the couch with Lawrence (Jay Ellis), her soon-to-be ex, to crazy studio rendezvous with her rebound guy Daniel (Y'lan Noel), it's all about normalizing the dynamics of sex beyond love-story fairy tales and into the realm of IRL ish.
'Do the Right Thing'
Spike Lee sheds light on baby mama drama---and the love in between---as Mookie, who absolutely frustrates his boo Tina (Rosie Perez) throughout the whole film. Despite the arguments, the two end up having a playful sensual escapade. Mookie pulled out the ice trays---and got the side-eye from their son's caretaker, Tina's own mom---to give the both of them much-needed relief from the NYC heat. The dripping cubes-on-nipples action was something I probably shouldn't have been watching at the young age I was when I saw this movie for the first time, but as a grown woman, I can appreciate the combo of frozen treats and laughter to make relationship frustrations disappear.
'Baby Boy'
Now, some of you might fight me on this one, but who didn't didn't want to "make the tacos" for somebody after watching that scene? (And this movie has another hot love scene contender in Ving Rhames (who played Melvin) when he blessed Jody's mom, Juanita (A.J. Johnson), with a little standing froggy-style action.) I know, I know: Baby daddy-baby mama drama at its finest. You can't deny, though, that this scene was one to re-watch and that it was refreshing to see a young couple work through their issues to find common ground and holy matrimony in the end.
'Bessie'
Queen Latifah shines as one of the foremothers of blues, Bessie Smith, and in the film, she shares beautiful moments with her friend and lover, Lucille. The vulnerability and flirtatious exchanges between the two add an extra enchantment to watching this major part of the singer's life unfold through film.
'Creed'
Michael B. Jordan. Need I say more? OK, I'll go on. His character in the film, Adonis, falls in love with Bianca, a hearing-impaired singer-songwriter played by Tessa Thompson. In one scene, the two gain an understanding and connection via music and have a meeting of minds in how they'll both overcome inner demons to reach their life and career goals. Who doesn't love a man who can accept and love all of you? And again, Michael B. Jordan. 'Nuff said.
Featured Image Gif via Buzzfeed
Originally published on March 5, 2020
Claudia Jordan, Demetria McKinney & Jill Marie Jones On 'Games Women Play' & Dating Over 40
What do you get when you mix unfiltered truths, high-stakes romance, and a few well-timed one-liners? You get Games Women Play—the sizzling new stage play by Je’Caryous Johnson that’s part relationship rollercoaster, part grown-woman group chat.
With a powerhouse cast that includes Claudia Jordan, Demetria McKinney, Jill Marie Jones, Carl Payne, Chico Bean, and Brian J. White, the play dives headfirst into the messy, hilarious, and heart-wrenching games people play for love, power, and peace of mind. And the women leading this story? They’re bringing their whole selves to the stage—and leaving nothing behind.
From Script to Spotlight
The road to Games Women Play started over 20 years ago—literally.
“This script was written 20 years ago,” Jill Marie Jones said with a smile. “It was originally called Men, Money & Gold Diggers, and I was in the film version. So when Je’Caryous called me to bring it to the stage, I was like, ‘Let’s go.’” Now reimagined for 2025, the play is updated with sharp dialogue and modern relationship dynamics that feel all too real.
Demetria McKinney, no stranger to Je’Caryous Johnson’s productions, jumped at the opportunity to join the cast once again. “This is my third time working with him,” she shared. “It was an opportunity to stretch. I’d never been directed by Carl Payne before, and the chance to work with talent I admire—Jill, Claudia, Chico—it was a no-brainer.”
Claudia Jordan joked that she originally saw the role as just another check. “I didn’t take it that seriously at first,” she admitted. “But this is my first full-on tour—and now I’ve got a whole new respect for how hard people work in theater. This ain’t easy.”
Modern Love, Stage Left
The play doesn’t hold back when it comes to the messier parts of love. One jaw-dropping moment comes when a live podcast proposal flips into a prenup bombshell—leaving the audience (and the characters) gasping.
Demetria broke it down with honesty. “People don’t ask the real questions when they date. Like, ‘Do you want kids? How do you feel about money?’ These convos aren’t happening, and then everyone’s confused. That moment in the play—it’s real. That happens all the time.”
Jill chimed in, noting how the play speaks to emotional disconnect. “We’re giving each other different tokens of love. Men might offer security and money. Women, we’re giving our hearts. But there’s a disconnect—and that’s where things fall apart.”
And then Claudia, of course, took it all the way there. “These men don’t even want to sign our prenups now!” she laughed. “They want to live the soft life, too. Wearing units, gloss, getting their brows done. We can’t have nothing! Y’all want to be like us? Then get a damn period and go through menopause.”
Dating Over 40: “You Better Come Correct”
When the conversation turned to real-life relationships, all three women lit up. Their experiences dating in their 40s and 50s have given them both clarity—and zero tolerance for games.
“I feel sexier than I’ve ever felt,” said Jill, who proudly turned 50 in January. “I say what I want. I mean what I say. I’m inside my woman, and I’m not apologizing for it.”
Demetria added that dating now comes with deeper self-awareness. “Anybody in my life is there because I want them there. I’ve worked hard to need nobody. But I’m open to love—as long as you keep doing what got me there in the first place.”
For Claudia, the bar is high—and the peace is priceless. “I’ve worked hard for my peace,” she said. “I’m not dating for food. I’m dating because I want to spend time with you. And honestly, if being with you isn’t better than being alone with my candles and fountains and cats? Then no thanks.”
Channeling Strength & Icon Status
Each actress brings something different to the play—but all of them deliver.
“I actually wish I could be messier on stage,” Claudia joked. “But I think about my grandmother—she was born in 1929, couldn’t even vote or buy a house without a man, and didn’t give a damn. She was fearless. That’s where my strength comes from.”
For Jill, the comparisons to her iconic Girlfriends character Toni Childs aren’t far off—but this role gave her a chance to dig deeper. “If you really understood Toni, you’d see how layered she was. And Paisley is the same—misunderstood, but strong. There’s more to her than people see at first glance.”
Demetria, who juggles singing and acting seamlessly, shared that live theater pushes her in a new way. “Every moment on stage counts. You can’t redo anything. It’s a different kind of love and discipline. You have to give the performance away—live, in the moment—and trust that it lands.”
Laughter, Lessons & Black Girl Gems
The show has plenty of laugh-out-loud moments—and the cast isn’t shy about who steals scenes.
“Chico Bean gets a lot of gasps and laughs,” Claudia said. “And Naomi Booker? Every scene she’s in—she’s hilarious.”
But the play isn’t just about humor. It leaves space for reflection—especially for Black women.
“I hope we get back to the foundation of love and communication,” said Demetria. “A lot of us are in protector mode. But that’s turned into survival mode. We’ve lost softness. We’ve lost connection.”
Claudia agreed. “We’re doing it all—but it’s not because we want to be strong all the time. It’s because we have to be. And I just want women to know: You can have peace, you can be soft. But stop bringing your old pain into new love. Don’t let past heartbreak build walls so high that the right person can’t climb over.”
Final Act: Pack the House
If there’s one thing this cast agrees on, it’s that this play isn’t just entertainment—it’s necessary.
“Atlanta is the Black entertainment hub,” Claudia said. “We need y’all to show up for this play. Support the arts. Support each other. Because when we pack the house, we make space for more stories like this.”
Games Women Play is more than a play—it’s a mirror. You’ll see yourself, your friends, your exes, and maybe even your next chapter. So get ready to laugh, reflect, and maybe even heal—because the games are on.
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After Decades-Long Career, Terri J. Vaughn Is Finally The Main Character: Exclusive
Terri J. Vaughn first captured our attention in the late ‘90s as Lovita Alizay Jenkins on The Steve Harvey Show. Decades later, she is starring in her very own series, She The People, which is now available to stream on Netflix.
The political sitcom, which she co-created with Niya Palmer and later teamed up with Tyler Perry Studios, is about a Black woman named Antoinette Dunkerson who runs for lieutenant governor of Mississippi. She wins and becomes the state’s first Black lieutenant governor. Now, she’s forced to balance working with a racist and sexist governor while also trying to keep her family from running amok.
According to the beloved actress, this project was a long time coming. “I’ve been trying to get my own television series for like 20 years, pounding the pavement, meeting with people, getting clothes, being lied to, just a whole bunch of stuff,” she says in an exclusive interview with xoNecole.
“But just keep going, because this is what I do. This is what I love, and I know how important it is for us to continue to show up and make sure that we are seen, make sure that our voices are heard. For several reasons. I just never give up. So here I am, 20 years later, finally sold my show.”
She The People is inspired by the true story of London Breed, who became the first Black female mayor of San Francisco, Terri’s hometown. And to help make the show more authentic, the Cherish the Day actress tapped former Atlanta mayor, Keisha Lance Bottoms to come on as a producer.'“I’ve been trying to get my own television series for like 20 years, pounding the pavement, meeting with people, getting clothes, being lied to, just a whole bunch of stuff."
After bringing the former mayor aboard, it was time to pitch again. And this time, the companies were pitching them. Ultimately, Terri decided to work with Tyler Perry on the series.
“We decided to do it with Tyler for several reasons. I love that. Well, most of the companies we met with were Black-owned companies, but he was the only studio,” she explains. “Tyler is like Walt Disney. That's literally what he is. He has the studio, he has the content. He operates just like Walt Disney.”
And thanks to the cast, the show is nothing short of laughs. The series also stars social media creator Jade Novah as Antoinette’s crazy cousin/ assistant, Shamika, Family Mattersstar Jo Marie Payton as Anotinette’s mom, Cleo, and Terri’s husband, Karon Riley, who plays Michael, her driver and love interest.
While we’ve watched Terri’s career blossom in various ways. From directing to producing, and playing diverse characters, the mom of two says her The Steve Harvey Show character will always be her favorite.
“Well, Lovita was definitely my favorite, especially for my time, the age and everything that I was. Now as a grown ass woman over 50, Antoinette Dunkerson is everything that I've wanted to play. She's everything. She's a mother of two teenagers. She's divorced, so she's co-parenting with her ex-husband. She has to wrangle in a very eclectic family,” she says.
“So I like playing characters that are really flawed and trying to figure it out and doing their best to try to figure it. And she's very flawed and she is trying to figure it out, and she fucks up sometimes. But her heart and what she's trying to do and what her vision is and purpose, it's all for the people. I mean, she the people. She’s for the people, she is the people.”
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Feature image by Jamie Lamor Thompson/ Shutterstock