
These Mental Health Advocates Are Empowering Black Men To Take Up Emotional Space

Although major depressive disorder (MDD) is less common among African American men than white men, African American men with depressive symptoms often are misdiagnosed, according to the Association of American Medical Colleges. Depression, anxiety or any mental health issue amongst Black men is often dismissed or unaddressed in the Black community, which deeply affects the quality of life for Black people as an entirety. In fact, according to the U.S. News & World Report, the suicide attempt rates amongst Black teen males continue to rise in comparison to any other ethnic group and suicide still remains as the second leading cause of death between the ages of 10 to 38.
As we begin to break the stigma and create changes in our community by starting positive conversations and speaking up about mental health, we subconsciously create a safe space for young Black boys to relieve any feelings of loneliness, fear and hopelessness. xoNecole had the opportunity and pleasure of speaking with these powerful Black men across psychology, social work, and mental health advocacy about their personal journeys and advice for young Black men fitting the same shoes that they themselves have walked in.
A Black Man’s Mental Health and Stereotypes
We don't notice it off-rip, but societal norms and gender differences cause a disruption in how we should be dealing with mental health in its entirety. According to the Psychological Health Center of Excellence, "gender stereotypes are fixed ideas about men's and women's traits and capabilities and how they should comport themselves, based on their biological sex". Gender stereotypes are omnipresent in everyday life, but especially so in the realm of mental health and its impact on each gender.
"There are few stereotypes about Black men such as they don't have the capacity to express their feelings or emotions, they're angry or aggressive, or they're not monogamous. I think regardless of ethnicity or race, some men prefer not to be emotional or talk about their feelings," shares Dr. Erlanger A. Turner. The author, clinical psychologist, and assistant professor of psychology at Pepperdine University vocalizes his disagreement with these stereotypes by stating that most Black men do not fit into the categories given to them. "In regards to stereotypes of Black men, I think because of these perceptions Black men are assumed to have poor mental health and engage in unhealthy behaviors such as substance use or sex to cope with life."
He continues, "I do think that based on each man's views about adhering to ideals of masculinity, that it may influence their decisions about when and to whom do they express their emotional side." Unfortunately, pertaining to those ideals of masculinity, especially when diving into a deeper conversation about gender as a social construct, in the Black community, being vulnerable and honest about your emotional well-being is deemed as "soft", "weak", or "unmanly".
From The Womb To The Tomb
Osadeba Omokaro, co-founder of DEAD THE SILENCE, chimes in with a thought about his childhood and how gender roles play a part in his emotional well-being, "As a child, all the people that were around me that were emotional were feminine, and the more stoic individuals were manly. The interesting part of this is as an adult I believe men can be internally emotional yet remain unwavering as long as they truly process those emotions, but if a male has emotions yet cannot identify them, they are lost."
"As an adult I believe men can be internally emotional yet remain unwavering as long as they truly process those emotions, but if a male has emotions yet cannot identify them, they are lost."
Osadeba continues to reflect on his upbringing as a child and recalls that he was not initially encouraged to open up about his emotions. "I was told not to show my emotions from my brothers, OGs, girls and my dad," he says." It made me hard and a fighter."
"A lot of men are conditioned at a young age not to show emotion or express feelings. This follows many men into adulthood and manifests itself in various parts of our lives. There is a shift happening though, where men are realizing that holding everything in does not serve them," co-founder of HealHaus Darian Hall adds. As a Black man as well as a member of a Black fraternity, Kappa Alpha Psi, Darian realized the importance of creating a space for people of color in New York City to practice mental wellness and combating depression and anxiety.
"A lot of men are conditioned at a young age not to show emotion or express feelings. This follows many men into adulthood and manifests itself in various parts of our lives. There is a shift happening though, where men are realizing that holding everything in does not serve them."
On the impact of his childhood on his emotional structure as an adult, founder of The Lives of Men Jason Rosario ponders retrospectively about how his poorly-given childhood advice was transferred. "I think a lot of boys, not just me, received those messages directly and indirectly. What that does is separate us as men from our humanity and capacity to feel. When we get older, we've become so good at compartmentalizing and suppressing our emotions that we become emotionally repressed and unable to identify, much less articulate how we feel," he says.
"I think a lot of boys, not just me, received those messages directly and indirectly. What that does is separate us as men from our humanity and capacity to feel. When we get older, we've become so good at compartmentalizing and suppressing our emotions that we become emotionally repressed and unable to identify, much less articulate how we feel."
As We Go On…
When coming into one's adulthood in today's society, men are oftentimes challenged of their manhood with financial and physical tasks such as taking care of their families by bringing home the primary source of income or lifting an old three-ton chiffarobe out of the basement. However, as a society, we have failed our Black men by not providing them with the proper safe space to express their mental health concerns to their friends, spouses, peers, colleagues or even conditioned them to believe that a therapist is an option.
"The fear that many Black men experience around expressing their feelings is rooted in mistrust, which goes back to the days of slavery. Black men were tortured, abused, and/or ridiculed for expressing their feelings," Dr. Randy "Dr. S" Sconiers states with historical context. Furthermore, he added that society continues to perpetuate those narratives by creating harmful stigmas around Black men expressing their feelings, thus being associated with weakness and inferiority. "For these reasons, Black men have been conditioned within systems such as schools and social constructs to hold feelings in order to be viewed as strong and manly. In other words, 'man up and keep your feelings inside.' That's totally wrong and damaging to the psyche of Black men."
"Black men have been conditioned within systems such as schools and social constructs to hold feelings in order to be viewed as strong and manly. In other words, 'man up and keep your feelings inside.' That's totally wrong and damaging to the psyche of Black men."
The podcast host and founder of Mental-Hop also thinks about the impact of love, women, and romantic relationships on today's Black men. When asked by xoNecole about his thoughts on women expressing their lack of respect for a 'beta-male' or a man that wears his heart on his sleeve, Dr. S responds with, "I believe that kind of thinking by women only further harms the overall well-being of Black men."
Because men put so much stock into the feelings and thoughts of what women think, if there's a widely accepted consensus that women don't want a 'beta man', it only reinforces that they should not express themselves in order to be deemed as more attractive by the opposite sex. "Conversely, if a woman expresses that a man who expresses his feelings signifies a strength and attractiveness, men may ultimately see that as something to aspire to do more often."
The Next Generation…
'Train them up in the way that they should go,' is something I've been hearing all my life whether I overheard people talking to my mother about me and my siblings or church folk gathered around gossiping about the latest young people scandal. Everyone, from what I've experienced, takes this term as forcing a child to live the life that you'd want them to live as opposed to the emotional healthy, non-scarring life that they should. When asked by xoNecole if he had any advice to share with the next generation of young Black men about mental health and wellness disparities, Jason wants to remind them that they are simply enough. "That their existence alone makes them worthy of love, respect, compassion," he adds. "I want boys to grow up knowing that it's OK to access the full spectrum of their emotions because that along with their masculine essence is what makes them special."
"I want boys to grow up knowing that it's OK to access the full spectrum of their emotions because that along with their masculine essence is what makes them special."
Anthony Duncan, co-founder of DEAD THE SILENCE alongside Osadeba, pulls from his own tragic experience of the loss of his sister to give advice for the next generation of young Black men to emerge. "I was not able to show my emotions when my younger sister passed away from suicide. Everyone around me was heartbroken and I did not feel that I could express my emotions. I felt I had to be strong for others around me," Anthony shares with xoNecole. "I would like to teach them not to be afraid to express how they feel. Being strong is showcasing your vulnerability and being able to lead as well. Connection is key to communication and without it we do not have anything."
In honor of Mental Health Awareness Month and continuing to be the light he wishes to see in the world, HealHaus' Darian Hall is offering $10 off unlimited monthly live yoga and meditation classes for xoNecole readers. For seven days only, use the code: "xonecole" when you sign up on HealHaus.com.
Featured image courtesy of Darian Hall
Claudia Jordan, Demetria McKinney & Jill Marie Jones On 'Games Women Play' & Dating Over 40
What do you get when you mix unfiltered truths, high-stakes romance, and a few well-timed one-liners? You get Games Women Play—the sizzling new stage play by Je’Caryous Johnson that’s part relationship rollercoaster, part grown-woman group chat.
With a powerhouse cast that includes Claudia Jordan, Demetria McKinney, Jill Marie Jones, Carl Payne, Chico Bean, and Brian J. White, the play dives headfirst into the messy, hilarious, and heart-wrenching games people play for love, power, and peace of mind. And the women leading this story? They’re bringing their whole selves to the stage—and leaving nothing behind.
From Script to Spotlight
The road to Games Women Play started over 20 years ago—literally.
“This script was written 20 years ago,” Jill Marie Jones said with a smile. “It was originally called Men, Money & Gold Diggers, and I was in the film version. So when Je’Caryous called me to bring it to the stage, I was like, ‘Let’s go.’” Now reimagined for 2025, the play is updated with sharp dialogue and modern relationship dynamics that feel all too real.
Demetria McKinney, no stranger to Je’Caryous Johnson’s productions, jumped at the opportunity to join the cast once again. “This is my third time working with him,” she shared. “It was an opportunity to stretch. I’d never been directed by Carl Payne before, and the chance to work with talent I admire—Jill, Claudia, Chico—it was a no-brainer.”
Claudia Jordan joked that she originally saw the role as just another check. “I didn’t take it that seriously at first,” she admitted. “But this is my first full-on tour—and now I’ve got a whole new respect for how hard people work in theater. This ain’t easy.”
Modern Love, Stage Left
The play doesn’t hold back when it comes to the messier parts of love. One jaw-dropping moment comes when a live podcast proposal flips into a prenup bombshell—leaving the audience (and the characters) gasping.
Demetria broke it down with honesty. “People don’t ask the real questions when they date. Like, ‘Do you want kids? How do you feel about money?’ These convos aren’t happening, and then everyone’s confused. That moment in the play—it’s real. That happens all the time.”
Jill chimed in, noting how the play speaks to emotional disconnect. “We’re giving each other different tokens of love. Men might offer security and money. Women, we’re giving our hearts. But there’s a disconnect—and that’s where things fall apart.”
And then Claudia, of course, took it all the way there. “These men don’t even want to sign our prenups now!” she laughed. “They want to live the soft life, too. Wearing units, gloss, getting their brows done. We can’t have nothing! Y’all want to be like us? Then get a damn period and go through menopause.”
Dating Over 40: “You Better Come Correct”
When the conversation turned to real-life relationships, all three women lit up. Their experiences dating in their 40s and 50s have given them both clarity—and zero tolerance for games.
“I feel sexier than I’ve ever felt,” said Jill, who proudly turned 50 in January. “I say what I want. I mean what I say. I’m inside my woman, and I’m not apologizing for it.”
Demetria added that dating now comes with deeper self-awareness. “Anybody in my life is there because I want them there. I’ve worked hard to need nobody. But I’m open to love—as long as you keep doing what got me there in the first place.”
For Claudia, the bar is high—and the peace is priceless. “I’ve worked hard for my peace,” she said. “I’m not dating for food. I’m dating because I want to spend time with you. And honestly, if being with you isn’t better than being alone with my candles and fountains and cats? Then no thanks.”
Channeling Strength & Icon Status
Each actress brings something different to the play—but all of them deliver.
“I actually wish I could be messier on stage,” Claudia joked. “But I think about my grandmother—she was born in 1929, couldn’t even vote or buy a house without a man, and didn’t give a damn. She was fearless. That’s where my strength comes from.”
For Jill, the comparisons to her iconic Girlfriends character Toni Childs aren’t far off—but this role gave her a chance to dig deeper. “If you really understood Toni, you’d see how layered she was. And Paisley is the same—misunderstood, but strong. There’s more to her than people see at first glance.”
Demetria, who juggles singing and acting seamlessly, shared that live theater pushes her in a new way. “Every moment on stage counts. You can’t redo anything. It’s a different kind of love and discipline. You have to give the performance away—live, in the moment—and trust that it lands.”
Laughter, Lessons & Black Girl Gems
The show has plenty of laugh-out-loud moments—and the cast isn’t shy about who steals scenes.
“Chico Bean gets a lot of gasps and laughs,” Claudia said. “And Naomi Booker? Every scene she’s in—she’s hilarious.”
But the play isn’t just about humor. It leaves space for reflection—especially for Black women.
“I hope we get back to the foundation of love and communication,” said Demetria. “A lot of us are in protector mode. But that’s turned into survival mode. We’ve lost softness. We’ve lost connection.”
Claudia agreed. “We’re doing it all—but it’s not because we want to be strong all the time. It’s because we have to be. And I just want women to know: You can have peace, you can be soft. But stop bringing your old pain into new love. Don’t let past heartbreak build walls so high that the right person can’t climb over.”
Final Act: Pack the House
If there’s one thing this cast agrees on, it’s that this play isn’t just entertainment—it’s necessary.
“Atlanta is the Black entertainment hub,” Claudia said. “We need y’all to show up for this play. Support the arts. Support each other. Because when we pack the house, we make space for more stories like this.”
Games Women Play is more than a play—it’s a mirror. You’ll see yourself, your friends, your exes, and maybe even your next chapter. So get ready to laugh, reflect, and maybe even heal—because the games are on.
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It’s officially Miss Keri, Baby season again—and if you ask us, it’s been a long time coming. After 15 years away from the music scene, Keri Hilson has returned not only with a brand-new album, but also a captivating new role in Lifetime’s Fame—the latest installment in The Temptations film franchise.
Between the album We Need to Talk: Love and her leading role in Fame, this isn’t just a comeback—it’s a rebirth. The Grammy-nominated singer-songwriter turned actress is letting us into her world like never before, unpacking themes of vulnerability, healing, and inner strength with grace, grit, and raw artistry.
Now streaming on Lifetime, Fame follows two superstar sisters—played by Keri and singer/actress Keshia Chanté—as they navigate the cost of stardom, sibling rivalry, and the dark side of desire. The film also stars Romeo Miller, Ecstasia Sanders, Nathan Witte, and Sophie Carriere, and is executive produced by Derrick Williams and Adriane Hopper Williams of the Seven Deadly Sins franchise.
As for the music? We Need to Talk: Love is a three-part album (Love, Drama, Redemption) that tells the story of a woman who’s been through it—and has risen from the ashes. “It was time to speak for myself,” Keri says.
We sat down with Keri to talk about her return to music, her passion for acting, the emotional depth of Fame, and how she’s learning to care for herself amidst the chaos.
From R&B Queen to Drama Star: Keri Gets Into Character
“Even though she’s famous—as am I—it was really her humanity that I wanted to portray.”
Keri plays Cherish, one half of a superstar sibling duo who must confront their fractured relationship in the wake of a traumatic robbery. For Keri, the role was more than a character—it was a psychological study.
“I enjoy departures from reality. That’s why I love acting,” she shares. “Psychology is one of my favorite things in life. I became a writer because I’m an observer of human nature, emotion, and behavior. I think I did a good job showing her humanity.”
The Fame Isn’t Always Worth the Price
“Keep the main thing the main thing.”
Keri doesn’t sugarcoat the industry. When asked about what Fame reveals about the dark side of celebrity culture, her answer is clear:
“It’s a cautionary tale. It reminds you to keep your family close and not allow anything to come between them—especially in pursuit of success. Keep the main thing the main thing. For me, that’s family, love, spirituality, and values.”
Three Chapters, One Story: Love. Drama. Redemption.
“I’ve shed the fear. It was time to tell my own story.”
Released April 18th, We Need to Talk: Love is Keri’s first album in 15 years—and a deeply personal one at that. The three-part project (Love, Drama, Redemption) represents a timeline of healing and growth.
“I’m finally in a place where I’m able and willing to open up more,” she says. “For a while, I became really guarded—shell-shocked, even—after making mistakes in the public eye. Whether it’s all your fault or not, the scrutiny takes its toll. But now, I’ve shed that fear. It’s time to tell my story.”
Cooking, Walks, and Recalibrating in the Chaos
“I’m not doing the best job—but I’m doing what I can.”
Between eight-hour rehearsals, press runs, and music releases, Hilson admits she hasn’t quite figured out the balance yet—but she’s trying. For her, the key is carving out small rituals of normalcy.
“I enjoy cooking. That’s my sanctity,” she says. “I’ll go home, take my makeup off, put on my rehearsal clothes, and cook a meal. I take walks. I run. These little things help me feel like myself again.”
Art Imitates Life (and Album Tracklists)
“Cherish goes from Love… to Drama… to Redemption.”
Asked which album chapter her Fame character would fall into, Keri doesn’t hesitate. “She fits into all three,” she says. “You see her go from love, to drama, to redemption. That arc mirrors the journey of so many women who’ve had to navigate pain and find their way back to themselves.”
No Pressure, Just Art: Keri Wants You to Feel Something
“Just enjoy the art. That’s it.”
After all the time, patience, and healing, Keri isn’t asking for much. She just wants fans to press play—and feel something.
“I just want people to enjoy what they’re seeing and hearing. Enjoy me on screen. Enjoy me through their ears. People have waited, and I feel blessed by that. That helps me keep it all pure and simple.”
As Keri Hilson steps boldly back into the spotlight, it’s clear this era is all about alignment, artistry, and authenticity. With Fame airing on Lifetime and the first chapter of We Need to Talk: Love setting the tone, we’re more than excited to see what’s next.
As she continues to unfold the album’s next two chapters—Drama and Redemption—one thing’s for sure: this isn’t just a comeback. It’s a reintroduction. And we’ll be watching, listening, and cheering her on every step of the way.
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