
From Teen Mom To Ministry Leader, Sarah Jakes Roberts Is Proof Of Restoration In Evolution

It's hard not to gravitate to Sarah Jakes Roberts. Minutes into our phone call, I am reminded why I, and thousands of others, have found solace in her ministry. She is a force of a spiritual leader, whose magnetism is inextricably tied to her superpower: transparency.
If you've ever seen the first lady and co-pastor of The Potter's House at One LA and Denver in her element, it's difficult to imagine that she once avoided the spotlight that comes with her family name. "I feel like the manifestation of our purpose has different stages: shock, reality of impact, and then there's intentionality," the Don't Settle for Safe author tells me. "I think up until 2015, I just lived in this phase of shock where I felt like, Wow, people understand what I'm saying. I felt this whole time that I was living in this box and on this island, and no one understood but me."
"I feel like the manifestation of our purpose has different stages: shock, reality of impact, and then there's intentionality."
As one of five children to Bishop T.D. Jakes, the West Virginia native spent more time in church than most. In the Mountain State, her father's small congregation felt like kin, but that sentiment would change dramatically once he shifted his ministry to Dallas in 1996.
Only eight at the time, Sarah sensed the gravity of the move but couldn't anticipate the scrutiny that lied ahead. As The Potter's House swelled in size (today, it is home to over 30,000 members), so did the pressure to appear infallible.
As a child, she quickly became acquainted with false rumors surrounding her father's ascension. She also heard the secrets members exchanged about each other and witnessed how men and women bold enough to own their humanity were isolated from those who opted to pretend they had their lives under control.
Sarah attempted to blend in with the latter in an effort to keep her name out of the gossip circuit, but she struggled to find a ministry she believed she could add value to. She soon became content with fading in the background, where she would ultimately discover her tribe – a group of kids who couldn't pinpoint where they belonged in church and itched to experience life beyond the politics of it all. With a desire to feel normal, Sarah didn't merely test the limits between The Potter's House and the world outdoors. She tore through them.
Less than a year after Time magazine deemed T.D. Jakes "America's Best Preacher," Sarah discovered that she was pregnant at 13.
Although her family stood by her side as the judgment poured in, the shame that loomed wouldn't be easy to shake. Sarah worked tirelessly to finish high school early while raising her son, but her attempt to redeem her image unraveled in college as she sunk into an unhealthy relationship (and, later, marriage) marked by infidelity and deceit.
"I think that toxic relationship was my drug of choice," she reflects. "Other people may dive into work, they may dive into alcohol, they may smoke something. For me, that relationship was a distraction from me having to deal with my own pain and issues, and I don't think that I could get to a place where I was ready to receive love again until I figured out why I needed to be distracted from myself."
"I don't think that I could get to a place where I was ready to receive love again until I figured out why I needed to be distracted from myself."
On the brink of divorce, Sarah launched a personal blog as an outlet to address her hurt through prayers and stories that mirrored her own. In this space, she didn't have to conceal her brokenness. Here, she had the liberty to own her scars.
Little did she know, she would draw an audience of women longing to do the same. "I didn't really think that it was ministry but the more that it became increasingly clear that it was, I just made a vow that I was going to be as authentic and transparent as I could be," she says.
Her memoir Lost and Found: Finding Hope in the Detours of Life, a vivid look into her biggest trials and the grace she collided with through them all, followed in 2014. "I felt so many of my experiences were interconnected that I could not paint just half the picture for the person reading it," Sarah insists. "I wanted them to see the full scope of how I ended up in some really challenging but, ultimately, defining moments of my life."
In the years to come, she would rediscover love, expand her family with husband Touré Roberts, and settle into a purpose far greater than she imagined.
"I'd say 2017 is when I really decided to embrace fully that I have a call and that my call is unique to where I am, and it's not limited to where I'm invited but rather it is maximized when I use it to build things that reflect the people who are attached to it," Sarah explains.
This July, she did just that with her first-ever Woman Evolve conference in Denver. Over two days, women in attendance heard from the likes of Angela Rye, Michelle Williams, and Tiffany "The Budgetnista" Aliche during a life-altering experience that promoted both spiritual and practical development.
The idea for the event came to life when the first lady made a notable observation at a women's conference she spoke at earlier in the year. "It stood out in my mind that the women had on these 'Squad Goals' shirts that had Mary, Esther, and Ruth on it, and I was like nobody ever wants Eve to be in their squad goals because Eve messed up so bad by eating from this forbidden fruit," she exclaims.
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As a result, Sarah committed to studying the Book of Genesis where she discovered that Eve's story didn't end in disgrace as common legend would have it after all. "There's this moment when God tells her that her seed is going to crush the head of the serpent," she points out. "If Eve could evolve past her mistakes, she could give birth to something that would ultimately bring restoration. For me, that is the foundation of Woman Evolve – the idea that at some point, we can all identify with being Eve. We can all identify with moments where we knew better but didn't do better, but if we're willing to evolve, then the sky is the limit and restoration is possible for us."
Beyond the pulpit, Sarah is motivating others to not merely survive but thrive in their most trying seasons through her Wild Women fashion collection released this summer. "I think everyone just wants to live in the Promise Land without recognizing that who you become in the wilderness earns you the right to live [there]," the pastor affirms.
"How we maintain our character, our integrity, our faith, and our hope in those critical moments where we feel defeated, where we are disappointed, is ultimately what gives us the power to try again, lift our heads, and keep it moving."
Whether through her Woman Evolve store or upcoming Night In The Wild tour, which starts in Maryland this November, Sarah is igniting a movement that challenges what it means to be a modern woman of faith. "I really feel like I know people online, so I am most excited about connecting with people who have resonated with my messages and with my life," she expresses. "I'm looking forward to that connection and sisterhood."
With nothing less than a transformative adventure in mind, she assures us that walls will come down to get to the heart of all we can become. "I think we, as women, can do very well in surface-level conversation, but it really takes intentionality and transparency for us to be vulnerable, and I think that when someone sets the tone, it allows us all permission to say, 'Well, I'm struggling too,'" she explains. "I'm looking forward to creating an environment by setting the tone with my own vulnerability that helps us to see that the woman I may envy is actually going through something that I can help her with and together, I believe that we can create momentum that allows all of us to win."
In many ways, Sarah Jakes Roberts has become who she once searched for within the walls of the church but couldn't find – a woman who walks in the assurance that her missteps do not disqualify her from God's love or divine use.
"It's really humbling," she says while taking in the full scope of her growth. "When I finished the Woman Evolve conference, I had so many women tell me, 'Congratulations,' but I told them that I'm just glad to be a part of it because this is exactly what I would have needed to keep me from going through the things that I went through. I know that it is helping women who are like me, so I have peace that I had to be the one who struggled and cried so other people could be free."
For more of Sarah Jakes Roberts, follow her on Instagram. And find out more about her Women Evolve movement by clicking here.
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Shanice Davis is a writer from New York, dedicated to illuminating women of color and Caribbean culture with her pen. Follow her on Instagram and Twitter: @alwayshanice.
Claudia Jordan, Demetria McKinney & Jill Marie Jones On 'Games Women Play' & Dating Over 40
What do you get when you mix unfiltered truths, high-stakes romance, and a few well-timed one-liners? You get Games Women Play—the sizzling new stage play by Je’Caryous Johnson that’s part relationship rollercoaster, part grown-woman group chat.
With a powerhouse cast that includes Claudia Jordan, Demetria McKinney, Jill Marie Jones, Carl Payne, Chico Bean, and Brian J. White, the play dives headfirst into the messy, hilarious, and heart-wrenching games people play for love, power, and peace of mind. And the women leading this story? They’re bringing their whole selves to the stage—and leaving nothing behind.
From Script to Spotlight
The road to Games Women Play started over 20 years ago—literally.
“This script was written 20 years ago,” Jill Marie Jones said with a smile. “It was originally called Men, Money & Gold Diggers, and I was in the film version. So when Je’Caryous called me to bring it to the stage, I was like, ‘Let’s go.’” Now reimagined for 2025, the play is updated with sharp dialogue and modern relationship dynamics that feel all too real.
Demetria McKinney, no stranger to Je’Caryous Johnson’s productions, jumped at the opportunity to join the cast once again. “This is my third time working with him,” she shared. “It was an opportunity to stretch. I’d never been directed by Carl Payne before, and the chance to work with talent I admire—Jill, Claudia, Chico—it was a no-brainer.”
Claudia Jordan joked that she originally saw the role as just another check. “I didn’t take it that seriously at first,” she admitted. “But this is my first full-on tour—and now I’ve got a whole new respect for how hard people work in theater. This ain’t easy.”
Modern Love, Stage Left
The play doesn’t hold back when it comes to the messier parts of love. One jaw-dropping moment comes when a live podcast proposal flips into a prenup bombshell—leaving the audience (and the characters) gasping.
Demetria broke it down with honesty. “People don’t ask the real questions when they date. Like, ‘Do you want kids? How do you feel about money?’ These convos aren’t happening, and then everyone’s confused. That moment in the play—it’s real. That happens all the time.”
Jill chimed in, noting how the play speaks to emotional disconnect. “We’re giving each other different tokens of love. Men might offer security and money. Women, we’re giving our hearts. But there’s a disconnect—and that’s where things fall apart.”
And then Claudia, of course, took it all the way there. “These men don’t even want to sign our prenups now!” she laughed. “They want to live the soft life, too. Wearing units, gloss, getting their brows done. We can’t have nothing! Y’all want to be like us? Then get a damn period and go through menopause.”
Dating Over 40: “You Better Come Correct”
When the conversation turned to real-life relationships, all three women lit up. Their experiences dating in their 40s and 50s have given them both clarity—and zero tolerance for games.
“I feel sexier than I’ve ever felt,” said Jill, who proudly turned 50 in January. “I say what I want. I mean what I say. I’m inside my woman, and I’m not apologizing for it.”
Demetria added that dating now comes with deeper self-awareness. “Anybody in my life is there because I want them there. I’ve worked hard to need nobody. But I’m open to love—as long as you keep doing what got me there in the first place.”
For Claudia, the bar is high—and the peace is priceless. “I’ve worked hard for my peace,” she said. “I’m not dating for food. I’m dating because I want to spend time with you. And honestly, if being with you isn’t better than being alone with my candles and fountains and cats? Then no thanks.”
Channeling Strength & Icon Status
Each actress brings something different to the play—but all of them deliver.
“I actually wish I could be messier on stage,” Claudia joked. “But I think about my grandmother—she was born in 1929, couldn’t even vote or buy a house without a man, and didn’t give a damn. She was fearless. That’s where my strength comes from.”
For Jill, the comparisons to her iconic Girlfriends character Toni Childs aren’t far off—but this role gave her a chance to dig deeper. “If you really understood Toni, you’d see how layered she was. And Paisley is the same—misunderstood, but strong. There’s more to her than people see at first glance.”
Demetria, who juggles singing and acting seamlessly, shared that live theater pushes her in a new way. “Every moment on stage counts. You can’t redo anything. It’s a different kind of love and discipline. You have to give the performance away—live, in the moment—and trust that it lands.”
Laughter, Lessons & Black Girl Gems
The show has plenty of laugh-out-loud moments—and the cast isn’t shy about who steals scenes.
“Chico Bean gets a lot of gasps and laughs,” Claudia said. “And Naomi Booker? Every scene she’s in—she’s hilarious.”
But the play isn’t just about humor. It leaves space for reflection—especially for Black women.
“I hope we get back to the foundation of love and communication,” said Demetria. “A lot of us are in protector mode. But that’s turned into survival mode. We’ve lost softness. We’ve lost connection.”
Claudia agreed. “We’re doing it all—but it’s not because we want to be strong all the time. It’s because we have to be. And I just want women to know: You can have peace, you can be soft. But stop bringing your old pain into new love. Don’t let past heartbreak build walls so high that the right person can’t climb over.”
Final Act: Pack the House
If there’s one thing this cast agrees on, it’s that this play isn’t just entertainment—it’s necessary.
“Atlanta is the Black entertainment hub,” Claudia said. “We need y’all to show up for this play. Support the arts. Support each other. Because when we pack the house, we make space for more stories like this.”
Games Women Play is more than a play—it’s a mirror. You’ll see yourself, your friends, your exes, and maybe even your next chapter. So get ready to laugh, reflect, and maybe even heal—because the games are on.
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It’s officially Miss Keri, Baby season again—and if you ask us, it’s been a long time coming. After 15 years away from the music scene, Keri Hilson has returned not only with a brand-new album, but also a captivating new role in Lifetime’s Fame—the latest installment in The Temptations film franchise.
Between the album We Need to Talk: Love and her leading role in Fame, this isn’t just a comeback—it’s a rebirth. The Grammy-nominated singer-songwriter turned actress is letting us into her world like never before, unpacking themes of vulnerability, healing, and inner strength with grace, grit, and raw artistry.
Now streaming on Lifetime, Fame follows two superstar sisters—played by Keri and singer/actress Keshia Chanté—as they navigate the cost of stardom, sibling rivalry, and the dark side of desire. The film also stars Romeo Miller, Ecstasia Sanders, Nathan Witte, and Sophie Carriere, and is executive produced by Derrick Williams and Adriane Hopper Williams of the Seven Deadly Sins franchise.
As for the music? We Need to Talk: Love is a three-part album (Love, Drama, Redemption) that tells the story of a woman who’s been through it—and has risen from the ashes. “It was time to speak for myself,” Keri says.
We sat down with Keri to talk about her return to music, her passion for acting, the emotional depth of Fame, and how she’s learning to care for herself amidst the chaos.
From R&B Queen to Drama Star: Keri Gets Into Character
“Even though she’s famous—as am I—it was really her humanity that I wanted to portray.”
Keri plays Cherish, one half of a superstar sibling duo who must confront their fractured relationship in the wake of a traumatic robbery. For Keri, the role was more than a character—it was a psychological study.
“I enjoy departures from reality. That’s why I love acting,” she shares. “Psychology is one of my favorite things in life. I became a writer because I’m an observer of human nature, emotion, and behavior. I think I did a good job showing her humanity.”
The Fame Isn’t Always Worth the Price
“Keep the main thing the main thing.”
Keri doesn’t sugarcoat the industry. When asked about what Fame reveals about the dark side of celebrity culture, her answer is clear:
“It’s a cautionary tale. It reminds you to keep your family close and not allow anything to come between them—especially in pursuit of success. Keep the main thing the main thing. For me, that’s family, love, spirituality, and values.”
Three Chapters, One Story: Love. Drama. Redemption.
“I’ve shed the fear. It was time to tell my own story.”
Released April 18th, We Need to Talk: Love is Keri’s first album in 15 years—and a deeply personal one at that. The three-part project (Love, Drama, Redemption) represents a timeline of healing and growth.
“I’m finally in a place where I’m able and willing to open up more,” she says. “For a while, I became really guarded—shell-shocked, even—after making mistakes in the public eye. Whether it’s all your fault or not, the scrutiny takes its toll. But now, I’ve shed that fear. It’s time to tell my story.”
Cooking, Walks, and Recalibrating in the Chaos
“I’m not doing the best job—but I’m doing what I can.”
Between eight-hour rehearsals, press runs, and music releases, Hilson admits she hasn’t quite figured out the balance yet—but she’s trying. For her, the key is carving out small rituals of normalcy.
“I enjoy cooking. That’s my sanctity,” she says. “I’ll go home, take my makeup off, put on my rehearsal clothes, and cook a meal. I take walks. I run. These little things help me feel like myself again.”
Art Imitates Life (and Album Tracklists)
“Cherish goes from Love… to Drama… to Redemption.”
Asked which album chapter her Fame character would fall into, Keri doesn’t hesitate. “She fits into all three,” she says. “You see her go from love, to drama, to redemption. That arc mirrors the journey of so many women who’ve had to navigate pain and find their way back to themselves.”
No Pressure, Just Art: Keri Wants You to Feel Something
“Just enjoy the art. That’s it.”
After all the time, patience, and healing, Keri isn’t asking for much. She just wants fans to press play—and feel something.
“I just want people to enjoy what they’re seeing and hearing. Enjoy me on screen. Enjoy me through their ears. People have waited, and I feel blessed by that. That helps me keep it all pure and simple.”
As Keri Hilson steps boldly back into the spotlight, it’s clear this era is all about alignment, artistry, and authenticity. With Fame airing on Lifetime and the first chapter of We Need to Talk: Love setting the tone, we’re more than excited to see what’s next.
As she continues to unfold the album’s next two chapters—Drama and Redemption—one thing’s for sure: this isn’t just a comeback. It’s a reintroduction. And we’ll be watching, listening, and cheering her on every step of the way.
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