I am a horrible employee. It's not my fault. I blame a decade of stripping.
Just the thought of giving someone sixty-plus hours of my life for what employers are willing to pay doesn't make sense to me. I don't think that working a job is bad. Predictable income and health benefits are nothing to turn one's nose up at. I just know that for me, being an entrepreneur is good and it never crossed my mind that I could even be one until I started dancing.
Strippers are, in essence, independent contractors. Many of the skills it took to be successful as a dancer are the same skills needed to be a successful entrepreneur. I could fill an entire book about the life skills I learned as a stripper that I still use to win in life today. In fact, I did.
Here are 5 of the ways that stripping specifically prepared me for a life of entrepreneurial adventure.
1.Take Risks & Take Action
No one risk-averse can be a successful entrepreneur and being a stripper was a big risk. It could have destroyed my biggest goal of being a professional performer, in my mind. There was a chance that I'd never be taken seriously if people found out I was a stripper; I could be shunned. However, taking that risk allowed me to earn the income I needed to build a residual earning income stream. I heavily depend on this stream of income to this day. This risk allowed me to pursue it without making a cent for two years.
Jumping into action and taking risks is what strippers do every single night. We have to somehow devise whether to go in for the sale right away or let the connection simmer and soft sell; the latter kills the precious time of your shift. If it works out, it was worth it, but other times, all it nets is wasted time. The only way to know which way it will go is to take the risk. As an entrepreneur, there is no time for endless stalling by trying to gain perfection. Every night strippers and sex workers of all forms take risks on many personal and professional levels. Therefore, in life and entrepreneurship, stripping gave plenty of practice in taking the calculated risk.
2.Have Confidence
As a teen actor, I once had an agent say, "Confidence books!" as I headed out to an audition. I booked that job. I always kept this in the back of my mind. Spiritual and mental survival in a strip club takes an unwavering belief in oneself. Any of us would be hard-pressed to find a successful entrepreneur that is not confident. Entrepreneurship takes an absolute belief in ourselves or our products.
Anything that brings growth, is initially uncomfortable. Asking person after person for 6-12 hours a night in 8-inch heels takes the ability to be unshaken no matter what is said to you, no matter who likes you, no matter who insults you, no matter who finds you horrific, no matter who compliments you, no matter who thinks you're the hottest one in the club. This is a transferable skill useful in many facets of life. Suffice it to say, making an income in a strip club is heavily incumbent upon self-confidence and feeling worthy. Stripping is insufferable otherwise.
3.Time OFF
Entrepreneurs work way more than 9 am - 5 pm. In fact, it's easy for entrepreneurs to work until the point of burnout. Stripping is more mentally taxing than it is physically taxing. Time-off should be mandatory in any profession. As a dancer, I could work as many or as few days as I wished. There were weeks I worked 6 days, there were weeks I worked 2 days. Or I'd work 10 days in a row. No matter what, I made time to go on vacation every quarter.
Time off, time to decompress, time to commune with silence, time to do nothing is just as important as time grinding (pun intended). Entrepreneurs benefit from time-off just as much as they do from hustling hard. Amazing ideas happen during time off. Solutions present themselves during time off. The habit of taking time off helps me be a better entrepreneur because entrepreneurs never know what will be thrown at them from day-to-day.
A peaceful mind focuses better on the important tasks at hand. Every fire isn't a cause for annoyance. Being calm enough to shake off a challenge and get to the solution is priceless. Taking time off allows for this ability to strengthen. Grind culture and the "sleep when I die" mentality will kill us. Taking time off is like closing all the tabs on our computers and plugging into the charger, except within our own minds.
4.Negotiation Skills
Nothing grinds my gears more than knowing how many women are uncomfortable asking for their full price, full value, full worth. I am eternally thankful for my experiences on strip club floors negotiating money. I got really comfortable talking about money, whereas society says the topic is gauche. One of my favorite on the floor negotiations were getting customers to pay for your time on the floor. They avoid all the extra room fees. We still make the same. Win-Win!
There was no way for us to avoid talking about money. It's part of the gig. Either you get really comfortable asking for money or you find another gig. That stomach curling feeling of discomfort when a conversation about pay arises has got to go. Many entrepreneurs do their own negotiating, initially. Until you get large enough to have reps, you need to be able to ask for your worth. Not doing so affects the quality of work you are able to do. I replaced five jobs with one that made more than all five combined.
Imagine doing one thing that pays you well versus having to make up for low costs in volume aka running all over the place. It's insanity. Ask for what you need so that you can provide the best experience for your clients. It's a win-win. Working below your value is not a win for anyone involved. Neither you nor your clients get the best of you when you undercharge.
5.Follow Up, Follow Thru
Do what you silently say to yourself you're going to do. It's like having the manners to tell yourself you're not going to make the meeting. The more you keep the silent promises you make to yourself, the more confidence you build in yourself. It spills out into many facets of life. A decade of hearing: Come back later. Maybe later. Waiting for the Blonde (that's a whole other article). It doesn't matter if I hear "no". In fact, dealing with me you should say "no" because my happy-go-lucky self will keep on coming back until you either say "yes" or pay me to go away.
Taking that kind of follow up into business dealings leads to success. We live in an "I'll text you tomorrow," versus a "Let's meet at 4 pm on Wednesday," world. Something as simple as following through puts you out ahead of the herd. Start with yourself first. Then inbox me on IG and tell me how it went.
From the outside looking in, it's very easy to incorrectly assess what is actually going on in strip clubs. Humans have a herd mentality that automatically go searching for social cues. We are great at being part of the herd. Strippers, ba! Got it. Herd accepted, behavior confirmed. As a society, we are not great at being the black sheep. Strippers, just human? Cue heads turning left and right to see what's acceptable. Could this be true? No.
However, on the edges beyond social cues is where the most growth happens and often faster than in the safety zone. Anyone who has worked in sales knows that it takes an incredible amount of self-development to win sales.
I once heard someone say "quotas are for people who don't make quotas". A stripping comparison to quotas would be house fees. House fees are the money strippers pay the club to "rent" the space as an independent contractor each shift. On the low-end, they can be $0-$60. On the high-end, it can cost $200-$300 a night to dance at a club. Similarly to quotas, high house fees are high to strippers who don't make much more after covering house fee costs. The scared and risk-averse dancers get weeded out. The macrocosm mimics the microcosm.
I was lucky that when I first began, a more experienced dancer taught me how to run dancing like a business. Goals were written down. The know-how to maneuver expenses with an unpredictable income was achieved. One of the biggest things that halt most potential entrepreneurs is fear of rejection. Keep learning with books like S.T.R.I.P.: A Stripper's 20 Life Winning Lessons to learn more skills.
With the skill of not fearing rejection alone, life as an entrepreneur is an easier pivot. And pivot you will as an entrepreneur. Gotta keep moving and asking for the proverbial next dance because shift time is a terrible thing to waste. And so is the time spent not applying these transferable skills to building up every entrepreneurial pursuit.
Want more stories like this? Sign up for our newsletter here and check out the related reads below:
'Hustlers': Confessions Of A Former Stripper Who Hustled Investment Bankers Day & Night
What Sex Workers Need You To Know About Their Careers
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A Goddard College graduate, who earned an MFA from Pratt Institute and was awarded an honorary doctorate from Marymount Manhattan College, Mahogany offers unapologetic realness with a side of grace and empowerment. "I started touring locally. I started creating chat books so that those poems will go in the hands of the people who were sitting in the rooms," she shared.
"And then I started facilitating poetry workshops, so I used my chat books as curriculum. And that, in turn, allowed me to further invest in my art and show the community and people who were hiring me that it wasn't just a one-off, that it's not just, you know, a fly by night—that I am invested in this art as much as I am invested in your community, in your children's learning, in our growth."
Mahogany has a special way of moving audiences, and her superpower sparks shifts in perspective, post-performance introspection, and strengthening of community bonds, especially among Black women. (One can undeniably recognize her gift for arousal of the spirit and mind merely from her listening to her insights from the other side of a Google Hangout call. I can only imagine the soul-stirring, top-tier sensory encounter when watching her perform in person.)
In this chat with xoNecole, Mahogany reflects on sustaining a creative career, the aftermath of writing a banned book, and using poetry for both healing, community-building, and activism.
Anthony Artis
xoNecole: What are three key things that have laid the foundation for a sustainable creative career for you?
Mahogany L Browne: What has helped me is that I'm willing to go in being an expert at knowing poetry and knowing the way in which art can change the landscape of our lives, not just as a poet, but also as a poetry facilitator. How you move through classes, those things are mastered, right? So when I go into another space that's maybe tech-heavy, I don't mind learning and being, you know, a student of the wonder of how we can make this magic, work together.
Two, you’ve got to know how to pivot. Sometimes we say, ‘Alright, this is what my life is going to be. I'm going to be a New York Times best-selling author. I'm going to, you know, have an album that's Grammy-nominated. And then, say you get dropped from your record label. That doesn't mean you can't make an album anymore. You can also still create an album that can be submitted to the Grammys. So, what does a pivot look like as an artist who doesn't have an institution behind them? Pivot being a student of the wonder.
Relationships also really help. How do I serve the community? And in turn, that tells me how the community can show up. For me, I have long-standing ties with a community that will outlast my one life. So, what does it mean to create space where these relationships can develop, can be nurtured, can be rooted, can be cultivated? Creating space—it happens through relationships.
xoN: With today’s economic challenges, what does your current creative process look like, and what are you working on?
MB: I’m always thinking five years ahead. I just reviewed the pages for two children’s books and recently released a YA novel. I’m drafting an adult fiction manuscript now.
Anything I create is founded with the root of poetry, but it can exist in captions. It can exist in commercials. It can exist as a musical. So that's where I’m at now.
xoN: You started performing "Black Girl Magic" in 2013, had an acclaimed performance of it via PBS and the work went on to viral success shortly after. Talk more about the inspiration. And what do you think about the continued relevance more than a decade later?
MB: I wrote it as a rally cry for the mothers who had been keeping themselves truly in harm's way by, you know, being a part of the community right after the death of their child or their loved one. They are usually mothers of victims of police brutality—and just seeing how they showed up in these community spaces, they are devout to the cause but obviously still grieving.
"I wanted this poem to be just a space of reclamation, of joy and of you, of your light, of your shine, of your brilliance, in any which way in which you fashion. Every room you enter is the room you deserve to be in. What does it mean to have a poem like that that exists?"
And the first time I did the poem, the Weeping that occurred, right? It was like this blood-letting of sorts. The next time I performed it, I'm moved to tears because I'm seeing how it's affecting other women who have just been waiting to hear, ‘You belong. You deserve. You are good. We see you. Thank you, despite everything that they said to make you regret being born in this beautiful brown, dark-skinned, light-skinned, but Black body.’
Black women are the backbone—period. Point blank. And so, that that poem became a necessity, not just to the fortitude of Black women in the community, but like you know, in service of healing the Black women.
xoN: One of your books was banned at a school in Boston, and it was later reinstated due to parental and activist support. What was that experience like?
MB: Well, I think it happened because they were racist. That's it. Point blank. The reversal of it was empowering, right? I realized, oh, I thought we just had to sit here and be on a banned book list. But no, parents are actually the leaders of this charge.
So to see that, the parents said, ‘Nah, we're not gonna let you take this book out of my baby’s school just because it's a Black kid on the front saying, ‘Woke’ and they're talking about being a global citizen. They're talking about accountability. They're talking about accessibility. They're talking about allyship, and you don't want them to have compassion or empathy or have even an understanding, right? So no, we rebuke that, and we want this book here anyway.’ To see that happen in that way. I was, like, reaffirmed. Absolutely.
xoN: You recently organized the Black Girl Magic Ball at the Lincoln Center in New York. Honorees included author and entrepreneur Rachel Cargle and National Black Theater CEO Sade Lythcott. What impact did it have and what expanded legacy do you hope to leave with your creative works?
MB: I was really interested in not celebrating just the book, but celebrating the community that made the book possible. And so I gave out five awards to women doing that thing, like, what does it mean to be a Black girl in this world?
I just thought it was gonna be an amazing time. Everybody's gonna dress up—we're gonna celebrate each other. And boom, I then realized that it responded to like a gaping hole. There was a missing thing for Black girls of all walks of life, all ages, right?
"It's very intergenerational. That was intentional to come together and celebrate just being us."
You have all these instances where just being you is either the butt of a joke or it's diminished and not worthy of a specific title in these larger institutions. So what does it mean to just to be loved up on and celebrated?
It felt like a self-care project at first. You know, for the first couple of years, folks were coming and they were getting that sisterhood. They were getting that tribe work that they were missing in their everyday lives.
I love the Black Girl Magic Ball because we got us. If I go out with a bang, they'll remember that Mahogany worked her a** off to make sure all the Black girls everywhere knew that she was the light. We are the blueprint.
For more information on Mahogany L. Browne, her work, and her future projects, visit her website or follow her on IG @mobrowne.
Featured image by Anthony Artis
During the Los Angeles tour stop, which spanned three dates on May 21, May 23, with the finale on May 24, xoNecole had the opportunity to test out the glosses included in this soft launch, as SZA revealed in a statement that "this is just the start of other lip products, including plans to launch stains, liners, and creams all inspired by SZA's “infamous layered lip combinations.”
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So, what is included in the first Not Beauty launch?
The current Not Beauty products available are lip glosses that come in three shades: In the Flesh, Strawberry Jelly, and Quartz.
During my visit to the first LA Not Beauty pop-up activation, I not only had the chance to purchase all three glosses but also took a peek inside the blow-up log tent. Inside, fans got to experience SZA’s love for nature and her fascination with bugs, which are prominently featured in her performances for this tour. At one point, she even had human preying mantis prancing across the stage y'all.
There were blow-up photos of the beauty that is SZA for fans (myself included) to take photos, but in wooden-like tree trunks were a deeper dive into some of the ingredients featured in her products and their benefits.
For example, the glosses feature Hi-Shine Lip Jelly and Shea Butter as key ingredients and some of the listed benefits included are:
- Shea Butter - “A powerhouse ingredient, offering both functional and nourishing benefits.”
- Hi-Shine Lip Jelly (featured in the In the Flesh shade) - “Formula glides on with perfect adhesion to the lips without stickiness).
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What are in the products?
Featured in an orange package, with images of a bug and flower on the side, the back of the box reads: “It’s NOT BEAUTY, it just works. Developed by Solána “SZA” Rowe.
As someone who never leaves home without a good lip gloss, I loved how compact the wood panel packaging is. Perfect to slip into my purse, or in the case of the show at SoFi Stadium, into my pocket when I’m not carrying a bag.
Because I’m a sucker for a good black and brown lip liner and clear gloss combo, I decided to wear the Quartz flavor on night one of the Grand National Tour LA stop, and it did not disappoint. I’ll admit, it’s light weight feel made me nervous because it felt like there was nothing on my lips. However, when I checked my lips in my compact mirror several times throughout the night, I was shocked to find that my gloss was still intact. I only reapplied once out of the habit of looking cute and applying my gloss, but not necessity.
Here are some of the ingredients featured, but not limited to, in the Quartz flavor.
- Polyisoubutene
- Butyrospermum Parkii (Shea)Butter
- Ricinus Communis (Castor) Seed Oil
- Mentha Piperita (Peppermint) Oil
- Tocopherol
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Lip prep
I’m a simple girl who loves to stay true to her roots. So ahead of the show, I stopped by a local Inglewood Beauty Supply store and grabbed a Black and Brown shade lip pencil for just under $2 a piece.
Shading the outline of my lips with the black pencil first, I used the brown to lightly fill the inside of my lips before applying my Quartz Not Beauty shade gloss.
How to apply
There’s truly no right or wrong way to apply lip gloss (in my opinion), with this being a brush applicator sort of product, I simply untwisted the top and swiped the gloss around my top and bottom lip generously.
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Results
Again, my Not Beauty Quartz product stayed on my lips from the start of the show, which began with a fire DJ set from LA’s very own, Mustard, to the conclusion when Kendrick and SZA reunited on stage to send us home to their duet, “luther,” featured on the rapper's GNX album.
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