"In marriage, the man and woman must complement each other."—Lailah Gifty Akita
Complement: something that completes or makes perfect
In a lot of my articles, you'll see Scripture. That is both intentional and unapologetic because, like I tell some of the people in my world who aren't Christian, if you just apply the Book of Proverbs (which is simply a book of wisdom and common sense) to your life for a month, it'll make your way of life better. Religion aside, there are some real gems in the Word. Simple as that.
Take the second book of Genesis, for example. It's where you are able to see how Adam and Eve got together. If you read a particular version of Genesis 2:18, it's got a word in it that truly stands out—"Now the Lord God said, It is not good (sufficient, satisfactory) that the man should be alone; I will make him a helper (suitable, adapted, complementary) for him." (AMPC) Off the rip, we're able to see that if someone is truly right for us, they will be suitable (becoming), adapted (flexible) and complementary (more on that in just a sec) for us.
Interestingly enough, that verse doesn't say anything about fine, rich or good in bed. Not that those aren't OK too, but a lot of us get tripped up (if not flat-out heartbroken) because we put the icing before the cake, so to speak.
We'd rather "he" be fine instead of suitable, rich before adapted and good in bed before complementary. I know, firsthand, that too much icing can make you sick. Sick and tired, if you want to be really real about it.
That's why I wanted to take out, just a few moments of your time, to explore the word "complement" for just a moment. My hope is, whether you just met someone who tickles your fancy, you've been dating a guy for a few months now or you feel like who you're seeing really could be the one, but you need a few more signs, this will help to provide some of the clarity that you need. So that you'll know whether to move forward or…to take a few steps back (or away).
And just how can you know if a man truly complements your life?
Your Complement Will Upgrade Your Life
I adore music and, since I'm a words of affirmation kind of gal, I'm all about the lyrics. If you listen to Beyonce's "Upgrade U" really closely, you'll hear the word "complement" used in it. Where? Here: "When you're in the big meetings for the mills/That's a good look/You take me just to complement the deal/That's a good look". What I dig about this part—the entire song, really—is it shows that when someone truly complements another person, the complementing applies across the board. You can just skim articles like "Jay-Z and Beyoncé Are Now Worth a Combined $1.255 Billion -- and Counting" see that, together, Jay and Bey enhance and literally enrich each other's lives both personally as well as professionally. Just as a true complement is supposed to do.
Am I saying that unless a man is rolling in the dough that he's not a good fit? Of course not. Rich folks break-up just as much as broke people do. But what I am saying is what Beyonce sang is something that should really stick close to home while you're in the process of doing all of your assessing.
When someone upgrades your life, they improve it. They will also cause the quality of your life to be on a steady incline. Due to their influence, you should be able to see these results in not just one but all areas.
Ole' boy—since he's been around, has he helped you to improve how you move in your purpose? Can you tell that you are only growing and evolving on a spiritual and emotional level? The cool thing about both of these questions is they don't really warrant a "grey" response; it's black or white because either he is (yes) or he isn't (no). Which is it, sis?
Your Complement Will Make Your World Better
Even though Fabolous still warrants a bit of a side-eye as far as I'm concerned (if you read in between the lines, you can probably guess where I am coming from), there is a joint that he recorded along with Ne-Yo back in the day that I've always liked; it's also quite fitting for what I'm talking about—"You Make Me Better": "I'm a movement by myself/But I'm a force when we're together/Mami, I'm good all by myself/But baby, you, you make me better".
Yaaas. What's so dope about the hook is Ne-Yo said that he was straight even before his girl came along. He's a movement all on his own, but with her? Then he becomes a force. That actually reminds me of a T-shirt that I've seen on the Tees in the Trap site that says, "Be a Boss. Marry a Boss. Build an Empire Together." All of this is a reminder that if you want a man to complement you in the best way possible, you need to be good all on your own first. Then, once he arrives, he becomes an additional driving force to make you better.
And better? Better is a really big word! It means that he will come along and make you more virtuous (that's a mouthful right there!), more excellent…he will help to increase the good qualities that you already have.
I don't know about you, but I've been with men who have brought out the best in me, then I've been with those who brought out the absolute worst. I have accepted that my true complement is going to strengthen me and compel me to be the best woman I can be. That's literally what a driving force does. That's literally what someone making you better is all about.
Your Complement Will Complete You (Just Not in the Way That You Think)
When Tom Cruise, as Jerry Maguire, looked his wife in the eyes and said, "You complete me", it's probably one of the most memorable lines in a chick flick. Some people heard it and were moved. Others heard it and wanted to gag. I see both sides.
Do I think that an individual is to complete another person? Eh. Not in the way that it is usually taught or defined. Personally, I don't believe that you are fractionated or broken without having a man in your life. But what I do feel is that the context of how I took "complete me" in the film is lost on a lot of folks.
If you've never seen Jerry Maguire before, Jerry's assistant-turned wife Dorothy (played by Renee Zellweger) was holding him down and having his back in ways that he truly took for granted until his one-man company scored a win and she wasn't there to celebrate with him. When he went back to her house to say, "You complete me", I took that to mean that she was his "bashert" which is the Hebrew word for his "meant to be". Time had revealed to him that she was a woman of good character, that she was loyal and dependable, and that she brought things into his life that he didn't know were missing—until she arrived.
When the right man complements you, he completes you in the sense that you truly feel like you are "lacking nothing" (one definition of complete) with him around. It's not that you were "needy" for him before; it's just that now that he's here, all that you need in a relationship—and even some of what you want—exists. To me, that is a healthy way to want someone to complete you.
Your Complement Will “Balance You Out”
Lord, have mercy, y'all. Can we just have a moment of silence followed immediately by some roaring applause for the word "balance"? I promise you that the older—and hopefully wiser—that I get, the more I want to have a life of balance.
One definition of balance is "equilibrium" and one definition of that is "equanimity". What exactly is equanimity? Let's all get free—"mental or emotional stability or composure, especially under tension or strain; calmness; equilibrium". For the cheap seats all the way in the back (or the super hardheaded ladies that constantly stay in a state of emotional instability due to the drama in their relationships), let me just reiterate the fact that if you are in a relationship with someone who truly complements you, this means they will bring balance to your life. That means they won't do anything that triggers you to become mentally or emotionally unstable. They won't bring tension or strain to your spirit. You will have a sense of calm when they are in your presence. How do I know? Because—get this—a synonym for complement is balance.
A writer by the name of Rachel Hollis once said, "It's usually our opposites who complement us best, because they're the only ones who can balance us out." That's another way of saying that opposites attract. I've done enough counseling to not think that is always the case (every couple is different), but what I will say is your best complement will challenge you to become better; however, they will do it in such a way where your mental and emotional stability and sanity will remain firmly intact. Full stop.
With Your Complement, You Can Rest
And finally, guess what another synonym for complement is? Rest. Rest, honey. A verb tense of rest is "to lay or place for rest, ease, or support". A noun one is "refreshing ease or inactivity after exertion or labor".
I'm a marriage life coach who has interesting conversations with licensed counselors and therapists all of the time. One topic that continually comes up is what we all feel about the statement, "Relationships are a lot of work." Although some relationships are (especially the ones who didn't make finding their complement a top priority in the beginning), the word that I think we all should strive for is maintenance. I say that because when something (or one) is a lot of work, that means it is literally a lot of exertion or labor. When something (or one) is more in the lane of being maintenance, it's more about supporting, affirming and preserving it. "It" is already good, mind you. You're just doing your part to keep it in its already healthy state.
And yes, when a relationship is already good, when you are with your true complement, you don't find yourself feeling like you are constantly exerting yourself or that it is mad laborious on a daily basis. You can rest in it because there is an atmosphere of ease. You can literally woosah in your man's space because he's a source of peace.
So sis, if you're seriously looking for confirmation on who Mr. Right is, don't sleep on the word "complement"; not for a second. Your complement will cause you to thrive and help you to chill simultaneously. And really, how hot—sexy, fulfilling and oh so right—is that?
Featured image by Getty Images
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Amber Riley has the type of laugh that sticks with you long after the raspy, rhythmic sounds have ceased. It punctuates her sentences sometimes, whether she’s giving a chuckle to denote the serious nature of something she just said or throwing her head back in rip-roarious laughter after a joke. She laughs as if she understands the fragility of each minute. She chooses laughter often with the understanding that future joy is not guaranteed.
Credit: Ally Green
The sound of her laughter is rivaled only by her singing voice, an emblem of the past and the future resilience of Black women stretched over a few octaves. On Fox’s Glee, her character Mercedes Jones was portrayed, perhaps unfairly, as the vocal duel to Rachel Berry (Lea Michele), offering rough, full-throated belts behind her co-star’s smooth, pristine vocals. Riley’s always been more than the singer who could deliver a finishing note, though.
Portraying Effie White, she displayed the dynamic emotions of a song such as “And I'm Telling You I'm Not Going” in Dreamgirls on London’s West End without buckling under the historic weight of her predecessors. With her instrument, John Mayer’s “Gravity” became a religious experience, a belted hymnal full of growls and churchy riffs. In her voice, Nicole Scherzinger once said she heard “the power of God.”
Credit: Ally Green
Riley’s voice has been a staple throughout pop culture for nearly 15 years now. Her tone has become so distinguishable that most viewers of Fox’s The Masked Singer recognized the multihyphenate even before it was revealed that she was Harp, the competition-winning, gold-masked figure with an actual harp strapped to her back.
Still, it wasn’t until recently that Riley began to feel like she’d found her voice. This sounds unbelievable. But she’s not referring to the one she uses on stage. She’s referencing the voice that speaks to who she is at her core. “Therapy kind of gave me the training to speak my mind,” the 37-year-old says. “It’s not something we’re taught, especially as Black women. I got so comfortable in [doing so], and I really want other people, especially Black women, to get more comfortable in that space.”
“Therapy kind of gave me the training to speak my mind. It’s not something we’re taught, especially as Black women."
If you ask Riley’s manager, Myisha Brooks, she’ll tell you the foundation of who the multihyphenate is hasn’t changed much since she was a kid growing up in Compton. “She is who she is from when I met her back when she was singing in the front of the church to back when she landed major roles in film and TV,” Brooks says. Time has allowed Riley to grow more comfortable, giving fans a more intimate glimpse into her life, including her mental health journey and the ins and outs of show business.
The actress/singer has been in therapy since 2019, although she suffered from depression and anxiety way before that. In a recent interview with Jason Lee, she recalls having suicidal ideation as a kid. By the time she started seeing a psychologist and taking antidepressants in her thirties, her body had become jittery, a physical reminder of the trauma stacked high inside her. “I was shaking in [my therapist’s] office,” she tells xoNecole. “My fight or flight was on such a high level. I was constantly in survival mode. My heart was beating fast all the time. All I did was sweat.”
There wasn’t just childhood trauma to account for. After auditioning for American Idol and being turned away by producers, Riley began working for Ikea and nearly missed her Glee audition because her car broke down on the highway while en route. Thankfully, Riley had been cast to play Mercedes Jones. American Idol had temporarily convinced her she wasn’t cut out for the entertainment industry, but this was validation that she was right where she belonged. Glee launched in 2009 with the promise of becoming Riley’s big break.
In some ways, it was. The show introduced Riley to millions of fans and catapulted her into major Hollywood circles. But in other ways, it became a reminder of the types of roles Black women, especially those who are plus-sized, are relegated to. Behind the scenes, Riley says she fought for her character "to have a voice" but eventually realized her efforts were useless. "It finally got to a point where I was like, this is not my moment. I'm not who they're choosing, and this is just going to have to be a job for me for now," she says. "And, that's okay because it pays my bills, I still get to be on television, I'm doing more than any other Black plus-sized women that I'm seeing right now on screen."
The actress can recognize now that she was navigating issues associated with trauma and low self-esteem at the time. She now knows that she's long had anxiety and depression and can recognize the ways in which she was triggered by how the cult-like following of the show conflicted with her individual, isolated experiences behind the scenes. But she was in her early '20s back then. She didn't yet have the language or the tools to process how she was feeling.
Riley says she eventually sought out medical intervention. "When you're in Hollywood, and you go to a doctor, they give you pills," she says, sharing a part of her story that she'd never revealed publicly before now. "[I was] on medication and developing a habit of medicating to numb, not understanding I was developing an addiction to something that's not fixing my problem. If anything, it's making it worse."
“[I was] on medication and developing a habit of medicating to numb, not understanding I was developing an addiction to something that’s not fixing my problem. If anything it’s making it worse.”
Credit: Ally Green
At one point, while in her dressing room on set, she rested her arm on a curling iron without realizing it. It wasn't until her makeup artist alerted her that she even realized her skin was burning. Once she noticed, she says she was "so zonked out on pills" that she barely reacted. Speaking today, she holds up her arm and motions towards a scar that remains from the incident. She sought help for her reliance on the pills, but it would still be years before she finally attended therapy.
This stress was only compounded by the trauma of growing up in poverty and the realities of being a "contract worker." "Imagine going from literally one week having to borrow a car to get to set to the next week being on a private jet to New York City," she says. After Glee ended, so did the rides on private planes. The fury of opportunities she expected to follow her appearance on the show failed to materialize. She wasn't even 30 yet, and she was already forced to consider if she'd hit her career peak.
. . .
We’re only four minutes into our Zoom call before Riley delivers her new adage to me. “My new mantra is ‘humility does not serve me.’ Humility does not serve Black women. The world works so hard to humble us anyway,” she says.
On this Thursday afternoon in April, the LA-based entertainer is seated inside her closet/dressing room wearing a cerulean blue tank top with matching shorts and eating hot wings. This current phase of healing hinges on balance. It’s about having discipline and consistency, but not at the risk of inflexibility. She was planning to head to the gym, for instance, but she’s still tired from the “exhausting” day before. Instead, she’s spent her day receiving a massage, eating some chicken wings, and planning to spend quality time with friends. “I’m not going to beat myself up for it. I’m not going to talk down to myself. I’m going to eat my chicken wings, and then tomorrow I’m [back] in the gym,” she says.
“My new mantra is ‘humility does not serve me.’ Humility does not serve Black women. The world works so hard to humble us anyway."
This is the balance with which she's been approaching much of her life these days. It's why she's worried less about whether or not people see her as someone who is humble. She'd rather be respected. "I think you should be a person that's easy to work with, but in the moments where I have to ruffle feathers and make waves, I'm not shying away from that anymore. You can do it in love, you don't have to be nasty about it, but I had to finally be comfortable with the fact that setting boundaries around my life – in whatever aspect, whether that's personal or business – people are not going to like it. Some people are not going to have nice things to say about you, and you gotta be okay with it," she says.
When Amber talks about the constant humbling of Black women in Hollywood, I think of the entertainers before her who have suffered from this. The brilliant, consistent, overqualified Black women who have spoken of having to fight for opportunities and fair pay. Aretha Franklin. Viola Davis. Tracee Ellis Ross. There's a long list of stars whose success hasn't mirrored their experiences behind the scenes.
Credit: Ally Green
If Black women outside of Hollywood are struggling to decrease the pay gap, so, too, are their wealthier, more famous peers.
Riley says there’s been progress in recent years, but only in small ways and for a limited group of people. “This business is exhausting. The goalpost is constantly moving, and sometimes it’s unfair,” she says. But, I have to say it’s the love that keeps you going.”
“There’s no way you can continue to be in this business and not love it, especially being a plus-sized Black woman,” she continues. “We’re still niche. We’re still not main characters.”
"There’s no way you can continue to be in this business and not love it, especially being a plus-sized Black woman. We’re still niche. We’re still not main characters.”
Last year, Riley starred alongside Raven Goodwin in the Lifetime thriller Single Black Female (a modern, diversified take on 1992’s Single White Female). It was more than a leading role for the actress, it also served as proof that someone who looks like her can front a successful project without it hinging on her identity. It showcased that the characters she portrays don’t “have to be about being a big girl. It can just be a regular story.”
Riley sees her work in music as an extension of her efforts to push past the rigid stereotypes in entertainment. Take her appearance on The Masked Singer, for instance. Riley said she decided to perform Mayer’s “Gravity” after being told she couldn’t sing it years earlier. “I wanted to do ‘Gravity’ on Glee. [I] was told no, because that’s not a song that Mercedes would do,” she says. “That was a full circle moment for me, doing that on that show and to hear what it is they had to say.”
As Scherzinger praised the “anointed” performance, a masked Riley began to cry, her chest heaving as she stood on stage, her eyes shielded from view. “You have to understand, I have really big names – casting directors, producers, show creators – that constantly tell me ‘I’m such a big fan. Your talent is unmatched.’ Hire me, then,” she says, reflecting on the moment.
Recently, she’s been in the studio working on original music, the follow-up to her independently-released debut EP, 2020’s Riley. The sequel to songs such as the anthemic “Big Girl Energy” and the reflective ballad “A Moment” on Riley, this new project hones in on the singer’s R&B roots with sensual grooves such as the tentatively titled “All Night.” “You said I wasn’t shit, turns out that I’m the shit. Then you called me a bitch, turns out that I’m that bitch. You said no one would want me, well you should call your homies,” she sings on the tentatively titled “Lately,” a cut about reflecting on a past relationship. From the forthcoming project, xoNecole received five potential tracks. Fans likely already know the strengths and contours of Riley’s vocals, but these new songs are her strongest, most confident offerings as an artist.
“I am so much more comfortable as a writer, and I know who I am as an artist now. I’m evolving as a human being, in general, so I’m way more vulnerable in my music. I’m way more willing to talk about whatever is on my mind. I don’t stop myself from saying what it is I want to say,” she says.
Credit: Ally Green
“Every era and alliteration of Amber, the baseline is ‘Big Girl Energy.’ That’s the name of her company,” her manager Brooks says, referencing the imprint through which Riley releases her music after getting out of a label deal several years ago. “It’s just what she stands for. She’s not just talking about size, it’s in all things. Whether it’s putting your big girl pants on and having to face a boardroom full of executives or sell yourself in front of a casting agent. It’s her trying to achieve the things she wants to do in life.”
Riley says she has big dreams beyond releasing this new music, too. She’d love to star in a rom-com with Winston Duke. She hasn't starred in a biopic yet, but she’d revel in the opportunity to portray Rosetta Tharpe on screen. She’s determined that her previous setbacks won’t stop her from dreaming big.
“I think one of my superpowers is resilience because, at the end of the day, I’m going to kick, scream, cry, cuss, be mad and disappointed, but I’m going to get up and risk having to deal with it all again. It’s worth it for the happy moments,” she says.
If Riley seems more comfortable and confident professionally, it’s because of the work she’s been doing in her personal life.
She’d previously spoken to xoNecole about becoming engaged to a man she discovered in a post on the site, but she called things off last year. For Valentine’s Day, she revealed her new boyfriend publicly. “I decided to post him on Valentine’s Day, partially because I was in the dog house. I got in trouble with him,” she says, half-joking before turning serious. “The breakup was never going to stop me from finding love. Or at least trying. I don’t owe anybody a happily ever after. People break up. It happens. When it was good, it was good. When it was bad, it was terrible, hunny. I had to get the fuck up out of there. You find happiness, and you enjoy it and work through it.”
Credit: Ally Green
"I don’t owe anybody a happily ever after. People break up. It happens. When it was good, it was good. When it was bad, it was terrible, hunny. I had to get the fuck up out of there. You find happiness and you enjoy it and work through it.”
With her ex, Riley was pretty outspoken about her relationship, even appearing in content for Netflix with him. This time around is different. She’s not hiding her boyfriend of eight months, but she’s more protective of him, especially because he’s a father and isn’t interested in becoming a public figure.
She’s traveling more, too. It’s a deliberate effort on her part to enjoy her money and reject the trauma she’s developed after experiencing poverty in her childhood. “I live in constant fear of being broke. I don’t think you ever don’t remember that trauma or move past that. Now I travel and I’m like, listen, if it goes, it goes. I’m not saying [to] be reckless, but I deserve to enjoy my hard work.”
After everything she’s been through, she certainly deserves to finally let loose a bit. “I have to have a life to live,” she says. “I’ve got to have a life worth fighting for.”
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