From Victoria Monét To Beyoncé — These Songs Had Us Vibing All Summer 2023

Undoubtedly, this summer was a mean one to add to the record books. It's easy to want to forget about it all, and move on, when there were temperature records broken, unaffordable global tours and strikes announced, political foolishness, new COVID strains, and egg prices. But along with the summer's chaos came some much-needed downtime and quality time with friends and family. Yes, we will remember this as a time of chaos, but we will most importantly remember this summer as a time of delight and wild abandon for years to come.
Therefore, it is only fitting that we reflect on the iconic tunes that served as the music to our sun-drenched travels before ushering in the new season. So, in no particular order, here are the top songs of the summer that kept things enjoyable despite the stifling heat.
1."On My Mama" - Victoria Monét
In June, "On My Mama" made its Billboard Hot R&B Songs debut at position No. 16. It has since risen to number seven thanks to its captivating dance-filled video, which pays homage to 2000s hip-hop/R&B. This summer anthem was first written as a song of affirmations, the ideal hype-up and full of love for oneself. In the song, Victoria Monét proclaims she is "done being the humble type" and correctly asserts herself in self-love and affirmation to attaining her goals as the song is built over a stylish sample of Chalie Boy's 2009 hit "I Look Good."
2."What It Is (Block Boy)" - Doechii ft. Kodak Black
Doechii and Kodak Black's "What It Is" track, which is a radio and social media sensation, is the ideal "fusion of nostalgia and pop vibes." This summer smash seems like a 00s hit, as it pays homage to the stereotype of wanting a bad boy at the end of the night. Alluring its audience with vintage samples of "No Scrubs" and "Some Cut" to mix in some lighthearted energy, Doechii urges all women to embrace their longing for something daring despite the inevitable drawbacks of dating a bad boy.
The exuberant and empowering song serves as a gentle reminder that there aren't enough songs in which women flaunt their endowments and demand what they want. It's more pop than we're used to from the rapper, but its playfulness creates a sentimentally enjoyable track that gives Doechii an opportunity to be much more vocally assertive than her previous hits. You may choose to listen to the song's original recording or the single she released with only her; either way, you can't help but move to the music as she smoothly questions, "What it is, hoe? What's up?"
3."Barbie World" - Nicki Minaj & Ice Spice (with Aqua)
The Barbie movie proved impervious to error throughout the course of its development and promotional tour, dominating the internet both during its production last summer and at its debut this summer. To further demonstrate how immaculate it might be, they showed that they were better than the hype when they recruited Nicki Minaj, the self-described Barbie, to participate in the lead song from their soundtrack.
Nicki Minaj and Ice Spice's "Barbie World," their second joint effort after "Princess Diana," debuted in June and included a sample of Aqua's 1997 dance-pop smash "Barbie Girl." The song strikes the ideal mix between drill and pop, as well as fun and feminine elements. It blends syncopated percussion with powerful bass drums and features aspects of Jersey club music. You can't help but sing along and find amusement in it because of the song's slithering groove and bad bitch anthem.
4."Kill Bill" - SZA
Like the Scorpio she is, SZA spent the summer weaving a tale of two extreme woes. Her first woe was detailed in the form of "Kill Bill," which is a classic example of the crazy girl cliché, telling the story of a woman who is overly committed to a former love and will do anything to win her relationship back. With the majority of cuffed women returning to the streets, "Kill Bill" created the perfect soundtrack for one's summer vengeance.
With a lullaby-like sway, it is easy to join SZA in her deadly mission as wary, but enchanted companions. Although we can all agree that SZA's murder fantasies are catastrophic, they are somewhat realistic, given the song's underlying message of doing whatever it takes for love. Praised for its honest exploration of raw, violent feelings, "Kill Bill" was perfect for one's summer playlist.
5."Snooze" - SZA
SZA's second song on this list that took the summer and listeners by storm was "Snooze." Unlike "Kill Bill," "Snooze" holds the opposite vibe and offers advice on how to deal with heartbreak. In contrast to the previous song, "Snooze" takes the time to describe how important someone has become and why desiring anybody else is impossible. As she exposes thoughts of hatred, retaliation, self-growth, self-worth, and love, SZA's voice and the unique musical style produce an emotive tune strangely perfect for the summer.
Similar to "Kill Bill," "Snooze" uses impassioned and vaguely violent language, which occasionally works against the title's intended tranquil and drowsy tone. However, it adroitly captures the wrath one feels when one really wants a relationship, and the other person makes no attempt to try.
6."Boy's a liar Pt. 2" - PinkPantheress ft. Ice Spice
"Boy's a liar Pt. 2" slid into the summer like the little engine that could after remaining stable on the charts during the winter. The song "Boy's a liar Pt. 2" by British artist PinkPantheress and current rap phenom Ice Spice is about someone who is only interested in you when you "look good." It's an incredibly catchy summer tune that is both quick and slow, old and fresh.
Like an ephemeral hallucination, this summer song has a light, floaty feel thanks to rhythms that borrow from old dance tunes, Jersey Club music, and powerful percussions. Effortlessly weaving into the hyper-pop we've come to know from the artist, there is a gentle, luxuriant vibe, which causes listeners to bob along coolly and adroitly.
7."Good Good" - Usher, Summer Walker, & 21 Savage
Like Usher said, this song is "different." Unlike the other summer songs where relationships fell apart, Usher is not trying to seek revenge or find violent ways to retaliate against his ex. Instead, he can acknowledge that they are not on the best of terms, but that the terms are nevertheless, still good. Crooning over a slick beat, he prunes out his desires like he once did on his early 00s tracks and shows his ex that he understands that though he wished for forever, it simply wasn't in their cards.
Singing in cursive and rapping matter-of-factly, Summer Walker and 21 Savage join the song to confirm matters on hand. Though Walker intended to become her ex's "missus," it is clear that she and her ex are happier apart than trying to solidify their relationship in marital hell. Meanwhile, 21 Savage reflects on his relationship and everything he provided for his ex, but in the end, he just wishes to be friends and remain a support system for his former flame.
8."One Margarita (Saucy Remix)" - That Chick Angel, Casadi Music, & Steve Terrell (ft. Saucy Santana)
You've probably heard this song a thousand and two times on Instagram this summer, and if you didn't, you certainly heard it on TikTok. Regardless of where you found the tune, this song took the summer by storm with its playful, and overtly sexual nature. A song that literally explains how many margaritas you'll need to get That Chick Angel to "open her legs," it feels like the female perspective to Miguel's "How Many Drinks?"
The song is catchy, and it certainly makes you want to dance, but the best part of its creation is how it aligned together in the first place. Never meant to truly be a song, Angel Laketa Moore created this hit after hearing a sample from Sister Cindy, which claims "If you buy her one margarita, she will spread her legs.” From there, Moore freestyled her infamous "Give me one Margarita, Imma open my legs/Give me two margaritas, Imma give you some head." Within 24 hours, Casadi Music and Steve Terrell added their twist to the track, and the rest is summer history.
9."Summer Too Hot" - Chris Brown
"Summer Too Hot" dropped in June 2023 as the lead single of Chris Brown's eleventh album, 11:11. The lively tune "Summer Too Hot" makes Brown's intentions to "wet up" the summer clear. Brown admits that whenever he finds someone who attracts his eye, it is simply too hot for both of them to resist exploring the wetter side of things. The track, which has silky vocals and a laid-back beat, quickly gained traction and peaked at No. 6 on the Billboard Hot R&B.
With its frank lyrics and explicit sexual character, the vibrant song about "getting nasty" during a summertime affair promotes the value of cooling off from the heat and appreciating the season's lack of clothes.
10."Smoke" - Victoria Monét ft. Lucky Daye
Levitating us effortlessly with its spellbinding harmonies, Lucky Daye and Victoria Monét begin "Smoke" like the ascension of a firework. However, this aural joy generates a fluid rhythm that has no business being as smooth as it is, rather than a quick-paced explosion. This summer song, which debuted five months ago and has been steadily entrancing fans with a sensuous, syrupy bassline, eventually builds to a 70s funk and reggae bop. This lighthearted dedication to the celebration of cannabis is an ode to all potheads and is pleasant and summery in feel.
"Smoke" is a refreshing, playful track that lets you float/groove to the beat, amplified by an amalgam of whistling horns, organs, and vibrant electronic effects.
11."Popular" - The Weeknd, Madonna, & Playboi Carti
Just like his HBO flop The Idol, this collaboration from The Weeknd doesn't make sense on paper. However, unlike his HBO flop The Idol--yes, I mentioned it twice, because it was that bad--this collab was something none of us knew we wanted. Sounding like another nostalgic 00s throwback, or Justin Timberlake and Timbaland song, this is the best thing to come out of the now-canceled show. With Madonna and Playboi Carti, the rap-pop group spins a tale about a lady who is yearning for fame and glory and wants nothing more than to be popular.
However, as everyone is aware, when someone seeks attention and the spotlight, they typically end up with both more and less than they expected. "Popular" is a ditty that brings the summer to a close with a lovely, crisp farewell. It is straightforward, catchy, and ends at exactly the appropriate spot.
12."AMERICA HAS A PROBLEM" - Beyoncé
This summer's music wouldn't have been half of what it was without Queen Bey herself. This summer, as her Renaissance World Tour got underway, Beyoncé found herself responsible for Sweden's highest inflation of the year and the world being put on mute via "ENERGY." With every sold-out performance and every "mute" challenge, Beyoncé further demonstrated to the world that she was deserving of their addiction.
Though she had many tracks from her latest album circulating with viral moments from her tour, the song that transformed the summer for us was "AMERICA HAS A PROBLEM." "AMERICA HAS A PROBLEM" is a song sampled from Kilo Ali's "America Has a Problem (Cocaine.)" that focuses on cocaine and happiness, and eventually the anguish it causes, via the metaphor of a woman. In this sample, Beyoncé makes a comparison between herself, her music, and the addictive qualities of cocaine.
She outlines all the qualities that make everyone fall in love with her and keeps them coming back to her time and time again, proving that she is a lady to be revered.
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Featured image via YouTube
Because We Are Still IT, Girl: It Girl 100 Returns
Last year, when our xoNecole team dropped our inaugural It Girl 100 honoree list, the world felt, ahem, a bit brighter.
It was March 2024, and we still had a Black woman as the Vice President of the United States. DEI rollbacks weren’t being tossed around like confetti. And more than 300,000 Black women were still gainfully employed in the workforce.
Though that was just nineteen months ago, things were different. Perhaps the world then felt more receptive to our light as Black women.
At the time, we launched It Girl 100 to spotlight the huge motion we were making as dope, GenZennial Black women leaving our mark on culture. The girls were on the rise, flourishing, drinking their water, minding their business, leading companies, and learning to do it all softly, in rest. We wanted to celebrate that momentum—because we love that for us.
So, we handpicked one hundred It Girls who embody that palpable It Factor moving through us as young Black women, the kind of motion lighting up the world both IRL and across the internet.
It Girl 100 became xoNecole’s most successful program, with the hashtag organically reaching more than forty million impressions on Instagram in just twenty-four hours. Yes, it caught on like wildfire because we celebrated some of the most brilliant and influential GenZennial women of color setting trends and shaping culture. But more than that, it resonated because the women we celebrated felt seen.
Many were already known in their industries for keeping this generation fly and lit, but rarely received recognition or flowers. It Girl 100 became a safe space to be uplifted, and for us as Black women to bask in what felt like an era of our brilliance, beauty, and boundless influence on full display.
And then, almost overnight, it was as if the rug was pulled from under us as Black women, as the It Girls of the world.
Our much-needed, much-deserved season of ease and soft living quickly metamorphosed into a time of self-preservation and survival. Our motion and economic progression seemed strategically slowed, our light under siege.
The air feels heavier now. The headlines colder. Our Black girl magic is being picked apart and politicized for simply existing.
With that climate shift, as we prepare to launch our second annual It Girl 100 honoree list, our team has had to dig deep on the purpose and intention behind this year’s list. Knowing the spirit of It Girl 100 is about motion, sauce, strides, and progression, how do we celebrate amid uncertainty and collective grief when the juice feels like it is being squeezed out of us?
As we wrestled with that question, we were reminded that this tension isn’t new. Black women have always had to find joy in the midst of struggle, to create light even in the darkest corners. We have carried the weight of scrutiny for generations, expected to be strong, to serve, to smile through the sting. But this moment feels different. It feels deeply personal.
We are living at the intersection of liberation and backlash. We are learning to take off our capes, to say no when we are tired, to embrace softness without apology.
And somehow, the world has found new ways to punish us for it.

In lifestyle, women like Kayla Nicole and Ayesha Curry have been ridiculed for daring to choose themselves. Tracee Ellis Ross was labeled bitter for speaking her truth about love. Meghan Markle, still, cannot breathe without critique.
In politics, Kamala Harris, Letitia James, and Jasmine Crockett are dragged through the mud for standing tall in rooms not built for them.
In sports, Angel Reese, Coco Gauff, and Taylor Townsend have been reminded that even excellence will not shield you from racism or judgment.

In business, visionaries like Diarrha N’Diaye-Mbaye and Melissa Butler are fighting to keep their dreams alive in an economy that too often forgets us first.
Even our icons, Beyoncé, Serena, and SZA, have faced criticism simply for evolving beyond the boxes society tried to keep them in.
From everyday women to cultural phenoms, the pattern is the same. Our light is being tested.

And yet, somehow, through it all, we are still showing up as that girl, and that deserves to be celebrated.
Because while the world debates our worth, we keep raising our value. And that proof is all around us.
This year alone, Naomi Osaka returned from motherhood and mental health challenges to reach the semifinals of the US Open. A’ja Wilson claimed another MVP, reminding us that beauty and dominance can coexist. Brandy and Monica are snatching our edges on tour. Kahlana Barfield Brown sold out her new line in the face of a retailer that had been canceled. And Melissa Butler’s company, The Lip Bar, is projecting a forty percent surge in sales.

We are no longer defining strength by how much pain we can endure. We are defining it by the unbreakable light we continue to radiate.
We are the women walking our daily steps and also continuing to run solid businesses. We are growing in love, taking solo trips, laughing until it hurts, raising babies and ideas, drinking our green juice, and praying our peace back into existence.
We are rediscovering the joy of rest and realizing that softness is not weakness, it is strategy.
And through it all, we continue to lift one another. Emma Grede is creating seats at the table. Valeisha Butterfield has started a fund for jobless Black women. Arian Simone is leading in media with fearless conviction. We are pouring into each other in ways the world rarely sees but always feels.

So yes, we are in the midst of societal warfare. Yes, we are being tested. Yes, we are facing economic strain, political targeting, and public scrutiny. But even war cannot dim a light that is divinely ours.
And we are still shining.
And we are still softening.
And we are still creating.
And we are still It.

That is the quiet magic of Black womanhood, our ability to hold both truth and triumph in the same breath, to say yes, and to life’s contradictions.
It is no coincidence that this year, as SheaMoisture embraces the message “Yes, And,” they stand beside us as partners in celebrating this class of It Girls. Because that phrase, those two simple words, capture the very essence of this moment.
Yes, we are tired. And we are still rising.
Yes, we are questioned. And we are the answer.
Yes, we are bruised. And we are still beautiful.

This year’s It Girl 100 is more than a list. It is a love letter to every Black woman who dares to live out loud in a world that would rather she whisper. This year’s class is living proof of “Yes, And,” women who are finding ways to thrive and to heal, to build and to rest, to lead and to love, all at once.
It is proof that our joy is not naive, our success not accidental. It is the reminder that our light has never needed permission.
So without further ado, we celebrate the It Girl 100 Class of 2025–2026.
We celebrate the millions of us who keep doing it with grace, grit, and glory.
Because despite it all, we still shine.
Because we are still her.
Because we are still IT, girl.
Meet all 100 women shaping culture in the It Girl 100 Class of 2025. View the complete list of honorees here.
Featured image by xoStaff
These Black Women Left Their Jobs To Turn Their Wildest Dreams Into Reality
“I’m too big for a f***ing cubicle!” Those thoughts motivated Randi O to kiss her 9 to 5 goodbye and step into her dreams of becoming a full-time social media entrepreneur. She now owns Randi O P&R. Gabrielle, the founder of Raw Honey, was moving from state to state for her corporate job, and every time she packed her suitcases for a new zip code, she regretted the loss of community and the distance in her friendships. So she created a safe haven and village for queer Black people in New York.
Then there were those who gave up their zip code altogether and found a permanent home in the skies. After years spent recruiting students for a university, Lisa-Gaye Shakespeare became a full-time travel influencer and founded her travel company, Shakespeare Agency. And she's not alone.
These stories mirror the experiences of women across the world. For millions, the pandemic induced a seismic shift in priorities and desires. Corporate careers that were once hailed as the ultimate “I made it” moment in one's career were pushed to the back burner as women quit their jobs in search of a more self-fulfilling purpose.
xoNecole spoke to these three Black women who used the pandemic as a springboard to make their wildest dreams a reality, the lessons they learned, and posed the question of whether they’ll ever return to cubicle life.
Answers have been edited for context and length.
xoNecole: How did the pandemic lead to you leaving the cubicle?
Randi: I was becoming stagnant. I was working in mortgage and banking but I felt like my personality was too big for that job! From there, I transitioned to radio but was laid off during the pandemic. That’s what made me go full throttle with entrepreneurship.
Gabrielle: I moved around a lot for work. Five times over a span of seven years. I knew I needed a break because I had experienced so much. So, I just quit one day. Effective immediately. I didn’t know what I was going to do, I just knew I needed a break and to just regroup.
Lisa-Gaye: I was working in recruiting at a university and my dream job just kind of fell into my lap! But, I never got to fully enjoy it before the world shut down in March [2020] and I was laid off. On top of that, I was stuck in Miami because Jamaica had closed its borders due to the pandemic before I was able to return.

Randi O
xoN: Tell us about your journey after leaving Corporate America.
Randi: I do it all now! I have a podcast, I’m an on-air talent, I act, and I own a public relations company that focuses on social media engagement. It’s all from my network. When you go out and start a business, you can’t just say, “Okay I’m done with Corporate America,” and “Let me do my own thing.” If you don’t build community, if you don’t build a network it's going to be very hard to sustain.
Gabrielle: I realized in New York, there was not a lot to do for Black lesbians and queer folks. We don’t really have dedicated bars and spaces so I started doing events and it took off. I started focusing on my brand, Raw Honey. I opened a co-working space, and I was able to host an NYC Pride event in front of 100,000 people. I hit the ground running with Raw Honey. My events were all women coming to find community and come together with other lesbians and queer folks. I found my purpose in that.
Lisa-Gaye: After being laid off, I wrote out all of my passions and that’s how I came up with [my company] Shakespeare Agency. It was all of the things that I loved to do under one umbrella. The pandemic pulled that out of me. I had a very large social media following, so I pitched to hotels that I would feature them on my blog and social media. This reignited my passion for travel. I took the rest of the year to refocus my brand to focus solely on being a content creator within the travel space.

Gabrielle
xoN: What have you learned about yourself during your time as an entrepreneur?
Randi: [I learned] the importance of my network and community that I created. When I was laid off I was still keeping those relationships with people that I used to work with. So it was easy for me to transition into social media management and I didn’t have to start from scratch.
Gabrielle: The biggest thing I learned about myself was my own personal identity as a Black lesbian and how much I had assimilated into straight and corporate culture and not being myself. Now, I feel comfortable and confident being my authentic self. Now, I'm not sacrificing anything else for my career. I have a full life. I have friends. I have a social life. And when you are happy and have a full quality of life, I feel like [I] can have more longevity in my career.
Lisa-Gaye: [I'm doing] the best that I've ever done. The discipline that I’m building within myself. Nobody is saying, ‘Oh you have to be at work at this time.’ There’s no boss saying, ‘Why are you late?’ But, if I’m laying in bed at 10 a.m. then it's me saying [to myself], 'Okay, Lisa, get up, it's time for you to start working!’ That’s all on me.
xoNecole: What mistakes do you want to help people avoid when leaving Corporate America?
Randi: You have to learn about the highs and lows of entrepreneurship. You have a fast season and a slow season and I started to learn that when you're self-employed the latter season hits hard. Don't get caught up on the lows, just keep going and don't stop. I’m glad I did.
Gabrielle: I think everyone should quit their job and just figure it out for a second. You will discover so much about yourself when you take a second to just focus on you. Your skill set will always be there. You can’t be afraid of what will happen when you bet on yourself.
Lisa-Gaye: When it comes to being an influencer the field is saturated and a lot of people suffer from imposter syndrome. There is nothing wrong with being an imposter but find out how to make it yours, how to make it better. If you go to the store, you see 10 million different brands of bread! But you are choosing the brand that you like because you like that particular flavor.
So be an imposter, but be the best imposter of yourself and add your own flair, your own flavor. Make the better bread. The bread that you want.

Lisa-Gaye Shakespeare
xoNecole: Will you ever return to your 9 to 5?
Randi: I wouldn’t go back to Corporate America. But I don’t mind working under someone. A lot of people try to get into this business saying, “I can't work under anyone.” That’s not necessarily the reason to start a business because you're always going to answer to somebody. Clients, brands, there’s always someone else involved.
Gabrielle: I went back! I really needed a break and I gave myself that. But, I realized I’m a corporate girl, [and] I enjoy the work that I do. I’m good at it and I really missed that side of myself. I have different sides of me and my whole identity is not Raw Honey or my queerness. A big side of me is business and that’s why I love having my career. Now I feel like my best self.
Lisa-Gaye: I really don’t. For right now, I love working for myself. It's gratifying, it's challenging, it's exciting. It’s a big deal for me to say I own my own business. That I am my own boss, and I'm a Black woman doing it.
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Featured image courtesy of Lisa-Gaye Shakespeare
Originally published on February 6, 2023









