Like many of you, I grew up watching The Cosby Show and was always in complete awe of Clarie Huxtable. To me, Claire Huxtable was that beautiful, highly intelligent, super badass mom and wife that I dreamt to one day be. Not only was she a true boss in her professional life (remember, she was a PARTNER at her law firm), but she also held it down in the house for her five kids and husband and looked like she had it all. #boss
While I know that Claire Huxtable was a fictional character and that in real life, there's truly no such thing as always "having it all", there are some women that have managed to simultaneously successfully juggle the titles of "wife", "mother", and "boss" just like Auntie Claire did.
Recently, I was able to catch up with these successful working moms and wives and they shared how they manage to be the best wife and mother they can be, while also fulfilling their career dreams. Keep reading to learn more about their "happy life, happy wife" hacks!
Juggling Unrealistic Expectations
Courtesy of Jade Kendle
Jade Kendle, CEO & Founder of #LifeIsContent
"Being a woman in 2020 comes with so many expectations. I try to remind myself that there's no one to chase. There's no one chasing me. It's about me practicing excellence, not just when it's easy, but when it's hard."
Courtesy of Jade Kendle
"I'm always having to mitigate the expectations I put on myself, and others. I'm always trying to be my best, and sometimes that impacts me (and others) negatively. I put too much pressure on myself to be the best that it becomes stressful when there's no way I can ever be perfect at everything - no matter how hard I try!
"Being a woman in 2020 comes with so many expectations. I try to remind myself that there's no one to chase. There's no one chasing me. It's about me practicing excellence, not just when it's easy, but when it's hard. It looks like coming out of a frustrating moment and reflecting on how things could've had a better outcome and making a commitment to do better. Continuously evaluating and reconnecting to my ultimate why - helps me let go of that 'perfectionist' energy."
The Self-Care Struggle
Courtesy of Shakyna Bolden
Shakyna Bolden, Brand Partnerships at xoNecole & Founder of Little Village Collective
"Last year was incredibly tough for me because overnight I went from being a stay-at-home mom to starting a new venture. It was overwhelming and at times too much... That being said, I can't take another year of neglecting my body, mind and spirit while trying to build my family and career. So I started 2020 with the intention to prioritize my well-being."
Courtesy of Shakyna Bolden
"Currently, I'm struggling the most with self-care and consistently maintaining a sacred space/daily regimen that builds my mind, body and spirit so that I can perform better in all areas of my life from my work to my mothering and being a great partner. Last year was incredibly tough for me because overnight I went from being a stay-at-home mom (only working part-time) to starting a new venture. It was overwhelming and at times too much.
"To be honest, I gained all my post-baby weight back that I had worked so hard to lose, suffered from extreme exhaustion, fatigue, and burnout, faced role dynamics shift in my partnership and so much more. That being said, I can't take another year of neglecting my body, mind and spirit while trying to build my family and career. So I started 2020 with the intention to prioritize my well-being.
"I would say support is VITAL to juggling work and home. My partner unquestionably shares in household responsibilities on everything from taking care of our son to cooking. When I travel for work, he's on complete daddy duty and we have family and friends that truly support us as well. Lastly, I'm blessed to be able to work from home and have a flexible work schedule that helps me be fluid in my work and home. There's no secret at xoNecole that I'm a mom. A lot of times in the workplace moms have to sneak off or apologize for momming, but that's not the case with me."
Dealing With Guilt
Courtesy of Ashley N. Cash
Ashley N. Cash, Interview and Salary Negotiation Expert
"Sometimes I feel guilty for losing my patience, forgetting an important date, saying no to a birthday party, or getting frustrated with my husband. I overcome guilt by reminding myself that I am a human, I'm doing my best, and giving myself grace in those imperfect moments."
Courtesy of Ashley N. Cash
"Mommy guilt is a thing...there are days when I feel guilty about the moments where work pulls me away from my family. Sometimes I feel guilty for losing my patience, forgetting an important date, saying no to a birthday party, or getting frustrated with my husband. I overcome guilt by reminding myself that I am a human, I'm doing my best, and giving myself grace in those imperfect moments (so many imperfect moments, ha!).
"My other mommy guilt hack is using feeling guilty as a trigger to give myself a quick reminder of all the other things that I've done right and done well, which is really a hell of a lot (shoutout to my therapist for that one). Which is another mommy boss hack: Have an outlet or two to help you clear your head and get out of wife, mom, work mode. My outlets are scheduling alone time doing something I enjoy by myself and seeing my therapist once a month.
"I think I'm able to be a great wife, mom, and entrepreneur all at the same time because I'm good at aligning what I do with what's most important to me at home and in business, asking for what I need and saying no when I need to because I'm not afraid of missing out on anything. I'm positive that there's enough time, money, clients, and opportunities in the world and that I don't have to trade marriage and motherhood to have them. I think that's an abundance mindset with a little bit of grace mixed in."
Trying to Find Balance in an Unbalanced World
Courtesy of Mattie James
Mattie James, Entrepreneur & Influencer
"What I had to come to terms with is that balance looks different every day. Some days, I kill it as a mom and entrepreneur, but not so much as a wife. Other days, I'm the wife of the year, an amazing mom but my business was put on the backburner. And guess what? That's fine."
Courtesy of Mattie James
"What I had to come to terms with is that balance looks different every day. Some days, I kill it as a mom and entrepreneur, but not so much as a wife. Other days, I'm the wife of the year, an amazing mom but my business was put on the backburner. And guess what? That's fine, because there's always tomorrow and I'm not obligated to be everything to everybody at all times.
"What I do oblige myself with is self-care. Because when I take care of myself, I can be the fullest version of any of the roles in my life including wife, mother or entrepreneur. I'm not interested in being any of those things running on an empty tank. Self-care is what keeps me full. It helps me achieve balance."
Featured image courtesy of Shakyna Bolden
Originally published May 2, 2020
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On set inside of a mid-city Los Angeles studio, it’s all eyes on Chlöe. She slightly shifts her body against a dark backdrop amidst camera clicks and whirs, giving a seductive pout here, and piercing eye contact there. Her chocolate locs are adorned with a few jewels that she requested to spice up the look, and on her shoulders rests a jeweled piece that she asked to be turned around to better showcase her neck (“I feel a bit old,” she said of the original direction). Her shapely figure is tucked into a strapless bodysuit with a deep v-neck that complements her décolletage.
Though subtle, her quiet wardrobe directives give the air of a woman who’s been here before, and certainly knows what she’s doing. At 24 years young, she’s a “Bossy” chick in training— one who’s politely unapologetic and learning the power of her own voice.
“I'm hesitant sometimes to truly speak my mind and speak up for myself and what I believe,” she later confessed to me a couple of weeks after the photoshoot. “It's always scary for me, but now I'm realizing that I have to, in order to gain respect as a Black woman— a young Black woman— who's still navigating who she is. And you know, I'm realizing that closed mouths don't get fed. And if I keep my mouth shut just because I'm afraid of what people's opinions of me will be or turn into, then that's not any way to live.”
For Chlöe, the journey into womanhood is about embracing who she is, without succumbing to the perceptions of what others think of her. From the waist up she’s everything you’d imagine. A gorgeous goddess with the kind of sex appeal that some work hard to embrace but fail to exude. But unbeknownst to anyone not on set, her bottom half is covered by a white robe, surprising coming from the girl who boasts “'Cause my booty so big, Lord, have mercy” on her first hit single “Have Mercy.”
But that’s the beauty of Chlöe. There’s more to her than meets the eye. More than what a few sensual photos sprinkled throughout an Instagram feed could ever tell you. Just like the photo-framing illusion of her portrayed from the waist up, what we know about the songstress is just the tip of the iceberg. There’s so much more beneath the surface.
Some hours later Chlöe leans back in a high chair as her locs are transformed from a formal updo to a seemingly Basquiat-inspired one. It’s pure art, and at her request, no wigs are a part of the day’s ensemble. She’s fully embracing her natural hair, a decision that wasn’t always a socially accepted one.
In the suburbs of Atlanta, Georgia, (Mableton, to be exact) Chlöe began to explore the foundation of her self-image. At an early age she and her younger sister, Halle, demonstrated a vocal prowess and knack for being in front of the camera that caught their parents’ attention. Soon after, they were sent on a parade of local talent shows and auditions, and eventually broke into the digital space with song covers on YouTube.
It was during these early years that Chlöe first learned that the entertainment industry could be unforgiving to those who didn’t fit a particular beauty standard. Despite the then three-year-old snagging a role as the younger version of Beyoncé’s character, Lilly, in Fighting Temptations, casting agents requested that her natural locs be exchanged for more Eurocentric tresses. Ironic, considering that growing up Chlöe saw her hair as no different than that of her peers. “I remember specifically in pre-K we had to do self-portraits and I drew myself with a regular straight ponytail, like how I would put my locs in a ponytail,” she says. “I just never saw myself any different.”
Chlöe would also learn the true meaning of a phrase that would later become an affirmation posted on her bedroom mirror: “Don’t Let the World Dim Your Light.” After attempting to wear wigs to fit in, the Bailey sisters instead chose to rock their locs with pride, which undoubtedly cost them casting roles. Yet they would have the last laugh when making headlines as the “Teen Dreadlocked Duo” who landed a million-dollar contract with Parkwood Entertainment, and the coveted opportunity to be groomed under the tutelage of a world-renowned superstar.
Credit: Derek Blanks
While that could be the end of a beautiful fairytale of self-empowerment, the reality is that it’s just the beginning of the story of her evolution. For most girls, the transition into womanhood takes place in the comfort of their own worlds, often limited to the number of people they allow to have access to them. But for Chlöe, it’s happening in front of millions of critiquing eyes just waiting for an opportunity to either uplift or dissect her through unwarranted commentary.
Many in her position wouldn’t be able to take that kind of pressure. But Chlöe is handling it with grace. “I feel like all of us as humans, we have the right to interpret things how we want,” she says. “I put art out into the world and it's up for interpretation. I'm learning that not everyone is going to always like me and that it's okay.”
Chlöe isn’t the first artist to receive criticism for her carnal content, and she certainly won’t be the last. In 2010, Ciara writhed and rode her way to banishment on BET when the then 24-year-old released her video for “Ride.” In 2006, 25-year-old Beyoncé received backlash for “Déjà Vu."
"I put art out into the world and it's up for interpretation. I'm learning that not everyone is going to always like me and that it's okay.”
So much so that over 5,000 fans signed an online petition demanding that her label re-shoot the video because it was “too sexual.” Even 27-year-old Janet didn’t escape critical headlines when she shed her image of innocence for a more risqué appearance with the 1993 release of janet.
It’s almost as if public reproach is a rite of passage for young Black women R&B singers on the road to stardom. Good girls seemingly “go bad” whenever they embrace the depths of their femininity, and fans only like you on top figuratively. But Chlöe has learned not to bow down to other people’s opinions, but to boss up and control the narrative. As the saying goes, well-behaved women seldom make history. If sex appeal is her weapon, she wields it well.
On set, Chlöe exudes the energy of Aphrodite in an apple red, off-shoulder dress with a sexy high split. In between shots, she mouths the lyrics to Yebba’s “Boomerang” as it echoes throughout the space in steady repetition at my recommendation. The hour grows late, yet Chlöe is heating things up as eyes stare in deep mesmerization of the girl on fire.
Credit: Derek Blanks
Through music, she explores the depths of her being, a journey that seems to be, at its foundation, rooted in self-discovery. Whereas their debut album The Kids Are Alright (2018) boasts a young Chloe x Halle empowering their generation to embrace who they are while finding their place in the world, their second album Ungodly Hour (2020) shows the Bailey sisters shedding the veil of innocence for a more unapologetic bravado.
What fans looked forward to seeing is who Chlöe shows herself to be on her debut solo album In Pieces. In an interview with PEOPLE, she confesses that releasing her first project without her sister was “scary.” "It was a moment of self-doubt where I was like, 'Can I do this without my sister?’”
Chlöe has never been shy about sharing her insecurities or her vulnerabilities, all of which are laced throughout the 14-track album. “I want people to have fun when they listen to it and to just realize that they're not alone and it's okay to be vulnerable and raw and open because none of us are perfect; we're all far from it. And I think it's healing when we all admit to that instead of putting up a facade.”
The gift of time has given the self-professed “big lover girl” more encounters with romance and heartbreak. Love songs once sung for their beautiful riffs and melodies become more than just abstract lyrics and are replaced by real-life experiences, which she tells me is definitely in the music.
In her single “Pray It Away,” for example, she contemplates going to God for healing instead of going at her ex-lover for revenge for his infidelities. “With anything dealing with art, I am completely vulnerable,” she says. “I'm completely myself, I'm completely open and transparent. So it's pretty much all of me and who I am right now.”
Has Chlöe been in love? That still remains to be said. Of course, she’s been linked to a few potential baes, but dating in the digital age isn’t as easy as a double tap or drop of a heart-eyes emoji. It requires a level of trust and vulnerability that’s hard to earn, and easy to mishandle. To let her guard down means to potentially set herself up for disappointment. “It’s difficult dating right now, honestly, because you really have to kind of keep your guard up and pay attention to who's really there for you. And you know, I'm such an affectionate person and I love hard.
"So when I meet the one person that I really, really am into, it's hard for me to see any others and I get attached pretty easily. And you know, I don't know, it's…it's a scary thing.”
Credit: Derek Blanks
“With anything dealing with art, I am completely vulnerable. I'm completely myself, I'm completely open and transparent. So it's pretty much all of me and who I am right now.”
While broken hearts yield good music (queue Adele), what’s in Chlöe’s prayer is the desire to be happy. What does that look like? Well, she’s still figuring that out herself. “Honestly, I'm the type of person who I don't truly learn unless I experience it. So it's like I can view and watch my parents and watch the loving relationships that I see in my life and be like, ‘Oh, I want that. I would love to have that.’ But then I also have to experience [love] on my own and see what my flaws or my faults might be or see what my good things about myself are. I feel like it's really all about self-reflection. And even though our base is our family and that's our foundation, we are still our own individuals and we have to find out specifically the things about ourselves that may be different from what we saw from our parents when we were growing up.”
Her ideal beau, she tells me, is someone she can feel safe to be her fun, goofy self with, but who also gives her the space to be the boss chick chasing her dreams. A man who understands that just because the world compliments her doesn’t mean she doesn’t want to hear those words from his lips or feel it in his touch. A bonus if he shows up on set after a long hard day of work with vegan cinnamon rolls. You know, the basic necessities. “I like whoever I'm with to constantly tell me they love me and that I look beautiful because I do the same. I am a very mushy person, and if I see something or you look good, I will never shy away from saying it out loud. And I want whoever I'm with to do the same, be very vocal. Tell me that you love me. Tell me what you love about me because I'm doing the same for you because that's just the person I am.”
Noted.
Until she meets her match she’s married to the game, and for now, that seems to be perfect matrimony.
Credit: Derek Blanks
On stage at the 2021 American Music Awards, Chlöe solidified her position as a force to be reckoned with. It was a full-circle moment. In 2012, bright-eyed and baby-faced Chloe and Halle would walk onto the set of The Ellen Degeneres Show and blow the audience away as they bellowed out their future mentor’s song. Ellen would present the sisters with tickets to attend the AMAs, assuring them that they would be back and had a promising future. Nine years later, Chlöe descends from the sky cloaked in a snow-white cape and matching midriff-baring bodysuit for her debut performance. It’s the first time she’s graced the stage of the very award show that she was once an audience member of.
As she shakes and shimmies and boom kack kacks out her eight counts, it’s clear that she’s in her element. Just like her VMA performance a couple of months prior, and the many more stages she’ll continue to grace, she brings an energy that has earned her comparisons to the beloved Queen Bey herself. An honorable statement, considering few R&B songstresses are getting accolades for their entertainment capabilities. It’s on these very stages, in front of hundreds of astonished eyes and millions more glued to their televisions at home, that she tells me she feels most sexy. Powerful, even.
But off stage, it’s a different story.
It’s more than just the commentary about her image and media-flamed rumors that get to her. Mentally, she’s in competition with herself. The desire to be the best burns at the back of her mind with every performance, every production, and every time she steps into the booth. Before, she could share the weight of this burden with her sister. Being a part of a duo meant she could turn to Halle for quiet confirmation and encouragement without a word being exchanged. But lately stepping on the stage means stepping out on her own. And despite being a breathtaking, five-time Grammy-nominated star, Chlöe doesn’t escape the reality that sometimes we can be our own worst critics.
Over the last year, she’s been coming to terms with who she is on her own while overcoming the fear of failing to become who she’s destined to be. While the world waits to see how Chlöe wins, the real triumph is in every day that she chooses herself and continues to walk in her purpose. “I don't really have anything all figured out, honestly. But what I try to do, a lot of prayer. I talk to God more and I just try to do things that calm my mind down and just breathe.”
To whom much is given, much will be required. She’s been chosen to walk this path for a reason. Once she fully embraces that everything she’s meant to be is already inside of her, she’ll be an unstoppable force. “My grandma, Elizabeth, she just passed away and my middle name is her [first] name. So I feel like I truly have a responsibility to live up to her legacy that she's left on this earth. I hope I can do that.”
There’s no doubt that she will. With a role in The Fighting Temptations at three years old, a million-dollar record deal, a main role on five seasons of Grown-ish, five Grammy nominations, a number one solo record in Urban and Rhythmic Radio, a debut solo album, and starring roles in recently released movies Praise Thisand Swarm (just to name a few), Chlöe’s certainly already made her mark, and she’s just getting started.
No flex.
Credits
Photographer & Creative Director: Derek Blanks
Executive Producer: Necole Kane
Co-Executive Producer: EJ Jamele
Producer: Erica Turnbull
Digitech: Chris Keller
DP: Alex Nikishin
Gaffer: Simeon Mihaylov
Photo Assistant: Chris Paschal
2nd Photo Assistant: Tyler Umprey
Features Editor: Kiah McBride
Special Projects: Tyeal Howell
Hair: Malcolm Marquez
Makeup: Yolonda Frederick
Fashion Styling: Ashley Sean Thomas
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