

Cardi B, Megan Thee Stallion & 8 Other Artists That Ruled 2021
After the exhausting start of the decade that was last year, 2021 revealed itself to be yet another trying year for our patience with everyone and the audacity they held. Though, instead of wallowing in the uncertainty created by all of the unexpected, like we did last year, this year we were given a soundtrack that challenged how we'd interpret our world.
Last year, the best songs were the ones that distracted us from the tragedy outside. This year, the best songs came from artist who embraced themselves and found peace with the tragedies within. These artist gave us songs that taught us how to love the world we are in, but most importantly, they gave us songs that taught us how to love ourselves within this world.
Below, check out the list of artists that made this year memorable, and brought a wondrous soundtrack to the chaotic second year of what's sure to be an inevitably chaotic decade.
1.Megan Thee Stallion
Megan Thee Stallion
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There are some people that you don't have to meet to know that they are good people and should, at all times, be rooted for. For example, Barack and Michelle Obama. I don't need to know them to know that they are probably the nicest people in the world. Don't get me wrong. I know that they aren't perfect, but so do they, and that only makes them that much more desirable to root for. Amongst them, I would count Megan Thee Stallion. Yes, I know she is not in the exact same category as the Obamas. She is not a huge activist or civil worker as they are, but her genuineness and her ambition place her among their ranks.
Whether it's Megan judging ballroom on HBO Max's Legendary, her three Grammy wins, her promotion of "The Hottie Sauce" for her partnership with Popeyes, her collaborations with Ariana Grande, BTS, Maroon 5, Lil Nas X, her Sports Illustrated cover, her Met Gala appearance, or even graduating college with a degree in health administration, Megan Thee Stallion has made this year her own. And don't we love to see it!
Unlike the other artists on this list, Megan Thee Stallion has managed to succeed in every aspect of her life this year. While being in school, she managed to bring her music and artistry to other artists and to her own stage. Her performances have been entertaining, her features have been awe-inspiring, and her relentless body positivity has been a mirror for all Black women to unapologetically love themselves.
She has been a great artist, but most importantly, she has been a great reflection of how someone can succeed despite all of the odds stacked against them.
2.Silk Sonic
Silk Sonic
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Before the announcement of their collaboration, the idea of Anderson .Paak and Bruno Mars teaming up was ludicrous to me. Like a shot out of nowhere, I remember finding myself thinking, What a strange occurrence. Don't get me wrong, I had known them to have toured together before, but I never imagined them making an album together. My greatest bewilderment of the pairing had been everyone else's selling point: Bruno Mars. My mind just could never wrap its head around Bruno Mars truly being an R&B singer. (In hindsight, I attribute this to my once insistent belief--which I know now to be wishful thinking-- that Bruno Mars' singing funk and R&B was just a phase.) Nevertheless, my concerns were quickly assuaged from the moment the duo released "Leave the Door Open" under the name Silk Sonic.
Recreating R&B of the 60s and 70s, Silk Sonic easily reminded audiences of the once bold, vibrant, and adorned music of our past.
From "Leave the Door Open" to "Smoking Out the Window," Silk Sonic has made "come through" messages, insistent flirting, and unforeseeable heartbreak soulful, passionate, and, at times, downright silly. Their music is as smooth as it is nostalgically fun. Even listening toAn Evening With Silk Sonic album felt like a Friday after a long week, with a warm, inviting fire and cold beer. The album isn't perfect, but its playfulness and fervent delivery are worth a listen. With "Leave the Door Open" still on repeat on the radio (and in my car) twenty times a day nine months later, there is no doubt that Silk Sonic remains powerful artists of this year.
3.Doja Cat
Doja Cat
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I am by no means a Doja Cat fan. Between her endless antics--her use of anti-gay slurs, her mockery of COVID (just to get it months later), alleged association with white supremacists--and constant evasion of cancellation, I find it hard to root for her. With this in mind, I reluctantly listened to Doja Cat's Planet Her album after not being able to escape one damn single from the radio. After listening, I find myself coming to a stunning realization: Planet Her is a damn good album, and the marketing behind its promotion was exceptional.
With a star-studded collaboration set, Planet Her is an infectious pop album that is quirky, insouciant, and quippy. While remaining pop, Doja Cat cleverly takes on melodies and beats of other genres, incorporating musical elements such as afrobeat, reggaeton, pop-rap, funk, trap, amongst others, to tell a compelling story. Which, in turn, makes songs that would have been typical and redundant into something new, worth enjoying. The album comes across as strong due to its intentionality. Nevertheless, this intentionality does not seem forced, or contrived, but instead cleverly crafted.
Some songs embrace womanhood and feminine diversity, such as "Woman," other songs explore the anxiety that one receives from the idea of intimacy, "Naked." Some aren't as thought-provoking and are made to only seduce or show one's desire to be seduced ("Need to Know" and "You Right").
Though there is no chance that Doja Cat will be seeing me at a concert any time soon nor paying any amount of money towards her empire, I must admit, with this album it is understandable why she is considered one of this year's guilty pleasure artists.
4.Lil Nas X
Lil Nas X
Rich Fury/Getty Images
Truth be told, I thought "Old Town Road" would be the first and last time we'd ever see Lil Nas X. Damn, I have never been happier to have been so wrong. At this point, I am elated that the world has not turned its backs on this beautifully, proudly open Black queer man. I am happy that the public is allowing his music to speak for itself and that Lil Nas X does not have to hide in a shadow of shame like so many queer Black men are forced to do in the music industry.
Every single released this year from Lil Nas showed that he has always been more than just some cheap gimmick, but an artist and businessman worth respecting. The visuals of his videos have been staggeringly artistic. His debut album Montero played with different genres and sounds, while the artist remained completely and unapologetically himself.
The album also reveals the loneliness that comes when one is a lone force to be reckoned with. It is catchy, yes, it is entertaining, but underneath all of the drums, the pop hooks, and melodious tunes, it is clear that happiness is a journey for the young artist. He is happy being himself, but with the price of that happiness, he seems to be sacrificing it everywhere else. Nevertheless, this year has been Lil Nas X's for the taking.
5.H.E.R.
H.E.R.
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Despite only being around for five years, it feels like there has never been a time without H.E.R. and her music. With her EP H.E.R. Volume 1 and compilation albums H.E.R. and I Used to Know Her, the artist made a name for herself amongst the public and the music industry. As if overnight, H.E.R. songs became known for their soulful flare, beautifully elegant arrangements, and powerful messages.
In 2021, she won a Grammy for Song of Year for the single "I Can't Breathe," a song about the anger, frustration, and pain of witnessing the death of another black innocent man, George Floyd. That same night, she won another for her moving ballad "Fight for You." Later this year, she followed up her wins with her first full-length album Back of My Mind. This album received acclaim for its maturity, ballads, and messages on success. Heavily leaning towards ballads, Back of My Mind is an R&B album that showcases H.E.R.'s vocal talents, but most importantly her songwriting skills.
By placing a contemporary spin onto the R&B genre, H.E.R. released an album that is as soulful as it is political, romantic, and unremorsefully honest.
6.Jazmine Sullivan
Jazmine Sullivan
Johnny Nunez/Getty Images for BET
It has always been my biggest grievance (and if you've read any of my other music reviews you'd see that I have not hidden it well) that the world does not give Jazmine Sullivan the recognition she has always been due. Despite being an artist since 2003, and known to many, she always seemed to be a best-kept secret in the industry. There were moments when she would go mainstream ("Bust the Windows Out Your Car" is what mainly comes to mind), but those moments were few and rare in between.
Luckily, this year, the world showed Jazmine Sullivan that it is better to show up late to the party than to never come at all. And instead of turning her back to those who are finally looking, Jazmine Sullivan has made it her mission to step out and give us a show.
With the exceptional, empowering EP Heaux Tales, Jazmine Sullivan discusses the themes of feminism, sexuality, classism, body-shaming and positivity, and other moving topics with interludes in between. The EP is art and her live renditions of the album's songs, especially "Pick Up Your Feelings," only highlight the show-stopping talent that Sullivan has always been.
During her well-deserved SoulTrain Award for Album of the Year acceptance speech, Jazmine Sullivan mentioned being "uncomfortable being seen," and that after some time, she made a "promise to [herself] to not hide anymore." And thank goodness for that because the music scene and the Black community are much better for such deserving representation.
7.The Weeknd
The Weeknd
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After his big showdown with the Recording Academy and lackluster halftime show at the Superbowl earlier this year, one expected The Weeknd to take some time off and focus on his artistry away from the public eye. However, this was not the case. Instead, every month, we found The Weeknd releasing something new. Whether it was a single that could, "Blinding Lights" dethroning "The Twist" for the all-time No. 1 Billboard single, or another collaboration with a fellow pop artist, Doja Cat or Post Malone, The Weekend managed to stay in the spotlight all of 2021. So much so, Apple Music named him the "Global Artist of the Year."
No longer known as the pop-synth guy, The Weeknd revealed himself as a true artist with his creation of After Hours. His ability to receive Grammy nominations, despite his boycott, shows just how truly an amazing artist the Weeknd is.
8.SZA
SZA
Phillip Faraone/Getty Images for REVOLT
SZA has been everywhere and, strangely, nowhere at all this year. Here, let me explain. With SZA's December release of "Good Days," it was inevitable that the single would climb the charts in the new year. After the release, SZA recorded live sessions from her home singing the single amongst others. In March, she released a video for "Good Days" and a month later "Kiss Me More," by Doja Cat featured the alt-R&B singer.
In later months, she would continue to release live performances, a mini fall tour, a single for Dear Evan Hansen's terribly acclaimed film, Summer Walker's "No Love," and another single titled "I Hate U." So, it's clear that SZA has been everywhere. Yet, in between all of these releases, she had managed to disappear from the limelight, for weeks to months at a time. So much so, that you would often have to go to her Twitter or Instagram profile to see what was going on with the singer.
Small clips of potential videos would be released, but when it came to the video--I'm looking at you, "Shirt"--and other projects, it all just felt like a tease. We know the work is out there, we can even see it. We just can't quite touch it. Still, I believe this "tease" is what has made SZA one of the artists of the year. She was never too much, always just enough.
She would release songs when the time was right and when it wasn't she would be off doing whatever she wanted while we shouted for another album. And honestly, despite desperately wanting that album, I find myself eager to wait because this year alone says it will be worth it. There are glimpses of her continuous indecisive behavior in her singles, that reflect the acclaimed CTRL. However, it is clear that the SZA that stands before us is one that is a little more whole than the one four years ago.
As if she's playing chess, SZA's ability to be in within and far out of one's reach this year, made it easily hers for the taking.
9.Tyler, the Creator
Tyler, the Creator
Derek White/WireImage
Who would have thought that the teenager eating cockroaches and singing about killing other artists to a demon in his head would, or even could, come so far?
Now, over the last ten years, Tyler, the Creator has released six albums, each one better than the formidable one before. Especially the newest release, Call Me If You Get Lost, which is the most cohesive and artistic album to date. Talking about the blessing and curse of growing up in the public eye, Call Me If You Get Lost takes us into the world of Tyler, the Creator under the guidance of DJ Drama. In this album, he confronts his success and the rollercoaster it has created. Tyler talks about love and its haunting. He talks about becoming wealthier and wiser, but in the end, the album seems a little more broken than before, but not unsalvageable.
The album is masterful, and in addition to his features this year, Tyler, the Creator himself is the same. He shows what beauty can be created when a person is given time to grow, instead of immediately calling for one's cancellation. He is more refined here, more mature, but he is still himself as audacious as ever.
Now, it's just a little more purposeful and controlled.
10.Cardi B
Cardi B
Amy Sussman/Getty Images
Cardi B hosted the American Music Awards. She recently earned her third diamond single certification with the song, "I Like It." She starred in Normani's heavily praised "Wild Side" video while pregnant. She set February on fire with "UP" single, video, and TikToks. She collaborated with Lizzo, gave inspiration to Summer Walker, and became one of the most lucrative female rappers in 2021.
Cardi took the year for her own in the early part of the year, had a baby, took a two-month break, and came back to dominate the fall.
Just like H.E.R. and Meg Thee Stallion, Cardi B made her career off being 100% authentic and cultivated her career in knowing just when to be so. She could have released a full-length album this year, and in the spirit of rappers, it is honestly surprising that Cardi hasn't released more albums between now and her first. Instead, this year we found Cardi stepping into the role of product promoter, host, collaborator, and businesswoman.
Due to her ability to put on multiple hats--and wear them nicely--Cardi has shown all audiences and fans alike why she will always be "up" and "stuck."
Featured image by Arturo Holmes/Getty Images for Whipshots
Taysha Robinson is a writer and high school English teacher, based in metro-Atlanta. A self described philomath, you can find her reading books and articles of every genre, attending educational conferences, and hiking wherever the terrain will allow.
Amber Riley has the type of laugh that sticks with you long after the raspy, rhythmic sounds have ceased. It punctuates her sentences sometimes, whether she’s giving a chuckle to denote the serious nature of something she just said or throwing her head back in rip-roarious laughter after a joke. She laughs as if she understands the fragility of each minute. She chooses laughter often with the understanding that future joy is not guaranteed.
Credit: Ally Green
The sound of her laughter is rivaled only by her singing voice, an emblem of the past and the future resilience of Black women stretched over a few octaves. On Fox’s Glee, her character Mercedes Jones was portrayed, perhaps unfairly, as the vocal duel to Rachel Berry (Lea Michele), offering rough, full-throated belts behind her co-star’s smooth, pristine vocals. Riley’s always been more than the singer who could deliver a finishing note, though.
Portraying Effie White, she displayed the dynamic emotions of a song such as “And I'm Telling You I'm Not Going” in Dreamgirls on London’s West End without buckling under the historic weight of her predecessors. With her instrument, John Mayer’s “Gravity” became a religious experience, a belted hymnal full of growls and churchy riffs. In her voice, Nicole Scherzinger once said she heard “the power of God.”
Credit: Ally Green
Riley’s voice has been a staple throughout pop culture for nearly 15 years now. Her tone has become so distinguishable that most viewers of Fox’s The Masked Singer recognized the multihyphenate even before it was revealed that she was Harp, the competition-winning, gold-masked figure with an actual harp strapped to her back.
Still, it wasn’t until recently that Riley began to feel like she’d found her voice. This sounds unbelievable. But she’s not referring to the one she uses on stage. She’s referencing the voice that speaks to who she is at her core. “Therapy kind of gave me the training to speak my mind,” the 37-year-old says. “It’s not something we’re taught, especially as Black women. I got so comfortable in [doing so], and I really want other people, especially Black women, to get more comfortable in that space.”
“Therapy kind of gave me the training to speak my mind. It’s not something we’re taught, especially as Black women."
If you ask Riley’s manager, Myisha Brooks, she’ll tell you the foundation of who the multihyphenate is hasn’t changed much since she was a kid growing up in Compton. “She is who she is from when I met her back when she was singing in the front of the church to back when she landed major roles in film and TV,” Brooks says. Time has allowed Riley to grow more comfortable, giving fans a more intimate glimpse into her life, including her mental health journey and the ins and outs of show business.
The actress/singer has been in therapy since 2019, although she suffered from depression and anxiety way before that. In a recent interview with Jason Lee, she recalls having suicidal ideation as a kid. By the time she started seeing a psychologist and taking antidepressants in her thirties, her body had become jittery, a physical reminder of the trauma stacked high inside her. “I was shaking in [my therapist’s] office,” she tells xoNecole. “My fight or flight was on such a high level. I was constantly in survival mode. My heart was beating fast all the time. All I did was sweat.”
There wasn’t just childhood trauma to account for. After auditioning for American Idol and being turned away by producers, Riley began working for Ikea and nearly missed her Glee audition because her car broke down on the highway while en route. Thankfully, Riley had been cast to play Mercedes Jones. American Idol had temporarily convinced her she wasn’t cut out for the entertainment industry, but this was validation that she was right where she belonged. Glee launched in 2009 with the promise of becoming Riley’s big break.
In some ways, it was. The show introduced Riley to millions of fans and catapulted her into major Hollywood circles. But in other ways, it became a reminder of the types of roles Black women, especially those who are plus-sized, are relegated to. Behind the scenes, Riley says she fought for her character "to have a voice" but eventually realized her efforts were useless. "It finally got to a point where I was like, this is not my moment. I'm not who they're choosing, and this is just going to have to be a job for me for now," she says. "And, that's okay because it pays my bills, I still get to be on television, I'm doing more than any other Black plus-sized women that I'm seeing right now on screen."
The actress can recognize now that she was navigating issues associated with trauma and low self-esteem at the time. She now knows that she's long had anxiety and depression and can recognize the ways in which she was triggered by how the cult-like following of the show conflicted with her individual, isolated experiences behind the scenes. But she was in her early '20s back then. She didn't yet have the language or the tools to process how she was feeling.
Riley says she eventually sought out medical intervention. "When you're in Hollywood, and you go to a doctor, they give you pills," she says, sharing a part of her story that she'd never revealed publicly before now. "[I was] on medication and developing a habit of medicating to numb, not understanding I was developing an addiction to something that's not fixing my problem. If anything, it's making it worse."
“[I was] on medication and developing a habit of medicating to numb, not understanding I was developing an addiction to something that’s not fixing my problem. If anything it’s making it worse.”
Credit: Ally Green
At one point, while in her dressing room on set, she rested her arm on a curling iron without realizing it. It wasn't until her makeup artist alerted her that she even realized her skin was burning. Once she noticed, she says she was "so zonked out on pills" that she barely reacted. Speaking today, she holds up her arm and motions towards a scar that remains from the incident. She sought help for her reliance on the pills, but it would still be years before she finally attended therapy.
This stress was only compounded by the trauma of growing up in poverty and the realities of being a "contract worker." "Imagine going from literally one week having to borrow a car to get to set to the next week being on a private jet to New York City," she says. After Glee ended, so did the rides on private planes. The fury of opportunities she expected to follow her appearance on the show failed to materialize. She wasn't even 30 yet, and she was already forced to consider if she'd hit her career peak.
. . .
We’re only four minutes into our Zoom call before Riley delivers her new adage to me. “My new mantra is ‘humility does not serve me.’ Humility does not serve Black women. The world works so hard to humble us anyway,” she says.
On this Thursday afternoon in April, the LA-based entertainer is seated inside her closet/dressing room wearing a cerulean blue tank top with matching shorts and eating hot wings. This current phase of healing hinges on balance. It’s about having discipline and consistency, but not at the risk of inflexibility. She was planning to head to the gym, for instance, but she’s still tired from the “exhausting” day before. Instead, she’s spent her day receiving a massage, eating some chicken wings, and planning to spend quality time with friends. “I’m not going to beat myself up for it. I’m not going to talk down to myself. I’m going to eat my chicken wings, and then tomorrow I’m [back] in the gym,” she says.
“My new mantra is ‘humility does not serve me.’ Humility does not serve Black women. The world works so hard to humble us anyway."
This is the balance with which she's been approaching much of her life these days. It's why she's worried less about whether or not people see her as someone who is humble. She'd rather be respected. "I think you should be a person that's easy to work with, but in the moments where I have to ruffle feathers and make waves, I'm not shying away from that anymore. You can do it in love, you don't have to be nasty about it, but I had to finally be comfortable with the fact that setting boundaries around my life – in whatever aspect, whether that's personal or business – people are not going to like it. Some people are not going to have nice things to say about you, and you gotta be okay with it," she says.
When Amber talks about the constant humbling of Black women in Hollywood, I think of the entertainers before her who have suffered from this. The brilliant, consistent, overqualified Black women who have spoken of having to fight for opportunities and fair pay. Aretha Franklin. Viola Davis. Tracee Ellis Ross. There's a long list of stars whose success hasn't mirrored their experiences behind the scenes.
Credit: Ally Green
If Black women outside of Hollywood are struggling to decrease the pay gap, so, too, are their wealthier, more famous peers.
Riley says there’s been progress in recent years, but only in small ways and for a limited group of people. “This business is exhausting. The goalpost is constantly moving, and sometimes it’s unfair,” she says. But, I have to say it’s the love that keeps you going.”
“There’s no way you can continue to be in this business and not love it, especially being a plus-sized Black woman,” she continues. “We’re still niche. We’re still not main characters.”
"There’s no way you can continue to be in this business and not love it, especially being a plus-sized Black woman. We’re still niche. We’re still not main characters.”
Last year, Riley starred alongside Raven Goodwin in the Lifetime thriller Single Black Female (a modern, diversified take on 1992’s Single White Female). It was more than a leading role for the actress, it also served as proof that someone who looks like her can front a successful project without it hinging on her identity. It showcased that the characters she portrays don’t “have to be about being a big girl. It can just be a regular story.”
Riley sees her work in music as an extension of her efforts to push past the rigid stereotypes in entertainment. Take her appearance on The Masked Singer, for instance. Riley said she decided to perform Mayer’s “Gravity” after being told she couldn’t sing it years earlier. “I wanted to do ‘Gravity’ on Glee. [I] was told no, because that’s not a song that Mercedes would do,” she says. “That was a full circle moment for me, doing that on that show and to hear what it is they had to say.”
As Scherzinger praised the “anointed” performance, a masked Riley began to cry, her chest heaving as she stood on stage, her eyes shielded from view. “You have to understand, I have really big names – casting directors, producers, show creators – that constantly tell me ‘I’m such a big fan. Your talent is unmatched.’ Hire me, then,” she says, reflecting on the moment.
Recently, she’s been in the studio working on original music, the follow-up to her independently-released debut EP, 2020’s Riley. The sequel to songs such as the anthemic “Big Girl Energy” and the reflective ballad “A Moment” on Riley, this new project hones in on the singer’s R&B roots with sensual grooves such as the tentatively titled “All Night.” “You said I wasn’t shit, turns out that I’m the shit. Then you called me a bitch, turns out that I’m that bitch. You said no one would want me, well you should call your homies,” she sings on the tentatively titled “Lately,” a cut about reflecting on a past relationship. From the forthcoming project, xoNecole received five potential tracks. Fans likely already know the strengths and contours of Riley’s vocals, but these new songs are her strongest, most confident offerings as an artist.
“I am so much more comfortable as a writer, and I know who I am as an artist now. I’m evolving as a human being, in general, so I’m way more vulnerable in my music. I’m way more willing to talk about whatever is on my mind. I don’t stop myself from saying what it is I want to say,” she says.
Credit: Ally Green
“Every era and alliteration of Amber, the baseline is ‘Big Girl Energy.’ That’s the name of her company,” her manager Brooks says, referencing the imprint through which Riley releases her music after getting out of a label deal several years ago. “It’s just what she stands for. She’s not just talking about size, it’s in all things. Whether it’s putting your big girl pants on and having to face a boardroom full of executives or sell yourself in front of a casting agent. It’s her trying to achieve the things she wants to do in life.”
Riley says she has big dreams beyond releasing this new music, too. She’d love to star in a rom-com with Winston Duke. She hasn't starred in a biopic yet, but she’d revel in the opportunity to portray Rosetta Tharpe on screen. She’s determined that her previous setbacks won’t stop her from dreaming big.
“I think one of my superpowers is resilience because, at the end of the day, I’m going to kick, scream, cry, cuss, be mad and disappointed, but I’m going to get up and risk having to deal with it all again. It’s worth it for the happy moments,” she says.
If Riley seems more comfortable and confident professionally, it’s because of the work she’s been doing in her personal life.
She’d previously spoken to xoNecole about becoming engaged to a man she discovered in a post on the site, but she called things off last year. For Valentine’s Day, she revealed her new boyfriend publicly. “I decided to post him on Valentine’s Day, partially because I was in the dog house. I got in trouble with him,” she says, half-joking before turning serious. “The breakup was never going to stop me from finding love. Or at least trying. I don’t owe anybody a happily ever after. People break up. It happens. When it was good, it was good. When it was bad, it was terrible, hunny. I had to get the fuck up out of there. You find happiness, and you enjoy it and work through it.”
Credit: Ally Green
"I don’t owe anybody a happily ever after. People break up. It happens. When it was good, it was good. When it was bad, it was terrible, hunny. I had to get the fuck up out of there. You find happiness and you enjoy it and work through it.”
With her ex, Riley was pretty outspoken about her relationship, even appearing in content for Netflix with him. This time around is different. She’s not hiding her boyfriend of eight months, but she’s more protective of him, especially because he’s a father and isn’t interested in becoming a public figure.
She’s traveling more, too. It’s a deliberate effort on her part to enjoy her money and reject the trauma she’s developed after experiencing poverty in her childhood. “I live in constant fear of being broke. I don’t think you ever don’t remember that trauma or move past that. Now I travel and I’m like, listen, if it goes, it goes. I’m not saying [to] be reckless, but I deserve to enjoy my hard work.”
After everything she’s been through, she certainly deserves to finally let loose a bit. “I have to have a life to live,” she says. “I’ve got to have a life worth fighting for.”
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The 7 Best Tina Turner Quotes About Love, Life, And Legacy
The world has become a little less brighter following the loss of the indomitable force known as Tina Turner.
The legendary singer --who was crowned the Queen of Rock 'N' Roll after captivating many hearts for six decades with her electrifying raspy voice, explosive dance moves, empowering life story, and much more-- died on May 24 at the age of 83 after battling a long illness. Turner's passing was confirmed in a statement released by the star's publicist Bernard Doherty.
In a statement to People magazine, Doherty revealed that Turner had "died peacefully" in her home in Switzerland, which she shared with her husband, music producer Erwin Bach. Doherty also announced that a private funeral service would be held at an undisclosed date for Turner's close family and friends.
"Tina Turner, the 'Queen of Rock'n' Roll,' has died peacefully today at the age of 83 after a long illness in her home in Küsnacht near Zurich, Switzerland. With her, the world loses a music legend and a role model. There will be a private funeral ceremony attended by close friends and family. Please respect the privacy of her family at this difficult time," the statement read.
Tina Turner
Photo by Harry Langdon/Getty Images
In addition to the public statement, Turner's passing was also confirmed on her social media accounts. Although, at the time, details surrounding Turner's cause of death were limited, it was ultimately revealed that the "River Deep Mountain High" songstress passed away from natural causes. This comes years after Turner underwent a kidney transplant, which her husband donated, and suffering from various health issues. The list included high blood pressure, stroke, and intestinal cancer.
As the news circulated online, many of Turner's close friends and fans paid homage to the icon by expressing how much she meant to them. The list included Angela Bassett --who played Turner in the 1993 film What's Love Got To Do With It-- Beyoncé, Dionne Warwick, Mariah Carey, Ciara, and longtime friend Oprah Winfrey.
In an Instagram post, Winfrey recounted how her friendship with Turner started. The 69-year-old explained that she was a massive fan of the "Proud Mary" vocalist, and upon meeting, the pair's bond would blossom into a decades-long sisterhood.
During that time, Winfrey shared that she was in awe of Turner's resilience from her past childhood traumas and being abandoned by both her parents to how she overcame her violent relationship with ex-husband Ike Turner. The former television host added that Turner's ability to preserve through life's hardships inspired an entire nation.
"I started out as a fan of Tina Turner, then a full-on groupie, following her from show to show around the country, and then, eventually, we became real friends. She is our forever goddess of rock 'n' roll who contained a magnitude of inner strength that grew throughout her life. She was a role model not only for me but for the world. She encouraged a part of me I didn't know existed," Winfrey wrote while honoring her longtime friend.
Tina Turner
Photo by Rob Verhorst/Redferns
"Once she claimed her freedom from years of domestic abuse, her life became a clarion call for triumph. I'm grateful for her courage, for showing us what victory looks like wearing Manolo's and a leather miniskirt."
Winfrey wrapped up her words by recalling her conversation with Turner regarding death. The Oprah Winfrey Show host revealed that Turner embraced it because "she had learned how to live surrounded by her beloved husband, Erwin, and friends."
"She once shared with me that when her time came to leave this earth, she would not be afraid, but excited and curious. Because she had learned how to LIVE surrounded by her beloved husband, Erwin, and friends. I am a better woman, a better human, because her life touched mine. She was indeed simply the best," Winfrey stated.
With Turner's untimely death, the "What's Love Got To Do With It" singer leaves behind an immaculate career spanning over 60 years. Alongside her countless hit songs, Turner's past accolades consist of eight Grammy Awards, a Grammy Lifetime Achievement Award, and a Grammy Hall of Fame for three of her songs.
"The Best" songstress' other achievements included Turner earning her own star on the Hollywood Walk of Fame, becoming a double inductee in the Rock 'N' Roll Hall of Fame once in 1991 with Ike Turner, and again in 2021 as a solo artist, etc.
Turner is survived by her husband, Erwin Bach, many friends, and fans. Turner had four sons, two of whom she adopted while married to Ike. Her biological sons, Craig and Ronnie, both sadly passed away in recent years. To date, it is unclear if Turner has mended her relationship with her two adopted sons, who belonged to her ex-husband Ike Turner.
Turner’s music has impacted many people thanks to the beautiful storytelling and powerful words. In honor of Turner's legacy, xoNecole is looking back at her most memorable quotes on life, love, aging, and beauty over the years.
Tina Turner
Photo by Michael Ochs Archives/Getty Images
Tina On Life
"If you are unhappy with anything…Whatever is bringing you down, get rid of it. Because you'll find that when you're free, your true creativity, your true self, comes out."
-via 1986 interview with Ebony magazine.
Tina On Love
"He [Erwin] shows me that true love doesn't require the dimming of my light so that he can shine. On the contrary, we are the light of each other's lives, and we want to shine as bright as we can, together."
via Turner's book, Happiness Becomes You: A Guide to Changing Your Life for Good.
Tina On Her Greatest Beauty Secret
"My greatest beauty secret is being happy with myself. It's a mistake to think you are what you put on yourself. I believe that a lot of how you look has to do with how you feel about yourself and your life."
-via 2016 interview with Woman & Homemagazine.
Tina Turner - What's Love Got To Do With It (Official Music Video)
Tina On Aging
"Fifty is the new 30. Seventy is the new 50. There are no rules that say you have to dress a certain way, or be a certain way. We are living in exciting times for women. Keep up with fashion, keep up with your figure and the clothes you wear. If you look good and you can still do it, then go and do it. I have never worried about age."
-via 2009 interview with the Daily Express.
Tina On Death
"Even when it's time to go and leave to another planet, I'm excited about that because I'm curious to know what it is about. Nobody can tell you because nobody has come back. I'm not excited to die, but I don't regret it when it's time for me. I've done what I came here to do. Now is [time for] pleasure. I've got great friends. I have a great man in my life now. I have a great husband, and I'm happy."
-via 2013 interview with Oprah Winfrey.
Tina On The Legacy She's Leaving Behind
"My legacy is that I stayed on course from the beginning to the end because I believed in something inside of me that told me that it can get better…So my legacy is a person that strived for wanting it better and got it."
-via 2013 Oprah interview.
Tina On How She Would Want To Be Remembered
"As the Queen of Rock 'N' Roll. As a woman who showed other women that it is OK to strive for success on their own terms."
via April 2023 interview with The Guardian.
Although xoNecole and the world are mourning the loss of the incredible Tina Turner, it is humbling to know that she accomplished so many things, personally and professionally, during her time here and continues to show why she was, in fact, "simply the best," even after death.
We will miss you, Queen. Rest in Power!
Tina Turner - The Best (Official Music Video)
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Feature image by Paul Natkin/Getty Images