From Assistant To Teen Vogue's New EIC, Lindsay Peoples Wagner Is #BlackGirlMagic Goals
What is #BlackGirlMagic exactly? Well, you just might find Lindsay Peoples Wagner's photo next to the definition. The world wide web describes Black Girl Magic as a concept and movement popularized by CaShawn Thompson in 2013. It was designed to "celebrate the beauty, power and resilience of Black women", as described by Julee Wilson from the Huffington Post – essentially it is all about congratulating Black women on their accomplishments.
So, of course, when I heard that Lindsay Peoples Wagner, former Fashion Market Editor at The Cut, was named the new Editor-In-Chief at Teen Vogue, I just had to learn more about this young mogul. In many realms, she is known for using her voice to change the beauty and fashion world. From her countless interviews on the truth of being Black and working in fashion to her keeping it more than 100 when calling out photographers and platforms for making thin white women the nucleus of street style, Lindsay simply says what we are all thinking but can't always find the words to say.
When we asked her what it means to be a Black woman navigating through a predominantly white space, she countered confidently, "For me, I think it means just being my unapologetic self."
In this exclusive interview with xoNecole, Lindsay talks about her goals as EIC at Teen Vogue, what self-care looks like for her, and how she has consistently created space for her redefined lens of beauty and fashion.
xoNecole: You started in the fashion closet of Teen Vogue years ago. Did you ever in a million years think you would be the Editor-In-Chief of a giant glossy brand like Teen Vogue?
Lindsay Peoples Wagner: No, honestly I never thought it would happen but I'm so grateful that I am! I am really passionate about what I do, and I'm looking forward to using this platform to further conversations on inclusivity, diversity, and the future of fashion.
What are three things you believe are a part of the recipe for success?
Hard work, decisiveness, and a hunger for excellence in anything you do.
Fashion icon Anna Wintour said you are a gifted talent who can equally inspire and challenge audiences. How did this make you feel?
I felt incredibly honored, and just eager to do the work.
What does self-care look like for Lindsay?
On the weekends, I'm usually very quiet on social media because I just need to not be scrolling so much. I like go to museums, read the paper, draw out random ideas, and catch up with my family back home in Wisconsin.
You are widely known for creating space in relation to fashion and beauty but you aren't afraid to take it on through the lens of culture, race, and politics. How did you come to be interested in these large topics?
I was always interested in fashion and beauty, but I think as a Black woman it just took time for me to really develop the lens in which I talk about those things. I've had a lot of conversations with mentors over the past couple years about who I want to be when I 'grow up', and I realized there were bits and pieces of a lot of different people and career paths that I wanted to mold into one, even if it didn't exist already.
What are some of your goals in your new role as EIC?
Teen Vogue has really built up a space in the community to talk about relevant issues in politics and culture, so I'm excited to continue to do that and just elevate the content even higher.
There's a new narrative that "Fashion is changing," do you believe this? Please explain.
I think it's possible for any industry to change--as long as those who have a seat at the table are using it to push the culture forward.
Can you share some challenges you have faced on your journey? What got you through those moments?
It's no secret that a lot of people in creative industries come from privileged backgrounds--whether it be economic or just having connections to get a job, it really does change the trajectory of your career. Fashion doesn't have a timeline--it's not like going to medical school and being broke for a while but once you leave and start working, you start making a lot of money, so it doesn't matter that you've accumulated a lot of student loan and credit card debt. So while I was working at Teen Vogue as an assistant, I also changed mannequins at DKNY after work, and I worked the brunch shift on the weekends at a Jewish restaurant to make ends meet. And even after that job, I always had multiple freelance jobs on the side, which was incredibly challenging to juggle but it was worth it.
"It's possible for any industry to change--as long as those who have a seat at the table are using it to push the culture forward."
What advice would you give to young women vying for a seat at the table or looking to land a similar position?
Stay true to who you are and push yourself to do the work. A lot of people have great ideas, but few put in the time and effort to make them come to life.
Keep up with Lindsay by giving her a follow on Instagram.
I don't know about you but I can't wait to see how this gem continues to change the world. With her responsibilities of overseeing content in forms of video, digital, social plus events including the Teen Vogue Summit, we are in for something spectacular.
Especially the 2018 Teen Vogue Summit, which took place in Los Angeles on November 30 and December 1. The new Teen Vogue EIC will be there leading several sessions. The lineup included heavyweights like Serena Williams, Cara Delevingne, Storm Reid, Eva Longoria, Ibtihaj Muhammad, Terry Crews, Kiersey Clemons, Arlan Hamilton, Noor Tagouri, among others.
Lindsay Peoples Wagner, thank you for your light. We are all rooting for you.
Featured image by lev radin / Shutterstock.com
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Joce Blake is a womanist who loves fashion, Beyonce and Hot Cheetos. The sophistiratchet enthusiast is based in Brooklyn, NY but has southern belle roots as she was born and raised in Memphis, TN. Keep up with her on Instagram @joce_blake and on Twitter @SaraJessicaBee.
This Black Woman-Owned Creative Agency Shows Us The Art Of Rebranding
Rebranding is an intricate process and very important to the success of businesses that want to change. However, before a business owner makes this decision, they should determine whether it's a rebrand or an evolution.
That's where people like Lola Adewuya come in. Lola is the founder and CEO of The Brand Doula, a brand development studio with a multidisciplinary approach to branding, social media, marketing, and design.
While an evolution is a natural progression that happens as businesses grow, a rebrand is a total change. Lola tells xoNecole, "A total rebrand is necessary when a business’s current reputation/what it’s known for is at odds with the business’s vision or direction.
"For example, if you’ve fundamentally changed what your product is and does, it’s likely that your brand is out of alignment with the business. Or, if you find your company is developing a reputation that doesn’t serve it, it might be time to pump the brakes and figure out what needs to change.
She continues, "Sometimes you’ll see companies (especially startups) announce a name change that comes with updated messaging, visuals, etc. That usually means their vision has changed or expanded, and their previous branding was too narrow/couldn’t encompass everything they planned to do."
Feature image courtesy
The Brand Doula was born in 2019, and its focus is on putting "the experiences, goals, and needs of women of color founders first," as well as brands with "culture-shifting missions."
According to Lola, culture-shifting is "the act of influencing dominant behavior, beliefs, or experiences in a community or group (ideally, for the better)."
"At The Brand Doula, we work with companies and leaders that set out to challenge the status quo in their industries and communities. They’re here to make an impact that sends ripples across the market," she says.
"We help the problem solvers of the world — the ones who aren't satisfied with 'this is how it's always been' and instead ask 'how could this be better?' Our clients build for impact, reimagining tools, systems, and ways of living to move cultures forward."
The Brand Doula has worked with many brands, including Too Collective, to assist with their collaboration with Selena Gomez's Rare Beauty and Balanced Black Girl for a "refresh," aka rebrand. For businesses looking to rebrand, Lola shares four essential steps.
1. Do an audit of your current brand experience — what’s still relevant and what needs to change? Reflect on why you’re doing the rebrand in the first place and what success would look like after relaunching.
2. Tackle the overall strategy first — before you start redesigning logos and websites, align on a new vision for your brand. How do you want your company to be positioned moving forward? Has your audience changed at all? Will your company have a fresh personality and voice?
3. Bring your audience along the journey — there’s no need to move in secret. Inviting your current audience into the journey can actually help them feel more connected to and invested in your story, enough to stick around as changes are being made.
4. Keep business moving — one of my biggest pet peeves is when companies take down their websites as soon as they have the idea to rebrand, then have a Coming Soon page up for months! You lose a lot of momentum and interest by doing that. If you’re still in business and generating income, continue to operate while you work on your rebrand behind the scenes. You don’t want to cut existing customers off out of the blue, and you also don’t want so much downtime that folks forget your business exists or start looking for other solutions.
While determining whether the rebrand was successful may take a few months, Lola says a clear sign that it is unsuccessful is negative feedback from your target audience. "Customers are typically more vocal about what they don’t like more than what they do like," she says.
But some good signs to look out for are improvements in engagement with your marketing, positive reviews, press and increase in retention, and overall feeling aligned with the new branding.
For more information about Lola and The Brand Doula, visit her website, thebranddoula.com.
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'Power Book II: Ghost' Star LaToya Tonodeo Doesn't Think Her Character's Mom Is A Toxic Parent
The Power Book II: Ghost finale episodes resumed on Friday, Sept 6, and the Tejadas appear to be in deep trouble. Spoiler alert: Diana Tejada, played by LaToya Tonodeo, is pregnant with Tariq St. Patrick's (Michael Rainey Jr.) baby while simultaneously dealing with her family's new arrangement with dirty cop Don Carter (Michael Ealy).
Diana doesn't want her child near the drug game, but due to her family and her child's father's active roles in that lifestyle, she may not have a choice. In a xoNecole exclusive, LaToya opens up about the reality of Diana's options.
"My advice would be like, girl, you better pray about it and make the best decision. But in actuality, like looking at the circumstances, I don't necessarily think it's best for her right now to leave her support system," she admits.
"She needs all the support she can get. It just doesn't make sense. You're saying you don't want Tariq to be a part of the life, but that's clearly what he is doing in his path. And then you're a Tejada, your family is a part of that life. And then you're in school. How are you going to support yourself and a child off the candy store like it's not going to work.
She continues, "So you need to keep, in my opinion, I would say, keep the family as close as you can, because regardless of who they are and how they operate, it's definitely beneficial for her."
"So you need to keep, in my opinion, I would say, keep the family as close as you can, because regardless of who they are and how they operate, it's definitely beneficial for her."
If you watch Power Book II: Ghost, then you are familiar with the family dynamic between the Tejadas. The family's matriarch, Monét, played by R&B legend Mary J. Blige, groomed her kids to be gangsters and help her run their drug empire.
But her parenting has often caused a wedge between her kids Diana, Dru (Lovell Adams-Gray), and Cain (Woody McClain), especially after she killed their father. This led to Diana and Dru recruiting Tariq to kill Monét, but it was unsuccessful and now, Monét is now trying to repair her relationship with her kids.
While Monét ticks off many of the boxes of what a toxic parent may look like, LaToya has another point of view. "I feel like even though, on the outside, it could look like she's a toxic parent, I believe that we try to show that there's still elements of love there, and there are moments where Diana, for the sake of family, still will forgive all the things that, like if she feels blamed for certain things," she explains.
"Like the time, I think it was last season or season three, when Monét actually went into Diana's dorm room and apologized and all the things-- she's okay with it, because Diana really wants family."
She continues, "And at the end of the day, Diana wants her mother to see her. So it might sound toxic to say that I don't believe she's fully toxic, but Diana is okay with giving chances, and maybe that's to her detriment, but she's okay with giving chances, and the growth between them is a push and pull, but Diana needs it."
Watch the full interview below:
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Feature image by Jared Siskin/Getty Images for STARZ