Model. Actor. Musician. Author. Those are just a few words to describe the multi-hyphenate heartthrob that is Don Benjamin.
Hailing from humble beginnings on the South Side, the Chicago native found himself bouncing between Minnesota, Mississippi, and even Florida before settling in Los Angeles in 2005. It was there that he thrust himself into the world of modeling, fashion, and music, securing campaigns with various notable brands such as Bloomingdale's, True Religion, Tillys, and Guess, and also appeared as a finalist on America's Next Top Model. But don't let the handsome face and pretty eyes fool you, there's much more to Don than meets the eye.
And if you need further proof of that, look no further than his new book, My Truth. In his debut work, Benjamin opens up about the tests, trials, and testimonies of his life experiences––everything from growing up without his father in his life, growing into manhood, love and loss and so much more.
xoNecole recently got the chance to chat with Don about all things personal evolution, self-love, and dealing with heartbreak. Here's what he had to say:
Courtesy of Don Benjamin
xoNecole: You’ve got your hands in a lot of things with acting, music, modeling, and now your new book. Which of those do you find the most rewarding?
Don Benjamin: I try to make them all coincide as much as possible. As long as I'm being creative, you know expressing different sides of my creativity. Sometimes I'll get really into my music and I'm in a zone where I want to write a ton of music. And sometimes I'm locked in and all about acting and growing. Now I'm all about writing. After spilling my soul, I'm really loving writing books. I've already started writing my second book. But I feel like it all goes together even though they're all different, they still kind of feel like one.
In your book, you talk about the difficulties you faced growing up without your father and the void that that relationship created. Why do you think it’s so important for young men to have that healthy male presence and dynamic?
That's important because, without it, I think it's something that kind of messes us up to where we kinda start questioning ourselves, like 'Was it something I did? Was I not good enough for him to be around?' And it breaks down our self-esteem. For me, I just bottled it in. My mother was always asking if I wanted to talk to a professional about it but I would always bottle it in, not really realizing how unhealthy it is and how it leads to bigger issues. But I think it's important to put yourself around men that are of a positive influence. Because when you grow up in that situation, you're kind of hungry for the influence of a man that's going to help guide you since you didn't get that from your father.
A lot of times, it leads you to other broken situations where you find yourself with other men who didn't have their father around. And you're following the footsteps of the people you see in the media and it just leads to an unhealthy pattern. That's what I found in myself. I kinda had to snap out of it, I had to take some losses in my life and learn some pretty harsh lessons and THEN go searching for that. Like, 'Yo, I need some men in my life that can actually be a positive influence.' So I want to try to help the younger generation understand that at a sooner time, rather than waking up in their thirties and forties and realizing it and doing a lot more damage.
I often feel like most people at some point in their life go through a Blinding Light experience. Meaning a moment where life knocks you off your current course in order to redirect you onto the right one. Have you had one and if so what was it?
Yeah, I think I had an initial one when my father passed away in 2017 and it made me start looking at life a lot differently.
"I went into a real depression, I stopped focusing on work. I think my entire life I was looking for his approval subconsciously, I was always like, 'I wanna get super-rich and famous so I can take care of my Dad and give him the life.' I finally started to come out of it and then last year I was engaged to be married, but towards the end of the year, I made some stupid choices that led to us breaking up. And that was my ultimate Blinding Light to where I needed to step back and look at the things I was doing. And why I was carrying on these continued patterns that my father had been doing to me and make a change in my life."
It really woke me up and it's crazy how it happened the year we were forced to stay inside and stay to ourselves––and not do anything but focus on ourselves. So I had it at the top of this year and I feel like I'm finally aligned and seeing things clearly. It's a blessing.
I’m sorry to hear that. But how did you deal with that heartbreak?
When we first broke up, I didn't really know how to get through it in the moment. I went to God and just laid it all on God. I had a good support system around me, thankfully. I was like, 'Lord give me the strength to understand this and get through this and use this to grow and become a better version of myself.' And that's what really helped me. A lot of reading, praying, and meditation.
That prayer and meditation will do it, won’t it?
Man, I'm telling you. It was everything.
What’s something you vow to do differently or do more of in your next relationship now?
For me, what I've really been working on is being a lot more selfless in a relationship. I never really had a solid foundation of a relationship to look at for inspiration. I always just kind of created my own thoughts of what I thought a good relationship should be like. And I was going based on a lot of men from broken homes as well. I did a lot of reading of different mentors who've been in strong relationships after making some mistakes and how they changed things up and maneuvered differently. And how you do things differently in a relationship, and just being all about your woman.
Making her feel confident and letting her have the right type of trust in you––and just letting the woman feel confident and full in a relationship. Letting her have that queen feeling. That's what I'm really trying to work on carrying into my next relationship. I don't have to let my pride win or my ego win and I make sure my focus is all my woman and cutting out certain distractions and temptations. Because the world we live in right now is so full of temptations with social media and TV. So being more aware of those temptations so that it doesn't interfere in my relationship [is how I'd move differently].
Speaking of distractions and temptations, when it comes to things like infidelity or unfaithfulness in relationships––what’s one thing men and women should understand?
I think for men a lot of times, it stems from past issues with parents or influence. Not getting the proper influence from people around us. And our need for certain attention, it goes deeper than just the situation per se.
"My advice for women is that it doesn't have nothing to do with you. You could be the best woman in the world, but if a man is broken inside, he has to dig deep and fix those issues. Because the infidelity is usually something deeper that he's searching for and he doesn't realize that it could stem from his childhood."
The couple has to really come together and talk about it and maybe go to relationship counseling early to prevent anything from taking place.
Do you think a person can truly be ready for love if they don’t first love themselves?
You definitely have to love yourself first, how can you love somebody else if you're not happy with yourself? I feel like there are gonna be a lot of issues. I've been learning that more and more. But it's weird because you hear stories about high school sweethearts and the ones who got married young and lasted long, and they grew together and learned lessons together and bonded together even stronger.
Nowadays, especially if you're a little bit older, I feel like you wanna have as much love for yourself as possible. You have to know what you need in life before you go searching for that in someone else. Because then you're gonna put all the weight on them and it's gonna lead to a lot of stress.
That last part is definitely key, I love that you brought that up.
It's real though.
For sure. Let’s talk relationship green flags, what would make you feel the most safe and secure?
I think a woman having confidence and something going for herself, to where she's not sitting at home all day wondering what you're doing. If she's confident and independent, that's definitely a green flag. Family, religion. If she doesn't have a strong religious foundation or good guidance in her life, I feel like it's gonna be really hard to make that connection. So religion is key.
Courtesy of Don Benjamin
How can a woman get AND keep your attention?
Right now, I'm so focused on my personal growth, it's whatever God places in my sight. I'm not really specific. It has to benefit me and help build me, there has to be that spiritual energy and connection. Being in LA, you see so many attractive people, you could meet one just walking to Starbucks. So it's not really so much about the image, it's about the connection. If you have a connection with somebody on a deeper level, that's how I feel like you can maintain that longevity.
Do you know your love languages?
I think mine are physical touch, I like to be held and I like cuddling. I love quality time, I need that. I like to just cuddle and watch a movie.
Before you go, I want to know what’s something you know now about yourself or about love that you didn’t know before?
The main thing I've learned is that you really have to be selfless. It's not about you, of course, the self-love dynamic too, but you have to be confident in you—and really be more aware of your partner's feelings. And keeping them happy and safe.
"It's a lot of work, [but] I've learned that you have to be ready to put that work in going into a relationship in order to make it last. Everything isn't gonna always be peaches and cream, there's gonna be disagreements; there's gonna be family issues. It has to go way deeper than just 'oh I'm attracted to you.'"
Once the puppy love stage wears off and ya'll get past the honeymoon phase––then it becomes another form of work. You literally have somebody's heart and feelings and well-being in your possession, you have to be careful with it.
You have to be careful with it. And lastly, what's next for you Don?
I was supposed to be filming a movie this year. I was playing the lead in a movie I co-created and produced, but I feel like we're still up in the air as far as whether or not we're going to be able to finish shooting it before the year is up. So hopefully we can do that. I'm also working on another book that comes along with a masterclass. A lot of people have been asking me how to break into the modeling industry, so I wanted to create something for them to go along with that.
My Truth is available now, everywhere books are sold. And to keep up with Don, make sure to follow him on Instagram.
Featured image courtesy of Don Benjamin.
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A Goddard College graduate, who earned an MFA from Pratt Institute and was awarded an honorary doctorate from Marymount Manhattan College, Mahogany offers unapologetic realness with a side of grace and empowerment. "I started touring locally. I started creating chat books so that those poems will go in the hands of the people who were sitting in the rooms," she shared.
"And then I started facilitating poetry workshops, so I used my chat books as curriculum. And that, in turn, allowed me to further invest in my art and show the community and people who were hiring me that it wasn't just a one-off, that it's not just, you know, a fly by night—that I am invested in this art as much as I am invested in your community, in your children's learning, in our growth."
Mahogany has a special way of moving audiences, and her superpower sparks shifts in perspective, post-performance introspection, and strengthening of community bonds, especially among Black women. (One can undeniably recognize her gift for arousal of the spirit and mind merely from her listening to her insights from the other side of a Google Hangout call. I can only imagine the soul-stirring, top-tier sensory encounter when watching her perform in person.)
In this chat with xoNecole, Mahogany reflects on sustaining a creative career, the aftermath of writing a banned book, and using poetry for both healing, community-building, and activism.
Anthony Artis
xoNecole: What are three key things that have laid the foundation for a sustainable creative career for you?
Mahogany L Browne: What has helped me is that I'm willing to go in being an expert at knowing poetry and knowing the way in which art can change the landscape of our lives, not just as a poet, but also as a poetry facilitator. How you move through classes, those things are mastered, right? So when I go into another space that's maybe tech-heavy, I don't mind learning and being, you know, a student of the wonder of how we can make this magic, work together.
Two, you’ve got to know how to pivot. Sometimes we say, ‘Alright, this is what my life is going to be. I'm going to be a New York Times best-selling author. I'm going to, you know, have an album that's Grammy-nominated. And then, say you get dropped from your record label. That doesn't mean you can't make an album anymore. You can also still create an album that can be submitted to the Grammys. So, what does a pivot look like as an artist who doesn't have an institution behind them? Pivot being a student of the wonder.
Relationships also really help. How do I serve the community? And in turn, that tells me how the community can show up. For me, I have long-standing ties with a community that will outlast my one life. So, what does it mean to create space where these relationships can develop, can be nurtured, can be rooted, can be cultivated? Creating space—it happens through relationships.
xoN: With today’s economic challenges, what does your current creative process look like, and what are you working on?
MB: I’m always thinking five years ahead. I just reviewed the pages for two children’s books and recently released a YA novel. I’m drafting an adult fiction manuscript now.
Anything I create is founded with the root of poetry, but it can exist in captions. It can exist in commercials. It can exist as a musical. So that's where I’m at now.
xoN: You started performing "Black Girl Magic" in 2013, had an acclaimed performance of it via PBS and the work went on to viral success shortly after. Talk more about the inspiration. And what do you think about the continued relevance more than a decade later?
MB: I wrote it as a rally cry for the mothers who had been keeping themselves truly in harm's way by, you know, being a part of the community right after the death of their child or their loved one. They are usually mothers of victims of police brutality—and just seeing how they showed up in these community spaces, they are devout to the cause but obviously still grieving.
"I wanted this poem to be just a space of reclamation, of joy and of you, of your light, of your shine, of your brilliance, in any which way in which you fashion. Every room you enter is the room you deserve to be in. What does it mean to have a poem like that that exists?"
And the first time I did the poem, the Weeping that occurred, right? It was like this blood-letting of sorts. The next time I performed it, I'm moved to tears because I'm seeing how it's affecting other women who have just been waiting to hear, ‘You belong. You deserve. You are good. We see you. Thank you, despite everything that they said to make you regret being born in this beautiful brown, dark-skinned, light-skinned, but Black body.’
Black women are the backbone—period. Point blank. And so, that that poem became a necessity, not just to the fortitude of Black women in the community, but like you know, in service of healing the Black women.
xoN: One of your books was banned at a school in Boston, and it was later reinstated due to parental and activist support. What was that experience like?
MB: Well, I think it happened because they were racist. That's it. Point blank. The reversal of it was empowering, right? I realized, oh, I thought we just had to sit here and be on a banned book list. But no, parents are actually the leaders of this charge.
So to see that, the parents said, ‘Nah, we're not gonna let you take this book out of my baby’s school just because it's a Black kid on the front saying, ‘Woke’ and they're talking about being a global citizen. They're talking about accountability. They're talking about accessibility. They're talking about allyship, and you don't want them to have compassion or empathy or have even an understanding, right? So no, we rebuke that, and we want this book here anyway.’ To see that happen in that way. I was, like, reaffirmed. Absolutely.
xoN: You recently organized the Black Girl Magic Ball at the Lincoln Center in New York. Honorees included author and entrepreneur Rachel Cargle and National Black Theater CEO Sade Lythcott. What impact did it have and what expanded legacy do you hope to leave with your creative works?
MB: I was really interested in not celebrating just the book, but celebrating the community that made the book possible. And so I gave out five awards to women doing that thing, like, what does it mean to be a Black girl in this world?
I just thought it was gonna be an amazing time. Everybody's gonna dress up—we're gonna celebrate each other. And boom, I then realized that it responded to like a gaping hole. There was a missing thing for Black girls of all walks of life, all ages, right?
"It's very intergenerational. That was intentional to come together and celebrate just being us."
You have all these instances where just being you is either the butt of a joke or it's diminished and not worthy of a specific title in these larger institutions. So what does it mean to just to be loved up on and celebrated?
It felt like a self-care project at first. You know, for the first couple of years, folks were coming and they were getting that sisterhood. They were getting that tribe work that they were missing in their everyday lives.
I love the Black Girl Magic Ball because we got us. If I go out with a bang, they'll remember that Mahogany worked her a** off to make sure all the Black girls everywhere knew that she was the light. We are the blueprint.
For more information on Mahogany L. Browne, her work, and her future projects, visit her website or follow her on IG @mobrowne.
Featured image by Anthony Artis
“I think for me, an all-American girl, for some reason, brings me back to when I was younger, and just like playing at my grandma’s house and just being outside,” Kennedy told xoNecole ahead of her attendance at the 2025 BET Awards.
“I just feel like when I was younger, you know, you don’t have as many responsibilities. There’s not as much weighing you down, and so I kind of go back to that mindset. Like, even now, being 27, I’m trying to get back to that younger girl.”
The 2025 BET Awards, hosted by Kevin Hart, took place in Los Angeles at the Peacock Theater on Monday night (June 9). The star-studded event was filled with tons of surprises, including a trip down memory lane with a 106 & Park reunion, coupled with performances by artists that dominated the top spots during the music video countdown show’s reign from 2000 to 2014.
Kennedy, who received her first nomination alongside Tanner Adell, Brittney Spencer, Reyna Roberts, and Beyoncè in the BET Her category for “Blackbiird,” the reimagination of the original The Beatles of the same title (minus the extra i), invited xoNecole to get ready with her as she prepared for her first-ever BET Awards.
Beauty Rituals Inherited From Her Mother.
Rather than booking her makeup artist ahead of the big night, Kennedy decided to go on a budget and do the task herself, something that isn’t too out of her norm. She noted how she incorporates some of the things she witnessed her mother do while growing up in her routine.
“I remember being younger and seeing all the makeup laid out on my mom’s counter,” the “I Look Good In That Truck” singer recalled. “I don’t even think she knows this, but there were moments where I would like to go and steal her makeup. She would have Mac. I think it was some kind of foundation powder, and I would go in there and I would put it on, and I’m like I hope she doesn’t see.”
She added, “My mom is very natural with her makeup, so even though I’ve got these big lashes on, I always gravitate towards just neutral looks… I don’t do anything too fancy.”
Tiera Kennedy’s Holy Grail of Products.
Kennedy took it upon herself to take a class to ensure that she’s prepared for nights like these, where she’s the one responsible for bringing her glam look to life.
“We are independent,” she said, reminding us that she is no longer tied to a big machine when it comes to her work as an artist. “We ball on a budget. I have to do my makeup for award shows, events, all the things, and so my makeup artist that taught me how to do all of this, Hailee Clark, she put me on to Nars, the foundation. I don’t know exactly what the name of it is, but I love it.”
“I don’t know all the fancy technicals, but I know that it makes me just look kind of airbrushed, and so I love it. Then, I always use this Laura Mercier [setting] powder because I get real shiny, so I’ve gotta reapply that quite often.”
“We are independent. We ball on a budget. I have to do my makeup for award shows, events, all the things, and so my makeup artist that taught me how to do all of this, Hailee Clark, she put me on."
Her Decision To Wear Hanifa For The Big Night.
Intentionality is essential for Kennedy, which is why she jumped at the opportunity to support Black designer Anifa Mvuemba with a dress from her fashion brand, Hanifa.
“Takirra on my team helped me pick out the dress. I really like to represent in country music, and being in Nashville, I like to represent Black culture through the things that I wear, and I was excited to get to wear a Black brand to the BET Awards,” said Kennedy.
“She was telling me about this brand, Hanifa, and we were on FaceTime just scrolling through the website, and she was like this looks like you. This feels very rooted, like fits those natural tones, and so she bought the dress and was like, ‘This is what you’re wearing.’”
The look was a Raven Knit Dress in Eggplant/Dark Brown Mesh from Hanifa.
Tiera Kennedy in her younger years.
Courtesy
Kennedy also nurtured her inner child for the look, taking it back to her roots with one small detail in her hair that she had her mother carry out before she hopped on the flight to LA.
“I had this vision of wearing beads in my hair because when I was younger, my mom would always do that, and I didn’t love it, but now I’m like, it would be really beautiful to tie all of that together, and the Hanifa dress just fit perfectly.”
“Just even in the past couple of days, I’ve had to take a second, and just look back at all of the awesome things we’ve gotten to do,” said Kennedy when asked what baby Tiera is feeling in this moment.
“I had this vision of wearing beads in my hair, because when I was younger, my mom would always do that, and I didn’t love it, but now I’m like, it would be really beautiful to tie all of that together, and the Hanifa dress just fit perfectly.”
“I dreamed of having a record and having this team that was doing all of these things for me, and now, being an independent artist, and being in control of my career, I’ve gotten to build an awesome team behind me that helps me get to where I am. It’s been a lot of hard work, and I think when I was younger, I would have never imagined that I could do all of these things, and so, yeah, to be here, I don’t even think I would believe it.”
Although “Blackbiird” didn’t win in the BET Her category during Monday night’s show, Kennedy’s future is brighter than ever, which she attests to her faith playing a huge role in guiding her next steps as she continues to rise to stardom.
“Thinking about the next thing, I think that can be really daunting when you’re an independent artist. It’s like you have to be thinking of what’s coming next, to prepare for that, but I think the way that I like to walk through life in general is letting the Lord lead,” Kennedy said.
“I know that a lot of time when I have a vision of what I want things to look like in my head, He always exceed my expectations. So, I think the plan is to continue to release music, and continue to show up as my authentic self. Getting to have these moments like the BET Awards is so awesome, but also, at the same time, that’s not what I do this for. I do it for the humans that are listening to my music, that are [having] fun and healing through my music, so I hope that I can just continue to do that.”
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Feature image by Rob Latour/Shutterstock