'Freaknik' Chronicles: A Candid Conversation With Jermaine Dupri And Uncle Luke

As a child, I was captivated by my mom's vivid tales of Freaknik '92 and '93 – the legendary parties, the infectious music, the wild energy that engulfed Atlanta. Yet, beneath her nostalgic recollections lay a deeper curiosity about the true essence of this cultural phenomenon. Now, with Hulu's latest documentary, Freaknik: The Wildest Party Never Told, executive produced by Jermaine Dupri and Uncle Luke, the veil has been lifted, revealing the untold history and impact of Freaknik. It's a journey that transcends mere nostalgia; it's an exploration of controversy, celebration, and the seismic influence this event had on Atlanta's landscape and beyond.
But amidst the pulsating beats and the bustling streets of Atlanta, a different story simmered beneath the surface. For every note of music and every surge of energy, there were whispers of chaos and commotion, traffic snarled for miles around. The documentary doesn't shy away from these realities; instead, it confronts them head-on, painting a nuanced portrait of Freaknik's impact – the highs, the lows, and the downright chaotic. Through candid interviews and raw footage, Jermaine Dupri and Uncle Luke peel back the layers, revealing a narrative both complex and compelling.
At its core, Freaknik was more than just a party – it was a movement. It became a rite of passage for HBCU students, particularly those from the illustrious AUC schools. For one fleeting week, the streets of Atlanta pulsated with a dynamic rhythm, echoing the vibrant essence of community. It wasn't just about the music or the fashion; it was about reclaiming space, asserting identity, and celebrating the richness of Black culture.
Freaknik was an economic powerhouse, igniting a new flame in Atlanta's economy. From local businesses to up-and-coming artists, everyone felt the ripple effect of Freaknik's presence. It was a testament to the power of community, creativity, and collective celebration. In a recent interview with executive producers Jermaine Dupri and Uncle Luke, they shed further light on the enduring influence of this iconic event and its significance in shaping cultural landscapes.
As an alumna of Clark Atlanta University, the documentary film hit home for me as some of my most cherished memories are from my matriculation at the institution. In an xoNecole exclusive, Jermaine Dupri and Uncle Luke touched on the importance of HBCUs to Freaknik, highlighting how these historically black colleges and universities served as the beating heart of the event, providing a cultural hub for students to converge, celebrate, and showcase their talents.
It's a sentiment echoed by many who recognize the profound role HBCUs played in shaping the spirit and identity of Freaknik, underscoring the significance of these institutions in fostering a sense of community and belonging for generations of young Black individuals.
“HBCUs are everything about Freaknik. It's the energy. I'm getting more educated on how uneducated the world is about the HBCUs and the energy that's been put out there. I think back to Deion [Sanders] at Jackson State saying that he wanted to take that energy to these HBCUs to give them that attention, Jermaine said. “That's partially part of what we're doing with this Freaknik documentary because the HBCUs have so much energy, and they have put out so many things that become Black culture and Black history. The history books have not been written the way they’re supposed to be, so it's important that we do things like this documentary to help build that energy.”
Uncle Luke further explains how the documentary touched on the legacy as well as the controversy surrounding the event and grassroots origins of Freaknik. It delves into the complexities of Freaknik's evolution, addressing the criticisms and controversies that arose as the event gained popularity. From concerns about public safety and traffic congestion to debates over the handling of sexual assault and misconduct allegations, Freaknik became a lightning rod for societal discourse. However, amidst the uproar, it remained a symbol of resilience and cultural pride for many, underscoring the complexities of navigating identity, community, and expression in a rapidly changing world.
“To me, the most important moment of it all is when you see these young folks come together to create an event for their peers. You don't see that too often these days where a group of African American men and women come together and create something and it went on for a period of time. People don't know about that period of time. The only thing they know about is when Uncle Luke came there, turned the place out, and seeing people on cars all across the highway dancing and partying,” he explained.
“That's what most people in the later years look at and think about with Freaknik. So when people see this story they'll see the rich history and how the Atlanta music scene came about that made JD so great and the artists that he touched like Lil Jon. All the artists that came to Atlanta for Freaknik and did not leave. You don't get that same vibe, feeling, energy, and positivity that you get in Atlanta.”
As we reflect on the vibrant history of Freaknik's legacy, it becomes evident that its impact transcends the boundaries of time and space. What began as a spontaneous gathering in the ‘80s blossomed into a cultural juggernaut, etching itself into the annals of history as a defining moment of the ‘90s. Its influence didn't just fade with the dawn of a new millennium; instead, it solidified its place as a timeless emblem of the Black college spring break experience.
Beyond its immediate cultural impact, Freaknik seeped into the fabric of popular media, becoming a recurring motif in Black movies and TV shows. From iconic films like House Party to beloved sitcoms like Martin, Freaknik became more than just an event – it became a staple Black cultural experience for many. One of my personal favorites remains the episode of Sister, Sister, where Tia and Tamera venture from Detroit to Atlanta for the first time for Freaknik.
As we navigate the ever-changing currents of culture and society, Freaknik stands as a beacon of resilience and celebration, a testament to the power of unity and collective joy. Its echoes continue to resonate through the corridors of time, reminding us of the indelible mark left by those fleeting moments of chaos and bliss on the streets of Atlanta. In the end, Freaknik isn't just a memory – it's a living testament to the spirit of community, creativity, and unyielding passion that defines us all.
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Feature image by Paras Griffin/Getty Images
This article is in partnership with Lexus.
Luxury is often defined by someone else’s standards. But what if the finer things in life looked different through the lens of those crafting and shaping Black culture?
In Redefining Excellence, a two-episode short-form video series presented by Will Packer Media in collaboration with Lexus, we dare to broaden how we think about luxury. Here, it’s not just about the price tag. Luxury is a practice.
At its core, Redefining Excellence is a celebration of intention woven into every detail of how we live: our joy, our spaces, our craft, but also our rituals of care. These are the Black creators who not only give the best to themselves in what they build, but also pay it forward to the communities around them.
Through their vision, they embody the same precision and artistry that Lexus embraces when in pursuit of a higher standard, the Standard of Amazing.
In Episode 1, “Ingredients of Success,” the series follows chef, restaurateur, and Lexus Culinary Master Kwame Onwuachi, whose artistry is imbued with rich cultural storytelling. We see him wander purposefully through a garden, gently testing the ripeness of fresh fruits and vegetables. “Luxury isn’t about exclusivity. It’s about being intentional with your choices and craft,” he says.
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“Now, because of my work and the ingredients I use, luxury means something different. I am boldly setting a new standard of amazing and innovation.”
As he chops vegetables, plates vibrant dishes, and loads the finished product into the sleek Lexus LC Convertible, he continues, “For me, luxury means ingredients that carry memory… dining experiences and locations that honor the stories that raised me and feel like us.”
In Episode 2, “The Texture of Luxury,” the lens turns to founder and CEO of CurlyCon LA Ava Pearl, whose ingredients take a different form. As the trunk of her Lexus LX 700h lifts, she says, “When I think of luxury, it isn’t expensive, it’s expansive.” The scene shifts, and we watch Ava lay down a bouquet of fresh flowers upon entering her home before using aloe vera leaves to prepare gel by hand.
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“When I was younger, I thought luxury was something you bought. Now I know it’s about living up to a higher standard… Black women have always defined what’s next, setting the standard for beauty, luxury, and excellence.”
Like Kwame, she builds with intention, pouring care into the details, believing, like Lexus, that “luxury isn’t just a finish, it’s a standard. One that’s built to amaze.”
Through these stories, Redefining Excellence serves as a reminder that the journey is not just about the destination, but also the ingredients you choose along the way.
Watch both episodes now and learn more about how Kwame and Ava set their own standard of amazing.
Featured image by xoNecole/Will Packer Media
I know firsthand how powerful it is to see our voices centered, not just included. Black-owned bookstores are one of the few places where our narratives are celebrated instead of marginalized. You’ll find works that explore our joy, our pain, our love, our resistance, our healing. And the best part? You’ll find books by authors that might not be widely represented in your local library or at big-box stores.
Supporting Black-owned bookstores isn’t just about buying books. It’s about preserving culture, investing in community, and reclaiming our stories. They’re also spaces where local authors are uplifted, children see themselves reflected in the pages, and where conversations about liberation and love happen organically between book lovers who have so much in common.
If you’re wondering where to start, here’s a great list of Black-owned bookstores, both in the U.S. and globally, that you can add to your must-visit list this fall and beyond:
North
Harriett’s Bookshop — Philadelphia
This book shop, named after Harriet Tubman and founded by Jeannine Cook, serves as a hybrid space: part bookstore, part art gallery, part monument. The inventory rotates monthly with thematic exhibitions (for example reparations), and the store hosts events including internships with local youth.
The Lit. Bar — Bronx, New York
Opened in 2019, this is the only independent bookstore in the Bronx. It combines a bookstore with a stylish social space (wine bar) that brings readers together. It’s also well regarded for its curation of books by underrepresented authors and as a gathering place for the community.
Midwest
Black Garnet Books — St. Paul, Minnesota
Started as a pop‑up, Black Garnet Books received a grant to open a brick‑and‑mortar location. Its founder Dionne Sims discovered there were no previous Black‑owned bookstores in Minnesota, which motivated its creation. The store is focused on literature by Black authors and community programming.
Semicolon Bookstore & Gallery — Chicago, Illinois
A Black woman‑owned bookstore and gallery space that emphasizes art and literature together. It carries a mix of books by Black authors across genres, and supports community engagement through gallery exhibitions, programs, and online presence.
South
The Listening Tree — Decatur, GA
The Listening Tree, located on Candler Road in Decatur, Georgia, was founded by Omar and Kimberly Finley to promote literacy and Black representation in children's literature. They established Our Story Books Publishing and later The Listening Tree. The bookstore offers a Young Entrepreneurs Program for ages 8-16, teaching financial literacy and business skills. Through the B-Boys and B-Girls Book Club, members receive age-appropriate books and access to a virtual community.
The Book Bar — Richmond, Virginia
Located at 1311 East Main Street in Shockoe Slip (Downtown Richmond), this Black‑ and woman‑owned bookstore (also wine bar) is focused on centering Black, Indigenous, and authors of color. Opened in early 2022 by Krystle Dandridge, it features lounge‑style seating, book clubs, author events, subscription boxes, and nearly 99% of its inventory represents Black authors or Black characters/subjects.
West
Marcus Books — Oakland, California
One of the oldest Black‑owned bookstores in the U.S., Marcus Books has a long legacy of promoting African-American literature and culture. Despite challenges, it remains an important institution in the Bay Area.
Shop at Matter — Denver, Colorado
A Black‑owned bookstore in Denver that offers a well curated selection of Black literature, art books, children’s books, and community events. It acts as a hub for readers interested in diverse voices and community building.
Fulton Street Books & Coffee —Tulsa, OK
Funded by Onikah Asamoa‑Caesar, an educator and cultural activist, this café‑bookshop serves as a sanctuary, combining her love of books and Black liberation. It offers community, comfort, and curated literature.
International
New Beacon Books — London
Founded in 1966, New Beacon Books is the UK’s first Black publisher and specialist bookshop. It champions literature from Africa, the Caribbean, and global diasporas. Central to social and political movements. Check their website for events and open hours before visiting.
This bookstore specializes in Caribbean literature and its diasporic roots in Africa and India. Based in the Caribbean, it offers rare, out-of-print, and culturally significant works. Deeply rooted in the region, it reflects a lifelong commitment to preserving Caribbean heritage and knowledge. When you’re on the island, be sure to check their social pages or call to be sure of open and closed days. (As of this article, they are open Wednesday through Saturday).
Roving Heights Bookstore —Multiple Locations, Nigeria
If you’re going to Nigeria for Detty December, add a stop at Roving Heights to your itinerary. It’s a family-owned literary hub offering a wide range of fiction, non-fiction, and African literature. Known for its welcoming space and events, it promotes Nigerian storytelling, local authors, and a strong reading culture in the city.
Tusome Books —Winnipeg, Canada
Founded by Valerie Chelangat, this bookstore promotes intentional reading by amplifying underrepresented voices, including Black, Indigenous, queer, immigrant, and disabled authors. The store also offers book clubs, speaking engagements, and literacy programs through its foundation.
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