New Music Monday: SZA & Justin Bieber "Snooze" While Diddy & The Weeknd Drop "Another Side Of Me"

"Another One of Me" - Diddy ft. The Weeknd, 21 Savage, & French Montana

Since its original recording in 2016, this song has undergone a great deal of alterations. The Weeknd previewed the new version of the song on his recent European tour, though it was originally scheduled to be released in 2020 and again in 2022. Nevertheless, with the release of this song, The Weeknd also declared that this would be his final "guest" appearance for some time, if ever. Therefore, the Weeknd sings about how there will "never be another one of [him]" again in this unique, enticing, and bold farewell. Thus, we must value him and the rest of his crew--French Montana and 21 Savage--while we still have the chance.

The musicians deliver vocal bars and complimentary rhymes on the song, which is accompanied by a drum sample from what seems like Phil Collins' "In the Air Tonight," as they consider their timeliness and what Diddy has done for the hip-hop/R&B community over the past few decades and on newly released The Love Album.

"Slime You Out" - Drake ft. SZA

On my first listen, it took everything I had in me not to abruptly end this song. However, by the time Drake begins to sing—heavily using auto-tune—and the beat begins to drop, there is enough of an allure to keep me listening. "Slime You Out" which features SZA is the lead single to Drake's highly anticipated eighth studio album, For All The Dogs. In the song, both musicians talk about being exploited by their ex-lovers and share their own emotional experiences.

They also disclose their malice towards their exes, as "sliming" someone out refers to using them for sex. The single and its meaning works perfectly for the duo, especially after it was revealed on Twitter (RIP) that Drake and SZA used to date back in '08--or was it '09? Regardless, this song allows the exes to focus on past relationships, even their own, as they take turns talking about ex-lovers and finally putting their years of subtle back and forth to rest.

"Lexicon" - Vagabon

Vagabon, also known as Laetitia Tamko, debuted her new album Sorry I Haven't Called on Friday, September 15, as well as her most recent single "Lexicon." Sorry I Haven't Called is a loving and tenacious album about enjoying the exhilarating moments wherever you can by understanding how you love and grieve. The album was formed out of sadness when her closest friend passed away in 2021.

It's an LP that draws inspiration from both group dance floor revelations and the enlightening calm of isolation; it represents both a creative and emotional resurrection. She claims that the record was made to include every feeling she had at the time, even when there was none. In "Lexicon," Vagabon invites the listener to let go of words and the meaning of things, as she repeatedly sings atop a bed of rhythmic noises in "Lexicon" to communicate her longing for oblivion.

"You Wish" - Flyana Boss

Last week, I had the pleasure of watching Flyana Boss open for Janelle Monáe. During their introduction, they discussed being best friends and explained that this foundation allowed them to become the artists that they desired to be. Within moments, the chemistry between the duo was fathomable as they easily played off one another and allowed room for each other to easily shine.

Though it's not a new single, the official video for the song dropped last week. In it, Flyana Boss mocks those who refer to them as "industry plants," while the song brings attention to their infamous "Hello Christ, I am about to sin again," challenge that TikTok sparked to life these last couple of months. They are strange, but in the coolest of ways, mainly because they don't wish to be like anyone else. However, it is clear that with their success others might.

"SKED" - Denzel Curry

Denzel Curry starts his song, which is almost an interlude, by outlining the reasons why he does not feel the need to trust others. He then goes on to tell people that because of their treatment and actions, he is unwilling to find a reason to comprehend those in positions of power and how they utilize their influence. He comes to the conclusion that these actions are the result of fear, and he merely declares that his adversaries are afraid before leaving it at just that. This brand-new song and its accompanying video leave the audience wanting more in less than two minutes. However, as he has stated, he's said all that he has needed to say.

"FAN" - Offset

This song is not long, and if you aren't paying attention, you won't be sure that the first minute is the same as the first 0:00 to 0:50 seconds. Regardless, when it kicks off, boy does it run and it takes off with Offset's insistence on shouting "f**k everybody" kicks in. Offset creates an entertaining video that draws inspiration from his admiration for Michael Jackson and his showmanship to demonstrate the necessity to destroy every bridge he has built since everyone is deserving of a sharp and clear "FU."

This video definitely shows how he has grown as an artist over the last couple of years, and after the grief he has faced from his cousin Takeoff's death, it only makes sense why he doesn't give a damn or two about turning his back on everyone.

"Balut" - Doja Cat

I've said it before and I'll say it again: I hate how much I love Doja Cat's music. I don't want to, I've actively been resisting it. However, I must say that since her "MOO[ing]" days, she has developed into a dynamic artist, and this has only led to the creation of vibes, bops, and songs that are worth listening to. Consider her most recent song, "Balut." It is a total vibe. She boasts about her ability to create hits and her distinctive artistic range in her most recent song.

In fact, she thinks that her artistic ability is as simple as "taking candy from a baby." She is correct that it is that simple; or at least for her it is. It is difficult to believe otherwise while listening to her mid-tempo, brag-tinged tune with its smooth flow. Her newest LP Scarlet drops this Friday, and like a moth to a flame, Doja knows we will all be anxiously awaiting its arrival.

"Snooze (Acoustic)" - SZA ft. Justin Bieber

I would not have wagered a single penny that this collaboration would truly take place. But now that it has, many question whether it ought to have. Lyrically, there is nothing fresh to concentrate on. SZA continues to explain why she would be prepared to break the law and compromise her values for the person she loves, but they are still hesitant to meet her halfway. The only thing that has changed is that we now have Justin Beiber's face to place her pleas upon. When Justin Beiber and SZA join in on the acoustic version of "Snooze," they produce a silky, smooth duet that is harmonized flawlessly with daunting echoes and heavenly vocals that coo over one another smoothly.

"Peaches & Eggplants" - Young Nudy ft. Latto & Sexyy Red (Remix)

I'll give you a second to consider what the song "Peaches and Eggplants" by Young Nudy feat. Latto & Sexxy Red could be about. Yes, now that you've experienced that moment. You are correct, that is what it is about. It is all about sex—and more sex—and, well, you get the idea. Even though the song's basic structure is straightforward, it nonetheless provides a fun finish to the summer. The song's production features synthesizers, "pounding" percussion, and Young Nudy's gunshot emulation in the background.

However, the remix now has a more feminine, more confident (if that could have been possible) edge to it thanks to Latto and Sexyy Redd. No one holds back on this song, but then again, the title never implied that they would.

"Swing" - EARTHGANG ft. Benji

And when we ask them when they been at, EARTHGANG will simply say they've been over here. On the right side of things, where they have always belonged. Fresh on the release track of their newest single "Swing" for Marvel's Spider-Man 2 video game soundtrack, EARTHGANG has returned to make us move like they always have. Joined by Benji, the song is loud, with a guitar rift that sounds like Imagine Dragons' "I'm So Sorry," and simultaneously lowers the tempo to make the perfect illustration of a song fusing several genres.

The song shouldn't make sense, much as when Imagine Dragons and Kendrick Lamar collaborated at the VMAs, yet the seamless genre-hopping makes the song engaging and ideal for the video game platform it advertises.

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