Have you ever wanted to know if your man really loves you? I mean really, REALLY loves you. Have you ever found yourself asking: 'How will I know if he really loves me?' Well, I have some comforting news: you're in good company.
The truth of the matter is: so have I. So has my best friend, probably your best friend; so have many other women. And believe it or not, so has Whitney Houston. So much so, that she wrote a whole song about it. And it's in that vein that I'll let you in on a little hard truth: we won't ever know. Our feelings can be misleading, our blinding love can be deceitful. We can say a prayer with every heartbeat but the fact of the matter is until that man backs up with actions what he says with his lips, women will never (and I mean never) know if a man really loves them. Or if they're even ready to love in the first place.
Courtesy of OWN
But, fortunately, all hope is not lost. Our favorite love show where black people get to meet and potentially find love in a hopeless place (known as Atlanta) is back for another season! The series, produced by Will Packer and hosted by Thomas "Nephew Tommy" Miles, has a new roster of highly sought after singles and has once again solidified a spot in our Saturday nights.
I got the chance recently to talk with 9 bachelors from the second season of the OWN Network show Ready to Love (airing Saturdays at 10/9c), where they let me in on their thoughts about love, commitment, and everything else in between and they did not disappoint.
Here's what they had to say:
On the concept of courtship...
"Courtship is primarily on the man, however, I feel as if some women nowadays demand courtship and aren't worthy of courtship. And by that, I mean this: just because you're a woman, it doesn't mean you possess the qualities that a man is looking for in the 'woman for him.'''
On finding a compatible partner at this stage...
"Finding a partner at this particular stage in my life is easier for me. I know what I want, what I'm willing to tolerate, I'm financially stable, very aware of the red flags. I still leave room for mistakes or for things taken out of context. But I also know who I am and what I bring to OUR table."
On the things to know from the first date...
"Some things I'd like to know on the first date: are you separated or divorced? Where do you see yourself in two years? How ambitious are you? Do you have kids or do you want kids? Do you have a job or a career? On a scale of 1-10, how supportive are you—1 being horrible and 10 being superb."
On catering to the needs of your partner...
"I had the pleasure of growing up with sisters older and younger, with me as a middle child. I am very emotionally aware when it comes to expressing my needs but it becomes an awesome challenge to wake up and think, 'What can be done to add to my partner's happiness?'''
On how to revive courtship...
"The microwave mentality of dating has to change. Courtship is a true art of showing your partner creative romantic ways of how special they are. Courtship ultimately is a preview of what is to come, which is marriage."
On evolving to meet the needs of your partner...
"When in a committed relationship, I no longer live for myself but [for] us. Living for us will create change of old habits and create new ones. Selflessness is evolving one's mindset."
On how his outlook on love has changed...
"I make better choices on who I decide to spend my time with. I secretly place them in top picks and bottom picks. A woman who I get to know will move to bottom pick in the event we just aren't vibing. I also spend more time on the phone now with who I really vibe with because I feel like a woman really doesn't vibe with you unless she gives you phone time. That texting mess is all smoke and mirrors."
On making your partner feel loved in a new relationship...
"I think public displays of affection are necessary when it's someone you really like. Holding hands, dancing together, and occasional kissing is dope. It usually makes her feel special."
On what the last relationship taught him...
"I've learned to love myself more, love taking care of me first, and that peace of mind starts with self-care."
On how to impress a woman on the first date...
"I would advise not trying to impress a potential mate. Be yourself and take them to a place you enjoy or ask them what they enjoy doing!"
On making your partner feel secure in a new relationship...
"No one can make anyone feel any way at all. True happiness and love come from within. I would advise being secure with and loving yourself before dating anyone!"
On his love languages...
"My love languages are words of affirmation and physical touch."
On what he looks for on the first date...
"Good vibes, energy, and chemistry."
On being vulnerable with your partner...
"I'm ready to get outside my comfort zone."
On what his love languages are...
"My love language is quality time."
On being vulnerable with your partner...
"Vulnerability for me happens when I feel I can trust someone who I [feel] genuinely cares about me as a person and future mate."
On what’s missing in today’s conversation of courtship...
"Belief systems, sharing clear expectations and boundaries, timelines, and shared goals for the relationship."
On what will sustain a relationship...
"It is the compatibility piece that sustains the relationship. I realize how easy it is to have quick surface connections with people who also have connections with other people as well."
On being emotionally aware with your partner...
"I am very in-tune when it comes to catering to my partner. Communication is key when it comes to being open to their needs as well expressing my own. Closed mouths don't get fed."
On his love languages...
"My love language is acts of service."
On changing for love’s sake…
"Changing traits about myself will most definitely depend on who I'm changing those traits for and if I care to change those traits."
On positive indicators on the first date...
"What I look out for is for her to not be so serious. I don't want our date to feel like it's an interview. Let's laugh a little bit let's joke some, I'm sure we'll get to the serious conversation when we were talking on the phone."
On what he’s learned from his last relationship...
"I learned how to not be so closed-off. I need to open up more when it comes to talking instead of walking away all the time."
On where to take a woman on the first date...
"I want to do what's going to make her happy, so I would ask her what's her favorite restaurant and start there."
On what he looks for before committing...
"I look for a woman who makes it easy to trust her. She's open and honest about her past and her shortcomings. I also like a woman that's thoughtful and doesn't mind showing you how important you are to her life."
On the indicators of a compatible partner...
"I can't be with anyone who doesn't have a spiritual foundation or who doesn't believe in the economic empowerment of Black people in America."
On what to do to get to know a woman on the first date...
"I like taking a woman to the gym and putting her through one of my workouts. I want to see her effort, her drive, or if she'll complain or persevere. I'm big on fitness and a woman that can keep up with me and pushes past her own limitations is definitely a turn-on."
Be sure to catch Ready to Love every Saturday at 10/9c. And if you haven't already, watch the first full episode here.
Featured image courtesy of Instagram/@sellyourhomejimmyjones.
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On set inside of a mid-city Los Angeles studio, it’s all eyes on Chlöe. She slightly shifts her body against a dark backdrop amidst camera clicks and whirs, giving a seductive pout here, and piercing eye contact there. Her chocolate locs are adorned with a few jewels that she requested to spice up the look, and on her shoulders rests a jeweled piece that she asked to be turned around to better showcase her neck (“I feel a bit old,” she said of the original direction). Her shapely figure is tucked into a strapless bodysuit with a deep v-neck that complements her décolletage.
Though subtle, her quiet wardrobe directives give the air of a woman who’s been here before, and certainly knows what she’s doing. At 24 years young, she’s a “Bossy” chick in training— one who’s politely unapologetic and learning the power of her own voice.
“I'm hesitant sometimes to truly speak my mind and speak up for myself and what I believe,” she later confessed to me a couple of weeks after the photoshoot. “It's always scary for me, but now I'm realizing that I have to, in order to gain respect as a Black woman— a young Black woman— who's still navigating who she is. And you know, I'm realizing that closed mouths don't get fed. And if I keep my mouth shut just because I'm afraid of what people's opinions of me will be or turn into, then that's not any way to live.”
For Chlöe, the journey into womanhood is about embracing who she is, without succumbing to the perceptions of what others think of her. From the waist up she’s everything you’d imagine. A gorgeous goddess with the kind of sex appeal that some work hard to embrace but fail to exude. But unbeknownst to anyone not on set, her bottom half is covered by a white robe, surprising coming from the girl who boasts “'Cause my booty so big, Lord, have mercy” on her first hit single “Have Mercy.”
But that’s the beauty of Chlöe. There’s more to her than meets the eye. More than what a few sensual photos sprinkled throughout an Instagram feed could ever tell you. Just like the photo-framing illusion of her portrayed from the waist up, what we know about the songstress is just the tip of the iceberg. There’s so much more beneath the surface.
Some hours later Chlöe leans back in a high chair as her locs are transformed from a formal updo to a seemingly Basquiat-inspired one. It’s pure art, and at her request, no wigs are a part of the day’s ensemble. She’s fully embracing her natural hair, a decision that wasn’t always a socially accepted one.
In the suburbs of Atlanta, Georgia, (Mableton, to be exact) Chlöe began to explore the foundation of her self-image. At an early age she and her younger sister, Halle, demonstrated a vocal prowess and knack for being in front of the camera that caught their parents’ attention. Soon after, they were sent on a parade of local talent shows and auditions, and eventually broke into the digital space with song covers on YouTube.
It was during these early years that Chlöe first learned that the entertainment industry could be unforgiving to those who didn’t fit a particular beauty standard. Despite the then three-year-old snagging a role as the younger version of Beyoncé’s character, Lilly, in Fighting Temptations, casting agents requested that her natural locs be exchanged for more Eurocentric tresses. Ironic, considering that growing up Chlöe saw her hair as no different than that of her peers. “I remember specifically in pre-K we had to do self-portraits and I drew myself with a regular straight ponytail, like how I would put my locs in a ponytail,” she says. “I just never saw myself any different.”
Chlöe would also learn the true meaning of a phrase that would later become an affirmation posted on her bedroom mirror: “Don’t Let the World Dim Your Light.” After attempting to wear wigs to fit in, the Bailey sisters instead chose to rock their locs with pride, which undoubtedly cost them casting roles. Yet they would have the last laugh when making headlines as the “Teen Dreadlocked Duo” who landed a million-dollar contract with Parkwood Entertainment, and the coveted opportunity to be groomed under the tutelage of a world-renowned superstar.
Credit: Derek Blanks
While that could be the end of a beautiful fairytale of self-empowerment, the reality is that it’s just the beginning of the story of her evolution. For most girls, the transition into womanhood takes place in the comfort of their own worlds, often limited to the number of people they allow to have access to them. But for Chlöe, it’s happening in front of millions of critiquing eyes just waiting for an opportunity to either uplift or dissect her through unwarranted commentary.
Many in her position wouldn’t be able to take that kind of pressure. But Chlöe is handling it with grace. “I feel like all of us as humans, we have the right to interpret things how we want,” she says. “I put art out into the world and it's up for interpretation. I'm learning that not everyone is going to always like me and that it's okay.”
Chlöe isn’t the first artist to receive criticism for her carnal content, and she certainly won’t be the last. In 2010, Ciara writhed and rode her way to banishment on BET when the then 24-year-old released her video for “Ride.” In 2006, 25-year-old Beyoncé received backlash for “Déjà Vu."
"I put art out into the world and it's up for interpretation. I'm learning that not everyone is going to always like me and that it's okay.”
So much so that over 5,000 fans signed an online petition demanding that her label re-shoot the video because it was “too sexual.” Even 27-year-old Janet didn’t escape critical headlines when she shed her image of innocence for a more risqué appearance with the 1993 release of janet.
It’s almost as if public reproach is a rite of passage for young Black women R&B singers on the road to stardom. Good girls seemingly “go bad” whenever they embrace the depths of their femininity, and fans only like you on top figuratively. But Chlöe has learned not to bow down to other people’s opinions, but to boss up and control the narrative. As the saying goes, well-behaved women seldom make history. If sex appeal is her weapon, she wields it well.
On set, Chlöe exudes the energy of Aphrodite in an apple red, off-shoulder dress with a sexy high split. In between shots, she mouths the lyrics to Yebba’s “Boomerang” as it echoes throughout the space in steady repetition at my recommendation. The hour grows late, yet Chlöe is heating things up as eyes stare in deep mesmerization of the girl on fire.
Credit: Derek Blanks
Through music, she explores the depths of her being, a journey that seems to be, at its foundation, rooted in self-discovery. Whereas their debut album The Kids Are Alright (2018) boasts a young Chloe x Halle empowering their generation to embrace who they are while finding their place in the world, their second album Ungodly Hour (2020) shows the Bailey sisters shedding the veil of innocence for a more unapologetic bravado.
What fans looked forward to seeing is who Chlöe shows herself to be on her debut solo album In Pieces. In an interview with PEOPLE, she confesses that releasing her first project without her sister was “scary.” "It was a moment of self-doubt where I was like, 'Can I do this without my sister?’”
Chlöe has never been shy about sharing her insecurities or her vulnerabilities, all of which are laced throughout the 14-track album. “I want people to have fun when they listen to it and to just realize that they're not alone and it's okay to be vulnerable and raw and open because none of us are perfect; we're all far from it. And I think it's healing when we all admit to that instead of putting up a facade.”
The gift of time has given the self-professed “big lover girl” more encounters with romance and heartbreak. Love songs once sung for their beautiful riffs and melodies become more than just abstract lyrics and are replaced by real-life experiences, which she tells me is definitely in the music.
In her single “Pray It Away,” for example, she contemplates going to God for healing instead of going at her ex-lover for revenge for his infidelities. “With anything dealing with art, I am completely vulnerable,” she says. “I'm completely myself, I'm completely open and transparent. So it's pretty much all of me and who I am right now.”
Has Chlöe been in love? That still remains to be said. Of course, she’s been linked to a few potential baes, but dating in the digital age isn’t as easy as a double tap or drop of a heart-eyes emoji. It requires a level of trust and vulnerability that’s hard to earn, and easy to mishandle. To let her guard down means to potentially set herself up for disappointment. “It’s difficult dating right now, honestly, because you really have to kind of keep your guard up and pay attention to who's really there for you. And you know, I'm such an affectionate person and I love hard.
"So when I meet the one person that I really, really am into, it's hard for me to see any others and I get attached pretty easily. And you know, I don't know, it's…it's a scary thing.”
Credit: Derek Blanks
“With anything dealing with art, I am completely vulnerable. I'm completely myself, I'm completely open and transparent. So it's pretty much all of me and who I am right now.”
While broken hearts yield good music (queue Adele), what’s in Chlöe’s prayer is the desire to be happy. What does that look like? Well, she’s still figuring that out herself. “Honestly, I'm the type of person who I don't truly learn unless I experience it. So it's like I can view and watch my parents and watch the loving relationships that I see in my life and be like, ‘Oh, I want that. I would love to have that.’ But then I also have to experience [love] on my own and see what my flaws or my faults might be or see what my good things about myself are. I feel like it's really all about self-reflection. And even though our base is our family and that's our foundation, we are still our own individuals and we have to find out specifically the things about ourselves that may be different from what we saw from our parents when we were growing up.”
Her ideal beau, she tells me, is someone she can feel safe to be her fun, goofy self with, but who also gives her the space to be the boss chick chasing her dreams. A man who understands that just because the world compliments her doesn’t mean she doesn’t want to hear those words from his lips or feel it in his touch. A bonus if he shows up on set after a long hard day of work with vegan cinnamon rolls. You know, the basic necessities. “I like whoever I'm with to constantly tell me they love me and that I look beautiful because I do the same. I am a very mushy person, and if I see something or you look good, I will never shy away from saying it out loud. And I want whoever I'm with to do the same, be very vocal. Tell me that you love me. Tell me what you love about me because I'm doing the same for you because that's just the person I am.”
Noted.
Until she meets her match she’s married to the game, and for now, that seems to be perfect matrimony.
Credit: Derek Blanks
On stage at the 2021 American Music Awards, Chlöe solidified her position as a force to be reckoned with. It was a full-circle moment. In 2012, bright-eyed and baby-faced Chloe and Halle would walk onto the set of The Ellen Degeneres Show and blow the audience away as they bellowed out their future mentor’s song. Ellen would present the sisters with tickets to attend the AMAs, assuring them that they would be back and had a promising future. Nine years later, Chlöe descends from the sky cloaked in a snow-white cape and matching midriff-baring bodysuit for her debut performance. It’s the first time she’s graced the stage of the very award show that she was once an audience member of.
As she shakes and shimmies and boom kack kacks out her eight counts, it’s clear that she’s in her element. Just like her VMA performance a couple of months prior, and the many more stages she’ll continue to grace, she brings an energy that has earned her comparisons to the beloved Queen Bey herself. An honorable statement, considering few R&B songstresses are getting accolades for their entertainment capabilities. It’s on these very stages, in front of hundreds of astonished eyes and millions more glued to their televisions at home, that she tells me she feels most sexy. Powerful, even.
But off stage, it’s a different story.
It’s more than just the commentary about her image and media-flamed rumors that get to her. Mentally, she’s in competition with herself. The desire to be the best burns at the back of her mind with every performance, every production, and every time she steps into the booth. Before, she could share the weight of this burden with her sister. Being a part of a duo meant she could turn to Halle for quiet confirmation and encouragement without a word being exchanged. But lately stepping on the stage means stepping out on her own. And despite being a breathtaking, five-time Grammy-nominated star, Chlöe doesn’t escape the reality that sometimes we can be our own worst critics.
Over the last year, she’s been coming to terms with who she is on her own while overcoming the fear of failing to become who she’s destined to be. While the world waits to see how Chlöe wins, the real triumph is in every day that she chooses herself and continues to walk in her purpose. “I don't really have anything all figured out, honestly. But what I try to do, a lot of prayer. I talk to God more and I just try to do things that calm my mind down and just breathe.”
To whom much is given, much will be required. She’s been chosen to walk this path for a reason. Once she fully embraces that everything she’s meant to be is already inside of her, she’ll be an unstoppable force. “My grandma, Elizabeth, she just passed away and my middle name is her [first] name. So I feel like I truly have a responsibility to live up to her legacy that she's left on this earth. I hope I can do that.”
There’s no doubt that she will. With a role in The Fighting Temptations at three years old, a million-dollar record deal, a main role on five seasons of Grown-ish, five Grammy nominations, a number one solo record in Urban and Rhythmic Radio, a debut solo album, and starring roles in recently released movies Praise Thisand Swarm (just to name a few), Chlöe’s certainly already made her mark, and she’s just getting started.
No flex.
Credits
Photographer & Creative Director: Derek Blanks
Executive Producer: Necole Kane
Co-Executive Producer: EJ Jamele
Producer: Erica Turnbull
Digitech: Chris Keller
DP: Alex Nikishin
Gaffer: Simeon Mihaylov
Photo Assistant: Chris Paschal
2nd Photo Assistant: Tyler Umprey
Features Editor: Kiah McBride
Special Projects: Tyeal Howell
Hair: Malcolm Marquez
Makeup: Yolonda Frederick
Fashion Styling: Ashley Sean Thomas
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