Growing up, I remember always gravitating toward the melanated ladies in movies, plays, and shows. In one of my favorite movies, Clueless, I didn't want to be Cher, I wanted to be Dion (it's hella weird to like your stepbrother anyway). I never cheered for the Toros, I liked the East Compton Clovers. I couldn't stand Angelica's bad ass, it was #teamSusie every time. And to this day, I've never seen an episode of Friends, but I can certainly quote alllllll of Maxine Shaw Attorney at Law.
I guess you could say in a society where we aren't always in the forefront, I understood at a very young age, that representation matters.
And because of this, I always welcomed a means for celebrating black actresses, specifically rising black actresses under 30. They're the ones to watch for, the ones who will impact the upcoming generations most. They're not as seasoned as the queens Taraji, Sanaa, Phylicia, or either of the Reginas, but they certainly have something to say.
So, from Netflix to theaters, here's a list of black actresses under 30 that we need to know in 2020:
China Anne McClain
China Anne McClain is a ATLien born and raised, and is best known for her roles as little Jazmine Payne in Tyler Perry's House of Payne and China James in Daddy's Little Girls. She also stars as Lightning in the CW's Black Lightning. China may only be 22, but she has been capturing the hearts of viewers for over 15 years as 1/3 of the Disney kid adorable sister trio, The McClain sisters, who are all top black actresses under 30.
And make no mistake, China is all grown up and has now found her niche audience of loyal followers through TikTok.
On working with Tyler Perry:
"When I was working with Tyler Perry, and I've worked with him starting when I was around 7, watching him, I realized that I can be nice—because, like I said, I'm from the south and that's naturally what I want to be. I want everybody to be comfortable. But at the same time, do not change yourself for anybody. I really respect that about Mr. Perry and it's something that I know that he didn't know I picked up from watching him. But his demeanor in general is just, like, he is who he is. And at this point I've adopted that feeling. But at the same time, don't sacrifice my morals, my values, who I am. I don't have to change myself, you know?"
Her most recent venture is starring alongside Adam Sandler for the third time (Grown Ups, Grown Ups 2) in the family comedy, Hubie Halloween. But one of my favorite little known facts about her career is she sings the theme song to Disney show, Doc McStuffins.
Despite the 'rona, McClain is officially back to work and headed to our screens soon.
You can follow her on Instagram at @chinamcclain.
Another black actress under 30 to know is Kiersey Clemons, who recently starred alongside Janelle Monae in Antebellum. She has cemented her place in indie storytelling where she identifies as a part of the LGBTQ community and routinely accepts roles outside of the status quo.
After getting her feet wet on Disney Channel series like Shake It Up and Austin and Ally, her breakout role came in the form as a starring role in 2015's Dope, whose cast also included A$AP Rocky and Zoë Kravitz. Dope also introduced Clemons into the DC Comics Universe. She won the role of Iris West—girlfriend of The Flash, the lightning-fast crime fighter played by Ezra Miller in Suicide Squad and Justice League.
Since, she started focusing on independent films, appearing in Flatliners, The Only Living Boy in New York, and, this year, Hearts Beat Loud and Sweetheart. Now, Clemons captures the essence of roles where she can tell untold stories; roles with social consciousness, however subtle.
Beyond film, she's also waded into social justice, helping lobby for the courts to reexamine evidence in the case of Marcellus Williams, a death-row inmate who has been incarcerated for nearly two decades despite new evidence that could exonerate him.
You can follow her on Instagram @kiersey, where she is happily, unapologetically, her damn self.
When it comes to Marsai Martin, what more needs to be said? Probably leading the pack of black actresses under 30, our favorite shady little sister has managed to pivot her acting gig on Black-ish, into a full-on empire, complete with starring in, and executive producing, her own projects. And for those that aren't exactly sure what this means, sis cuts and signs the check that she deposits. Let that marinate.
Martin tells ET:
"I'm blessed to actually have the platform that I have. Being a Black girl, even in [a] white, male-dominated industry, you have to use your voice. You have to speak your mind for your audience."
And she's making no apologies about her journey, how she arrived, and being herself.
Since emerging on the scene in 2014 at the age of ten, the now 16-year-old actress has racked up a plethora of accolades and awards. Martin has multiple projects in the pipeline, including the animated film Paw Patrol: The Movie (2021) and her second feature film, StepMonster.
Follow her on Instagram at @marsaimartin.
Lovie Simone Oppong
Lovie Simone Opphong. Zora Greenlead. The 21-year-old Bronx powerhouse.
Simone currently plays Tabby in The Craft Legacy, a 2020 reboot of the cult classic thriller The Craft. Out this month, The Craft Legacy is just one of the many projects in which she stars. She's also in the Social Distancing TV series that captures all the highs and lows of quarantining. The series will be streaming on Netflix. Then, there's Starz's Power Book III: Raising Kanan in which Simone plays the love interest of the lead character. Sis, is working, and she is making no attempts to slow down, as her resume also consists of OWN's Greenleaf, and 2019 Sundance Film Festival premiere Selah and the Spades, where she stars as Selah.
Outside of acting, Simone spends much of her time sharing good reads and behind-the-scenes footage.
Follow her at @loviesimone_.
Before she was a rising star on a newly exciting Netflix series, Grand Army, Odley Jean was just a regular Haitian-American girl in Brooklyn, working to make ends meet, and fighting to pursue her dreams. She landed a role as Dom, on the teen drama, a role she is a few years older than, but as it turns out, one she's got a lot in common with.
About the show, Jean tells Teen Vogue:
"'Degrassi' was in the school and the hallways, but also went into the teens' lives at home as well as a lot of social issues. But, I feel like 'Grand Army' lays it all out there and calls everything and everyone out. And it's up to us to dissect and have conversations. It's not spoon-fed to you."
As Refinery29 puts it, "Ten seconds. That's how long it takes to know that Odley Jean is going to be a star." Amen.
You can follow her on Instagram @odley.jean.
Fans, such as myself, first got to know Raven Goodwin after appearing on the hit show Being Mary Jane. Soon after, she was featured in Disney's Good Luck Charlie, and now, she is showing a new side of her otherwise private world. After recently having a baby girl she is stepping back into the spotlight to encourage body positivity and loving yourself with, or without, the weight.
Most recently, Goodwin portrayed Denise Clark-Bradford in the 2020 Clark Sisters biopic, The Clark Sisters: The First Ladies of Gospel. And since, she has been taking over social media with her charm, advocacy, and fitness journey.
Right now, Raven is focusing on being a mommy but be on the lookout for her future impact.
Keep up with Raven on Instagram at @ravengoodwin
"The vision is set. The slate is built. Grateful to my ABC family & excited to join the television landscape to collaborate and push forward the stories of our many intersections."
That's what Yara Shahidi wrote on Instagram to celebrate her new ABC deal for her production company, 7th Sun. 20-year-old Shahidi's, an uber-vocal activist and champion for racial justice and equality, plan is to focus on stories from underrepresented communities and "projects that touch upon themes of history, heritage, culture, and joy," 7th Sun said in a statement.
And if we should be excited that any young, black woman is telling stories their way, it is Shahidi. Her start on Black-ish had such success, that it evolved into successful spin-off, Grown-ish. Since, she's finding her voice as the unofficial spokesperson for the Gen Z's woke culture and she has an impressive collection of mentors all around her: from Michelle Obama, Janelle Monae, and her dazzling mother, Keri Shahidi.
Oh, and she's a student at Harvard. I could go on all day about this queen, but you guys know. So, Yara Shahidi, ladies and gentlemen.
Follow her on Instagram at @yarashahidi.
One random night I was scrolling through all the nothing that was on TV, when i decided to binge watch Little Fires Everywhere. And from the moment I turned it on, I could not stop watching. I stayed up and finished the entire season; it was that good of a show. I loved the themes, the changes in character dynamics. And I loved Lexi Underwood.
Her character, the daughter of Kerry Washington's character Mia Warren, was so pure and genuine in how she approached her role. At a young 17 years old, I was blown away by her promise. On working on the show, Underwood tells Vogue:
"Every day was a masterclass. They made sure everybody else in the scene looked good. One time, Miss Kerry and I were in a scene and it was her coverage but I was giving a strong performance, so she had them stop and turn the cameras around. They taught me how to unapologetically take up space as a young black actress; to speak up if I had an idea or if something didn't seem authentic to my character. We had a voice in the creative process. We never felt like we were kids."
Up next, Underwood will be starring as a Disney princess alongside John Sally for Sneakerella (which we're so excited to see) and has even started a production company.
Keep up with her on Insta at @officiallexiunderwood.
Seventeen-year-old Lyric Ross plays Deja on NBC's hit show, This Is Us, a role she was, of course, excited to get.
And working in most of your scenes with Sterling K. Brown, who let her hold his Emmy award as a bomb affirmation, is something to brag about. She's young but she packs a punch, and she's next up to bat, as she's already been nominated for the prestigous NAACP award to go along with that Emmy. Expect this black actress under 30 to be around for a long time.
Catch up with her on Instagram at @lyricnicoleross!
Dominique Fishback isn't normal. No, I mean it, she is one of the most enjoyable black actresses under 30 to watch. The 29-year-old stars alongside Jamie Foxx in Netflix's Project Power, had gained the respect and attention of others for her role on HBO's The Deuce. You may have also seen her in 2018's The Hate U Give. Still, the Brooklyn-raised phenom is continuously outperforming her own ranks and making her mark as one of the young Hollywood starlets.
Her upcoming role in the Fred Hampton film Judas and the Black Messiah, she will co-star with Daniel Kaluuya and LaKeith Stanfield. She tells Entertainment Weekly:
"I have a lot to say — I'm a writer as well, so I'm ready for people to take me seriously. My essence, my purpose, they're all aligning. From your lips to God's ears."
Keep up with Dominique's journey on Instagram @domfishback.
Feature image by Featureflash Photo Agency / Shutterstock.com
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Charmin Michelle is a southern native and creative spirit who works as a content marketer and events manager in Chicago. She enjoys traveling, #SummertimeChi, and the journey of mastering womanhood. Connect with her on Instagram @charminmichelle.
Amber Riley Is In Her Element
Amber Riley has the type of laugh that sticks with you long after the raspy, rhythmic sounds have ceased. It punctuates her sentences sometimes, whether she’s giving a chuckle to denote the serious nature of something she just said or throwing her head back in rip-roarious laughter after a joke. She laughs as if she understands the fragility of each minute. She chooses laughter often with the understanding that future joy is not guaranteed.
Credit: Ally Green
The sound of her laughter is rivaled only by her singing voice, an emblem of the past and the future resilience of Black women stretched over a few octaves. On Fox’s Glee, her character Mercedes Jones was portrayed, perhaps unfairly, as the vocal duel to Rachel Berry (Lea Michele), offering rough, full-throated belts behind her co-star’s smooth, pristine vocals. Riley’s always been more than the singer who could deliver a finishing note, though.
Portraying Effie White, she displayed the dynamic emotions of a song such as “And I'm Telling You I'm Not Going” in Dreamgirls on London’s West End without buckling under the historic weight of her predecessors. With her instrument, John Mayer’s “Gravity” became a religious experience, a belted hymnal full of growls and churchy riffs. In her voice, Nicole Scherzinger once said she heard “the power of God.”
Credit: Ally Green
Riley’s voice has been a staple throughout pop culture for nearly 15 years now. Her tone has become so distinguishable that most viewers of Fox’s The Masked Singer recognized the multihyphenate even before it was revealed that she was Harp, the competition-winning, gold-masked figure with an actual harp strapped to her back.
Still, it wasn’t until recently that Riley began to feel like she’d found her voice. This sounds unbelievable. But she’s not referring to the one she uses on stage. She’s referencing the voice that speaks to who she is at her core. “Therapy kind of gave me the training to speak my mind,” the 37-year-old says. “It’s not something we’re taught, especially as Black women. I got so comfortable in [doing so], and I really want other people, especially Black women, to get more comfortable in that space.”
“Therapy kind of gave me the training to speak my mind. It’s not something we’re taught, especially as Black women."
If you ask Riley’s manager, Myisha Brooks, she’ll tell you the foundation of who the multihyphenate is hasn’t changed much since she was a kid growing up in Compton. “She is who she is from when I met her back when she was singing in the front of the church to back when she landed major roles in film and TV,” Brooks says. Time has allowed Riley to grow more comfortable, giving fans a more intimate glimpse into her life, including her mental health journey and the ins and outs of show business.
The actress/singer has been in therapy since 2019, although she suffered from depression and anxiety way before that. In a recent interview with Jason Lee, she recalls having suicidal ideation as a kid. By the time she started seeing a psychologist and taking antidepressants in her thirties, her body had become jittery, a physical reminder of the trauma stacked high inside her. “I was shaking in [my therapist’s] office,” she tells xoNecole. “My fight or flight was on such a high level. I was constantly in survival mode. My heart was beating fast all the time. All I did was sweat.”
There wasn’t just childhood trauma to account for. After auditioning for American Idol and being turned away by producers, Riley began working for Ikea and nearly missed her Glee audition because her car broke down on the highway while en route. Thankfully, Riley had been cast to play Mercedes Jones. American Idol had temporarily convinced her she wasn’t cut out for the entertainment industry, but this was validation that she was right where she belonged. Glee launched in 2009 with the promise of becoming Riley’s big break.
In some ways, it was. The show introduced Riley to millions of fans and catapulted her into major Hollywood circles. But in other ways, it became a reminder of the types of roles Black women, especially those who are plus-sized, are relegated to. Behind the scenes, Riley says she fought for her character "to have a voice" but eventually realized her efforts were useless. "It finally got to a point where I was like, this is not my moment. I'm not who they're choosing, and this is just going to have to be a job for me for now," she says. "And, that's okay because it pays my bills, I still get to be on television, I'm doing more than any other Black plus-sized women that I'm seeing right now on screen."
The actress can recognize now that she was navigating issues associated with trauma and low self-esteem at the time. She now knows that she's long had anxiety and depression and can recognize the ways in which she was triggered by how the cult-like following of the show conflicted with her individual, isolated experiences behind the scenes. But she was in her early '20s back then. She didn't yet have the language or the tools to process how she was feeling.
Riley says she eventually sought out medical intervention. "When you're in Hollywood, and you go to a doctor, they give you pills," she says, sharing a part of her story that she'd never revealed publicly before now. "[I was] on medication and developing a habit of medicating to numb, not understanding I was developing an addiction to something that's not fixing my problem. If anything, it's making it worse."
“[I was] on medication and developing a habit of medicating to numb, not understanding I was developing an addiction to something that’s not fixing my problem. If anything it’s making it worse.”
Credit: Ally Green
At one point, while in her dressing room on set, she rested her arm on a curling iron without realizing it. It wasn't until her makeup artist alerted her that she even realized her skin was burning. Once she noticed, she says she was "so zonked out on pills" that she barely reacted. Speaking today, she holds up her arm and motions towards a scar that remains from the incident. She sought help for her reliance on the pills, but it would still be years before she finally attended therapy.
This stress was only compounded by the trauma of growing up in poverty and the realities of being a "contract worker." "Imagine going from literally one week having to borrow a car to get to set to the next week being on a private jet to New York City," she says. After Glee ended, so did the rides on private planes. The fury of opportunities she expected to follow her appearance on the show failed to materialize. She wasn't even 30 yet, and she was already forced to consider if she'd hit her career peak.
. . .
We’re only four minutes into our Zoom call before Riley delivers her new adage to me. “My new mantra is ‘humility does not serve me.’ Humility does not serve Black women. The world works so hard to humble us anyway,” she says.
On this Thursday afternoon in April, the LA-based entertainer is seated inside her closet/dressing room wearing a cerulean blue tank top with matching shorts and eating hot wings. This current phase of healing hinges on balance. It’s about having discipline and consistency, but not at the risk of inflexibility. She was planning to head to the gym, for instance, but she’s still tired from the “exhausting” day before. Instead, she’s spent her day receiving a massage, eating some chicken wings, and planning to spend quality time with friends. “I’m not going to beat myself up for it. I’m not going to talk down to myself. I’m going to eat my chicken wings, and then tomorrow I’m [back] in the gym,” she says.
“My new mantra is ‘humility does not serve me.’ Humility does not serve Black women. The world works so hard to humble us anyway."
This is the balance with which she's been approaching much of her life these days. It's why she's worried less about whether or not people see her as someone who is humble. She'd rather be respected. "I think you should be a person that's easy to work with, but in the moments where I have to ruffle feathers and make waves, I'm not shying away from that anymore. You can do it in love, you don't have to be nasty about it, but I had to finally be comfortable with the fact that setting boundaries around my life – in whatever aspect, whether that's personal or business – people are not going to like it. Some people are not going to have nice things to say about you, and you gotta be okay with it," she says.
When Amber talks about the constant humbling of Black women in Hollywood, I think of the entertainers before her who have suffered from this. The brilliant, consistent, overqualified Black women who have spoken of having to fight for opportunities and fair pay. Aretha Franklin. Viola Davis. Tracee Ellis Ross. There's a long list of stars whose success hasn't mirrored their experiences behind the scenes.
Credit: Ally Green
If Black women outside of Hollywood are struggling to decrease the pay gap, so, too, are their wealthier, more famous peers.
Riley says there’s been progress in recent years, but only in small ways and for a limited group of people. “This business is exhausting. The goalpost is constantly moving, and sometimes it’s unfair,” she says. But, I have to say it’s the love that keeps you going.”
“There’s no way you can continue to be in this business and not love it, especially being a plus-sized Black woman,” she continues. “We’re still niche. We’re still not main characters.”
"There’s no way you can continue to be in this business and not love it, especially being a plus-sized Black woman. We’re still niche. We’re still not main characters.”
Last year, Riley starred alongside Raven Goodwin in the Lifetime thriller Single Black Female (a modern, diversified take on 1992’s Single White Female). It was more than a leading role for the actress, it also served as proof that someone who looks like her can front a successful project without it hinging on her identity. It showcased that the characters she portrays don’t “have to be about being a big girl. It can just be a regular story.”
Riley sees her work in music as an extension of her efforts to push past the rigid stereotypes in entertainment. Take her appearance on The Masked Singer, for instance. Riley said she decided to perform Mayer’s “Gravity” after being told she couldn’t sing it years earlier. “I wanted to do ‘Gravity’ on Glee. [I] was told no, because that’s not a song that Mercedes would do,” she says. “That was a full circle moment for me, doing that on that show and to hear what it is they had to say.”
As Scherzinger praised the “anointed” performance, a masked Riley began to cry, her chest heaving as she stood on stage, her eyes shielded from view. “You have to understand, I have really big names – casting directors, producers, show creators – that constantly tell me ‘I’m such a big fan. Your talent is unmatched.’ Hire me, then,” she says, reflecting on the moment.
Recently, she’s been in the studio working on original music, the follow-up to her independently-released debut EP, 2020’s Riley. The sequel to songs such as the anthemic “Big Girl Energy” and the reflective ballad “A Moment” on Riley, this new project hones in on the singer’s R&B roots with sensual grooves such as the tentatively titled “All Night.” “You said I wasn’t shit, turns out that I’m the shit. Then you called me a bitch, turns out that I’m that bitch. You said no one would want me, well you should call your homies,” she sings on the tentatively titled “Lately,” a cut about reflecting on a past relationship. From the forthcoming project, xoNecole received five potential tracks. Fans likely already know the strengths and contours of Riley’s vocals, but these new songs are her strongest, most confident offerings as an artist.
“I am so much more comfortable as a writer, and I know who I am as an artist now. I’m evolving as a human being, in general, so I’m way more vulnerable in my music. I’m way more willing to talk about whatever is on my mind. I don’t stop myself from saying what it is I want to say,” she says.
Credit: Ally Green
“Every era and alliteration of Amber, the baseline is ‘Big Girl Energy.’ That’s the name of her company,” her manager Brooks says, referencing the imprint through which Riley releases her music after getting out of a label deal several years ago. “It’s just what she stands for. She’s not just talking about size, it’s in all things. Whether it’s putting your big girl pants on and having to face a boardroom full of executives or sell yourself in front of a casting agent. It’s her trying to achieve the things she wants to do in life.”
Riley says she has big dreams beyond releasing this new music, too. She’d love to star in a rom-com with Winston Duke. She hasn't starred in a biopic yet, but she’d revel in the opportunity to portray Rosetta Tharpe on screen. She’s determined that her previous setbacks won’t stop her from dreaming big.
“I think one of my superpowers is resilience because, at the end of the day, I’m going to kick, scream, cry, cuss, be mad and disappointed, but I’m going to get up and risk having to deal with it all again. It’s worth it for the happy moments,” she says.
If Riley seems more comfortable and confident professionally, it’s because of the work she’s been doing in her personal life.
She’d previously spoken to xoNecole about becoming engaged to a man she discovered in a post on the site, but she called things off last year. For Valentine’s Day, she revealed her new boyfriend publicly. “I decided to post him on Valentine’s Day, partially because I was in the dog house. I got in trouble with him,” she says, half-joking before turning serious. “The breakup was never going to stop me from finding love. Or at least trying. I don’t owe anybody a happily ever after. People break up. It happens. When it was good, it was good. When it was bad, it was terrible, hunny. I had to get the fuck up out of there. You find happiness, and you enjoy it and work through it.”
Credit: Ally Green
"I don’t owe anybody a happily ever after. People break up. It happens. When it was good, it was good. When it was bad, it was terrible, hunny. I had to get the fuck up out of there. You find happiness and you enjoy it and work through it.”
With her ex, Riley was pretty outspoken about her relationship, even appearing in content for Netflix with him. This time around is different. She’s not hiding her boyfriend of eight months, but she’s more protective of him, especially because he’s a father and isn’t interested in becoming a public figure.
She’s traveling more, too. It’s a deliberate effort on her part to enjoy her money and reject the trauma she’s developed after experiencing poverty in her childhood. “I live in constant fear of being broke. I don’t think you ever don’t remember that trauma or move past that. Now I travel and I’m like, listen, if it goes, it goes. I’m not saying [to] be reckless, but I deserve to enjoy my hard work.”
After everything she’s been through, she certainly deserves to finally let loose a bit. “I have to have a life to live,” she says. “I’ve got to have a life worth fighting for.”
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Janelle Monáe's Reveals The Real Reason Why She Stopped Wearing Her Signature Tuxedos
Singer and actress Janelle Monáe exemplifies how change can be a powerful catalyst for growth and transformation.
Monáe, who rose to fame in 2010 following the release of her debut album, The ArchAndroid, captivated fans' hearts with her powerful vocals, catchy tunes, and style. Around that time period, when various female artists were known to wear provocative ensembles on stage, the "Tightrope" songstress set herself apart by wearing her signature black and white suits and continued to do so for almost a decade.
In the later years of her career, after the release of her studio albums The Electric Lady in 2013 and 2018's Dirty Computer, many began to notice the shift in Monáe's artistry and fashion, which some widely praised.
Although the now 37-year-old rarely addressed the reason behind the transformation over the years, that would all change when Monáe sat down with radio personality Angie Martinez on her IRL podcast earlier this month.
During the interview, Monáe --who was promoting her latest album, "The Age of Pleasure"-- opened up about her mental health struggles, how she would cope, and why she chose to live in freedom.
Janelle On Why She Stopped Wearing Her Signature Suits All the Time
Photo by Frederick M. Brown/Getty Images
In the May discussion, the "I Like That" vocalist revealed she suffers from anxiety, which she claimed would occur around "winter to spring."
Monáe added that when she has her bouts with anxiety, she tends to turn to food as a coping mechanism. Further in the interview, the "Lipstick Lover" singer disclosed that her emotional eating habits caused a weight fluctuation and that she could no longer fit into the suits she once wore earlier in her career.
Monáe explained that even though she tried to diet and exercise to return to her smaller figure, she ultimately stopped and made peace with herself with the help of therapy because she acknowledged that she isn't the same person she was nearly a decade ago and shouldn't try to be even if it was a highly "celebrated" version.
"I'm petite, but it can get thick... When I couldn't fit them suits anymore, and I was like, 'Oh my God, what is going on?' I would be dieting, running, or exercising, trying to fit into [it]. I'm just like, 'No. No, we're here. This is where we are.' We [are] not about to be utilizing life trying to be an old version of ourselves. No matter how celebrated that version of me was. I'm here. I'm here," she said.
Janelle On Freedom
As the topic shifted to freedom and what that meant to Monáe, the "Primetime" vocalist shared that in this new era of her life, she enjoys it because she can boldly express herself however she wants and honor who she is as a person right now.
Monáe also revealed that she had found ways to become a better artist and the best version of herself because of her freedom.
"What is the new version of freedom? What does that feel like? That's usually when I feel the most free is when artistically, I can honor exactly who I am right now," she stated. "I feel most free as a human when I can honor exactly who I am right now."
Monáe's fourth studio album, The Age of Pleasure, is set to be released on June 9.
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