

New Music Monday: SZA & Justin Bieber "Snooze" While Diddy & The Weeknd Drop "Another Side Of Me"
It seems reasonable to assume that new music will slow down in tempo to coincide with the fall season that quickly approaches. However, musicians, ever the unreasonable, are constantly showing us that they have different ideas. They have chosen to keep releasing club hits rather than slow tunes to get us ready for cuffing season, letting people know that while summer may be coming to an end, it may last as long as they want it to.
We are waving goodbye to summer with the new music from last week, but we might also be welcoming another week of tunes designed only for dancing. And honestly, who can complain about that? Here's this week's new music to make you move at every tempo.
"Another One of Me" - Diddy ft. The Weeknd, 21 Savage, & French Montana
Since its original recording in 2016, this song has undergone a great deal of alterations. The Weeknd previewed the new version of the song on his recent European tour, though it was originally scheduled to be released in 2020 and again in 2022. Nevertheless, with the release of this song, The Weeknd also declared that this would be his final "guest" appearance for some time, if ever. Therefore, the Weeknd sings about how there will "never be another one of [him]" again in this unique, enticing, and bold farewell. Thus, we must value him and the rest of his crew--French Montana and 21 Savage--while we still have the chance.
The musicians deliver vocal bars and complimentary rhymes on the song, which is accompanied by a drum sample from what seems like Phil Collins' "In the Air Tonight," as they consider their timeliness and what Diddy has done for the hip-hop/R&B community over the past few decades and on newly released The Love Album.
"Slime You Out" - Drake ft. SZA
On my first listen, it took everything I had in me not to abruptly end this song. However, by the time Drake begins to sing—heavily using auto-tune—and the beat begins to drop, there is enough of an allure to keep me listening. "Slime You Out" which features SZA is the lead single to Drake's highly anticipated eighth studio album, For All The Dogs. In the song, both musicians talk about being exploited by their ex-lovers and share their own emotional experiences.
They also disclose their malice towards their exes, as "sliming" someone out refers to using them for sex. The single and its meaning works perfectly for the duo, especially after it was revealed on Twitter (RIP) that Drake and SZA used to date back in '08--or was it '09? Regardless, this song allows the exes to focus on past relationships, even their own, as they take turns talking about ex-lovers and finally putting their years of subtle back and forth to rest.
"Lexicon" - Vagabon
Vagabon, also known as Laetitia Tamko, debuted her new album Sorry I Haven't Called on Friday, September 15, as well as her most recent single "Lexicon." Sorry I Haven't Called is a loving and tenacious album about enjoying the exhilarating moments wherever you can by understanding how you love and grieve. The album was formed out of sadness when her closest friend passed away in 2021.
It's an LP that draws inspiration from both group dance floor revelations and the enlightening calm of isolation; it represents both a creative and emotional resurrection. She claims that the record was made to include every feeling she had at the time, even when there was none. In "Lexicon," Vagabon invites the listener to let go of words and the meaning of things, as she repeatedly sings atop a bed of rhythmic noises in "Lexicon" to communicate her longing for oblivion.
"You Wish" - Flyana Boss
Last week, I had the pleasure of watching Flyana Boss open for Janelle Monáe. During their introduction, they discussed being best friends and explained that this foundation allowed them to become the artists that they desired to be. Within moments, the chemistry between the duo was fathomable as they easily played off one another and allowed room for each other to easily shine.
Though it's not a new single, the official video for the song dropped last week. In it, Flyana Boss mocks those who refer to them as "industry plants," while the song brings attention to their infamous "Hello Christ, I am about to sin again," challenge that TikTok sparked to life these last couple of months. They are strange, but in the coolest of ways, mainly because they don't wish to be like anyone else. However, it is clear that with their success others might.
"SKED" - Denzel Curry
Denzel Curry starts his song, which is almost an interlude, by outlining the reasons why he does not feel the need to trust others. He then goes on to tell people that because of their treatment and actions, he is unwilling to find a reason to comprehend those in positions of power and how they utilize their influence. He comes to the conclusion that these actions are the result of fear, and he merely declares that his adversaries are afraid before leaving it at just that. This brand-new song and its accompanying video leave the audience wanting more in less than two minutes. However, as he has stated, he's said all that he has needed to say.
"FAN" - Offset
This song is not long, and if you aren't paying attention, you won't be sure that the first minute is the same as the first 0:00 to 0:50 seconds. Regardless, when it kicks off, boy does it run and it takes off with Offset's insistence on shouting "f**k everybody" kicks in. Offset creates an entertaining video that draws inspiration from his admiration for Michael Jackson and his showmanship to demonstrate the necessity to destroy every bridge he has built since everyone is deserving of a sharp and clear "FU."
This video definitely shows how he has grown as an artist over the last couple of years, and after the grief he has faced from his cousin Takeoff's death, it only makes sense why he doesn't give a damn or two about turning his back on everyone.
"Balut" - Doja Cat
I've said it before and I'll say it again: I hate how much I love Doja Cat's music. I don't want to, I've actively been resisting it. However, I must say that since her "MOO[ing]" days, she has developed into a dynamic artist, and this has only led to the creation of vibes, bops, and songs that are worth listening to. Consider her most recent song, "Balut." It is a total vibe. She boasts about her ability to create hits and her distinctive artistic range in her most recent song.
In fact, she thinks that her artistic ability is as simple as "taking candy from a baby." She is correct that it is that simple; or at least for her it is. It is difficult to believe otherwise while listening to her mid-tempo, brag-tinged tune with its smooth flow. Her newest LP Scarlet drops this Friday, and like a moth to a flame, Doja knows we will all be anxiously awaiting its arrival.
"Snooze (Acoustic)" - SZA ft. Justin Bieber
I would not have wagered a single penny that this collaboration would truly take place. But now that it has, many question whether it ought to have. Lyrically, there is nothing fresh to concentrate on. SZA continues to explain why she would be prepared to break the law and compromise her values for the person she loves, but they are still hesitant to meet her halfway. The only thing that has changed is that we now have Justin Beiber's face to place her pleas upon. When Justin Beiber and SZA join in on the acoustic version of "Snooze," they produce a silky, smooth duet that is harmonized flawlessly with daunting echoes and heavenly vocals that coo over one another smoothly.
"Peaches & Eggplants" - Young Nudy ft. Latto & Sexyy Red (Remix)
I'll give you a second to consider what the song "Peaches and Eggplants" by Young Nudy feat. Latto & Sexxy Red could be about. Yes, now that you've experienced that moment. You are correct, that is what it is about. It is all about sex—and more sex—and, well, you get the idea. Even though the song's basic structure is straightforward, it nonetheless provides a fun finish to the summer. The song's production features synthesizers, "pounding" percussion, and Young Nudy's gunshot emulation in the background.
However, the remix now has a more feminine, more confident (if that could have been possible) edge to it thanks to Latto and Sexyy Redd. No one holds back on this song, but then again, the title never implied that they would.
"Swing" - EARTHGANG ft. Benji
And when we ask them when they been at, EARTHGANG will simply say they've been over here. On the right side of things, where they have always belonged. Fresh on the release track of their newest single "Swing" for Marvel's Spider-Man 2 video game soundtrack, EARTHGANG has returned to make us move like they always have. Joined by Benji, the song is loud, with a guitar rift that sounds like Imagine Dragons' "I'm So Sorry," and simultaneously lowers the tempo to make the perfect illustration of a song fusing several genres.
The song shouldn't make sense, much as when Imagine Dragons and Kendrick Lamar collaborated at the VMAs, yet the seamless genre-hopping makes the song engaging and ideal for the video game platform it advertises.
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Featured image via SZA "Snooze"/YouTube
Taysha Robinson is a writer and high school English teacher, based in metro-Atlanta. A self described philomath, you can find her reading books and articles of every genre, attending educational conferences, and hiking wherever the terrain will allow.
Exclusive: Gabrielle Union On Radical Transparency, Being Diagnosed With Perimenopause And Embracing What’s Next
Whenever Gabrielle Union graces the movie screen, she immediately commands attention. From her unforgettable scenes in films like Bring It On and Two Can Play That Game to her most recent film, in which she stars and produces Netflix’s The Perfect Find, there’s no denying that she is that girl.
Off-screen, she uses that power for good by sharing her trials and tribulations with other women in hopes of helping those who may be going through the same things or preventing them from experiencing them altogether. Recently, the Flawless by Gabrielle Union founder partnered with Clearblue to speak at the launch of their Menopause Stage Indicator, where she also shared her experience with being perimenopausal.
In a xoNecoleexclusive, the iconic actress opens up about embracing this season of her life, new projects, and overall being a “bad motherfucker.” Gabrielle reveals that she was 37 years old when she was diagnosed with perimenopause and is still going through it at 51 years old. Mayo Clinic says perimenopause “refers to the time during which your body makes the natural transition to menopause, marking the end of the reproductive years.”
“I haven't crossed over the next phase just yet, but I think part of it is when you hear any form of menopause, you automatically think of your mother or grandmother. It feels like an old-person thing, but for me, I was 37 and like not understanding what that really meant for me. And I don't think we focus so much on the word menopause without understanding that perimenopause is just the time before menopause,” she tells us.
Gabrielle Union
Photo by Brian Thomas
"But you can experience a lot of the same things during that period that people talk about, that they experienced during menopause. So you could get a hot flash, you could get the weight gain, the hair loss, depression, anxiety, like all of it, mental health challenges, all of that can come, you know, at any stage of the menopausal journey and like for me, I've been in perimenopause like 13, 14 years. When you know, most doctors are like, ‘Oh, but it's usually about ten years, and I'm like, ‘Uhh, I’m still going (laughs).’”
Conversations about perimenopause, fibroids, and all the things that are associated with women’s bodies have often been considered taboo and thus not discussed publicly. However, times are changing, and thanks to the Gabrielle’s and the Tia Mowry’s, more women are having an authentic discourse about women’s health. These open discussions lead to the creation of more safe spaces and support for one another.
“I want to be in community with folks. I don't ever want to feel like I'm on an island about anything. So, if I can help create community where we are lacking, I want to be a part of that,” she says. “So, it's like there's no harm in talking about it. You know what I mean? Like, I was a bad motherfucker before perimenopause. I’m a bad motherfucker now, and I'll be a bad motherfucker after menopause. Know what I’m saying? None of that has to change. How I’m a bad motherfucker, I welcome that part of the change. I'm just getting better and stronger and more intelligent, more wise, more patient, more compassionate, more empathetic. All of that is very, very welcomed, and none of it should be scary.”
The Being Mary Jane star hasn’t been shy about her stance on therapy. If you don’t know, here’s a hint: she’s all for it, and she encourages others to try it as well. She likens therapy to dating by suggesting that you keep looking for the right therapist to match your needs. Two other essential keys to her growth are radical transparency and radical acceptance (though she admits she is still working on the latter).
"I was a bad motherfucker before perimenopause. I’m a bad motherfucker now, and I'll be a bad motherfucker after menopause. Know what I’m saying? None of that has to change. How I’m a bad motherfucker, I welcome that part of the change."
Gabrielle Union and Kaavia Union-Wade
Photo by Monica Schipper/Getty Images
“I hope that a.) you recognize that you're not alone. Seek out help and know that it's okay to be honest about what the hell is happening in your life. That's the only way that you know you can get help, and that's also the only other way that people know that you are in need if there's something going on,” she says, “because we have all these big, very wild, high expectations of people, but if they don't know what they're actually dealing with, they're always going to be failing, and you will always be disappointed. So how about just tell the truth, be transparent, and let people know where you are. So they can be of service, they can be compassionate.”
Gabrielle’s transparency is what makes her so relatable, and has so many people root for her. Whether through her TV and film projects, her memoirs, or her social media, the actress has a knack for making you feel like she’s your homegirl. Scrolling through her Instagram, you see the special moments with her family, exciting new business ventures, and jaw-dropping fashion moments. Throughout her life and career, we’ve seen her evolve in a multitude of ways. From producing films to starting a haircare line to marriage and motherhood, her journey is a story of courage and triumph. And right now, in this season, she’s asking, “What’s next?”
“This is a season of discovery and change. In a billion ways,” says the NAACP Image Award winner. “The notion of like, ‘Oh, so and so changed. They got brand new.’ I want you to be brand new. I want me to be brand new. I want us to be always constantly growing, evolving. Having more clarity, moving with different purpose, like, and all of that is for me very, very welcomed."
"I want you to be brand new. I want me to be brand new. I want us to be always constantly growing, evolving. Having more clarity, moving with different purpose, like, and all of that is for me very, very welcomed."
She continues, “So I'm just trying to figure out what's next. You know what I mean? I'm jumping into what's next. I'm excited going into what's next and new. I'm just sort of embracing all of what life has to offer.”
Look out for Gabrielle in the upcoming indie film Riff Raff, which is a crime comedy starring her and Jennifer Coolidge, and she will also produce The Idea of You, which stars Anne Hathaway.
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Feature image by Mike Lawrie/Getty Images
Jada Pinkett Smith & Why Authenticity In Black Women Sparks Controversy
Will Smith and Jada Pinkett Smith went to social media to share their Thanksgiving holiday with followers. The pair were surrounded by family and friends Thursday, and both posted how grateful they were to be with the ones they loved. Yet this comes on the heels of Pinkett Smith’s whirlwind of negative opinions and critics forecasting her book would be a flop.
Despite the negative feedback she received, Worthy, Pinkett Smith’s memoir, still debuted at #3 on the New York Times’ Best Seller list on October 25. The greatest backlash she received was centered around her relationship with Smith and the fact that the two had been living separate lives since 2016.
The commentary about their marriage overshadowed the reality that this book is ultimately about her journey to self-worth and the path she’s had to take in order to get there.
Social media comments about her book tour ranged from, “Me counting all the times Jada woke up and chose to embarrass Will Smith,” to podcasts like The Joe Budden Podcast saying, “Take me out the group chat,” which was a sentiment shared by many celebrities and fans alike. Yet, a point made by comedian KevOnStage proved that even though people say they don’t want to know about the Smiths, they’re secretly interested and want to know more.
Since the Smiths were wed in 1997, people have been fascinated with their marriage, and rumors about their marital arrangement have always been a topic of conversation. People continue to speculate that the pair is gay and swingers, and even new allegations have come out that Smith and Duane Martin shared an intimate relationship at one point.
However, despite their consistent united front throughout their marriage in recent years, Pinkett Smith has borne the brunt of backlash in the couple’s relationship, from her entanglement with August Alsina to Smith slapping Chris Rock at the 2022 Academy Awards to the recent truths she’s shared about the couple’s marriage in her memoir.
Individuals are consistently running to the internet to support Smith and villainize Pinkett Smith, from podcast guests saying things such as “She doesn’t like Will, she likes the lifestyle” to deeming her “mean” or "manipulative" because of her facial expressions and demeanor.
Likewise, when you have hosts of daytime talk shows such as Ana Navarro saying, “I think she’s having a relationship with her bank account,” insinuating Pinkett Smith only shared stories about Smith to increase her book sales, it begs the question of where was this same energy when Smith released his memoir?
In Will, Smith discusses both of his marriages and how, in relationships, because of his upbringing, he needed constant validation and praise from his partners to feel secure. He also shared the reality that Pinkett Smith never wanted to be married, just as she never wanted the huge estate they share in California, but he wanted to give it to her despite her feelings about it.
Smith admitted to creating this family empire that only further boosted his ego and what he wanted his legacy to be instead of actually asking his family what they wanted or needed. People praised him for his vulnerability and said his book was an inspiration.
So how is it that one book about a person’s family, upbringing, and journey to self is praised, and another is villainized? The glaring thought that comes to me is, does likability often trump accountability?
People love Smith and his “good guy” persona; he’s always been an attractive, charismatic man that people can relate to, so even when he speaks about the way he mismanaged his marriage and family, it’s seen as growth. On the contrary, because Pinkett Smith doesn’t constantly fawn over him and shares how miserable she was in their marriage, she’s the villain.
People still blame her for not stopping Smith from smacking Rock at the Oscars and share their sentiments about how she embarrassed Smith with her entanglement with Alsina. Though this is a celebrity couple we’ve all followed for years, the question must be asked, how much accountability must Black women be subjected to in relationship to their partners' actions?
Why is it that the media is more interested in the marriage between Smith and Pinkett Smith than her childhood, or the fact her memoir consists of writing prompts, meditations, and methods for other women to find their sense of worth?
Could it be that the larger society doesn’t value Black women having the tools to find their own sense of worth? Or is it that Black women are expected to accept whatever is given to them regardless of how they feel or what they want?
The exclusive interview with Eboni K. Williams (@ebonikwilliams) and Dr. Iyanla Vanzant about if she would date a bus driver seems to have a lot of people talking. You can watch her response tonight on #theGrio. Catch the full interview, here: https://t.co/ctxE0zKFWj pic.twitter.com/BhIO52T2fg
— theGrio.com (@theGrio) May 2, 2023
When Eboni K. Williams shared that she wasn’t interested in dating a bus driver, the internet blew up with individuals saying that Black women need to be less selective with their dating prospects. The commentary around this conversation shed much light on the reality that this demographic is expected and invited to settle in love if they actually want a life partner.
Black women aren’t often given the space to find their joy, fulfillment, or even self-worth because of the responsibility they’re forced to acquire in order to support their families and communities. Yet, “high value” Black men speak vehemently about Black women’s masculinity and inability to submit. We’re often inundated with podcast guests sharing that they’re not impressed by our success and are uninterested in our aspirations.
Black women, from a young age, are taught to place their community first and cater to the men around them regardless of what they do or how they behave.
We see this when young girls are told to put on pants when male relatives come around, we experience it when domestic violence survivors are encouraged not to press charges against their perpetrators, and we even see it when Black women face backlash for dating outside of their race.
The way Pinkett Smith has been treated since sharing the truth about her life and journey of discovering her self-worth is another example of how the world isn’t receptive to Black women being their most authentic selves.
It’s another example we can hold up to illustrate how Black women are expected to be magical but not human.
Even with this article, I’m sure there will be many who want to argue why Pinkett Smith was wrong in her narrative, but at the end of the day, it was her story to tell, and no one has more authority to share her lived experience than her.
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Featured image by James Devaney/GC Images