I've never accepted the term "daddy issues". It has always rubbed me the wrong way because it automatically puts a permanent stain on a woman's forehead. It seems to provide a convenient excuse for any failed relationship where there's no apparent wrong-doing on the man's part, whether it's really the woman's fault or not.
In the past, I also wasn't into applauding men who were present for their children, either. It seemed weird to clap for fathers who did what they were supposed to do, after all, we don't do this for mothers. But I realize that part of my thinking could come from a place of mild resentment considering I didn't have the most ideal relationship with my father.
I must say that I'm now in awe of those same fathers. It's that fascination that made me tune into the OWN special They Call Me Dad earlier this month. The show put a spotlight on male celebrities who play an active role in their children's lives. Men like author and filmmaker, Bishop T.D. Jakes, gospel artist Kirk Franklin and musical entertainer and renowned DJ, Derrick "D-Nice" Jones, talked about their journeys from youth to fatherhood and demonstrated how they show up for their kids.
The men also made the distinction between father and dad––the latter being more than biological.
And their children, particularly their daughters, explained how they viewed their dads in their lives. Third-year law student Ashli Jones sees D-Nice as her advocate and real-life superhero while Woman Evolve founder Sarah Jakes Roberts sees Bishop Jakes as Liam Neeson's character in the movie Taken, traveling across the world battling bad men to save his baby if he had to. Both the dads and their children describe the paternal role as protector, guide, and provider.
I grew up in a single-family home with my mom and I saw my father usually on Friday nights. He was my board game partner, popping the plastic bubble on hours of Trouble, and my card game teacher, showing me strategy on everything but Spades.
It took a few years to learn that this wasn't exactly normal and I'm not just referring to youth who live in two-parent households as normalcy. In fact, this was complicated. My father was actually married and lived a few miles from the home where I lived with my mom. Truthfully, I didn't really know him, know him because there was a huge part of his life that I was excluded from. This fact became more evident after my mom passed away and I moved to my grandparents' home two backyards, a road, and a front yard away from my father's house.
It's when I had to acknowledge that that's not a world I was part of. I wasn't exactly welcomed in his house, at least in the beginning. I didn't get to meet paternal family members when they came to town. I attended the same school as my cousins and we knew each other but the kinship was unspoken.
While I was born out of a less than ideal union, I don't accept fault but I still can't help but feel that some parts of me are incomplete and not accepted.
I'd never use the words "superhero", "protector", "guide" or "advocate" as the young ladies in the OWN special did. And while "provider" would be a fair descriptor, what does that really mean? As Bishop Jakes said, it's about the presence, not the presents. I couldn't even say I felt defended. That was another thing that became quite clear and turned an amicable relationship into a deteriorating one near and at his death. Many times I question why I even bothered to show up at all.
I'm not trying to judge, express guilt, or point any blame, though. I get that parents do the best they can at the moment. But the actions or inactions of absent parents do inadvertently put us in precarious positions and get used against us daughters in a demeaning way during adulthood, particularly in intimate relationships.
I repeatedly made poor decisions in men, specifically choosing those who were emotionally unavailable, which I talk about in a separate article. And I also had the habit of staying in those "situationships" long beyond their expiration dates. It's like I was determined to make them choose me back.
Hearing Kirk Franklin say that dads are the first men to teach women love and self-worth last week prompted me to just Google "daddy issues". It wasn't that I was owning the label or anything. But I was owning my failure in relationships. I'm at a place where I can write all day about them. I'm just leery of blanket diagnoses.
I already knew society would say, "Yep, sis, you have classic 'daddy issues'." Society would also assume that I'm attracted to older men, I call my partner 'daddy,' I'm clingy and jealous, I crave attention from men and I need reassurance of love and affection. It's the standard answer, more so than "mama's boy", which doesn't carry the same stigma. A quick Google search of "mama's boy" required me to scroll and click around before I found articles.
However, for my search, it really wasn't about the men. Ultimately, I still attracted and tolerated the wrong ones. Now I only wanted to dissect the term for my own benefit because I was curious and I want to open myself up to a healthy relationship.
I knew my intuition was on point––when I chose to listen to it, that is. What I found is that this so-called "daddy issues" rhetoric is stereotypical and sexist and it doesn't only apply to women.
Here's what I learned about it specifically:
1. The Term "Daddy Issues" Isn't A Disorder, It's Disrespectful
"Daddy issues" isn't even a condition or disorder listed in the Diagnostic and Statistical Manual of Mental Disorders (DSM-5). In fact, Houston-based psychotherapist Amy Rollo told Healthline that she and many other experts don't even believe in daddy issues and that they see the phrase as a way to minimize women's attachment needs. An article in MindBodyGreen goes a step further to say that it belittles a woman's relationship struggles. Quite frankly, it's lowkey disrespectful and the more appropriate way to tackle it is to recognize and understand one's attachment style, which is explained here and discussed here.
2. Daddy Issues Aren't Gender-Specific
The first "daddy issue" originated between father and son. Psychoanalyst Sigmund Freud came up with the "father complex", which described "someone who has unconscious associations and impulses resulting from an individual's poor relationship with their father." Freud initially believed this father complex only affected men. The term didn't apply to women until later and then it stuck. And while modern-day attachment issues are almost always directed to father and daughter, they could actually be son and mother issues and grandparents can be added to the mix as well.
I can admit that I needed to do some internal work before I even considered entering a relationship. I would've repeated a toxic cycle indefinitely. I also can't argue that my relationship with my father didn't play a significant part in who I was attracted to. I gravitated towards whatever was familiar or whatever was wounded. That's also our way of changing the plots or endings to our ongoing narratives.
But misused and misunderstood labels like "daddy issues" are harmful. Women aren't the only gender trying to reconcile what we didn't get from absent parents to what we can't give or don't receive from our partners. Men do, too, all the time. A more helpful approach is to drop the "daddy issues" label and call it what it is.
Many of us, men and women alike, have difficulty forming healthy bonds with potential significant others. But with a little reflection and a whole lot of healing, we can all learn to form secure attachment styles, and perhaps then we'll finally find a true protector, defender, and real-life superhero in our partners.
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'Bel-Air' Actress Jazlyn Martin On Her Ongoing Identity Crisis And Its Influence On Her Creative Journey
Jazlyn Martin is a triple-threat performer known most for her role as Jackie on Peacock’sBel-Air. Her character’s fiery personality and questionable decisions have led to a few shocking moments in the series and quite a bit of convo on social media.
Now, I’ll be honest: as an avid TV-lover, I was well-prepared to hop on Zoom and jump into all the chatter around Bel-Air and her characters’ decisions. But after listening to her new EP Identity Crisis, I knew there was a lot more to talk about as well. During this exclusive conversation with xoNecole, Jazlyn Martin delved into the challenging journey she’s faced surrounding her identity, newfound fame, and family influence, and how it all plays a part in her art. Check it out!
xoNecole: So I know that your father is in the entertainment world, but when did you realize you shared the same passion?
Jazlyn Martin: I think it was very early on. I was a child who was full of attitude and fearlessness that would go after anything I wanted. I believe seeing my dad pursue music made me realize it was possible. I just had this hunger and fire, and my parents consciously fed and nurtured that - they are always all super supportive of whatever I do. So very, very early on, I was like, I'm meant to do this. And I just was like, I'm a star, and I know I'm a star.
xoN: Actually, let's talk about your family. What are some of your most important values, and how have your family and heritage played a part in shaping those values?
Jazlyn: I mean, my mom is like an angel; she's so graceful and kind, and I've had to work hard to get there. When I was young, I was very abrasive, headstrong, and stubborn. Whereas my mom gives an immense amount of grace in the way she carries herself. I had to learn that.
I think being strong is something I’ve always had. My parents always joke that they don't know where my personality came from. Because my dad is shy and timid and my mom is kind, and I'm a fireball. But my Dad always asked the important industry questions like, “Why do you want to do this?” And that instilled some purpose into me. It really carried me to keep going because it's so easy to be discouraged in this field, but that drive has helped me push through all of the challenges.
xoN: I bet. I have such a respect for actors and the way you all navigate the industry. Speaking of, let’s dig into “Bel-Air.” Were you a fan of the show? Did you have to go back and watch the episodes?
Jazlyn: So I actually did watch the show which is crazy because sometimes I don’t. I saw it was a reboot and was like, ‘Oh no, not another one.’ But I watched the first three episodes, realized how good it was, and ended up watching the whole season. I became a fan, and then a few months later, I booked the role!
I think the imagination is such a beautiful and powerful tool, and I feel like if you create something in your mind, it happens. It's a crazy thing, but I really just created Jackie's world - the house she grew up in, her parents leaving her, and everything. I created why she fell in love with dance. I really came at it from a human approach. If I see it, then the audience can see it.
xoN: Yeah, background plays into so much of how we deal with things, how we interact with people, and everything. And I feel like Jackie gets a lot of backlash. Like, we’ve all had a “Jackie Moment” to be real.
Jazlyn: She gets so much backlash! I just encourage people to give her grace and see the God in her because I do think she tells a lot of Black and brown girls' stories. People project on her, saying she’s too ratchet or hood, and I’m like does that mean she’s not loveable?
We have to be careful of what’s said and put out because Jackie has gone through things that I've never had to go through. The fact that she's alive and still highly functioning is a blessing. So what if she gets a little messy? I love her. Because she’s helped me extend empathy to people I don't necessarily want to or don't think deserve to have it. But she's 17, she's figuring it out, and she doesn't have parents. Like, that's such a huge factor.
"We have to be careful of what’s said and put out because Jackie has gone through things that I've never had to go through. The fact that she's alive and still highly functioning is a blessing. So what if she gets a little messy? I love her."
xoN: You mentioned how your character is viewed, which digs a bit into identity. So I want to talk a little bit about some of the emotional songs on your EP “Identity Crisis.” What inspired the track “Perfect?”
Jazlyn: When I was creating “Perfect,” I already had the EP title. So I kind of mapped out, like, the different conflicts I had in my head and categorized them into seven songs, and so one of my identity crises was being perfect. Because I feel like a lot of men tend to put women on pedestals. They're expected to be perfect - especially when you’re in the limelight. You know, you can't slip up. You can't say the wrong thing. Cancel culture is such a huge thing. And I just wanted to encourage people to give people grace to be themselves because that's not an easy thing to do.
I just wanted to take down this facade that I’m perfect because I never pretended to be. I never wanted to be. I think that's something people have placed on me, that I have it all figured out, I think I just carry it well, but that doesn't mean it's not heavy. I just wanted to be very vulnerable and honest. I think people think “perfect” is a compliment, but I think it's a cage because it doesn't allow room for error. It doesn't allow for you to be human and mess up and fail and take risks. So I just wanted to encourage grace.
xoN: Do you ever feel like you went through an identity crisis?
Jazlyn: I go through one constantly. Growing up, I didn't really have one. But I think as you get older and more aware and cognitive, you know how the world goes, and the world starts telling you who you are, instead of you deciding who you are. And I feel like being mixed played a big role in that, not feeling Black or Mexican enough. I wanted to belong to both worlds but didn’t so I was just “other.” That was an identity crisis in itself.
Also, being introduced to a level of fame has been interesting, too. I think we all go through identity crises all the time because we’re evolving and changing. It’s beautiful, but it’s also scary; you see yourself this one way, and then something happens, and there’s a shift. So yeah, I think it’s something we all go through but no one talks about.
"I think as you get older and more aware and cognitive, you know how the world goes, and the world starts telling you who you are, instead of you deciding who you are. And I feel like being mixed played a big role in that, not feeling Black or Mexican enough. I wanted to belong to both worlds but didn’t so I was just 'other.'"
xoN: I love that. And I know Hispanic Heritage Month is coming up, and you'll be speaking at the New York Latino Film Festival. Talk to me about what that moment means to you and what you hope to bring to the event. *Editor’s note: The interview was conducted before Hispanic Heritage Month began.
Jazlyn: I’m bringing some Afro-Latino-ness! I always grew up seeing Latinos being represented in a very specific way—very Spanish, not very Indigenous looking. So I'm really excited to bring the Black experience, with the Latino experience, to the stage because that's something a lot of people don't know exists.
People are always like, “Are you Black or Latina?” Well, I'm both! We were just dropped off in different parts. I’m excited to speak on that and highlight how prevalent anti-Blackness is within Latino communities. A lot of Afro-Latinos have faced an identity crisis because of it, including myself. It sometimes feels like you’re supposed to hate the other half of who you are.
For me, I held onto that little Black girl inside. I refused to let her go. And that’s what I want to represent when I speak—resilience and acceptance of our full selves. I’m also looking forward to meeting fellow Latino people, especially Afro-Latinos, and sharing our stories. It’s not a narrative that gets much attention, and I’m excited to represent.
xoN: I’m excited for you! Finally, with all the praise and recognition you’re receiving now, what has it been like to transition from working in music, dance, and acting to now being in the spotlight? How have you embraced this new level of fame?
Jazlyn: Um, it's overwhelming. I think that's the best word. Sometimes, I'm joyful, because I'm giving back to the community. People resonate with Jackie's stories and see themselves in her, which I think is the biggest compliment to me. But then sometimes, you know, I feel sad because I'm like, ‘Damn, I'm not doing enough,’ like I should be doing more. It's crazy, the industry is so fast-paced that you don't really try to celebrate wins. It's just a transition, an identity crisis of the like.
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'It's A Sexy Show': Aldis Hodge Talks Iconic Role In 'Cross' At CultureCon Ahead of Prime Video Premiere
The culture’s latest heartthrob owns his main character energy as he prepares to lead in Prime Video’s Cross.
During the 2024 CultureCon event held in New York City at the top of October, Aldis Hodge hit the stage to discuss everything connected to his main character era as eager fans listened in, counting down the days to the premiere of his new series.
Hodge, known for his iconic roles in One Night in Miami, Underground, Straight Outta Compton, and a host of other hit projects, will become Alex Cross, the “brilliant detective and forensic psychologist renowned for his uncanny ability to probe the darkest recesses of killers and their victims,” according to a press release shared with xoNecole.
Moderated by Chris Witherspoon, the panel during this year’s CultureCon featured Hodge and his co-star for Cross (and fellow hearth throb) Isaiah Mustafa.
After a special screening for the community builders, creatives, tastemakers, and everyone in between, the trio discussed the theme for the forthcoming show, how it pays homage to the original book series by James Patterson but is its entirely own story, and much more.
Following the conversations, guests could party with Hodge at an exclusive after-party.
“Cross is set to push the boundaries of suspense and storytelling, crafted by the visionary Ben Watkins, who serves as both showrunner and executive producer,” read an official statement for this show.
Photo by Aaron J. Thornton/WireImage
“His creation promises a complex and twisted narrative that will keep audiences on the edge of their seats. Joining Hodge in this high-octane thriller is a talented ensemble cast including Isaiah Mustafa, Juanita Jennings, Alona Tal, and Samantha Walkes, each adding depth to this multifaceted drama.”
During an interview with Blavity’sShadow & Act this summer, Hodge opened up about playing the iconic character previously serving as the protagonist in the James Patterson novel series dedicated to Alex Cross.
“I’m excited because this is a completely different Cross than anyone has seen before,” said Hodge. “You get to explore every element of what makes cinema entertaining. It’s a sexy show. It’s a dangerous show. I feel like I’m stuck in the coolest psychological thriller ever. We get to explore all the facets of his life, his world, his manhood, family man, brotherhood, trying to explore new relationships, and what that means to him.”
He added, “This show goes there. It dives deep and I just love the fact that people are going to get something they do not expect.”
All eight episodes of Aldis Hodge as Alex Cross will premiere on Nov. 15 only on Prime Video.
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