'Freaknik' Chronicles: A Candid Conversation With Jermaine Dupri And Uncle Luke
As a child, I was captivated by my mom's vivid tales of Freaknik '92 and '93 – the legendary parties, the infectious music, the wild energy that engulfed Atlanta. Yet, beneath her nostalgic recollections lay a deeper curiosity about the true essence of this cultural phenomenon. Now, with Hulu's latest documentary, Freaknik: The Wildest Party Never Told, executive produced by Jermaine Dupri and Uncle Luke, the veil has been lifted, revealing the untold history and impact of Freaknik. It's a journey that transcends mere nostalgia; it's an exploration of controversy, celebration, and the seismic influence this event had on Atlanta's landscape and beyond.
But amidst the pulsating beats and the bustling streets of Atlanta, a different story simmered beneath the surface. For every note of music and every surge of energy, there were whispers of chaos and commotion, traffic snarled for miles around. The documentary doesn't shy away from these realities; instead, it confronts them head-on, painting a nuanced portrait of Freaknik's impact – the highs, the lows, and the downright chaotic. Through candid interviews and raw footage, Jermaine Dupri and Uncle Luke peel back the layers, revealing a narrative both complex and compelling.
At its core, Freaknik was more than just a party – it was a movement. It became a rite of passage for HBCU students, particularly those from the illustrious AUC schools. For one fleeting week, the streets of Atlanta pulsated with a dynamic rhythm, echoing the vibrant essence of community. It wasn't just about the music or the fashion; it was about reclaiming space, asserting identity, and celebrating the richness of Black culture.
Freaknik was an economic powerhouse, igniting a new flame in Atlanta's economy. From local businesses to up-and-coming artists, everyone felt the ripple effect of Freaknik's presence. It was a testament to the power of community, creativity, and collective celebration. In a recent interview with executive producers Jermaine Dupri and Uncle Luke, they shed further light on the enduring influence of this iconic event and its significance in shaping cultural landscapes.
As an alumna of Clark Atlanta University, the documentary film hit home for me as some of my most cherished memories are from my matriculation at the institution. In an xoNecole exclusive, Jermaine Dupri and Uncle Luke touched on the importance of HBCUs to Freaknik, highlighting how these historically black colleges and universities served as the beating heart of the event, providing a cultural hub for students to converge, celebrate, and showcase their talents.
It's a sentiment echoed by many who recognize the profound role HBCUs played in shaping the spirit and identity of Freaknik, underscoring the significance of these institutions in fostering a sense of community and belonging for generations of young Black individuals.
“HBCUs are everything about Freaknik. It's the energy. I'm getting more educated on how uneducated the world is about the HBCUs and the energy that's been put out there. I think back to Deion [Sanders] at Jackson State saying that he wanted to take that energy to these HBCUs to give them that attention, Jermaine said. “That's partially part of what we're doing with this Freaknik documentary because the HBCUs have so much energy, and they have put out so many things that become Black culture and Black history. The history books have not been written the way they’re supposed to be, so it's important that we do things like this documentary to help build that energy.”
Uncle Luke further explains how the documentary touched on the legacy as well as the controversy surrounding the event and grassroots origins of Freaknik. It delves into the complexities of Freaknik's evolution, addressing the criticisms and controversies that arose as the event gained popularity. From concerns about public safety and traffic congestion to debates over the handling of sexual assault and misconduct allegations, Freaknik became a lightning rod for societal discourse. However, amidst the uproar, it remained a symbol of resilience and cultural pride for many, underscoring the complexities of navigating identity, community, and expression in a rapidly changing world.
“To me, the most important moment of it all is when you see these young folks come together to create an event for their peers. You don't see that too often these days where a group of African American men and women come together and create something and it went on for a period of time. People don't know about that period of time. The only thing they know about is when Uncle Luke came there, turned the place out, and seeing people on cars all across the highway dancing and partying,” he explained.
“That's what most people in the later years look at and think about with Freaknik. So when people see this story they'll see the rich history and how the Atlanta music scene came about that made JD so great and the artists that he touched like Lil Jon. All the artists that came to Atlanta for Freaknik and did not leave. You don't get that same vibe, feeling, energy, and positivity that you get in Atlanta.”
As we reflect on the vibrant history of Freaknik's legacy, it becomes evident that its impact transcends the boundaries of time and space. What began as a spontaneous gathering in the ‘80s blossomed into a cultural juggernaut, etching itself into the annals of history as a defining moment of the ‘90s. Its influence didn't just fade with the dawn of a new millennium; instead, it solidified its place as a timeless emblem of the Black college spring break experience.
Beyond its immediate cultural impact, Freaknik seeped into the fabric of popular media, becoming a recurring motif in Black movies and TV shows. From iconic films like House Party to beloved sitcoms like Martin, Freaknik became more than just an event – it became a staple Black cultural experience for many. One of my personal favorites remains the episode of Sister, Sister, where Tia and Tamera venture from Detroit to Atlanta for the first time for Freaknik.
As we navigate the ever-changing currents of culture and society, Freaknik stands as a beacon of resilience and celebration, a testament to the power of unity and collective joy. Its echoes continue to resonate through the corridors of time, reminding us of the indelible mark left by those fleeting moments of chaos and bliss on the streets of Atlanta. In the end, Freaknik isn't just a memory – it's a living testament to the spirit of community, creativity, and unyielding passion that defines us all.
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Exclusive: Melanie Fiona On Making High-Vibrational Music & Saying Yes To Partnership
Melanie Fiona is back! After taking a little more than a decade-long hiatus, she has officially made her return to music and blessed us with two singles, “Say Yes” and “I Choose You.” While both singles are very different from each other, they both reflect who she is today and the type of music she wants to make. In our conversation, the mom of two expressed what she learned during her time away.
“It's interesting, even when I said it is like coming back, I don't ever feel like I really left because I was always still performing. I've still been public. It's not like I went into being this recluse person or version of myself, but the thing that I really learned in this process is that I think things take time,” Melanie says in a xoNecole exclusive.
“I think often we're so caught up in it, being on the timing of demand or popularity, or, like, striking while the iron is hot and the thing that I've learned is that everything is on God's time. That's it. Every time I thought I would have been ready, or, like, things were taking too long, I had to reship some things, personally, professionally, in my life. I also gave myself permission to make a living, not just make a living, but make a life for myself.”
Making a life for herself included getting married to Grammy-nominated songwriter Jared Cotter, starting a family, and embracing new landscapes, such as podcasting as a co-host of The Mama’s Den podcast. She also began doing more spiritual work and self-care practices like meditation, sound healing, Reiki, acupuncture, and boundary setting, which allowed her to get in touch with her inner voice.
“I wasn't putting out music, and I wasn't experiencing a number one record, but I was being a number one mom,” she says.
“I was experiencing things that were allowing me to heal and get in touch with myself so that I could make new music from a space of joy and freedom, and excitement again because I definitely feel like I did lose some excitement because of just politics and industry and what it can do to your mental health and even your physical health. So giving myself the space to really just say, ‘Hey, it's okay. Everything's right on time.’”
The joy and excitement are felt in one of two new singles, “I Choose You,” which is more of a lovers rock vibe, a tribute to Melanie’s Caribbean roots. While the Grammy award-winner is known for ballads like “It Kills Me” and “Fool For You,” she is becoming more intentional about the music she makes, calling it high-vibrational music. She says her music is a “reflection of my life,” as it captures every facet, from hanging out with friends to riding around in her car.
“Say Yes” has the classic R&B vibe Melanie is known for. However, both songs are inspired by her relationship. Melanie and Jared got married in December 2020, and the Toronto-bred artist dished on their relationship. Fun fact: he is featured in the “Say Yes” music video.
“When we first started dating, I had come into that relationship post a lot of self-work. I had gotten out of a long-term relationship, I had a year and a half to date and be by myself and do a lot of work on myself alone. And when we met, I remember feeling like this has to be my person because I feel it,” she says.
“And so when we went into that relationship, and we started dating, I was very clear. I was like, I know what I want. I'm very clear on what I need, and I'm not going to withhold my truth about myself in this process because of pride or fear of rejection. I know you love me, but I'm coming with my heart in my hand to let you know that if we're gonna get there, we have to put fear aside and say yes. So that was kind of like my open letter to him, which is why the video is us having a conversation.”
Melanie also shares that saying yes to her partner has empowered her in many ways, including motherhood and showing up for herself. Her new EP, also titled Say Yes, will be available at the top of 2025.
Check out the full interview below.
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Feature image by Franco Zulueta
Serena Williams Hits Back At Skin-Bleaching Accusations: 'I’m A Dark, Black Woman, And I Love Who I Am'
Serena Williams is clapping back at skin-bleaching accusations. During a makeup tutorial for her beauty brand, Wyn Beauty, the tennis legend took the opportunity to address the "haters."
“And then I put just that neutral color, that is actually my skin color, and no, for you haters out there, I do not bleach my skin,” she said. “There is a thing called sunlight, and in that sunlight, you get different colors.”
The rumors started after the mom of two posted a video of herself and her husband, Alexis Ohanian, at their daughter's school play. In the video, she appeared to look a few shades lighter. During her response, she revealed that she was volunteering at the play and wore stage makeup.
“Yes, I’m calling you out on this because it is ridiculous that everyone’s like, ‘Oh, she bleached her skin,’" she said. "I’m a dark, Black woman, and I love who I am, and I love how I look and that's just not my thing.”
The 23-time Grand Slam champion also said that she doesn't judge anyone who bleaches their skin as she "stays in my lane."
Serena has always had style on and off the court, and even collaborated with Nike with her own collection Serena Williams Design Crew. However, the tennis champ has now pivoted into beauty.
Wyn Beauty was launched in April 2024 with at 10-piece collection of lip, eye, and complexion products. The brand was inspired by Serena's time on the court and the packaging is reminiscent of a tennis ball due to its chartreuse color.
“Throughout my career, I was always searching for makeup that looked good after hours on the court, mixing products myself and creating my own formulas while traveling the world,” she said in a statement. As she continues to make a name for herself in the beauty industry, I'm sure we will see a lot more looks from the tennis star.
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Feature image by Marc Piasecki/WireImage