
Kandace Banks Talks Surviving The Toxic Side Of Fashion To Launching Her Own One-Woman Show

The internet has been a global platform for undiscovered artists and entertainers to freely share their talents without the backing of big-budget studios. Many creators have gained Hollywood success by artfully telling their lived experiences in a way that feels relatable to millions of viewers via social media and YouTube.
It wasn’t just creativity and charm that led to their cultural popularity, but their determination to express themselves when faced with life’s difficulties that would eventually unfold into multi-million dollar empires. Witnessing the glow-up for so many online creators, if there was a designated road to success Kandace Banks is forging her own path in real time.
"Thanks, Kandace Banks" is a captivating scripted series with a unique point of view of the fashion industry that many outsiders never get the opportunity to witness. Taking on the tropes of The Devil Wears Prada, fashion stylist turned writer, director, producer, and star of her viral social media-based scripted series, Banks provides viewers with a fashionable account of how she went from aspiring intern to eventually becoming blacklisted in the New York styling scene.
Moving to the city to pursue her dream as a celebrity stylist led to internships with various industry professionals with well-to-do clients; however, we soon find out that everything that glitters isn’t gold. Her boss, Miranda, was the first she introduced to her audience, and with each episode, we witness a whirlwind of emotions, challenges, and pivots that left millions of viewers wanting more.
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Making the decision to leave New York City for Los Angeles after a series of continuous setbacks, she had no idea where her ambitions would lead her but hard work, self-evaluation, and determination have proven that trusting the process is paying off more than she ever anticipated.
Now the star of her one-woman scripted show, Banks' story resonates with not only Black women struggling to find their footing in the fashion industry but also those feeling defeated when life seemingly intercepts their dreams for reality.
xoNecole: You experienced a real-life version of 'The Devil Wears Prada,' where did you find the courage to share your story as a Black woman in the fashion industry when it often feels taboo to speak up about negative experiences?
Kandace Banks: I was so scared, but my vision for it wouldn’t leave me alone. I told myself I couldn’t talk about it on the internet, I would get shunned or blacklisted, but I kept having visions and flashbacks of what I went through, so I was like, no, I have to do this. I was so scared to post the first episode, but I posted it, and it went viral and for me, back when “viral” meant 300,000 views.
My worst fear did happen. [The celebrity stylist] reached out to me saying, 'Take those episodes down. I have a lawyer, and they’ll be contacting you,' but I didn’t take the episodes down. She tried to say she never cursed me out or treated me badly when, literally, those episodes were taken directly from my journal. I would go home and write down word for word what those people said to me while it was fresh in my head.
So I have journal entries of fresh conversations. That’s where I got the name from, "Thanks, Kandace Banks." I would email my entries to myself, and since it was digital, I was able to access it from anywhere. I’d be on my phone writing myself and my email signature was "Thanks, Kandace Banks." So when the pandemic hit, I was going through all my journal entries and reading them, like, 'Oh my God, my life is a movie. I should turn it into a web series and call it 'Thanks, Kandace Banks.'"
xoN: As you’ve mentioned in episode one, you are no longer a fashion stylist because of being blacklisted, how did you know?
KB: One lady was literally like, I spoke with your references, and they said it wouldn’t be a good fit. So the girl I previously worked for was literally like, don’t hire her. I could never do that to another young Black girl trying to make it, so I don’t know how those women could do that to me. How can you not see yourself in me? I was very disappointed when that happened. I sat down and had a self-reflection, which is why I had an episode in the first season where I was playing the angel and the devil in my bedroom.
xoN: When did you decide to give up on your dream of being an NYC-based stylist to pursue another?
KB: Well [after being blacklisted], I got into a car accident, so I was forced to get a desk job because I couldn’t lift my arm. So while I was healing, I worked in corporate, and then I was waiting for my settlement check to come in from the accident. Guess when it came in, February of 2020. I finally got the check, my shoulder was healed, and I decided to quit my job and be a full-time stylist again. Nothing was going to stop me. 2020 was going to be my year! Who knew what was around the corner in March 2020, a worldwide pandemic? I was like, 'What the hell?' I just couldn’t catch a break. I was actually on set styling when I first heard about the shutdown.
We couldn't gather in groups of more than five, and there were tons of people on set. I was shooting with Shea Moisture, and it was a multiple-day photoshoot. They told us we couldn’t come back the next day and that production was permanently on pause. Little did we know the whole world shut down. I felt so defeated and I was questioning my styling career.
I had an identity crisis during the pandemic. That’s when I decided to move to Los Angeles. I thought, instead of chasing this styling career— because I’ve had so many setbacks— maybe that’s not what I’m meant to do with my life. Maybe I’m meant to go to Hollywood and make this into the first Black fashion television series. My web series incorporates all of it. It incorporates my eye for visuals, creativity, and I get to style myself.
xoN: You’ve been able to captivate your audience not only by your storytelling but the visuals are so creative, as well as your outfits. Can you share your creative process and if this was something you envisioned for yourself?
KB: I had no idea. I’ve always been a super creative person. I’ve always been a person who can figure out how to do something myself. That’s how my mom raised us, do everything yourself. So once I had the idea for a web series, I just naturally put the pieces together, figuring out how to make it work and how to make it happen as a one-woman show. I didn’t know I had this in me until I forced myself to do it, and I really surprised myself.
Setting up my tripod and filming was not easy at first, the locations were very public. I was at the Santa Monica Proper, which is a very well-known hotel, and people were staring at me like, “What’s this girl doing?” I was filming at the table and then I would run to the bathroom, put another outfit on, and do the other character. No one would be there with me. It would just be me, alone in front of all these people, filming at a restaurant.
xoN: That's very courageous.
KB: Yes! At first, I didn’t have locations, but then I got hired at HBO Max, and that’s where all the scenes in the office took place. The first time I went viral, that episode is at 6 million views now, and it was filmed at my office at HBO. They told me this office is open all year except on Christmas and New Year’s Day, but we’re open 24/7. It was such a blessing. I asked if I can come in on the weekends, and they said absolutely. So I would pack my suitcase, go in on the weekend, and have this huge entertainment company building all to myself.
Filming in all of the rooms and it felt like such a spiritual experience.
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xoN: Wow, that is perfect alignment.
KB: At first, being on camera silent-acting was really awkward for me. I’m acting things out, but I’m not talking to the camera. It's not like my voice is being recorded. I do the voice-over after the fact. So, being in those restaurants, moving my lips, and not saying anything was really weird and really awkward. I was even consulting my friends, asking if I should move my lips and match them with a voiceover, so it was a real process [of] seeing what worked the best. I finally found a groove, and it took off.
xoN: Do you use a script when filming?
KB: Well, I outline it. I write the whole season in advance, but for each episode, I’ll do an outline of one sheet with a synopsis of the episode at the top with a location and my intentions with the episode. I think it's good to set your intentions before you do something like this. I’ll also have the scene breakdown; I need a scene with this character doing this, and I need a scene with this character doing that. Then I’ll pick out my outfits while coordinating like, if Emily is wearing this color then my character will wear another color.
xoN: We’re all rooting for you as viewers; however, we see you taking accountability and reflecting on your actions as an intern in the fashion industry and how you could have done better. How important are those self-check-ins when things are not going as planned?
KB: I’ve always taken accountability, I’ve always been able to admit when I'm wrong, and I’ve always sat down and asked myself why a situation happened the way it did. What could I have done differently? How could I have made this person happier? That’s always been my style. Maybe it’s because I’m a little self-deprecating, I’m hard on myself, and I’m a people-pleaser. I’ve always taken time to self-reflect, and a lot of times, I was in the right for standing up for myself because you have to. You’ll be taken advantage of, and people will walk all over you.
You have to show people how they can treat you. In my 20’s I just didn’t know how to harness my power. I didn’t know how to stand up for myself. I had a ton of attitude, letting people know they can’t talk to me in any type of way.
When really, as an intern, you’re starting from the bottom, you haven't made a name for yourself, you have no projects behind you, no credibility, so I had to learn how to be humble and learn what I need to learn while taking all that knowledge and put it into my own career which is what I eventually ended up doing.
xoN: What do you envision for "Thanks Kandice Banks" in the future?
KB: I want to eventually have a whole team. I have ideas for branding and logos. I want to start doing more commercials and teasers for each episode. I want to market this as a real show. I look at Issa [Rae] as a blueprint, and that’s the No. 1 comment I get, “You’re the next Issa Rae!”
I think she and I do have similarities as far as using the internet to put out our content. I know someone is going to pick up my show, too, but fundamentally, we are completely different people. She’s not serving fashion. She’s a great storyteller. When I make it, I’m going to be serving y’all looks and editorials. I’m going to do it completely differently than she is doing it. I can’t wait to have my movies. Once I get to that point, I plan to be in my own lane.
xoN: I can see your creative growth from the first season to your current, even in the way you film. Now I see it more as she wants to be on TV! Where do you envision people watching Kandace Banks?
KB: Of course, you know I’ve really thought about this. I can see it being on a Netflix or HBO Max but Apple has phenomenal shows. I don’t know who’s running content at Apple, but they’re doing a great job. The shows there are so good. Apple, pick me up!
xoN: We see comedies, but we don’t see shows that are fashion-focused.
KB: And Black! Where's the Black version of The Devil Wears Prada? Where’s the BlackGossip Girl or Clueless for the people? Not just Black actors but really for us. I want to be the first.
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xoN: Why do you feel your story needed to be told?
KB: Nobody realizes how toxic the fashion industry is. They think it's all glitz and glam. They think it's all about putting people in beautiful gowns and dresses when really there’s politics within the fashion industry. There’s no pay. The fact that I was working a restaurant job on the side, knowing I shouldn’t have been taking any orders, delivering meals. I was the worst server ever. Restaurant life was not for me, but I had to do what I had to do to make money. They [fashion internships] didn’t even pay for my subway tickets, nothing.
I feel like my story needs to be told because it’s really cut-throat, really hard, and it hasn’t been told from a Black point of view. I have such a clear vision for it in my head. I just need the funding and a team.
xoN: What advice would you give someone pursuing a career in fashion or any other industry and not really seeing the results they anticipated?
KB: I would tell them, nothing ever goes as planned. God, laughs at plans. Keep your head down and expect the unexpected. There will be curve balls thrown constantly, but nothing worth having comes easily. Your career is worth the fight. When things get hard, you have to keep the bigger picture in mind and remember why you started, and just keep going. You also have to know when to be humble and take criticism, but you also have to know when to stand up for yourself. There's a time and place for both.
You have to expect to work really hard. I didn’t expect to work as hard as I had to. If you go in with the mentality of having to hustle and grind, unfortunately, that’s what you’re going to have to do. People are going to treat you terribly, but you have to be confident within yourself to know that you can't take anything personal. At the end of the day, you have to do your best work and give it all you got and know that you’ve tried your hardest.
xoN: What are your thoughts on knowing when to pivot if things aren't working out as planned and being pulled in another direction?
KB: I had no idea Hollywood would be calling my name. I had no idea I would decide to be an actress, director, and producer. This new endeavor that I am on encompasses everything that I’m good at. I believe that styling was just my introduction to one thing, and God said this is just a piece of the picture, a crumb of what’s in store for you. I was so sad when styling didn’t work out, but little did I know this would be my story that's going to make it to the big screen.
You can watch seasons 1-3 of "Thanks, Kandice Banks" on Instagram @_Kandace or Tiktok @Kandace.Banks.
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On her debut album,CTRL,SZA crooned about her desire to be a “Normal Girl.” Now, nearly eight years since its release, her Not Beauty line represents her commitment to existing outside of traditional beauty norms.
The singer whose real name is Solána Imani Rowe first teased the idea of a lip gloss line during Super Bowl LIX in February, noting that the release would be happening “very shortly.” Not Beauty debuted simultaneously with the Grand National Tour, which she co-headlines with Kendrick Lamar, in Minneapolis on April 19.
Each Not Beauty pop-up would offer fans the opportunity to purchase the glosses, learn more about the brand, and have the opportunity to meet the superstar in the flesh regardless of their ticket status.
During the Los Angeles tour stop, which spanned three dates on May 21, May 23, with the finale on May 24, xoNecole had the opportunity to test out the glosses included in this soft launch, as SZA revealed in a statement that "this is just the start of other lip products, including plans to launch stains, liners, and creams all inspired by SZA's “infamous layered lip combinations.”
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So, what is included in the first Not Beauty launch?
The current Not Beauty products available are lip glosses that come in three shades: In the Flesh, Strawberry Jelly, and Quartz.
During my visit to the first LA Not Beauty pop-up activation, I not only had the chance to purchase all three glosses but also took a peek inside the blow-up log tent. Inside, fans got to experience SZA’s love for nature and her fascination with bugs, which are prominently featured in her performances for this tour. At one point, she even had human preying mantis prancing across the stage y'all.
There were blow-up photos of the beauty that is SZA for fans (myself included) to take photos, but in wooden-like tree trunks were a deeper dive into some of the ingredients featured in her products and their benefits.
For example, the glosses feature Hi-Shine Lip Jelly and Shea Butter as key ingredients and some of the listed benefits included are:
- Shea Butter - “A powerhouse ingredient, offering both functional and nourishing benefits.”
- Hi-Shine Lip Jelly (featured in the In the Flesh shade) - “Formula glides on with perfect adhesion to the lips without stickiness).
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What are in the products?
Featured in an orange package, with images of a bug and flower on the side, the back of the box reads: “It’s NOT BEAUTY, it just works. Developed by Solána “SZA” Rowe.
As someone who never leaves home without a good lip gloss, I loved how compact the wood panel packaging is. Perfect to slip into my purse, or in the case of the show at SoFi Stadium, into my pocket when I’m not carrying a bag.
Because I’m a sucker for a good black and brown lip liner and clear gloss combo, I decided to wear the Quartz flavor on night one of the Grand National Tour LA stop, and it did not disappoint. I’ll admit, it’s light weight feel made me nervous because it felt like there was nothing on my lips. However, when I checked my lips in my compact mirror several times throughout the night, I was shocked to find that my gloss was still intact. I only reapplied once out of the habit of looking cute and applying my gloss, but not necessity.
Here are some of the ingredients featured, but not limited to, in the Quartz flavor.
- Polyisoubutene
- Butyrospermum Parkii (Shea)Butter
- Ricinus Communis (Castor) Seed Oil
- Mentha Piperita (Peppermint) Oil
- Tocopherol
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Lip prep
I’m a simple girl who loves to stay true to her roots. So ahead of the show, I stopped by a local Inglewood Beauty Supply store and grabbed a Black and Brown shade lip pencil for just under $2 a piece.
Shading the outline of my lips with the black pencil first, I used the brown to lightly fill the inside of my lips before applying my Quartz Not Beauty shade gloss.
How to apply
There’s truly no right or wrong way to apply lip gloss (in my opinion), with this being a brush applicator sort of product, I simply untwisted the top and swiped the gloss around my top and bottom lip generously.
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Results
Again, my Not Beauty Quartz product stayed on my lips from the start of the show, which began with a fire DJ set from LA’s very own, Mustard, to the conclusion when Kendrick and SZA reunited on stage to send us home to their duet, “luther,” featured on the rapper's GNX album.
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The millennial in me is nostalgic at best...and at worst, deeply, deeply yearning. I’d be lying if I said I didn’t miss the past.
In the days of old, community was never hard to find. It was a knock on the door from a neighborhood friend who needed no invitation. It was trading jokes over lunch and lingering strolls after the final bell. It was choir practice on Saturdays and giggling in the pews on Sundays.
The love was free and plentiful, and my cup runneth over.
But there was a certain rhythm to the ’90s and early 2000s. People were ever-present in the most ordinary ways, and fortunately, this followed me well into adulthood. The door knocks have since turned into tequila shots, and brunch on Sundays became my new sanctuary, but you know...same thing!
However, life has changed drastically, and with it, so have we. Sometimes by force (2020..no other words needed, amirite), and other times by the natural, inevitable flow of growing up.
As we age, our identities become more defined. And while the people we’ve always loved still matter deeply, we start to crave new connections and experiences that reflect who we’re becoming.
When COVID reared its ugly head, not only did it disrupt the lives we knew, it pushed us to reevaluate the lives we want… and the people we want in them. For many, it exposed a loneliness that had already been there beneath the surface. It made space for questions we hadn’t slowed down to ask: What do I truly enjoy? Who do I feel most myself around?
After months of quarantine and isolation, we were left craving connection in a deeper, more intentional way. This sparked a renewed interest in “the third space.”
Coined by sociologist Ray Oldenburg, the term refers to those places beyond home (first space) and work (second space) where people gather, build relationships, and foster community. Think coffee shops, libraries, dance studios, run clubs, and other environments that offer connection outside of our daily obligations.
My own desire to find like-minded folks has only intensified over the past few years. And as a self-proclaimed medicine woman and wellness enthusiast, I went looking for spaces that felt good, and found more than a few.
So if you're in NYC and searching for places that feed your spirit (and tend to your interests), consider this your starter guide. Whether it's a wellness club, a run group, or a kickball league, these third spaces might just feel like home.
A Safe Space Mentor
My Shaylaaa.
What started out as a simple offering from founder Teya Knapp has grown into one of the most intentional, heartfelt communities I’ve had the privilege to be part of. Together with COO Jasmine Dayze, they have cultivated more than a collective—it’s a movement rooted in community care, softness, and restoration.
A nonprofit centered on mental health advocacy and equity, A Safe Space Mentor has redefined the possibilities of communal healing. With over 22 fully funded retreats to date (yes, free), monthly programs ranging from support groups and hikes to pottery classes, free therapy, and now a physical home at A Safe Place Studios, they’ve built an ecosystem where people can show up fully and be accepted just as they are.
I came across them by chance, but as fate would have it, it allowed me to bloom in ways I never saw coming, surrounded by women who affirm and love me in ways I didn’t know I needed. I’m serious, ya’ll. Even at the risk of sounding dramatic: expect to be changed, to find friends, possibly even family, and maybe a group chat, too.
Beyond their no-cost offerings, they also host weekly yoga and meditation classes, massages, and more. Learn more about this beautiful space here, and keep an eye out for their upcoming Juneteenth gathering.
NARC
Who needs Hinge when there’s a run club? (Kidding... kind of.)
NARC, short for Not a Run Club, is technically a run club but with a twist. Co-founded by Omari Ross and Noah Hutchins, NARC takes a holistic approach to fitness and community. Picture track workouts, dynamic circuits, core finishers, followed by a post-workout brunch with the crew. Sure, the occasional match may be made, but at its core, NARC is about connection, movement, and showing up for yourself and others.
It’s the kind of space where most people arrive solo but rarely leave without a new friend or a new perspective. And personally? I never tire of seeing Black men love on one another out loud.
If you’re looking for a solid sweat (not gonna lie, it gives Olympic training at times), laughs, and folks that show up rain or shine, they’ve got you. Beyond the track, they also host boxing classes, hot yoga sessions, social mixers, and a number of other events. NARC meets every Saturday at McCarren Park at 10 a.m. unless otherwise noted. Learn more here.
The Music Nerds
My favorite part about The Music Nerds? The DJ. Scene Serene, a former music journalist turned vibe curator, created this club out of pure love for music and the Black people who create it. And that love is felt in every detail.
Past functions have celebrated Kendrick Lamar, Black women in music, and Virginia legends, each thoughtfully crafted to tell a story through sound. Here, you’re not just dancing, you’re feeling, remembering, and reflecting, too. Additionally, she kicks off each event with icebreaker quote cards to spark conversation, because the vibe isn’t just in the music; it’s also in the people.
That sense of connection comes full circle in her choice of venues, which are always Black-owned spaces that feel safe and inclusive for all Black folk. After all, if we don’t support each other, who will?
This isn’t just a party. It’s a celebration of culture, connection, and Black joy…and yes, it’s free! She’s cooking up some magic for the summer, so follow her here to stay in the loop.
SociaLight Social Club
For the anti-social socialite or the extrovert who wants a little more intimate play, the SociaLight Club might be your sweet spot.
Nayah, the founder, is all about curating intimate, low-pressure gatherings that bring people together through random yet delightful activities, all while supporting Black-owned businesses in the process.
From coworking days to supper clubs and nights building LEGOs, it’s the kind of space where you can show up as you are and end up discovering new people and new passions. It’s chill, it’s intentional, and very much a vibe. Keep up with her events here.
Recess Kickball League
Black folks deserve to frolic, dilly-dally, and straight-up play. And that’s the spirit behind Recess Kickball League. Though kickball is the anchor, it’s really about reclaiming joy through movement and connection.
Founded by five friends during the lockdowns of 2020 (Emmanuel Maduakolam, Christopher Thomas, Cris Jones, Daemon “Tubbs” Krueger, and Ermias Tessema), the club started as a way to get outside and let loose, and now it’s blossomed into a thriving community with leagues in both LA and Brooklyn.
If you’ve been looking for field day vibes and opportunities to love on your inner child, keep up with them here.
The Free Black Women’s Library
Tucked in the heart of Bed-Stuy, The Free Black Women’s Library is a cozy nook that centers Black women and holds space for book lovers, creatives, and community-builders alike.
Founded by OlaRonke Akinmowo, it functions as more than a library but a cultural hub. While every book is written by a Black woman or non-binary author, she also hosts grief workshops, writing circles, and curated events that honor both healing and imagination, too. Their monthly calendar is packed with offerings that meet you where you are, celebrating who we are and who we’re becoming.
And the best part? You don’t have to buy a book, you can swap one. Bring something you’ve read, and leave with something new. Keep up with them here.
Peak & Pace
This one’s for the runners and the lovers. If you’re looking to meet your future bae who’s into fitness and a good Sunday reset, Peak & Pace might just be your new favorite link.
Founded by London native Owen Akhibi after relocating to NYC, the club was born out of something a lot of us know too well: feeling a little lonely in a big city. So he created a space that brings people together who just so happen to run.
Every meetup ends with a social, and some runs come with fun themes like wearing flags repping your country to wristbands signaling your relationship status (lovers tap in!). Off the track, they host yoga, comedy nights, parties, and other events to build real connections. They meet every Saturday at Prospect Park at 10 a.m. Tap in with them here.
Free Peace Meditation Club
Free Peace Meditation Club offers a rare pause in the middle of NYC’s bustling Lower East Side, encouraging folks to be still in the midst of chaos while finding beauty in it, too. What began as a simple conversation between Kenji Summers and Angelo Baque has blossomed into a welcoming sanctuary where New Yorkers gather to unplug, recenter, and recharge.
Hosted monthly at the artfully decorated Awake NY, this community-driven experience invites participants to reconnect through guided reflection, mindful breathwork, and thoughtfully curated music that features the rich sounds of New York’s rap, R&B, and jazz artists. FPANYMC stands as a powerful affirmation that stillness is not a luxury but an essential practice. Keep up with them here.
Knot Okay Club
This one’s for the soft girls, the creatives, and anyone who’s ever needed to crochet their stress away.
Knot Okay Club brings Black women and non-binary folks together through fiber arts. It’s about slowing down, making something with your hands, and feeling held while you do it. The work might be small and intentional, but the connection? That’s the magic. Learn more about them here.
Girls That Gather
Lauren Franco started Girls That Gather after moving to NYC and realizing just how hard it can be to find genuine connections as an adult.
What began as a way to bring women together has grown into a go-to space for meaningful conversation and real friendship. From curated dinner parties to small, cozy events, everything is designed to feel easy and intentional. No awkward networking energy, just good vibes and even better people. Learn more about them here.
Adanne Bookshop
Adanne is one of those places that makes you want to linger.
Tucked away in Brooklyn and owned by educator Darlene Okpo, this Black woman-owned bookshop is as intentional as it is inviting. The books are curated with care, the energy is warm, and the events, from author talks to community gatherings to incense-making, always leave you a little more full than when you walked in.
It’s not just a bookstore; it’s a cultural anchor. Check out their events here.
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Featured image by Clarke Sanders on Unsplash