The honeymoon’s officially over, and not every couple made it out of paradise with their engagements intact. However, for the Love Is Blind Season 4 hopefuls that did, episodes 6-8 are about cultivating a love that stands the test of time and reentering the real world as husbands- and wives-to-be. In shared apartments provided by the show, the couples will learn to navigate cohabitation, work routines, finances, family and friend dynamics, and most importantly, putting in the work to eventually make the commitment of a lifetime to someone in a matter of three weeks.
Spoilers are most definitely ahead!
Kwame + Chelsea
Kwame is doing his best to get back into my good graces, and it’s somewhat working. In episode 6, after the real-ass conversation, he and Chelsea had in Mexico, where she urged him to let the Micah ish go, Kwame seems to be walking the talk of the man that said he was where he was supposed to be in regards to his engagement with Chelsea. As he basks in the glory of doing adulting to the highest level, he seems in awe and at ease and even tells Chelsea that walking into their place together makes him feel “at home in it.”
As they are enjoying their first takeout meal in their spot together, the two begin to talk about cleaning duties and how they should go about dividing chores. Chelsea expresses that she prefers going to bed with a clean kitchen, but Kwame is more 80/30 when it comes to clean dishes. Surprisingly, he notes that he would like for Chelsea to flush the toilet after she uses the bathroom every time. Chelsea makes excuses but eventually agrees. Come on, boo. We can’t be pressed about clean dishes 100% of the time and then leave pee in the toilet for our fiancé to flush for us.
Later on in the episode, the two explore each other’s apartments in real life. I loved the backstory of the healing nature of Chelsea’s decorating decisions and how her space was one of self-expression and fulfillment of her being her full self in ways she couldn’t be in a previous relationship.
Chelsea shares with the camera that things got really real for her that day because, during her single days, she was met with a lot of loneliness. She reveals being on FaceTime calls constantly to feel some kind of connection. “Everything’s different now,” she ends tearfully. “I get to come home to Kwame. And that’s a whole new feeling for me. I’ve wanted it for so long.”
In the episode’s cliffhanger, Kwame and Chelsea learn that they both have dads named Charles, but Chelsea is nervous about how her dad Charlie will receive the news of this very unique circumstance of falling in love, getting engaged, and married in a matter of weeks. While doing her best to combat her nerves, Kwame and Chelsea have a semi-passive-aggressive back and forth about who lectures who the most before Kwame waves his white flag to share why he should be on edge more than she should be on edge.
Despite some of his anxiety around the situation, he does his best to try to assuage Chelsea in her stressful moment, but Chelsea ain’t trying to hear none of that.
Courtesy of Netflix
As revealed at the top of episode 7, all the conversation leading up to meeting Chelsea’s dad was for naught because Charlie barely needed an explanation to get with the program. He embraced Kwame and Chelsea’s relationship with him with literal arms wide open! Later in the episode, Chelsea and Kwame head to Portland, where Kwame actually resides (not Seattle like the majority of the other cast members of the season), to visit his apartment and take some things of his to the shared apartment in order to really coexist.
It’s interesting to note that Kwame would have to uproot the life he leads in Portland to make the relationship and could-be marriage work with Chelsea. He tells the camera he has no friends in Seattle. He has things about Portland that are routines for him. Chelsea is dead set on having a life in Seattle. Kwame notes that he sometimes feels he compromises a lot, maybe too much even.
Later in the episode, when Kwame has the phone conversation with his mom about doing the experiment and moving forward with an engagement with Chelsea, the news is not received well. He tells Chelsea that his mom is a big part of his life and that it is tough to hear that she isn’t happy for him. It’s a stark contrast to the unyielding acceptance we felt from Chelsea’s dad.
Kwame seems to take things in stride, giving his super emotionally intelligent recap of the events to Chelsea, but I can’t help but think that it must be hard to always swallow your emotions and filter them in a way where you have to apply so much reason to the things you have every right to feel. He was hurt and disappointed but does his best to smile through everything. I thought that said a lot about who he strives to be in life.
Courtesy of Netflix
In episode 8, Kwame is making major life adjustments, from moving to Seattle for Chelsea to taking care of her dog, Rocky. When they have a conversation about having a family after bathing Rocky, I appreciate the seriousness of such a topic. It seems like it’s been broached before because Chelsea leads with reminding Kwame that he said three years into being married would be a good time to start a family. The pressure is on, and you can tell as Kwame seems uneasy while Chelsea is speaking her piece about always seeing herself as a mom.
He emphasizes wanting to have time to “enjoy each other.” He notes that Rocky infringes upon their ability to be flexible as it is, even if he sees himself and his future wife traveling the world together. Kids would add another difficult layer to that desire. When she notices that it seems Kwame is grieving a past version of his life, Chelsea asks a fair and important question, “Do you want to settle down?” Thank you, someone who remembers the point of this show.
Kwame tells her that he is compromising a lot. There goes that word again. I have a feeling that is more so what it is about than having kids versus not having kids. He ends the conversation by explaining that he just wants his feelings to be considered. “Considered,” Chelsea replies.
Courtesy of Netflix
As he opens up to Tiffany at Chelsea’s birthday party later in the episode, his issues with compromise and the potential of being too compromising are something that comes up again. In another inappropriate sidebar conversation with Micah, Kwame asks her if she feels she’s made the right choice. As usual, with their conversations, it feels like they are applying feelers to the situation to see if there’s smoke where there’s fire. I have my eye on these two.
He tells the camera that he will always have feelings for Micah, and he likes that their connection is “seamless,” and there’s no pressure to it. I rolled my eyes because he's not engaged to her and there are no ties, and that’s why there’s no pressure. You’re having to make these life-changing decisions about your partner in a matter of weeks. Of course, you’ll feel some pressure with Chelsea that you won’t feel with another woman not directly involved in that relationship.
The fantasy of what could be doesn’t always tell the story of what is and blatant acts of disrespect like this after the conversation he had with Chelsea about letting it go makes me feel for his fiancée. She deserves better than that.
Brett + Tiffany
The hygiene Olympics continue as Tiffany and Brett come onto the scene heading into their nighttime routine. They are sharing the bathroom while Brett brushes his teeth, shirtless, might I add (there was no need, but I felt like context would be a great addition here). Tiffany reveals to the camera that cleanliness might be an issue for them because she likes things clean, emphasis, and Brett is the type to exit the shower and leave water everywhere, which she says is a big pet peeve of hers. When she brought it up to him, he dismissed it as just being water. I mean, it does dry.
When they exit the bathroom, Tiffany tells Brett that a TV in the bedroom would be great to have. Brett disagrees and lets her know that the only thing that should have her attention in the bedroom is sleep or him. She takes that as an invitation and coquettishly replies, “My attention is on you now,” before joining him in bed. “I’m really happy here. And I really mean that,” he expresses to her as she smiles.
Later in the episode, Tiffany introduces Brett to her chosen family of friends for food and drinks. And they started with some tough questions right out the gate, feeling him out for their friend. It was also cool to learn about Tiffany being an easy sleeper from her friends because it provided some context about that infamous night sis fell asleep on Brett in the Pods. Apparently, sir passed their “tests” with flying colors.
Feeling the love from her friends and how much they wanted to see that love epitomized in her partner and how much Brett seemed to exemplify that made for a very endearing scene.
Courtesy of Netflix
In episode 7, Brett takes Tiffany to check out his apartment because if they make it to the altar, it’s where they will be living. It is there that Brett gets coined the nickname “Bougie Brett” by Tiffany, who, despite going on about how clean she is, seemed super impressed with the look and feel of Brett’s uber-neat apartment.
Space, though, quickly becomes an issue as the couple tries to figure out where will things like Tiffany’s clothes fit or even a workspace for her to work. Brett reminds her that he is willing to upgrade to a bigger apartment in the same building if she likes the apartment. “I can see myself living here,” she says to Brett eventually.
As the episode continues, Tiffany is cooking a meal for the pair, and they embark on a conversation about their approach to finances and what their lifestyle will be like after their lives have effectively merged. It was refreshing to hear these types of conversations had between a couple on this show, as I don’t think it’s shown amongst the other couples if they are having these types of convos.
Tiffany references Brett’s expensive taste as something she doesn’t necessarily want to infringe upon, but she does want the bills to be taken care of without having to monitor how much he is spending and on what. Brett adds to that by saying that he is comfortable with doing a 75-25 split or a 60-40 split on some bills. I’m like, okay here. Love to see it. Brett and Tiffany are a beautiful example of what emotional maturity looks like and being on your grown man/grown woman ish. I think this show could definitely use a lot more of that. Cast more Bretts and Tiffanys, please!
Courtesy of Netflix
Nothing of real consequence happens between the couple in episode 8, just Brett and Tiffany being adorable and expressing gratitude about having found each other to be able to do life together. That’s the thing about being a pretty solid couple on the show. There’s no need to do extensive recaps on this couple because conflict doesn’t tend to occur unhealthily.
And that's also why they are my Unproblematic Faves.
Marshall + Jackie
Marshall is a grower, not a shower, it seems, because I felt his love for Jackie beaming through the screen as he talked about the joy he found in developing a routine. I was a little lukewarm on him, but I think when he is expressing his pleasure in doing things for Jackie, his inner light is glowing, and he seems that much brighter overall. He recounts the good things about doing life with her, like waking up to her, making her breakfast before sending her to work, doing his things, and then waiting for her to get home.
While they are on the couch together talking about telling their respective families about their engagement, Marshall shares that his family is "over the moon" happy for him. However, Jackie shared that she told her mom and dad and that their response was, "This is not Jackie." She says it with a laugh and reiterates that they were so shocked and she had to tell them that she was "dead-ass." She ends the story by saying that she still doesn't think they believe her, but they will just have to come to terms with her being engaged in their own time.
Jackie notes that she has to be "up to par" when it's time to meet Marshall's folks but says that she wants to hold off on him meeting her family for as long as possible. When Marshall asks if Jackie thinks her family wants to meet him, she answers, "I would hope so," and then details how her mom and dad are.
Later in the episode, we see Marshall doing his aforementioned favorite thing, cooking breakfast for Jackie. She greets him warmly and learns he is making pancakes with a strawberry raspberry compote. Jackie is so impressed by the initiative and the effort and says excitedly, "Wow, I feel like I'm in a restaurant!" and thanks him with a kiss. "I'm so blessed," she says to him. "You are," he responds.
Jackie reveals to the camera that she has never been loved like this or experienced anything like this before. And that explains a lot of the self-sabotage vibes I got from the previous episodes. She's never been treated like this before, so she might be combatting feelings of unworthiness and doing that thing where we fuck up things that we know are good for us because somehow we've convinced ourselves we don't deserve it. Self-sabotage is a mf.
I see glimpses of the self-sabotage threaten to reemerge in episode 7, where Jackie seems very anxious about something. It is revealed that the couple is talking about meeting his family plus her family's lack of support and that Jackie is stressed out because "it is a lot." Jackie wants Marshall to give her some space to get herself together, and Marshall agrees to take a walk to give her some time. He tells the camera that Jackie has a tendency to ruminate and stay in moods for a long time but that he is able to give her the space she needs to sort through her own feelings. "I can do that for her," he explains.
Jackie eventually opens up to Marshall about her emotions and feeling like she has to make a hefty decision at the end of this experiment that will not only impact her but her relationship with her family since they are not in full support of her and Marshall. She doesn't want to hurt her family, but she also doesn't want to hurt herself in the process. Her anxiety is getting the better of her and as a result, she doesn't feel like she is at her best to meet his family.
Great news, Jackie does decide to meet his family that day despite the emotional tailspin she was in. Marshall's sister and brother-in-law come through with his niece. And the vibe completely shifts from tears to all smiles. "I need to know everything from the beginning," his sister announces as they eat together. Marshall lets his sister know how much of an impact Jackie has made on him as a creative, as a man, and as a person, and breaks down how they bonded.
Marshall's brother-in-law notes that he feels a positive shift in his aura. Jackie speaks her piece about her connection with Marshall and how he's taught her to be more grown. "Marriage is biblical. That's serious. I need to make sure I'm the best version of me before I say yeah," Jackie admits to Marshall's family. I love that Jackie said that because it emphasized her values around the commitment of marriage.
Courtesy of Netflix
I still don't see it for these two. The pieces are there, but there's something missing. They kind of remind me of another couple on the show that I don't talk much about, Paul and Micah, in these recaps. Like they're trying to get pieces to fit, but somehow, it doesn't feel organic. I don't doubt that love is there, but I do doubt this couple and that couple's staying power, especially in terms of having very real sources of conflict but being reluctant to adequately talk through the issues before they build up to be more.
Jackie is downplaying the importance of her family's support or lack thereof and can also just overall feel like a walking red flag. Micah is downplaying the fact that she wants to be able to go back and forth to her place in Arizona, and Paul isn't having any of it. Whereas I feel like Marshall has enough flexibility for a relationship with Jackie to go the distance, I do wonder if it is indeed what Jackie needs. Despite constantly reassuring the viewers and herself, how does she really feel?
In episode 8, the relationship between Marshall and Jackie officially begins to unravel. I didn't think that my concerns about them would be validated, but one argument proved to be a turning point in their relationship and would eventually lead to a point of no return. Marshall tells the camera that the relationship is looking pretty "bleak" with Jackie and that during a conversation they had while the cameras weren't rolling, Jackie told Marshall he needed to "boss up." Now, I know that's one of Jackie's favorite phrases, so I could see her saying that.
Marshall didn't take that phrase very well and heard in her choice of words that he was not "man enough." I don't know if that's what she meant, but that's what he received from her communication, which is perhaps what matters. He apparently left her to stop himself from going off and the conversation from getting too heated. When he enters the house after being gone for 2-3 days (the timeframe isn't clear), Jackie is visibly upset as she is packing.
Marshall passively aggressively questions if she's packing her stuff and why. "I'm not about to play these games with you," she says dismissively as she brushes past him. She reveals that she is upset because she wanted to be able to talk to him in his heated moment, but instead, he leaves. His leaving was a problem for her. She clarified to him that she never said he wasn't man enough for her; she requested that he be more aggressive. "We don't have sex," she says before adding, "Do something."
Courtesy of Netflix
Marshall counters, "It's always what you feel and how you think." Resentment. I knew it was hard having a savior complex, but he was the one who decided to take on that role. You can't be mad at the precedent you set in a dynamic. The argument that follows is so unproductive. I was shook when Marshall did a clap during the back and forth and said he was "testing" her. It's unfortunate that a miscommunication uncovered all of this with threats for both parties to leave the relationship.
Eventually, Marshall speaks his piece about putting in all the work to be the initiator of their physical intimacy, which contradicts Jackie's complaints about him not being aggressive sexually. "You have done nothing to make me feel seduced or special or anything," he tells her. "Make me feel like something, Jackie."
Jackie, of course, then asks something to the effect of why are you with me if I do nothing for you. And Marshall drops the mic when he answers very coldly, might I add, "Because I see you as a project, and I saw potential." PROJECT?!?! PROJECT?!?! I don't like Jackie like that, but I felt for her in that moment because to hear that from someone who, in the same breath, claims to love you has got to be heartbreaking.
And then he repeats the "project" talk a couple more times as if he can't see how hurtful being on the receiving end of a statement like that is. He brings it back eventually by saying it was the emotions talking and that he doesn't see her as a "project"; he sees her as having "limitless potential." It's too late, my g. For me, at least, because Jackie ends up embracing him tearfully after that back peddle. Do I think some things get said in heated situations that aren't always indicative of reality? Absolutely. But I also think sometimes truths come out when the filter and facade come down.
Courtesy of Netflix
With Marshall, I always wondered why he felt like he had to "save" Jackie. It turns out I got that wrong. Seeing her as a project might point to the fact that he wants to "fix" her. Jackie isn't perfect. None of us are. But it's interesting how he went from a nice guy lover boy to a puppeteer who thinks he can direct how someone is by his involvement in their lives. If someone grows from being in a relationship with you, beautiful, but it's not up to you to dictate how that comes to be. More importantly, you shouldn't look at your partner from a lens of, "If this change this, then..."
And even though I don't think he maliciously went into their romance with that at the forefront of his mind, some of what was exposed in that argument spoke volumes for how he views them. I don't care what reconciliation goes down between this couple. I stand firmly in my belief that they don't need to be together. Not right now. They both have work to do. Marshall needs to figure out why he sees partners as projects and the unhealthy cycle of that, and Jackie needs to be more ready to say "I do" ideally to a partner that she likes a little more versus tolerating them because they're "a good man."
Just in case things weren't messy enough, in true LIB fashion, an obligatory get-together happens later in episode 8 for Chelsea's birthday with couples as well as a few contestants who didn't make it out of the Pods, like Josh. Marshall arrives at Chelsea's birthday alone and says he doesn't know where he and Jackie stand.
Courtesy of Netflix
He later confides with Brett that Jackie wants him to be aggressive in the bedroom, which looks like slapping her around, and that's not him. My eyes were just widening in his conversation with Brett because that's not what I got from their argument, but perhaps they had a sidebar that was too hot for TV, and that's what sis meant by "boss up" and being "aggressive." Interesting.
He also relays to Brett that Jackie tells him she "fucks with him tough" but has never said she loves him. Wow. Just wow. It's two weeks away from the wedding, and this is the type of BS this couple is navigating. Despite what they have been going through, Jackie does show up to Chelsea's birthday party. And the messiness continues.
Josh is there. If you can remember from previous episodes, Josh was one of Jackie's connections that she had Marshall tell to step. She finally gets to put a face behind the name and voice. And Josh seems dead set on making it known how he felt about Jackie, that he was in love with her, etc. Just to warn y'all, Josh also gives cringe, but somehow I see somewhat of a vibe when he is standing next to Jackie and getting her to smile with his antics.
Surely enough, Josh steps to Marshall in a drunken and passive-aggressive manner to talk to him about loving the same woman, Jackie. He refers to himself as "Mr. Steal Yo Girl," and Marshall replies half-jokingly, "If you of all people can steal her from me, you can have her." It's honestly hard to read the conversation, and even Marshall seems confused after Josh leaves him alone.
Courtesy of Netflix
Josh's liquid courage leads him to a sidebar one-on-one conversation with Jackie. Josh then takes sabotage to new heights in this series by throwing Marshall under the bus to Jackie, first calling him "NBA Cryboy" and then revealing that Marshall cried with everyone he spoke to. The Micah-Kwame poolside conversation crawled so this one between Josh and Jackie could walk. Jackie seems to really be invested in what he was saying, which is interesting because I didn't think she'd fall for it, but it seems like she might be.
She even mentions not talking about emotions with him in the Pods, which suggests to me that that might have been a reason she chose Marshall over him. Marshall wore his heart on his sleeves, while it seems Jackie might not have been sure if Josh was serious or not despite the way they vibed. "We had a connection, but you never was, like, super deep with me, super open," she explains. Daaaaaamn. All this playing in people's faces this season, I tell you.
Once Marshall becomes privy to this conversation (if he ever does), I'm sure it won't be good.
New episodes of Love Is Blind are now streaming on Netflix.
Featured image courtesy of Netflix
On set inside of a mid-city Los Angeles studio, it’s all eyes on Chlöe. She slightly shifts her body against a dark backdrop amidst camera clicks and whirs, giving a seductive pout here, and piercing eye contact there. Her chocolate locs are adorned with a few jewels that she requested to spice up the look, and on her shoulders rests a jeweled piece that she asked to be turned around to better showcase her neck (“I feel a bit old,” she said of the original direction). Her shapely figure is tucked into a strapless bodysuit with a deep v-neck that complements her décolletage.
Though subtle, her quiet wardrobe directives give the air of a woman who’s been here before, and certainly knows what she’s doing. At 24 years young, she’s a “Bossy” chick in training— one who’s politely unapologetic and learning the power of her own voice.
“I'm hesitant sometimes to truly speak my mind and speak up for myself and what I believe,” she later confessed to me a couple of weeks after the photoshoot. “It's always scary for me, but now I'm realizing that I have to, in order to gain respect as a Black woman— a young Black woman— who's still navigating who she is. And you know, I'm realizing that closed mouths don't get fed. And if I keep my mouth shut just because I'm afraid of what people's opinions of me will be or turn into, then that's not any way to live.”
For Chlöe, the journey into womanhood is about embracing who she is, without succumbing to the perceptions of what others think of her. From the waist up she’s everything you’d imagine. A gorgeous goddess with the kind of sex appeal that some work hard to embrace but fail to exude. But unbeknownst to anyone not on set, her bottom half is covered by a white robe, surprising coming from the girl who boasts “'Cause my booty so big, Lord, have mercy” on her first hit single “Have Mercy.”
But that’s the beauty of Chlöe. There’s more to her than meets the eye. More than what a few sensual photos sprinkled throughout an Instagram feed could ever tell you. Just like the photo-framing illusion of her portrayed from the waist up, what we know about the songstress is just the tip of the iceberg. There’s so much more beneath the surface.
Some hours later Chlöe leans back in a high chair as her locs are transformed from a formal updo to a seemingly Basquiat-inspired one. It’s pure art, and at her request, no wigs are a part of the day’s ensemble. She’s fully embracing her natural hair, a decision that wasn’t always a socially accepted one.
In the suburbs of Atlanta, Georgia, (Mableton, to be exact) Chlöe began to explore the foundation of her self-image. At an early age she and her younger sister, Halle, demonstrated a vocal prowess and knack for being in front of the camera that caught their parents’ attention. Soon after, they were sent on a parade of local talent shows and auditions, and eventually broke into the digital space with song covers on YouTube.
It was during these early years that Chlöe first learned that the entertainment industry could be unforgiving to those who didn’t fit a particular beauty standard. Despite the then three-year-old snagging a role as the younger version of Beyoncé’s character, Lilly, in Fighting Temptations, casting agents requested that her natural locs be exchanged for more Eurocentric tresses. Ironic, considering that growing up Chlöe saw her hair as no different than that of her peers. “I remember specifically in pre-K we had to do self-portraits and I drew myself with a regular straight ponytail, like how I would put my locs in a ponytail,” she says. “I just never saw myself any different.”
Chlöe would also learn the true meaning of a phrase that would later become an affirmation posted on her bedroom mirror: “Don’t Let the World Dim Your Light.” After attempting to wear wigs to fit in, the Bailey sisters instead chose to rock their locs with pride, which undoubtedly cost them casting roles. Yet they would have the last laugh when making headlines as the “Teen Dreadlocked Duo” who landed a million-dollar contract with Parkwood Entertainment, and the coveted opportunity to be groomed under the tutelage of a world-renowned superstar.
Credit: Derek Blanks
While that could be the end of a beautiful fairytale of self-empowerment, the reality is that it’s just the beginning of the story of her evolution. For most girls, the transition into womanhood takes place in the comfort of their own worlds, often limited to the number of people they allow to have access to them. But for Chlöe, it’s happening in front of millions of critiquing eyes just waiting for an opportunity to either uplift or dissect her through unwarranted commentary.
Many in her position wouldn’t be able to take that kind of pressure. But Chlöe is handling it with grace. “I feel like all of us as humans, we have the right to interpret things how we want,” she says. “I put art out into the world and it's up for interpretation. I'm learning that not everyone is going to always like me and that it's okay.”
Chlöe isn’t the first artist to receive criticism for her carnal content, and she certainly won’t be the last. In 2010, Ciara writhed and rode her way to banishment on BET when the then 24-year-old released her video for “Ride.” In 2006, 25-year-old Beyoncé received backlash for “Déjà Vu."
"I put art out into the world and it's up for interpretation. I'm learning that not everyone is going to always like me and that it's okay.”
So much so that over 5,000 fans signed an online petition demanding that her label re-shoot the video because it was “too sexual.” Even 27-year-old Janet didn’t escape critical headlines when she shed her image of innocence for a more risqué appearance with the 1993 release of janet.
It’s almost as if public reproach is a rite of passage for young Black women R&B singers on the road to stardom. Good girls seemingly “go bad” whenever they embrace the depths of their femininity, and fans only like you on top figuratively. But Chlöe has learned not to bow down to other people’s opinions, but to boss up and control the narrative. As the saying goes, well-behaved women seldom make history. If sex appeal is her weapon, she wields it well.
On set, Chlöe exudes the energy of Aphrodite in an apple red, off-shoulder dress with a sexy high split. In between shots, she mouths the lyrics to Yebba’s “Boomerang” as it echoes throughout the space in steady repetition at my recommendation. The hour grows late, yet Chlöe is heating things up as eyes stare in deep mesmerization of the girl on fire.
Credit: Derek Blanks
Through music, she explores the depths of her being, a journey that seems to be, at its foundation, rooted in self-discovery. Whereas their debut album The Kids Are Alright (2018) boasts a young Chloe x Halle empowering their generation to embrace who they are while finding their place in the world, their second album Ungodly Hour (2020) shows the Bailey sisters shedding the veil of innocence for a more unapologetic bravado.
What fans looked forward to seeing is who Chlöe shows herself to be on her debut solo album In Pieces. In an interview with PEOPLE, she confesses that releasing her first project without her sister was “scary.” "It was a moment of self-doubt where I was like, 'Can I do this without my sister?’”
Chlöe has never been shy about sharing her insecurities or her vulnerabilities, all of which are laced throughout the 14-track album. “I want people to have fun when they listen to it and to just realize that they're not alone and it's okay to be vulnerable and raw and open because none of us are perfect; we're all far from it. And I think it's healing when we all admit to that instead of putting up a facade.”
The gift of time has given the self-professed “big lover girl” more encounters with romance and heartbreak. Love songs once sung for their beautiful riffs and melodies become more than just abstract lyrics and are replaced by real-life experiences, which she tells me is definitely in the music.
In her single “Pray It Away,” for example, she contemplates going to God for healing instead of going at her ex-lover for revenge for his infidelities. “With anything dealing with art, I am completely vulnerable,” she says. “I'm completely myself, I'm completely open and transparent. So it's pretty much all of me and who I am right now.”
Has Chlöe been in love? That still remains to be said. Of course, she’s been linked to a few potential baes, but dating in the digital age isn’t as easy as a double tap or drop of a heart-eyes emoji. It requires a level of trust and vulnerability that’s hard to earn, and easy to mishandle. To let her guard down means to potentially set herself up for disappointment. “It’s difficult dating right now, honestly, because you really have to kind of keep your guard up and pay attention to who's really there for you. And you know, I'm such an affectionate person and I love hard.
"So when I meet the one person that I really, really am into, it's hard for me to see any others and I get attached pretty easily. And you know, I don't know, it's…it's a scary thing.”
Credit: Derek Blanks
“With anything dealing with art, I am completely vulnerable. I'm completely myself, I'm completely open and transparent. So it's pretty much all of me and who I am right now.”
While broken hearts yield good music (queue Adele), what’s in Chlöe’s prayer is the desire to be happy. What does that look like? Well, she’s still figuring that out herself. “Honestly, I'm the type of person who I don't truly learn unless I experience it. So it's like I can view and watch my parents and watch the loving relationships that I see in my life and be like, ‘Oh, I want that. I would love to have that.’ But then I also have to experience [love] on my own and see what my flaws or my faults might be or see what my good things about myself are. I feel like it's really all about self-reflection. And even though our base is our family and that's our foundation, we are still our own individuals and we have to find out specifically the things about ourselves that may be different from what we saw from our parents when we were growing up.”
Her ideal beau, she tells me, is someone she can feel safe to be her fun, goofy self with, but who also gives her the space to be the boss chick chasing her dreams. A man who understands that just because the world compliments her doesn’t mean she doesn’t want to hear those words from his lips or feel it in his touch. A bonus if he shows up on set after a long hard day of work with vegan cinnamon rolls. You know, the basic necessities. “I like whoever I'm with to constantly tell me they love me and that I look beautiful because I do the same. I am a very mushy person, and if I see something or you look good, I will never shy away from saying it out loud. And I want whoever I'm with to do the same, be very vocal. Tell me that you love me. Tell me what you love about me because I'm doing the same for you because that's just the person I am.”
Until she meets her match she’s married to the game, and for now, that seems to be perfect matrimony.
Credit: Derek Blanks
On stage at the 2021 American Music Awards, Chlöe solidified her position as a force to be reckoned with. It was a full-circle moment. In 2012, bright-eyed and baby-faced Chloe and Halle would walk onto the set of The Ellen Degeneres Show and blow the audience away as they bellowed out their future mentor’s song. Ellen would present the sisters with tickets to attend the AMAs, assuring them that they would be back and had a promising future. Nine years later, Chlöe descends from the sky cloaked in a snow-white cape and matching midriff-baring bodysuit for her debut performance. It’s the first time she’s graced the stage of the very award show that she was once an audience member of.
As she shakes and shimmies and boom kack kacks out her eight counts, it’s clear that she’s in her element. Just like her VMA performance a couple of months prior, and the many more stages she’ll continue to grace, she brings an energy that has earned her comparisons to the beloved Queen Bey herself. An honorable statement, considering few R&B songstresses are getting accolades for their entertainment capabilities. It’s on these very stages, in front of hundreds of astonished eyes and millions more glued to their televisions at home, that she tells me she feels most sexy. Powerful, even.
But off stage, it’s a different story.
It’s more than just the commentary about her image and media-flamed rumors that get to her. Mentally, she’s in competition with herself. The desire to be the best burns at the back of her mind with every performance, every production, and every time she steps into the booth. Before, she could share the weight of this burden with her sister. Being a part of a duo meant she could turn to Halle for quiet confirmation and encouragement without a word being exchanged. But lately stepping on the stage means stepping out on her own. And despite being a breathtaking, five-time Grammy-nominated star, Chlöe doesn’t escape the reality that sometimes we can be our own worst critics.
Over the last year, she’s been coming to terms with who she is on her own while overcoming the fear of failing to become who she’s destined to be. While the world waits to see how Chlöe wins, the real triumph is in every day that she chooses herself and continues to walk in her purpose. “I don't really have anything all figured out, honestly. But what I try to do, a lot of prayer. I talk to God more and I just try to do things that calm my mind down and just breathe.”
To whom much is given, much will be required. She’s been chosen to walk this path for a reason. Once she fully embraces that everything she’s meant to be is already inside of her, she’ll be an unstoppable force. “My grandma, Elizabeth, she just passed away and my middle name is her [first] name. So I feel like I truly have a responsibility to live up to her legacy that she's left on this earth. I hope I can do that.”
There’s no doubt that she will. With a role in The Fighting Temptations at three years old, a million-dollar record deal, a main role on five seasons of Grown-ish, five Grammy nominations, a number one solo record in Urban and Rhythmic Radio, a debut solo album, and starring roles in recently released movies Praise Thisand Swarm (just to name a few), Chlöe’s certainly already made her mark, and she’s just getting started.
Photographer & Creative Director: Derek Blanks
Executive Producer: Necole Kane
Co-Executive Producer: EJ Jamele
Producer: Erica Turnbull
Digitech: Chris Keller
DP: Alex Nikishin
Gaffer: Simeon Mihaylov
Photo Assistant: Chris Paschal
2nd Photo Assistant: Tyler Umprey
Features Editor: Kiah McBride
Special Projects: Tyeal Howell
Hair: Malcolm Marquez
Makeup: Yolonda Frederick
Fashion Styling: Ashley Sean Thomas
For More: Cover Story: Issa Rae Comes Full Circle
A Taurus and a Scorpio are meant for each other. These are two people who find a lot of support, companionship, and loyalty within a relationship together, and they have a lot in common when it comes to love. Taurus and Scorpio are like two peas in a pod. They communicate effectively with one another and value each other’s perspectives without pushing too hard. This is a match that is one of the best for both of these signs.
Diving further into the compatibility between these two, Taurus and Scorpio are sister signs, meaning they are opposite on the Zodiac Wheel. This type of synergy between signs is either a recipe for disaster or success. Being with someone opposite to yourself is good when it comes to two becoming one and feeling a sense of wholeness within a relationship. However, some people find that differences are too wide within this type of relationship, and the energy is too chaotic for them. This is the dilemma the Taurus and Scorpio in a romantic relationship brings, and some are short flings, while others are end-game.
What attracts a Taurus and a Scorpio to each other?
Taurus and Scorpio come together like two missing pieces of the puzzle. They complement each other well and have a special type of relationship. Taurus finds Scorpio’s mysterious nature intriguing, and Scorpio feels safe in the presence of Taurus. The Scorpio is often the initiator in this type of connection, and the Taurus loves to be wooed. Taurus is very compassionate, and this is the type of energy Scorpio looks for in a partner. Scorpio is very dedicated, and this is what Taurus values in all of their relationships. They both want someone who is all in, and they find that in one another.
What is the relationship like between a Taurus and a Scorpio?
The relationship between a Taurus and a Scorpio is unwavering loyalty, friendship, and love. Once they commit to each other, these are the type of people to stay together through it all. These are people who grow together and who form a strong bond together. They are very supportive of one another, and this type of support is what is the basis of a relationship between a Taurus and a Scorpio.
They are both fixed signs, and when it comes to love and fixed signs, they don’t give up on their relationships easily and are fiercely loyal to their partners. The two together have the potential to build a beautiful life together, with Taurus providing stability, and Scorpio, passion. These two are the type of people who can spend a lot of time together without getting annoyed or tired of one another.
What is the sex like between a Taurus and a Scorpio?
The sexual chemistry between a Taurus and a Scorpio man is one of the best for both of them. Both are aligned with sex in Astrology as Taurus is ruled by Venus, and Scorpio, Mars, two planets that have to do with sensuality, romance, love, passion, and sex. This is one of the best matches in Astrology when it comes to sexual compatibility, and these two as a couple should have no problem in this department.
Being that Taurus is ruled by feminine Venus and Scorpio, masculine Mars, these two are like the divine feminine and masculine coming together and creating magic. The sexual aspect of any relationship is very important to them both, so having a partner who feels the same way about these things and is on the same level as them is beneficial for them both and helps them feel safe to connect. Physical affection is this couple’s love language.
What makes a relationship between a Taurus and a Scorpio work?
What makes the relationship between the Taurus and Scorpio work is their underlying respect and understanding of one another. These two want similar things in a relationship, and they are both people who love hard. The connection between these two can go through some ups and downs, but their love and admiration for each other rarely go dry. This is a couple you are more likely to see together rather than apart, and you tend to see more Taurus/Scorpio duos than almost any other duo in Astrology. These are two people who complement each other well and have all the tools to make things work.
What may cause a Taurus and a Scorpio to break up?
Issues may arise with this partnership when it comes to each other's daily energy and motivations. Scorpio is an intense water sign and earth sign Taurus doesn't like to be rushed or controlled in any way. These two can have a hard time finding the balance between each other and must understand that what may be good for one of them may not be good for the other. Taurus is an earth sign and is all about logic. Scorpio is a water sign and is all about emotion. It can be hard to get on the same page if they aren't both willing. Also, when the two of these signs are upset about something, things can get intense.
These aren't two people that are quick to compromise and find a middle ground, which is sometimes needed in a relationship, and their arguments can last longer than most. Owning their part in any disagreements or arguments is necessary and will help keep them thinking objectively and not in attack mode with each other. Co-dependency may also be a challenge in a relationship between a Taurus and Scorpio, as they both tend to put their all into a relationship and lose a sense of self in the process.
Taurus and Scorpios compatibility is one for the books. This is one of the best duos in Astrology, and the relationship between the two is dedicated, passionate, and committed love. These aren’t the type of people to give up on love or their person easily, and this sense of commitment to one another is inspiring. They are willing to work through things together, and if they are both in a healthy space in life, this could be a relationship that is forever.
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