Vaughn Hebron may be one of the leads of BET's hit series, The Oval, but the Baltimore-bred actor is the perfect leading man off- and on-screen. Though he plays Bartholomew "Barry" Hallsen, a young father to daughter Callie and son of the esteemed White House butler, Hebron's chiseled physique and abs for days are a tempting distraction from any lines he might be reading.
The Lafayette College alumnus attended his alma mater on a partial scholarship for Division I football where he became an active member of Omega Psi Phi Fraternity. After graduation, he pursued a short career in pharmaceuticals, and in January 2017, he decided to give acting a shot by moving to Los Angeles. Who would've thought that two short years and a push of encouragement from his stepfather later, he would be booked as a series regular on one of the leading shows on BET?
xoNecole caught up with the actor about physical health as a factor in attractiveness, why he didn't date while he was in college, and his thoughts on the relationship between mother and son being a reflection of how a man will treat a woman. Take a look at our conversation below!
xoNecole: How do you believe Barry has evolved since we met him in the first season?
Vaughn Hebron:The Oval for Barry started like a regular day just going to help his father out at the White House—something that he's always done. He thought it was going to be a regular night and then he gets accused of rape, which is something he's never obviously encountered before, especially in a place that was so familiar to him. He managed to get off even though his life was almost ruined. Literally, within one day, his whole life just flipped and changed. As a young man, he was trying to better himself, get his own place, and out of his parents' spot just so he could grow into his manhood and be independent.
Pretty much until the end of the season, he's dealing with blow after blow of his reality being shattered, his baby being taken, and the people that he thought would be on his side really not showing the support he thought. That's what makes him lash out a lot and makes him do some reckless things. You start to see where a good guy—when faced with a lot of extreme adversity and hardship in such a short period—just cracks under all of that pressure.
Related to romance, in what ways do you feel you connect with Barry's story?
Well, I don't have baby-mama drama, thankfully. If I ever did, I'm hoping that she's not part of a crazy cult that's kidnapping kids and stuff. I surely hope not, but it's Hollywood so you never know (laughs). I think Sharon reminds him so much of his mother, and I understand trying to find your mother in your spouse and trying to find those good qualities that really love about your mother. At the same time, as Sharon talks about throughout the season, she never really had a close relationship with Barry's daughter. Barry and the way he lashed out at his mother is the same way he lashes out at Sharon a few times when he just can't trust any woman (laughs).
I have way better luck with women than Barry does. I do believe that he genuinely wanted the world with Sharon and wanted to be a good father. It's sad that extreme circumstances can really affect everything and everybody around you.
Speaking of mothers, I was always taught that you can tell a lot about how a man’s going to treat you based on how he treats his mother. How true do you find that to be?
I don't know if that's always true because mothers—as much as we love them and they're a God-sent blessing—they're not always perfect. Sometimes a mother can do something that really affects the relationship that she has with her son. I think the way that a man respects his mother and holds her in regard is what you can expect, yes. [However,] just because they don't have the best relationship doesn't mean that's gonna reflect in a relationship that a woman will have with a man.
My mother and I—of course, she's still my mother—but at this point, we kind of have more like a big sister-little brother relationship. We joke, laugh, and talk to each other like we really grew up together (laughs). It's so funny because that's my friend, and of course, I would never disrespect her or anything like that, but I will still have a real conversation and banter with her in a way some people might not ever go back and forth with their mother. That's just the relationship that we have with each other.
I think you have to gauge that and I don't always think it's a reflection. You know if he doesn't respect or at least know how to talk to his mother, then he might not know how to talk to you as a woman.
You’re the oldest of nine siblings. What has being this taught you about love and patience that can be translated into relationships?
What being the oldest has probably taught me the most is that everybody matures, grows, and comes into their maturation and who they are in their own time. What works for somebody or what standard that somebody has for themselves isn't going to be the same standard for everybody else. For me, by the time I graduated, I went straight into the workforce and I was pretty independent. I was also independent in college. For my brothers, it either took them a longer time to graduate or after they graduated, they moved back in with our parents. Everybody had a different standard of where their life was going to lead them and what they were going to do with themselves.
When it comes to relationships, it taught me that the standard you might've had for your ex, somebody you used to talk to or any other situation, you can't always bring that to this new person. You have to gauge where they are and see if where they are works for you or not, but you can't really compare them or try to hold somebody else to a standard where somebody else was at, especially if it didn't work for you. That kills me sometimes. A lot of times people will be like, 'I'm used to this. I'm used to a man doing this. I'm used to a man saying this," and I'll be like, "Well, are you still with that person?' (laughs). If it didn't work for you and if it didn't work out, why are you comparing this to something that didn't work?
"When it comes to relationships, it taught me that the standard you might've had for your ex, somebody you used to talk to or any other situation, you can't always bring that to this new person. You have to gauge where they are and see if where they are works for you or not, but you can't really compare them or try to hold somebody else to a standard where somebody else was at, especially if it didn't work for you."
Rowan Daly
That's definitely true. If it didn’t work back then and you keep trying to make that work, chances are that it may not work. Let’s just hang that up.
Yeah, everybody moves in a different way. Everybody has their own beat that they dance to. All you have to do is see if it works for you or if it doesn't. Trying to compare and hold somebody else to a standard that they don't even think about, I find it to be less effective most of the time.
You mentioned that straight out of college, you started working. How would you compare dating in college to dating while you’re working out in the real world?
Honestly, I didn't really date like that in college. I was on the football team, then I pledged and became a Que so dating wasn't really in the cards for me in college because I had other priorities. I would say if I did get close to somebody in college, we did little things like go to the movies, go out to eat here or there or we would hang out on campus. Everything was carefree and I don't think we were really looking towards the future with things back in college.
I've always dated older women, too, to be honest with you so when I graduated and started working, the women I dated after that just seemed to know where they were going or they knew what they were trying to work toward. It was one of those things where if I wasn't helping them, or if I wasn't on the same page, it probably wasn't gonna work out. They weren't really just trying to chill out and be casual with things. They were like, 'Look, if we ain't building toward a relationship or something more than just us hanging out, it's not for me.'
Dating after college became something like seriously dating, building, and progressing and not just a relationship where it's like, "This is my girlfriend and we do girlfriend-boyfriend stuff." We make each other better and we're working toward something long-term. The standards and the expectations went up.
What are the top lessons that the entertainment industry has taught you about dating?
The No. 1 lesson that I've learned out here is people have different priorities and you have to know what those priorities are before you take them seriously. What I mean by that is coming from Baltimore—the East Coast—everybody seems to be on the same wave. You graduate college, you go get a job, you become successful in that job, you find a woman, you make her your wife, and then y'all live happily ever after with your big house, some equity, some investments, and some kids. That's what everybody was on where I was from.
Over here, people have different priorities because people don't move to L.A. to get married. They move to L.A. to become movie stars, actresses, the next biggest model, or the next big R&B singer. Everyone has different priorities when it comes to being out here, so you have to know that before getting involved with somebody. Even if they say they're open to a relationship, if their actions show that you are not a priority and their job, clout, or image is a bigger priority, that's something that you have to make sure you understand so you don't end up getting hurt. You can't just assume that because somebody says they want a relationship—or they're acting like they want a relationship —means that they really want a relationship.
You’re also recognized for being really smart. You graduated with degrees in Economics and Business and a minor in Africana Studies. How important is it to you that a woman has brains?
It's very important to me because I love intelligence. I love a woman who's witty and smart, and because I'm a person that loves intelligence, I like going back and forth with people and having good conversations, debates and exchanges of thought. That's intimate to me. It can be very intimate, actually. That's one of the things that I cherish and appreciate when I talk to someone. If I can't have a real conversation with you and talk to you about some deep stuff, then it's just not going anywhere.
To add to that, one of the biggest things that I also appreciate is when somebody can teach me something and can add onto the knowledge I have and get me to think about things in a different way. If she's not intelligent, always learning or growing herself, or developing personally, she wouldn't be able to do that for me if she's not working on herself individually. I think that goes for anybody. If you're not bettering yourself and if you're not constantly feeding your mind and soul—pouring into yourself—how can you pour into somebody else? Intelligence and wit is something I value a lot when it comes to women.
Rowan Daly
"If she's not intelligent, always learning or growing herself, or developing personally, she wouldn't be able to do that for me if she's not working on herself individually. I think that goes for anybody. If you're not bettering yourself and if you're not constantly feeding your mind and soul—pouring into yourself—how can you pour into somebody else? Intelligence and wit is something I value a lot when it comes to women."
You’re not just brains. You’re also brawn! On your IG, we see the arms, abs and in 'GQ South Africa', you talked about fitness and working out.
A little bit, a little bit (laughs).
No, you do it. Don’t flex! How does working out and physical fitness play a role when you’re looking for a woman?
It plays a big role and it's probably gonna be the first thing I see. The physical appearance is probably the first thing I'm attracted to—it is what it is. I'm not saying she has to look like Beyonce or J.Lo, but I definitely need a woman who takes care of herself physically. If I'm putting so much time and energy into my body—and I'm not saying you have to do what I do— and you're not making sure you're not on top of your own body, physical fitness, and mental health, then there's gonna be an issue.
When it comes to diet, it plays a role in a lot of things—your mental health, how tired you are, your sexual health. Fitness is a universal thing, so I have to make sure you're on it because I'm going to be on it. Luckily I'm in an industry where they take their physical health and appearance pretty seriously, and it's L.A.. More often than not, I meet women who are already working out and taking care of themselves, so that's been a good thing.
You put in your Instagram bio that you are an “intellectual bad boy”. If you could put your perfect woman in three words, what would it be?
Wow, I really said that? (Laughs.) Intelligent, committed, and priceless. Oh yeah, that's a good one.
For more of Vaughn Hebron, follow him on Instagram or catch him on Tyler Perry's The Oval on BET.
*Some answers have been edited and condensed for clarity.
Featured photo courtesy of Rowan Daly
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A Goddard College graduate, who earned an MFA from Pratt Institute and was awarded an honorary doctorate from Marymount Manhattan College, Mahogany offers unapologetic realness with a side of grace and empowerment. "I started touring locally. I started creating chat books so that those poems will go in the hands of the people who were sitting in the rooms," she shared.
"And then I started facilitating poetry workshops, so I used my chat books as curriculum. And that, in turn, allowed me to further invest in my art and show the community and people who were hiring me that it wasn't just a one-off, that it's not just, you know, a fly by night—that I am invested in this art as much as I am invested in your community, in your children's learning, in our growth."
Mahogany has a special way of moving audiences, and her superpower sparks shifts in perspective, post-performance introspection, and strengthening of community bonds, especially among Black women. (One can undeniably recognize her gift for arousal of the spirit and mind merely from her listening to her insights from the other side of a Google Hangout call. I can only imagine the soul-stirring, top-tier sensory encounter when watching her perform in person.)
In this chat with xoNecole, Mahogany reflects on sustaining a creative career, the aftermath of writing a banned book, and using poetry for both healing, community-building, and activism.
Anthony Artis
xoNecole: What are three key things that have laid the foundation for a sustainable creative career for you?
Mahogany L Browne: What has helped me is that I'm willing to go in being an expert at knowing poetry and knowing the way in which art can change the landscape of our lives, not just as a poet, but also as a poetry facilitator. How you move through classes, those things are mastered, right? So when I go into another space that's maybe tech-heavy, I don't mind learning and being, you know, a student of the wonder of how we can make this magic, work together.
Two, you’ve got to know how to pivot. Sometimes we say, ‘Alright, this is what my life is going to be. I'm going to be a New York Times best-selling author. I'm going to, you know, have an album that's Grammy-nominated. And then, say you get dropped from your record label. That doesn't mean you can't make an album anymore. You can also still create an album that can be submitted to the Grammys. So, what does a pivot look like as an artist who doesn't have an institution behind them? Pivot being a student of the wonder.
Relationships also really help. How do I serve the community? And in turn, that tells me how the community can show up. For me, I have long-standing ties with a community that will outlast my one life. So, what does it mean to create space where these relationships can develop, can be nurtured, can be rooted, can be cultivated? Creating space—it happens through relationships.
xoN: With today’s economic challenges, what does your current creative process look like, and what are you working on?
MB: I’m always thinking five years ahead. I just reviewed the pages for two children’s books and recently released a YA novel. I’m drafting an adult fiction manuscript now.
Anything I create is founded with the root of poetry, but it can exist in captions. It can exist in commercials. It can exist as a musical. So that's where I’m at now.
xoN: You started performing "Black Girl Magic" in 2013, had an acclaimed performance of it via PBS and the work went on to viral success shortly after. Talk more about the inspiration. And what do you think about the continued relevance more than a decade later?
MB: I wrote it as a rally cry for the mothers who had been keeping themselves truly in harm's way by, you know, being a part of the community right after the death of their child or their loved one. They are usually mothers of victims of police brutality—and just seeing how they showed up in these community spaces, they are devout to the cause but obviously still grieving.
"I wanted this poem to be just a space of reclamation, of joy and of you, of your light, of your shine, of your brilliance, in any which way in which you fashion. Every room you enter is the room you deserve to be in. What does it mean to have a poem like that that exists?"
And the first time I did the poem, the Weeping that occurred, right? It was like this blood-letting of sorts. The next time I performed it, I'm moved to tears because I'm seeing how it's affecting other women who have just been waiting to hear, ‘You belong. You deserve. You are good. We see you. Thank you, despite everything that they said to make you regret being born in this beautiful brown, dark-skinned, light-skinned, but Black body.’
Black women are the backbone—period. Point blank. And so, that that poem became a necessity, not just to the fortitude of Black women in the community, but like you know, in service of healing the Black women.
xoN: One of your books was banned at a school in Boston, and it was later reinstated due to parental and activist support. What was that experience like?
MB: Well, I think it happened because they were racist. That's it. Point blank. The reversal of it was empowering, right? I realized, oh, I thought we just had to sit here and be on a banned book list. But no, parents are actually the leaders of this charge.
So to see that, the parents said, ‘Nah, we're not gonna let you take this book out of my baby’s school just because it's a Black kid on the front saying, ‘Woke’ and they're talking about being a global citizen. They're talking about accountability. They're talking about accessibility. They're talking about allyship, and you don't want them to have compassion or empathy or have even an understanding, right? So no, we rebuke that, and we want this book here anyway.’ To see that happen in that way. I was, like, reaffirmed. Absolutely.
xoN: You recently organized the Black Girl Magic Ball at the Lincoln Center in New York. Honorees included author and entrepreneur Rachel Cargle and National Black Theater CEO Sade Lythcott. What impact did it have and what expanded legacy do you hope to leave with your creative works?
MB: I was really interested in not celebrating just the book, but celebrating the community that made the book possible. And so I gave out five awards to women doing that thing, like, what does it mean to be a Black girl in this world?
I just thought it was gonna be an amazing time. Everybody's gonna dress up—we're gonna celebrate each other. And boom, I then realized that it responded to like a gaping hole. There was a missing thing for Black girls of all walks of life, all ages, right?
"It's very intergenerational. That was intentional to come together and celebrate just being us."
You have all these instances where just being you is either the butt of a joke or it's diminished and not worthy of a specific title in these larger institutions. So what does it mean to just to be loved up on and celebrated?
It felt like a self-care project at first. You know, for the first couple of years, folks were coming and they were getting that sisterhood. They were getting that tribe work that they were missing in their everyday lives.
I love the Black Girl Magic Ball because we got us. If I go out with a bang, they'll remember that Mahogany worked her a** off to make sure all the Black girls everywhere knew that she was the light. We are the blueprint.
For more information on Mahogany L. Browne, her work, and her future projects, visit her website or follow her on IG @mobrowne.
Featured image by Anthony Artis
“I think for me, an all-American girl, for some reason, brings me back to when I was younger, and just like playing at my grandma’s house and just being outside,” Kennedy told xoNecole ahead of her attendance at the 2025 BET Awards.
“I just feel like when I was younger, you know, you don’t have as many responsibilities. There’s not as much weighing you down, and so I kind of go back to that mindset. Like, even now, being 27, I’m trying to get back to that younger girl.”
The 2025 BET Awards, hosted by Kevin Hart, took place in Los Angeles at the Peacock Theater on Monday night (June 9). The star-studded event was filled with tons of surprises, including a trip down memory lane with a 106 & Park reunion, coupled with performances by artists that dominated the top spots during the music video countdown show’s reign from 2000 to 2014.
Kennedy, who received her first nomination alongside Tanner Adell, Brittney Spencer, Reyna Roberts, and Beyoncè in the BET Her category for “Blackbiird,” the reimagination of the original The Beatles of the same title (minus the extra i), invited xoNecole to get ready with her as she prepared for her first-ever BET Awards.
Beauty Rituals Inherited From Her Mother.
Rather than booking her makeup artist ahead of the big night, Kennedy decided to go on a budget and do the task herself, something that isn’t too out of her norm. She noted how she incorporates some of the things she witnessed her mother do while growing up in her routine.
“I remember being younger and seeing all the makeup laid out on my mom’s counter,” the “I Look Good In That Truck” singer recalled. “I don’t even think she knows this, but there were moments where I would like to go and steal her makeup. She would have Mac. I think it was some kind of foundation powder, and I would go in there and I would put it on, and I’m like I hope she doesn’t see.”
She added, “My mom is very natural with her makeup, so even though I’ve got these big lashes on, I always gravitate towards just neutral looks… I don’t do anything too fancy.”
Tiera Kennedy’s Holy Grail of Products.
Kennedy took it upon herself to take a class to ensure that she’s prepared for nights like these, where she’s the one responsible for bringing her glam look to life.
“We are independent,” she said, reminding us that she is no longer tied to a big machine when it comes to her work as an artist. “We ball on a budget. I have to do my makeup for award shows, events, all the things, and so my makeup artist that taught me how to do all of this, Hailee Clark, she put me on to Nars, the foundation. I don’t know exactly what the name of it is, but I love it.”
“I don’t know all the fancy technicals, but I know that it makes me just look kind of airbrushed, and so I love it. Then, I always use this Laura Mercier [setting] powder because I get real shiny, so I’ve gotta reapply that quite often.”
“We are independent. We ball on a budget. I have to do my makeup for award shows, events, all the things, and so my makeup artist that taught me how to do all of this, Hailee Clark, she put me on."
Her Decision To Wear Hanifa For The Big Night.
Intentionality is essential for Kennedy, which is why she jumped at the opportunity to support Black designer Anifa Mvuemba with a dress from her fashion brand, Hanifa.
“Takirra on my team helped me pick out the dress. I really like to represent in country music, and being in Nashville, I like to represent Black culture through the things that I wear, and I was excited to get to wear a Black brand to the BET Awards,” said Kennedy.
“She was telling me about this brand, Hanifa, and we were on FaceTime just scrolling through the website, and she was like this looks like you. This feels very rooted, like fits those natural tones, and so she bought the dress and was like, ‘This is what you’re wearing.’”
The look was a Raven Knit Dress in Eggplant/Dark Brown Mesh from Hanifa.
Tiera Kennedy in her younger years.
Courtesy
Kennedy also nurtured her inner child for the look, taking it back to her roots with one small detail in her hair that she had her mother carry out before she hopped on the flight to LA.
“I had this vision of wearing beads in my hair because when I was younger, my mom would always do that, and I didn’t love it, but now I’m like, it would be really beautiful to tie all of that together, and the Hanifa dress just fit perfectly.”
“Just even in the past couple of days, I’ve had to take a second, and just look back at all of the awesome things we’ve gotten to do,” said Kennedy when asked what baby Tiera is feeling in this moment.
“I had this vision of wearing beads in my hair, because when I was younger, my mom would always do that, and I didn’t love it, but now I’m like, it would be really beautiful to tie all of that together, and the Hanifa dress just fit perfectly.”
“I dreamed of having a record and having this team that was doing all of these things for me, and now, being an independent artist, and being in control of my career, I’ve gotten to build an awesome team behind me that helps me get to where I am. It’s been a lot of hard work, and I think when I was younger, I would have never imagined that I could do all of these things, and so, yeah, to be here, I don’t even think I would believe it.”
Although “Blackbiird” didn’t win in the BET Her category during Monday night’s show, Kennedy’s future is brighter than ever, which she attests to her faith playing a huge role in guiding her next steps as she continues to rise to stardom.
“Thinking about the next thing, I think that can be really daunting when you’re an independent artist. It’s like you have to be thinking of what’s coming next, to prepare for that, but I think the way that I like to walk through life in general is letting the Lord lead,” Kennedy said.
“I know that a lot of time when I have a vision of what I want things to look like in my head, He always exceed my expectations. So, I think the plan is to continue to release music, and continue to show up as my authentic self. Getting to have these moments like the BET Awards is so awesome, but also, at the same time, that’s not what I do this for. I do it for the humans that are listening to my music, that are [having] fun and healing through my music, so I hope that I can just continue to do that.”
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Feature image by Rob Latour/Shutterstock