Whew, y'all. I know some of you clicked on this fast AF, but let me just say two things before getting into the whole Jada/August/Will saga. One, we really need to stop talking about celebrities like we know these people personally (unless we actually do). No one is perfect and, honestly, even the hashtag #relationshipgoals is pretty annoying. I mean, I can't tell you how many times folks would tell me that they wanted a marriage that was just like Jay Z and Beyoncé—well, they wanted it until Jay Z admitted that he had been unfaithful. People are human and humans are flawed. This means that relationships also are flawed as well. Every single one. Some more than others. Second, you don't have the time and I don't have the space to try and cover all things Will and Jada or Jada and August. Will and Jada have been married for over 25 years and, according to Jada, she and August have been done for a few years now. We're never going to know the whole story because we aren't involved in Will and Jada's union. As far as Jada and August, I've been in enough relationships—and situationships—to know that perspectives are everything.
Very rarely do both individuals have the same one, let alone the people who are looking from the outside in.
I just wanted to get that out there beforehand because, before I do shallow deep dive into what Jada shared when she met herself at the table today (you can check it out here), I think it's important we keep in mind that speculations aren't facts. Opinions aren't either. We all certainly have the right to both. However, my motivation for penning this is more of a cautionary tale of how we can find ourselves in things that 1) we may not have been prepared to get involved in and/or 2) oftentimes don't have an expiration date, in the sense of when they'll come back up again. Which is why we should always choose wisely. Very much so.
Anyway, as a marriage life coach, I'm pretty sure I could come up with 15 points. But, for now, here are my three main takeaways from what Jada Pinkett Smith, August Alsina and Will Smith had to say about…well, you know.
TAKEAWAY #1: Guard Your Heart
I'll be the first to raise my hand in this class and say that I was sooooo prepared for Jada to skirt around what August said had transpired between them—an affair. After all, when you're "coming to the table" to get to the bottom of things, typically that needs to involve all of the parties; yet her Red Table today was only her and Will. Still, I must admit that Jada was surprisingly candid. Maybe a little uncomfortable along the way (understandably so), but she did admit that, 4 ½ years ago, her friendship with August turned into what she first said was "a different kind of entanglement". Well, she went with "entanglement" until Will offered push back so that she would admit that it had been an actual relationship. Jada said that she and Will had been going through a difficult time back then, to the point where they basically separated and weren't sure if reconciliation was even on the table.
"I was in a lot of pain. I was very broken…I wanted to feel good," expressed Jada. She also shared that she was aware that she was codependent at the time and "It helped to heal somebody". (No one heals anyone by the way. We support them through their own healing. It can take a codependent a really long time to grasp that point.)
As a codependent-in-recovery myself, let me tell you that I totally get where Jada is coming from. When folks are hurting, some reach for a bottle, some reach for pills, some reach for people. For her, it was people. More specifically, August. I guess that, since she and Will felt as if they were on the outs, it was justifiable (especially since she said, later on in the interview that "I don't look at it like a transgression at all…I was able to do some real healing.")
To that, please let me just say that, as a marriage life coach, I think it's important to keep in mind that until someone is divorced, they aren't. Yes, I know that different people do marriages different ways. I also know there have been rumors for years that Will and Jada are in an open marriage (in part, due to her saying things like Will is not her husband but her life partner and Jada also saying that Will "can do whatever he wants" as long as he can look himself in the mirror); however, I'm speaking to the "August Alsinas" of the world.
When you fall for someone who is in a bad place in their marriage, they're separated or even they're simply in something that's complicated, you are risking—A LOT. Not only that but you also tend to waste (yes, waste because waste means "to consume, spend, or employ uselessly or without adequate return") time, effort and energy that you'll never get back on a person who took vows with their spouse, no matter what they may have offered you.
That's why, the first takeaway for me is, it's so important to guard your heart. Again, Jada said that she and August started out as friends. They then became really good friends. And then, well, the rest I think is left up for interpretation, but we know that it didn't remain platonic. And what I gathered from both Jada and August's take on their entanglement/relationship is, not only was it intense, there was pain experienced in the fallout (according to Jada, she didn't just up and cut August off one day; he actually abruptly ended all communication with her; that can be quite painful).
Listen, being married doesn't make you oblivious to other people. And while I do think that mature married individuals can have opposite sex friends, even single ones, boundaries need to be clear. That's how husbands and wives can guard their hearts. As far as us single folks? It really is best to go into any interaction with someone who is married (or in something long-term) like they are not an option. PERIOD. If you know that is going to be difficult for you, for the sake of your own heart, health and well-being (not to mention your time, effort and energy), it's probably best to leave "said person" alone. PERIOD. Otherwise, while your interaction with someone who is already involved might be great for a while, it tends to end. Eventually. Case in point—no matter how…whatever Jada and August's relationship was, it wasn't him that she was looking at today from across the table. It was her husband.
TAKEAWAY #2: Love Doesn’t Have to Kill You. It Really Doesn’t.
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I like August. Again, I don't know him personally, so what I mean when I say that is, I like his music, his heart for his family, his resilience related to his health, his openness about fighting through his demons—for the most part, I like what I see as far as how he strives to work through what is clearly a very full plate. But it wasn't my "like" for him that had me totally convinced he wasn't making the relationship up in his head (like A LOT of people claimed before today's table talk). When I saw the video for "Nunya" with visuals that featured Jada's middle name "Koren" last spring (even though he denied it was about her, which was…weird), I knew something was up then. That's because I've dated musicians before. When you move them, you become their muse. You're gonna hear about it too. Literally. And then when I watched his interview with Angela Yee at the top of the month. Whew.
"I totally gave myself to that relationship for years of my life. And I truly and really, really, deeply loved and have a ton of love for her. I devoted myself to it. I gave my full self to it. So much so to the point that, I can die right now and be OK with knowing that I truly gave myself to somebody. And I really loved a person. I experienced that. I know what that feels like and some people never get that in this lifetime. So, I know that I'm completely blessed…I have literally never been in love in that kind of way. So much so that, being intertwined in that kind of way…walking away from it? Butchered me. I'm shaking right now because it almost…killed me. Not almost. It did. It pushed me into being another person. My newer self. It…broke…me…down. It was a part of me being paralyzed, trying to pull myself apart. It will probably be the hardest thing that I will ever experience in this lifetime."
When I heard August say all of this, I wanted to just give him a hug. Not a groupie hug. A big sister kind of embrace. I know what it's like to love someone so fully that it almost suffocates you. At the same time, healing and retrospection have taught me that oftentimes, that's not so much love as it's chemistry, connection and need. See, I'm the kind of woman who isn't fond of people saying things like, "Love hurts" or "Love is blind". From a spiritual sense, it's because the Bible tells us that "God is love" (I John 4:8&16), and He doesn't do either of those things to us. From a broader scope, I just think that seeing love through that lens teaches us to look at love from a dysfunctional space. Love doesn't hurt us. Choosing to love someone who isn't the best complement for us? That can hurt. Love isn't blind either. But the oxytocin highs from sex, the total preoccupation with someone who keeps you from using common sense, the wanting something so badly that you'll abandon all reality—those things can blind you to the truth.
I wanted to hug August, not because he fell for Jada. I get that. It's because he fell for a married woman who, through the experience, he said it butchered him; that even with all of his health issues and the loss of his own sister, nothing has hurt him more. Yet, to him, the silver lining was, if he never loved again, at least he could say that he had. Oh, August. You deserve so much more than that. All of us do. Our greatest love experience shouldn't "butcher us"; not by a long shot. I really do hope that some real healing transpires so that he can look back and see Jada more like a lesson instead of the love standard. Someone else's spouse should never be our mountaintop of how we think love should be.
TAKEAWAY #3: ENVY. NO. ONE.
I'll be honest. Watching Will and Jada discuss this situation today? It's probably the most in sync I've seen them in a very long time (it was just this past April that Jada said quarantine made her feel like she didn't know her husband at all). Maybe it was a united front for publicity's sake. Maybe August's spilling of the beans has resulted in some recent heart-to-hearts. Who knows? But there were a few things that they said that definitely inspired my final point for today.
Will: "We came together young…we both were broken in our own ways."
Will: "[Marriage] ain't for the weak of heart."
Will: "I wish it could be all marriage and miracles."
Jada: "You gotta go through some shit to get the answers."
Will: "There's real power in just knowing that somebody's riding with you, no matter what. And you can't know that, until you go through some stuff…I don't wanna go through this anymore…I'm gonna get you back first."
Jada (in response): "I think you've gotten me back. I think we're good on that."
Will (in response): "That's probably true."
Those quotes? That's not a fairy tale marriage. Not by a long shot. You know, I've heard people say since, forever, that Will and Jada are the epitome of Black love. Lord, y'all. Will and Jada are two human beings who are trying to figure life's journey out, just like the rest of us. That's a "full stop" statement. When other people let us peek into their world (or even when we find ourselves snooping), our resolve shouldn't be "I want what they have". We should be more in the mindset of, "I appreciate what they've shared. How can I apply those thoughts or tips to my own situation?" No more. No less.
Besides, if you get caught up in envying someone else's relationship, not only does that cause you to approach your own from an altered angle, 8 times out of 10, you're going to end up disappointed. If not immediately, eventually. That's not the couple you were putting on a pedestal's fault. You've got to own every ounce of your own disillusionment. So yeah, don't envy other people. It profits you nothing. Not one damn thing.
Anyway, no matter what kind of marriage Will and Jada have, at the end of the day, I will rock with Will from the perspective of marriage ain't for punks and 25 years is a really long time to be with someone. I will also commend him for making this statement to his wife—"I told you the first year that we were married that I can love you through anything."
If there's any main thing to take from this entire semi-saga, y'all—it's probably that.
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On set inside of a mid-city Los Angeles studio, it’s all eyes on Chlöe. She slightly shifts her body against a dark backdrop amidst camera clicks and whirs, giving a seductive pout here, and piercing eye contact there. Her chocolate locs are adorned with a few jewels that she requested to spice up the look, and on her shoulders rests a jeweled piece that she asked to be turned around to better showcase her neck (“I feel a bit old,” she said of the original direction). Her shapely figure is tucked into a strapless bodysuit with a deep v-neck that complements her décolletage.
Though subtle, her quiet wardrobe directives give the air of a woman who’s been here before, and certainly knows what she’s doing. At 24 years young, she’s a “Bossy” chick in training— one who’s politely unapologetic and learning the power of her own voice.
“I'm hesitant sometimes to truly speak my mind and speak up for myself and what I believe,” she later confessed to me a couple of weeks after the photoshoot. “It's always scary for me, but now I'm realizing that I have to, in order to gain respect as a Black woman— a young Black woman— who's still navigating who she is. And you know, I'm realizing that closed mouths don't get fed. And if I keep my mouth shut just because I'm afraid of what people's opinions of me will be or turn into, then that's not any way to live.”
For Chlöe, the journey into womanhood is about embracing who she is, without succumbing to the perceptions of what others think of her. From the waist up she’s everything you’d imagine. A gorgeous goddess with the kind of sex appeal that some work hard to embrace but fail to exude. But unbeknownst to anyone not on set, her bottom half is covered by a white robe, surprising coming from the girl who boasts “'Cause my booty so big, Lord, have mercy” on her first hit single “Have Mercy.”
But that’s the beauty of Chlöe. There’s more to her than meets the eye. More than what a few sensual photos sprinkled throughout an Instagram feed could ever tell you. Just like the photo-framing illusion of her portrayed from the waist up, what we know about the songstress is just the tip of the iceberg. There’s so much more beneath the surface.
Some hours later Chlöe leans back in a high chair as her locs are transformed from a formal updo to a seemingly Basquiat-inspired one. It’s pure art, and at her request, no wigs are a part of the day’s ensemble. She’s fully embracing her natural hair, a decision that wasn’t always a socially accepted one.
In the suburbs of Atlanta, Georgia, (Mableton, to be exact) Chlöe began to explore the foundation of her self-image. At an early age she and her younger sister, Halle, demonstrated a vocal prowess and knack for being in front of the camera that caught their parents’ attention. Soon after, they were sent on a parade of local talent shows and auditions, and eventually broke into the digital space with song covers on YouTube.
It was during these early years that Chlöe first learned that the entertainment industry could be unforgiving to those who didn’t fit a particular beauty standard. Despite the then three-year-old snagging a role as the younger version of Beyoncé’s character, Lilly, in Fighting Temptations, casting agents requested that her natural locs be exchanged for more Eurocentric tresses. Ironic, considering that growing up Chlöe saw her hair as no different than that of her peers. “I remember specifically in pre-K we had to do self-portraits and I drew myself with a regular straight ponytail, like how I would put my locs in a ponytail,” she says. “I just never saw myself any different.”
Chlöe would also learn the true meaning of a phrase that would later become an affirmation posted on her bedroom mirror: “Don’t Let the World Dim Your Light.” After attempting to wear wigs to fit in, the Bailey sisters instead chose to rock their locs with pride, which undoubtedly cost them casting roles. Yet they would have the last laugh when making headlines as the “Teen Dreadlocked Duo” who landed a million-dollar contract with Parkwood Entertainment, and the coveted opportunity to be groomed under the tutelage of a world-renowned superstar.
Credit: Derek Blanks
While that could be the end of a beautiful fairytale of self-empowerment, the reality is that it’s just the beginning of the story of her evolution. For most girls, the transition into womanhood takes place in the comfort of their own worlds, often limited to the number of people they allow to have access to them. But for Chlöe, it’s happening in front of millions of critiquing eyes just waiting for an opportunity to either uplift or dissect her through unwarranted commentary.
Many in her position wouldn’t be able to take that kind of pressure. But Chlöe is handling it with grace. “I feel like all of us as humans, we have the right to interpret things how we want,” she says. “I put art out into the world and it's up for interpretation. I'm learning that not everyone is going to always like me and that it's okay.”
Chlöe isn’t the first artist to receive criticism for her carnal content, and she certainly won’t be the last. In 2010, Ciara writhed and rode her way to banishment on BET when the then 24-year-old released her video for “Ride.” In 2006, 25-year-old Beyoncé received backlash for “Déjà Vu."
"I put art out into the world and it's up for interpretation. I'm learning that not everyone is going to always like me and that it's okay.”
So much so that over 5,000 fans signed an online petition demanding that her label re-shoot the video because it was “too sexual.” Even 27-year-old Janet didn’t escape critical headlines when she shed her image of innocence for a more risqué appearance with the 1993 release of janet.
It’s almost as if public reproach is a rite of passage for young Black women R&B singers on the road to stardom. Good girls seemingly “go bad” whenever they embrace the depths of their femininity, and fans only like you on top figuratively. But Chlöe has learned not to bow down to other people’s opinions, but to boss up and control the narrative. As the saying goes, well-behaved women seldom make history. If sex appeal is her weapon, she wields it well.
On set, Chlöe exudes the energy of Aphrodite in an apple red, off-shoulder dress with a sexy high split. In between shots, she mouths the lyrics to Yebba’s “Boomerang” as it echoes throughout the space in steady repetition at my recommendation. The hour grows late, yet Chlöe is heating things up as eyes stare in deep mesmerization of the girl on fire.
Credit: Derek Blanks
Through music, she explores the depths of her being, a journey that seems to be, at its foundation, rooted in self-discovery. Whereas their debut album The Kids Are Alright (2018) boasts a young Chloe x Halle empowering their generation to embrace who they are while finding their place in the world, their second album Ungodly Hour (2020) shows the Bailey sisters shedding the veil of innocence for a more unapologetic bravado.
What fans looked forward to seeing is who Chlöe shows herself to be on her debut solo album In Pieces. In an interview with PEOPLE, she confesses that releasing her first project without her sister was “scary.” "It was a moment of self-doubt where I was like, 'Can I do this without my sister?’”
Chlöe has never been shy about sharing her insecurities or her vulnerabilities, all of which are laced throughout the 14-track album. “I want people to have fun when they listen to it and to just realize that they're not alone and it's okay to be vulnerable and raw and open because none of us are perfect; we're all far from it. And I think it's healing when we all admit to that instead of putting up a facade.”
The gift of time has given the self-professed “big lover girl” more encounters with romance and heartbreak. Love songs once sung for their beautiful riffs and melodies become more than just abstract lyrics and are replaced by real-life experiences, which she tells me is definitely in the music.
In her single “Pray It Away,” for example, she contemplates going to God for healing instead of going at her ex-lover for revenge for his infidelities. “With anything dealing with art, I am completely vulnerable,” she says. “I'm completely myself, I'm completely open and transparent. So it's pretty much all of me and who I am right now.”
Has Chlöe been in love? That still remains to be said. Of course, she’s been linked to a few potential baes, but dating in the digital age isn’t as easy as a double tap or drop of a heart-eyes emoji. It requires a level of trust and vulnerability that’s hard to earn, and easy to mishandle. To let her guard down means to potentially set herself up for disappointment. “It’s difficult dating right now, honestly, because you really have to kind of keep your guard up and pay attention to who's really there for you. And you know, I'm such an affectionate person and I love hard.
"So when I meet the one person that I really, really am into, it's hard for me to see any others and I get attached pretty easily. And you know, I don't know, it's…it's a scary thing.”
Credit: Derek Blanks
“With anything dealing with art, I am completely vulnerable. I'm completely myself, I'm completely open and transparent. So it's pretty much all of me and who I am right now.”
While broken hearts yield good music (queue Adele), what’s in Chlöe’s prayer is the desire to be happy. What does that look like? Well, she’s still figuring that out herself. “Honestly, I'm the type of person who I don't truly learn unless I experience it. So it's like I can view and watch my parents and watch the loving relationships that I see in my life and be like, ‘Oh, I want that. I would love to have that.’ But then I also have to experience [love] on my own and see what my flaws or my faults might be or see what my good things about myself are. I feel like it's really all about self-reflection. And even though our base is our family and that's our foundation, we are still our own individuals and we have to find out specifically the things about ourselves that may be different from what we saw from our parents when we were growing up.”
Her ideal beau, she tells me, is someone she can feel safe to be her fun, goofy self with, but who also gives her the space to be the boss chick chasing her dreams. A man who understands that just because the world compliments her doesn’t mean she doesn’t want to hear those words from his lips or feel it in his touch. A bonus if he shows up on set after a long hard day of work with vegan cinnamon rolls. You know, the basic necessities. “I like whoever I'm with to constantly tell me they love me and that I look beautiful because I do the same. I am a very mushy person, and if I see something or you look good, I will never shy away from saying it out loud. And I want whoever I'm with to do the same, be very vocal. Tell me that you love me. Tell me what you love about me because I'm doing the same for you because that's just the person I am.”
Noted.
Until she meets her match she’s married to the game, and for now, that seems to be perfect matrimony.
Credit: Derek Blanks
On stage at the 2021 American Music Awards, Chlöe solidified her position as a force to be reckoned with. It was a full-circle moment. In 2012, bright-eyed and baby-faced Chloe and Halle would walk onto the set of The Ellen Degeneres Show and blow the audience away as they bellowed out their future mentor’s song. Ellen would present the sisters with tickets to attend the AMAs, assuring them that they would be back and had a promising future. Nine years later, Chlöe descends from the sky cloaked in a snow-white cape and matching midriff-baring bodysuit for her debut performance. It’s the first time she’s graced the stage of the very award show that she was once an audience member of.
As she shakes and shimmies and boom kack kacks out her eight counts, it’s clear that she’s in her element. Just like her VMA performance a couple of months prior, and the many more stages she’ll continue to grace, she brings an energy that has earned her comparisons to the beloved Queen Bey herself. An honorable statement, considering few R&B songstresses are getting accolades for their entertainment capabilities. It’s on these very stages, in front of hundreds of astonished eyes and millions more glued to their televisions at home, that she tells me she feels most sexy. Powerful, even.
But off stage, it’s a different story.
It’s more than just the commentary about her image and media-flamed rumors that get to her. Mentally, she’s in competition with herself. The desire to be the best burns at the back of her mind with every performance, every production, and every time she steps into the booth. Before, she could share the weight of this burden with her sister. Being a part of a duo meant she could turn to Halle for quiet confirmation and encouragement without a word being exchanged. But lately stepping on the stage means stepping out on her own. And despite being a breathtaking, five-time Grammy-nominated star, Chlöe doesn’t escape the reality that sometimes we can be our own worst critics.
Over the last year, she’s been coming to terms with who she is on her own while overcoming the fear of failing to become who she’s destined to be. While the world waits to see how Chlöe wins, the real triumph is in every day that she chooses herself and continues to walk in her purpose. “I don't really have anything all figured out, honestly. But what I try to do, a lot of prayer. I talk to God more and I just try to do things that calm my mind down and just breathe.”
To whom much is given, much will be required. She’s been chosen to walk this path for a reason. Once she fully embraces that everything she’s meant to be is already inside of her, she’ll be an unstoppable force. “My grandma, Elizabeth, she just passed away and my middle name is her [first] name. So I feel like I truly have a responsibility to live up to her legacy that she's left on this earth. I hope I can do that.”
There’s no doubt that she will. With a role in The Fighting Temptations at three years old, a million-dollar record deal, a main role on five seasons of Grown-ish, five Grammy nominations, a number one solo record in Urban and Rhythmic Radio, a debut solo album, and starring roles in recently released movies Praise Thisand Swarm (just to name a few), Chlöe’s certainly already made her mark, and she’s just getting started.
No flex.
Credits
Photographer & Creative Director: Derek Blanks
Executive Producer: Necole Kane
Co-Executive Producer: EJ Jamele
Producer: Erica Turnbull
Digitech: Chris Keller
DP: Alex Nikishin
Gaffer: Simeon Mihaylov
Photo Assistant: Chris Paschal
2nd Photo Assistant: Tyler Umprey
Features Editor: Kiah McBride
Special Projects: Tyeal Howell
Hair: Malcolm Marquez
Makeup: Yolonda Frederick
Fashion Styling: Ashley Sean Thomas
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