What happens when you get home after a long day's (or night's) work? Do you flop into bed exhausted? Do you half-eat a semi-healthy meal, watch a little Real Housewives, and fall asleep on the couch?
There is a lot of emphasis placed on how well we start our day but how we end it is just as critical. Consistently only getting two hours of rest is not healthy. Neither is going to bed anxious or angry. The quality of our sleep speaks not only to how well we rise the next day, but the holistic quality of our lives. As women, our risks for certain illnesses are already greater and for women of color, the odds increase. Along with eating well and exercising, getting a good night's rest has been proven to improve clarity of focus, minimize the risk of heart disease and stroke, and improve immune system defenses.
We were able to catch up with 7 incredible women, killing it in their respective fields, to find out the rituals/routines that help them wind down and how they end their days well:
Christa Gambrell, PhD, LPC
Licensed Professional Counselor, Founder/CEO of Gambrell Wellness
"Once or twice a week, I take an Epsom salt bath with essential oils. It's a good way for the body to absorb magnesium, a nutrient known to produce a calming effect. I also started propping my feet on a wedge pillow, placing a heating pad on my abdomen, and practicing diaphragmatic breathing. A final seasonal favorite nighttime ritual is to turn out all the lights except the Christmas tree and just take in the beauty. All of these work together to promote a sense of safety and security so I can sleep in peace."
Follow her on Instagram @drcristagambrell.
Davia Roberts
Founder, Redefine Enough
"My night routine varies but one thing that does not change is intentionality. I honor my time to recharge by setting boundaries and genuinely preparing my mind to ease into rest. At 9pm, my phone switches to Do Not Disturb and I detach myself from social media. When distractions are silenced, I can focus on reading, journaling, breathing exercises, or relaxing yoga poses. Once I begin diffusing lavender oil, it's not long before I've fallen asleep.
"To others, my night routines may seem dramatic. However, these practices soothe me after busy days and help me stay focused on what matters. My life is not merely to-do lists and deadlines and taking the time to slow down each night reminds me of that truth. I am my best self when I create balance. The constant hustle doesn't serve me."
Follow her on Instagram @redefineenough and @justdavia.
Ashlee Wisdom
Founder, HealthInHerHUE
"I end my day well by setting aside time to unplug, unwind, and recenter. I usually do this by setting my alarm for the next day, putting my phone on Do Not Disturb, and turning it face down so the notifications don't distract me. I also have a routine of lighting a scented candle in my bedroom as I prepare for bed. (I usually light it before getting into the shower so when I get back to my room, the aroma relaxes me). I also spend some time in prayer and meditation. I reflect on the day – the good, the not so good, the things I'm unsure about – and I talk to God candidly about them. After I pray, I usually do one of three things: read a few chapters of whatever book I'm currently reading, watch a sermon on YouTube (I'm an unofficial member of Elevation Church, Transformation Church and The Potter's House LA/Denver), or watch a TED Talk on a topic of interest. Doing these things helps me silence a lot of the excess noise in my head, and it helps me pour back into myself spiritually and intellectually. My days end well with a nice combination of self-care, self-reflection, and self-investment."
Follow her on Instagram @healthinherhue.
Jayde Ware
Memory Care Director
"I completely unplug an hour before I go to bed, so I turn off the TV and put my phone down. I find completely unplugging gives me a clear headspace to actually wind down from my day. I then do 20 minutes of journaling where I just write out any lingering thoughts/feelings from the day. I also write a list of 3 really good things that happened to me that day and make a list of 5 things I'm thankful for. I find ending my day in a state of pure gratitude does wonders for my mood.
"Then I write out my goals and intentions for the next day. Waking up with a plan already set makes it easier for me to follow through and be productive in the morning. I end my night routine by taking 10 minutes to stretch and then praying. It's always important for me to end every day with a long list conversation with God."
Follow her on Instagram @callherjayde.
Latisha Carr
Self-Care Strategist, Latisha Carr Global
"Every night for the past few years, I have been writing in my journal in a very specific way that helps me to unwind. I first clear my mind by venting about all that has happened in my day, followed by writing out my wins for the day (I make myself find at least one even on the worst days). After that, I write things out that I am trusting God for, things that I am thankful for, and I end with an affirmation for the night. This helps me to clear my mind from any worries or doubts, but more importantly puts me in a place of gratitude and centered on God's Promise every night."
Follow her on Instagram @latisha.carr.
Erin Malone Turner
Writer & Pre-K Teacher
"Before bed, I typically do my nightly skincare routine, briefly read/edit something I've written, and spend the rest of the evening reading something written by someone else – usually a book or a play. I turn off my main bedroom lights and use my string lights until the last minute. Sometimes, I drink tea and tidy up my room a bit. Lastly, I pray and try to ready myself for the following day."
Follow her on Instagram @justphonehome.
Yetti Ajayi-Obe
Mental Health Awareness Blogger at Yetti Says & Entrepreneur
"The end of my day consists of me going through the typical motions: doing my skincare routine and packing up what I'm going to need for the next morning. But what ends my day well is me making time for love and gratitude. I reflect on the blessings of the day and complete my gratitude list. Then right before bed, my partner and I do an exercise called 'I love you today' where we share today's reasons why we love each other. It's a little corny, but it's heartwarming and it makes it easier for me to start the next day with intentionality and a meditation."
Follow her on Instagram @yettisays.
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A Goddard College graduate, who earned an MFA from Pratt Institute and was awarded an honorary doctorate from Marymount Manhattan College, Mahogany offers unapologetic realness with a side of grace and empowerment. "I started touring locally. I started creating chat books so that those poems will go in the hands of the people who were sitting in the rooms," she shared.
"And then I started facilitating poetry workshops, so I used my chat books as curriculum. And that, in turn, allowed me to further invest in my art and show the community and people who were hiring me that it wasn't just a one-off, that it's not just, you know, a fly by night—that I am invested in this art as much as I am invested in your community, in your children's learning, in our growth."
Mahogany has a special way of moving audiences, and her superpower sparks shifts in perspective, post-performance introspection, and strengthening of community bonds, especially among Black women. (One can undeniably recognize her gift for arousal of the spirit and mind merely from her listening to her insights from the other side of a Google Hangout call. I can only imagine the soul-stirring, top-tier sensory encounter when watching her perform in person.)
In this chat with xoNecole, Mahogany reflects on sustaining a creative career, the aftermath of writing a banned book, and using poetry for both healing, community-building, and activism.
Anthony Artis
xoNecole: What are three key things that have laid the foundation for a sustainable creative career for you?
Mahogany L Browne: What has helped me is that I'm willing to go in being an expert at knowing poetry and knowing the way in which art can change the landscape of our lives, not just as a poet, but also as a poetry facilitator. How you move through classes, those things are mastered, right? So when I go into another space that's maybe tech-heavy, I don't mind learning and being, you know, a student of the wonder of how we can make this magic, work together.
Two, you’ve got to know how to pivot. Sometimes we say, ‘Alright, this is what my life is going to be. I'm going to be a New York Times best-selling author. I'm going to, you know, have an album that's Grammy-nominated. And then, say you get dropped from your record label. That doesn't mean you can't make an album anymore. You can also still create an album that can be submitted to the Grammys. So, what does a pivot look like as an artist who doesn't have an institution behind them? Pivot being a student of the wonder.
Relationships also really help. How do I serve the community? And in turn, that tells me how the community can show up. For me, I have long-standing ties with a community that will outlast my one life. So, what does it mean to create space where these relationships can develop, can be nurtured, can be rooted, can be cultivated? Creating space—it happens through relationships.
xoN: With today’s economic challenges, what does your current creative process look like, and what are you working on?
MB: I’m always thinking five years ahead. I just reviewed the pages for two children’s books and recently released a YA novel. I’m drafting an adult fiction manuscript now.
Anything I create is founded with the root of poetry, but it can exist in captions. It can exist in commercials. It can exist as a musical. So that's where I’m at now.
xoN: You started performing "Black Girl Magic" in 2013, had an acclaimed performance of it via PBS and the work went on to viral success shortly after. Talk more about the inspiration. And what do you think about the continued relevance more than a decade later?
MB: I wrote it as a rally cry for the mothers who had been keeping themselves truly in harm's way by, you know, being a part of the community right after the death of their child or their loved one. They are usually mothers of victims of police brutality—and just seeing how they showed up in these community spaces, they are devout to the cause but obviously still grieving.
"I wanted this poem to be just a space of reclamation, of joy and of you, of your light, of your shine, of your brilliance, in any which way in which you fashion. Every room you enter is the room you deserve to be in. What does it mean to have a poem like that that exists?"
And the first time I did the poem, the Weeping that occurred, right? It was like this blood-letting of sorts. The next time I performed it, I'm moved to tears because I'm seeing how it's affecting other women who have just been waiting to hear, ‘You belong. You deserve. You are good. We see you. Thank you, despite everything that they said to make you regret being born in this beautiful brown, dark-skinned, light-skinned, but Black body.’
Black women are the backbone—period. Point blank. And so, that that poem became a necessity, not just to the fortitude of Black women in the community, but like you know, in service of healing the Black women.
xoN: One of your books was banned at a school in Boston, and it was later reinstated due to parental and activist support. What was that experience like?
MB: Well, I think it happened because they were racist. That's it. Point blank. The reversal of it was empowering, right? I realized, oh, I thought we just had to sit here and be on a banned book list. But no, parents are actually the leaders of this charge.
So to see that, the parents said, ‘Nah, we're not gonna let you take this book out of my baby’s school just because it's a Black kid on the front saying, ‘Woke’ and they're talking about being a global citizen. They're talking about accountability. They're talking about accessibility. They're talking about allyship, and you don't want them to have compassion or empathy or have even an understanding, right? So no, we rebuke that, and we want this book here anyway.’ To see that happen in that way. I was, like, reaffirmed. Absolutely.
xoN: You recently organized the Black Girl Magic Ball at the Lincoln Center in New York. Honorees included author and entrepreneur Rachel Cargle and National Black Theater CEO Sade Lythcott. What impact did it have and what expanded legacy do you hope to leave with your creative works?
MB: I was really interested in not celebrating just the book, but celebrating the community that made the book possible. And so I gave out five awards to women doing that thing, like, what does it mean to be a Black girl in this world?
I just thought it was gonna be an amazing time. Everybody's gonna dress up—we're gonna celebrate each other. And boom, I then realized that it responded to like a gaping hole. There was a missing thing for Black girls of all walks of life, all ages, right?
"It's very intergenerational. That was intentional to come together and celebrate just being us."
You have all these instances where just being you is either the butt of a joke or it's diminished and not worthy of a specific title in these larger institutions. So what does it mean to just to be loved up on and celebrated?
It felt like a self-care project at first. You know, for the first couple of years, folks were coming and they were getting that sisterhood. They were getting that tribe work that they were missing in their everyday lives.
I love the Black Girl Magic Ball because we got us. If I go out with a bang, they'll remember that Mahogany worked her a** off to make sure all the Black girls everywhere knew that she was the light. We are the blueprint.
For more information on Mahogany L. Browne, her work, and her future projects, visit her website or follow her on IG @mobrowne.
Featured image by Anthony Artis
“I think for me, an all-American girl, for some reason, brings me back to when I was younger, and just like playing at my grandma’s house and just being outside,” Kennedy told xoNecole ahead of her attendance at the 2025 BET Awards.
“I just feel like when I was younger, you know, you don’t have as many responsibilities. There’s not as much weighing you down, and so I kind of go back to that mindset. Like, even now, being 27, I’m trying to get back to that younger girl.”
The 2025 BET Awards, hosted by Kevin Hart, took place in Los Angeles at the Peacock Theater on Monday night (June 9). The star-studded event was filled with tons of surprises, including a trip down memory lane with a 106 & Park reunion, coupled with performances by artists that dominated the top spots during the music video countdown show’s reign from 2000 to 2014.
Kennedy, who received her first nomination alongside Tanner Adell, Brittney Spencer, Reyna Roberts, and Beyoncè in the BET Her category for “Blackbiird,” the reimagination of the original The Beatles of the same title (minus the extra i), invited xoNecole to get ready with her as she prepared for her first-ever BET Awards.
Beauty Rituals Inherited From Her Mother.
Rather than booking her makeup artist ahead of the big night, Kennedy decided to go on a budget and do the task herself, something that isn’t too out of her norm. She noted how she incorporates some of the things she witnessed her mother do while growing up in her routine.
“I remember being younger and seeing all the makeup laid out on my mom’s counter,” the “I Look Good In That Truck” singer recalled. “I don’t even think she knows this, but there were moments where I would like to go and steal her makeup. She would have Mac. I think it was some kind of foundation powder, and I would go in there and I would put it on, and I’m like I hope she doesn’t see.”
She added, “My mom is very natural with her makeup, so even though I’ve got these big lashes on, I always gravitate towards just neutral looks… I don’t do anything too fancy.”
Tiera Kennedy’s Holy Grail of Products.
Kennedy took it upon herself to take a class to ensure that she’s prepared for nights like these, where she’s the one responsible for bringing her glam look to life.
“We are independent,” she said, reminding us that she is no longer tied to a big machine when it comes to her work as an artist. “We ball on a budget. I have to do my makeup for award shows, events, all the things, and so my makeup artist that taught me how to do all of this, Hailee Clark, she put me on to Nars, the foundation. I don’t know exactly what the name of it is, but I love it.”
“I don’t know all the fancy technicals, but I know that it makes me just look kind of airbrushed, and so I love it. Then, I always use this Laura Mercier [setting] powder because I get real shiny, so I’ve gotta reapply that quite often.”
“We are independent. We ball on a budget. I have to do my makeup for award shows, events, all the things, and so my makeup artist that taught me how to do all of this, Hailee Clark, she put me on."
Her Decision To Wear Hanifa For The Big Night.
Intentionality is essential for Kennedy, which is why she jumped at the opportunity to support Black designer Anifa Mvuemba with a dress from her fashion brand, Hanifa.
“Takirra on my team helped me pick out the dress. I really like to represent in country music, and being in Nashville, I like to represent Black culture through the things that I wear, and I was excited to get to wear a Black brand to the BET Awards,” said Kennedy.
“She was telling me about this brand, Hanifa, and we were on FaceTime just scrolling through the website, and she was like this looks like you. This feels very rooted, like fits those natural tones, and so she bought the dress and was like, ‘This is what you’re wearing.’”
The look was a Raven Knit Dress in Eggplant/Dark Brown Mesh from Hanifa.
Tiera Kennedy in her younger years.
Courtesy
Kennedy also nurtured her inner child for the look, taking it back to her roots with one small detail in her hair that she had her mother carry out before she hopped on the flight to LA.
“I had this vision of wearing beads in my hair because when I was younger, my mom would always do that, and I didn’t love it, but now I’m like, it would be really beautiful to tie all of that together, and the Hanifa dress just fit perfectly.”
“Just even in the past couple of days, I’ve had to take a second, and just look back at all of the awesome things we’ve gotten to do,” said Kennedy when asked what baby Tiera is feeling in this moment.
“I had this vision of wearing beads in my hair, because when I was younger, my mom would always do that, and I didn’t love it, but now I’m like, it would be really beautiful to tie all of that together, and the Hanifa dress just fit perfectly.”
“I dreamed of having a record and having this team that was doing all of these things for me, and now, being an independent artist, and being in control of my career, I’ve gotten to build an awesome team behind me that helps me get to where I am. It’s been a lot of hard work, and I think when I was younger, I would have never imagined that I could do all of these things, and so, yeah, to be here, I don’t even think I would believe it.”
Although “Blackbiird” didn’t win in the BET Her category during Monday night’s show, Kennedy’s future is brighter than ever, which she attests to her faith playing a huge role in guiding her next steps as she continues to rise to stardom.
“Thinking about the next thing, I think that can be really daunting when you’re an independent artist. It’s like you have to be thinking of what’s coming next, to prepare for that, but I think the way that I like to walk through life in general is letting the Lord lead,” Kennedy said.
“I know that a lot of time when I have a vision of what I want things to look like in my head, He always exceed my expectations. So, I think the plan is to continue to release music, and continue to show up as my authentic self. Getting to have these moments like the BET Awards is so awesome, but also, at the same time, that’s not what I do this for. I do it for the humans that are listening to my music, that are [having] fun and healing through my music, so I hope that I can just continue to do that.”
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Feature image by Rob Latour/Shutterstock