Y'all, you don't even have to say it. With as much time as I devote to studying the topic of sex, on a pretty consistent basis, even I have moments when I will stumble across a concept that leaves me a bit stumped. Although it has indeed been a while since I've partaken of the beautiful act known as coitus, my memory is still quite keen. And while some sex was better than others (see "What Exactly Does It Mean To Be Sexually Compatible?"), I generally didn't have problems achieving orgasms (also see "Why You Should Stop Faking Orgasms ASAP"). Annnnd, from what I can recall, all of them were pretty damn good.
That's why, when I checked out an article that was recently featured on Health's website and I noticed that it was exploring the entire concept of what a "bad orgasm" actually is, you know a sista was super intrigued. I'd be baffled if at least a few of you aren't too. So, just what is a bad orgasm, you ask?
What in the World Is a “Bad Orgasm”?!
OK, so there is a study that was published in the Archives of Sexual Behavior, right? If you want to read it in its entirety, you can do so by clicking here. Just a heads up, it's long and technical, so if you want a general concept of what it revealed, it's this. After surveying approximately 726 different people, the researchers came to the conclusion that we are capable of having orgasms that aren't all that pleasurable. And, if we continue to have them, they are able to create negative impacts on our relationships, our psychological health and our sexuality overall.
For the record, while the study did also delve into what happens to people when they have orgasms during sex when it is not consensual (because sometimes our bodies mechanically respond to sexual stimuli no matter how much our minds and emotions aren't into it), the part of the study that was featured in Health's article is referring to the kind when both parties agree to "do it".
And just what kind of sex is consensual, brings forth an orgasm and still the orgasm is considered to be bad? That's a really good question. Let me answer that by offering up more questions. Have you ever had sex with your partner in order to avoid having a difficult conversation or disagreement that you didn't want to get into? Have you over "pushed yourself" to climax in order to give your partner the impression that you are just as satisfied as they appear to be? Have you ever had an orgasm with someone, whether it was via oral sex or intercourse, and the overall experience felt kind of empty because the emotional connection simply wasn't there (whether that's ever or at a particular time)? Perhaps you don't have a problem with "getting there", but the sex and climax ends up being borderline painful because you're not wet enough or the way that you are being penetrated isn't as comfortable as you are generally accustomed to. Has that ever happened to you before?
Dayum. When you look at it this way, you're probably thinking, "Whoa. I've been having way more 'bad orgasms' than I ever should have been." The researchers agree and that is the overall purpose for why they are trying to get us to grasp on to the concept of what a bad orgasm is. They want us to realize that, when it comes to having truly great sex, there needs to be more focus on "great" and less on "orgasm"; especially since, for the most part, orgasms are merely a physical reaction to sexual stimulation.
Not to say that our minds and hearts can't help to make climaxing easier (especially for women), but if after you "reach the mountaintop", you basically feel like you actually would've preferred doing something like clean your fridge, clip your toenails or even just avoided your partner altogether…does that sound like good sex to you? Exactly. That technically would qualify as being a bad orgasm. (Bad sex too when you really stop to think about it.)
How Do Good Orgasms vs. Bad Orgasms Compare to One Another?
The more I gave bad orgasms some thought, my mind went back to a lot of the conversations that I've had with women—both online and off—about how sex for them is "just OK". It's not because they aren't attracted to their partner or that he is lacking in his abilities; it's because they just don't feel as into the experience as they want to be. One woman, in particular, she recently shared with me that, while she climaxes on a very consistent basis, she wants no kissing, no cuddling and she actually wants to get the heck up out of dodge within 10 minutes of the act being over. Not just some of the time. Pretty much most of the time. Yeah, now that I know what a bad orgasm is, I think that she definitely falls under the umbrella of it.
Adding to her sexual experiences, because word definitions are a big deal to me, I revisited what "good" and "bad" mean. When something is good, it's high quality. It's also morally excellent, kind and beneficial. Some synonyms for good include positive, satisfying, wonderful, pleasing, welcome, gratifying and agreeable. Sit on those for a moment, would you?
Taking all of this into account, I then thought about a guy I know who tells me all of the time that, during the act of sex, he keeps walls up with his partners because—and this is a direct quote—"I am not there to bond with them. I am there to perform a service." Bless his heart. He said that, not because he's a jerk; it's basically because he goes into the act with "make them cum" on the brain—that is all that he's really focused on. That is all that he is actually trying to achieve—you make me orgasm, I'll make you orgasm. Have a nice day. It's not a connection. It's merely transactional. A lot of casual sex is just like this. Whew. This concept of bad orgasms is getting bigger and bigger the more I think about it.
And that, that made me think about what the word "bad" means. I don't know about you but, whenever I usually think about it, I think about something (or someone) being wicked, evil or morally void. But did you know that something that is defective is also bad? So is something that is deficient, inferior in quality or—get this—"lacking skill or talent". Some synonyms for the word "bad" include cheap, blah, amiss, careless, substandard, offensive and just plain off.
So, in putting all of this together, if an orgasm is truly good, it's going to come from having a positive, satisfying, welcome and beneficial experience. You will be able to look back on the act and the climax about being able to apply all of these words. On the flip side, if the orgasm is bad, it's going to feel like the experience was deficient in some way. It might also feel cheap, blah…maybe even something went down that was amiss or slightly offended you.
Or, after your partner got off of you (or you got off of him), in your mind you thought, "I mean I came and, while I can't quite put my finger on it, something is…off." If you can say that, my dear, you've just had what is known as a bad orgasm.
That's the bad news. The good news is this—the cool thing about this entire concept is, now we can put a name to why sometimes sex "does what it is supposed to do" in the general sense, but we're still not walking away feeling as content as we actually should. Bottom line, it's because not all orgasms are equal. Some are good. Some are bad. And that's because some benefit our entire being while others…don't.
Yeah, I can only imagine how many people you're gonna share this idea with. While you're at it, forward this article to your partner to see what his thoughts are on the notion. Sex is simply too incredible to be out here thinking that, so long as you have an orgasm, it should be enough for you. Naw sis. If that orgasm isn't good—by every definition of the word "good"—then it is bad. And you deserve more than to be out here settling for bad orgasms. Feel me? Chile, I know that you do.
Want more stories like this? Sign up for our newsletter here and check out the related reads below:
Want A More Intense Orgasm? These Tips Are Sure To Make You Cream
10 Things You Didn't Know About The Male And Female Orgasm
How To Orgasm With Your Partner At The Same Time
My First Orgasm Changed Everything I Thought I Knew About Sex
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Amber Riley has the type of laugh that sticks with you long after the raspy, rhythmic sounds have ceased. It punctuates her sentences sometimes, whether she’s giving a chuckle to denote the serious nature of something she just said or throwing her head back in rip-roarious laughter after a joke. She laughs as if she understands the fragility of each minute. She chooses laughter often with the understanding that future joy is not guaranteed.
Credit: Ally Green
The sound of her laughter is rivaled only by her singing voice, an emblem of the past and the future resilience of Black women stretched over a few octaves. On Fox’s Glee, her character Mercedes Jones was portrayed, perhaps unfairly, as the vocal duel to Rachel Berry (Lea Michele), offering rough, full-throated belts behind her co-star’s smooth, pristine vocals. Riley’s always been more than the singer who could deliver a finishing note, though.
Portraying Effie White, she displayed the dynamic emotions of a song such as “And I'm Telling You I'm Not Going” in Dreamgirls on London’s West End without buckling under the historic weight of her predecessors. With her instrument, John Mayer’s “Gravity” became a religious experience, a belted hymnal full of growls and churchy riffs. In her voice, Nicole Scherzinger once said she heard “the power of God.”
Credit: Ally Green
Riley’s voice has been a staple throughout pop culture for nearly 15 years now. Her tone has become so distinguishable that most viewers of Fox’s The Masked Singer recognized the multihyphenate even before it was revealed that she was Harp, the competition-winning, gold-masked figure with an actual harp strapped to her back.
Still, it wasn’t until recently that Riley began to feel like she’d found her voice. This sounds unbelievable. But she’s not referring to the one she uses on stage. She’s referencing the voice that speaks to who she is at her core. “Therapy kind of gave me the training to speak my mind,” the 37-year-old says. “It’s not something we’re taught, especially as Black women. I got so comfortable in [doing so], and I really want other people, especially Black women, to get more comfortable in that space.”
“Therapy kind of gave me the training to speak my mind. It’s not something we’re taught, especially as Black women."
If you ask Riley’s manager, Myisha Brooks, she’ll tell you the foundation of who the multihyphenate is hasn’t changed much since she was a kid growing up in Compton. “She is who she is from when I met her back when she was singing in the front of the church to back when she landed major roles in film and TV,” Brooks says. Time has allowed Riley to grow more comfortable, giving fans a more intimate glimpse into her life, including her mental health journey and the ins and outs of show business.
The actress/singer has been in therapy since 2019, although she suffered from depression and anxiety way before that. In a recent interview with Jason Lee, she recalls having suicidal ideation as a kid. By the time she started seeing a psychologist and taking antidepressants in her thirties, her body had become jittery, a physical reminder of the trauma stacked high inside her. “I was shaking in [my therapist’s] office,” she tells xoNecole. “My fight or flight was on such a high level. I was constantly in survival mode. My heart was beating fast all the time. All I did was sweat.”
There wasn’t just childhood trauma to account for. After auditioning for American Idol and being turned away by producers, Riley began working for Ikea and nearly missed her Glee audition because her car broke down on the highway while en route. Thankfully, Riley had been cast to play Mercedes Jones. American Idol had temporarily convinced her she wasn’t cut out for the entertainment industry, but this was validation that she was right where she belonged. Glee launched in 2009 with the promise of becoming Riley’s big break.
In some ways, it was. The show introduced Riley to millions of fans and catapulted her into major Hollywood circles. But in other ways, it became a reminder of the types of roles Black women, especially those who are plus-sized, are relegated to. Behind the scenes, Riley says she fought for her character "to have a voice" but eventually realized her efforts were useless. "It finally got to a point where I was like, this is not my moment. I'm not who they're choosing, and this is just going to have to be a job for me for now," she says. "And, that's okay because it pays my bills, I still get to be on television, I'm doing more than any other Black plus-sized women that I'm seeing right now on screen."
The actress can recognize now that she was navigating issues associated with trauma and low self-esteem at the time. She now knows that she's long had anxiety and depression and can recognize the ways in which she was triggered by how the cult-like following of the show conflicted with her individual, isolated experiences behind the scenes. But she was in her early '20s back then. She didn't yet have the language or the tools to process how she was feeling.
Riley says she eventually sought out medical intervention. "When you're in Hollywood, and you go to a doctor, they give you pills," she says, sharing a part of her story that she'd never revealed publicly before now. "[I was] on medication and developing a habit of medicating to numb, not understanding I was developing an addiction to something that's not fixing my problem. If anything, it's making it worse."
“[I was] on medication and developing a habit of medicating to numb, not understanding I was developing an addiction to something that’s not fixing my problem. If anything it’s making it worse.”
Credit: Ally Green
At one point, while in her dressing room on set, she rested her arm on a curling iron without realizing it. It wasn't until her makeup artist alerted her that she even realized her skin was burning. Once she noticed, she says she was "so zonked out on pills" that she barely reacted. Speaking today, she holds up her arm and motions towards a scar that remains from the incident. She sought help for her reliance on the pills, but it would still be years before she finally attended therapy.
This stress was only compounded by the trauma of growing up in poverty and the realities of being a "contract worker." "Imagine going from literally one week having to borrow a car to get to set to the next week being on a private jet to New York City," she says. After Glee ended, so did the rides on private planes. The fury of opportunities she expected to follow her appearance on the show failed to materialize. She wasn't even 30 yet, and she was already forced to consider if she'd hit her career peak.
. . .
We’re only four minutes into our Zoom call before Riley delivers her new adage to me. “My new mantra is ‘humility does not serve me.’ Humility does not serve Black women. The world works so hard to humble us anyway,” she says.
On this Thursday afternoon in April, the LA-based entertainer is seated inside her closet/dressing room wearing a cerulean blue tank top with matching shorts and eating hot wings. This current phase of healing hinges on balance. It’s about having discipline and consistency, but not at the risk of inflexibility. She was planning to head to the gym, for instance, but she’s still tired from the “exhausting” day before. Instead, she’s spent her day receiving a massage, eating some chicken wings, and planning to spend quality time with friends. “I’m not going to beat myself up for it. I’m not going to talk down to myself. I’m going to eat my chicken wings, and then tomorrow I’m [back] in the gym,” she says.
“My new mantra is ‘humility does not serve me.’ Humility does not serve Black women. The world works so hard to humble us anyway."
This is the balance with which she's been approaching much of her life these days. It's why she's worried less about whether or not people see her as someone who is humble. She'd rather be respected. "I think you should be a person that's easy to work with, but in the moments where I have to ruffle feathers and make waves, I'm not shying away from that anymore. You can do it in love, you don't have to be nasty about it, but I had to finally be comfortable with the fact that setting boundaries around my life – in whatever aspect, whether that's personal or business – people are not going to like it. Some people are not going to have nice things to say about you, and you gotta be okay with it," she says.
When Amber talks about the constant humbling of Black women in Hollywood, I think of the entertainers before her who have suffered from this. The brilliant, consistent, overqualified Black women who have spoken of having to fight for opportunities and fair pay. Aretha Franklin. Viola Davis. Tracee Ellis Ross. There's a long list of stars whose success hasn't mirrored their experiences behind the scenes.
Credit: Ally Green
If Black women outside of Hollywood are struggling to decrease the pay gap, so, too, are their wealthier, more famous peers.
Riley says there’s been progress in recent years, but only in small ways and for a limited group of people. “This business is exhausting. The goalpost is constantly moving, and sometimes it’s unfair,” she says. But, I have to say it’s the love that keeps you going.”
“There’s no way you can continue to be in this business and not love it, especially being a plus-sized Black woman,” she continues. “We’re still niche. We’re still not main characters.”
"There’s no way you can continue to be in this business and not love it, especially being a plus-sized Black woman. We’re still niche. We’re still not main characters.”
Last year, Riley starred alongside Raven Goodwin in the Lifetime thriller Single Black Female (a modern, diversified take on 1992’s Single White Female). It was more than a leading role for the actress, it also served as proof that someone who looks like her can front a successful project without it hinging on her identity. It showcased that the characters she portrays don’t “have to be about being a big girl. It can just be a regular story.”
Riley sees her work in music as an extension of her efforts to push past the rigid stereotypes in entertainment. Take her appearance on The Masked Singer, for instance. Riley said she decided to perform Mayer’s “Gravity” after being told she couldn’t sing it years earlier. “I wanted to do ‘Gravity’ on Glee. [I] was told no, because that’s not a song that Mercedes would do,” she says. “That was a full circle moment for me, doing that on that show and to hear what it is they had to say.”
As Scherzinger praised the “anointed” performance, a masked Riley began to cry, her chest heaving as she stood on stage, her eyes shielded from view. “You have to understand, I have really big names – casting directors, producers, show creators – that constantly tell me ‘I’m such a big fan. Your talent is unmatched.’ Hire me, then,” she says, reflecting on the moment.
Recently, she’s been in the studio working on original music, the follow-up to her independently-released debut EP, 2020’s Riley. The sequel to songs such as the anthemic “Big Girl Energy” and the reflective ballad “A Moment” on Riley, this new project hones in on the singer’s R&B roots with sensual grooves such as the tentatively titled “All Night.” “You said I wasn’t shit, turns out that I’m the shit. Then you called me a bitch, turns out that I’m that bitch. You said no one would want me, well you should call your homies,” she sings on the tentatively titled “Lately,” a cut about reflecting on a past relationship. From the forthcoming project, xoNecole received five potential tracks. Fans likely already know the strengths and contours of Riley’s vocals, but these new songs are her strongest, most confident offerings as an artist.
“I am so much more comfortable as a writer, and I know who I am as an artist now. I’m evolving as a human being, in general, so I’m way more vulnerable in my music. I’m way more willing to talk about whatever is on my mind. I don’t stop myself from saying what it is I want to say,” she says.
Credit: Ally Green
“Every era and alliteration of Amber, the baseline is ‘Big Girl Energy.’ That’s the name of her company,” her manager Brooks says, referencing the imprint through which Riley releases her music after getting out of a label deal several years ago. “It’s just what she stands for. She’s not just talking about size, it’s in all things. Whether it’s putting your big girl pants on and having to face a boardroom full of executives or sell yourself in front of a casting agent. It’s her trying to achieve the things she wants to do in life.”
Riley says she has big dreams beyond releasing this new music, too. She’d love to star in a rom-com with Winston Duke. She hasn't starred in a biopic yet, but she’d revel in the opportunity to portray Rosetta Tharpe on screen. She’s determined that her previous setbacks won’t stop her from dreaming big.
“I think one of my superpowers is resilience because, at the end of the day, I’m going to kick, scream, cry, cuss, be mad and disappointed, but I’m going to get up and risk having to deal with it all again. It’s worth it for the happy moments,” she says.
If Riley seems more comfortable and confident professionally, it’s because of the work she’s been doing in her personal life.
She’d previously spoken to xoNecole about becoming engaged to a man she discovered in a post on the site, but she called things off last year. For Valentine’s Day, she revealed her new boyfriend publicly. “I decided to post him on Valentine’s Day, partially because I was in the dog house. I got in trouble with him,” she says, half-joking before turning serious. “The breakup was never going to stop me from finding love. Or at least trying. I don’t owe anybody a happily ever after. People break up. It happens. When it was good, it was good. When it was bad, it was terrible, hunny. I had to get the fuck up out of there. You find happiness, and you enjoy it and work through it.”
Credit: Ally Green
"I don’t owe anybody a happily ever after. People break up. It happens. When it was good, it was good. When it was bad, it was terrible, hunny. I had to get the fuck up out of there. You find happiness and you enjoy it and work through it.”
With her ex, Riley was pretty outspoken about her relationship, even appearing in content for Netflix with him. This time around is different. She’s not hiding her boyfriend of eight months, but she’s more protective of him, especially because he’s a father and isn’t interested in becoming a public figure.
She’s traveling more, too. It’s a deliberate effort on her part to enjoy her money and reject the trauma she’s developed after experiencing poverty in her childhood. “I live in constant fear of being broke. I don’t think you ever don’t remember that trauma or move past that. Now I travel and I’m like, listen, if it goes, it goes. I’m not saying [to] be reckless, but I deserve to enjoy my hard work.”
After everything she’s been through, she certainly deserves to finally let loose a bit. “I have to have a life to live,” she says. “I’ve got to have a life worth fighting for.”
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So, if you’re single and ready to mingle, here are a few helpful tips on how to have the best hot girl summer possible.
Start with self-care.
It's no secret that confidence is key when it comes to having a good time. Before you start swiping on dating apps or heading to the bar scene, take some time to indulge in self-care. Get a new haircut, buy a new outfit, and pamper yourself with a spa day. Having a fresh look and feeling good about yourself will boost your confidence and make you feel unstoppable.
Protect yourself and your partner.
Hot girl summer is all about having fun, but safety must come first. Before engaging in any sexual activity, make sure you and your partner use protection, whether it's a condom or other methods. Keep in mind STDs can still spread even with precautions, so it's important to get regular STD testing, especially if you're seeing multiple partners.
Delmaine Donson/Getty Images
Set boundaries and don't compromise.
It's common for women to feel pressured to do things they're not comfortable with during casual sex. In a hot girl summer, it's essential to set clear boundaries and not compromise on what makes you comfortable. If your partner doesn't respect your limits, then it's a sign they're not worth your time.
Be open-minded and explore.
If you want to spice up your summer, try exploring new sexual experiences and positions with your partner(s). For inspiration on what sex positions to try, check out articles on our site like this, this, and this. However, it's always important to make sure you're both on the same page and comfortable with what you're doing. Consent is key.
MoMo Productions/Getty Images
Date like it's your job.
With summer in full swing, dating becomes easier, and more people are open to meeting new individuals. Take advantage of this opportunity and start swiping on dating apps, or if you're more traditional, head to the bars or local events. It's important to remember that dating isn't about finding someone to settle down with; it's about having fun experiences and meeting new people.
Be honest about what you want.
Be honest with yourself. If you want a serious relationship, seek it out, but if you want to go on a casual date, go on a casual date. Hot girl summers mean doing whatever it is you want to do and not settling. Just be sure to communicate and be honest about who you are and what you’re looking for.
It's all about having fun, enjoying yourself, and exploring your sexuality. But it's crucial to remember that safety comes first. Use protection, get regular STD testing, set boundaries, and don't compromise. Be open-minded and explore new sexual experiences, but never forget to prioritize your comfort level, and don't let anyone pressure you into doing things you're not comfortable with. With these tips and tricks, you'll surely have the best hot girl summer yet.
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