
Exclusive: How A Season Of Solitude & Self-Work Set The Tone For Melanie Fiona’s Marriage

Grammy-award-winning singer and songwriter, Melanie Fiona says that her story with her husband, fellow singer, and songwriter, Jared Cotter is her favorite love story. Describing it as having all the makings of a romantic comedy, their relationship involves “real introspective lessons of growth and self-awareness.” Following a year and a half of doing intense and intentional, spiritual work, the Canadian native decided that it was time to meet her person. What she didn’t know was that on her way to a songwriting retreat in the Caribbean, she would meet Jared.
They began dating shortly after returning to New York. However, less than a year into their relationship, Melanie made the difficult decision to break up with Jared, a decision she didn’t want to make but needed to so that Jared could be sure of where he wanted to be. Six months into their break-up, Jared made his way back to Melanie more evolved and confident in how he wanted to show up for her and what she meant for him in his life.
Since then, the two have welcomed two children, gotten married, and recently shared their love story on OWN’s Black Love. In this exclusive with xoNecole, Melanie Fiona shares what she did to manifest Jared, why Black women should stop holding onto potential, and how their six-month break shifted her and Jared’s relationship dynamic.
xoNecole: After a year and a half of not dating, what were some areas you focused on and things you did to manifest Jared?
Melanie Fiona: I think the main thing that I did was say it out loud. And I said it to one of my very good friends. I said it in such a way that I woke up and was very clear about it. Once I was clear, my body, my life, and my mind began preparing for it. I had already stopped dating and sharing my body with men who were not committed partners to me. I stopped going on dates just to fill my time with company and casual conversation. I told myself that I wasn’t going to pick up the phone and call that ‘on reserve’ dude just to have a conversation because I was bored or sad or lonely.
I started valuing my time, my energy, my body, my love, my generosity, and grace for myself more than ever. I realized that I was not preserving myself for me or who deserved me. And so the minute I started operating from that space, I woke up and was ready to meet someone. I said it so clearly and just operated from a space of openness and positivity and self-love and self-value.
Courtesy of Melanie Fiona
"I started valuing my time, my energy, my body, my love, my generosity, and grace for myself more than ever. I realized that I was not preserving myself for me or who deserved me. And so the minute I started operating from that space, I woke up and was ready to meet someone."
My mantra for that year was “Happy, Healthy, Creative.” And it guided me in every area of my life, even when it came to working. Because I had these affirmative words, I had this clear direction of where I saw myself going. And I think the universe or God heard me and saw that I was doing the work and willing to set boundaries for myself with other people. I was living an obedient life that would create space for healthy love and healthy relationships and happiness to come in beautiful, creative opportunities.
Any opportunity that fit in that “Happy, Healthy, Creative” box, I was going for it. And so because the opportunity came up to do this camp on this island, that checked all of my affirmative boxes, I went for it. I had no fear. And lo and behold, that’s where I met Jared.
xoN: Did you feel that Jared was your person when you met him?
MF: I didn’t feel that he was my person, but I was taken aback by the fact that he was the first person that I could be myself with since my previous serious relationship. There were no red flags and I didn’t feel like I was playing a game of deciphering what someone says or means. Jared reminded me what it was to be authentically safe with someone. As we spent more time together, I knew there was something very important about our meeting and I knew that he could be that person.
But I also recognize that holding on to potential is a very dangerous thing for women. We see this potential of who someone could be, and we want to hold on to it and fix it and look for ways to help someone be that for us. I've done that before, but this time, I recognized that he was the person for me, but he needed to know he was the person for me. He needed to see that. I knew that Jared knew I was his person. There's no doubt about it. If you talk to him, he will tell you. But he didn't have the confidence to know that he was the one for me and that's the difference.
Courtesy of Melanie Fiona
"I knew that Jared knew I was his person. There's no doubt about it. If you talk to him, he will tell you. But he didn't have the confidence to know that he was the one for me and that's the difference."
I'll say that it didn't happen instantaneously, but once everything started going. I was like, “Oh no, this is him.” And so when I had to break up with him, it was the hardest breakup I think I've ever had. I had never released someone in love. I had always broken up with somebody due to something tumultuous or dramatic or at a breaking point. I had done so much spiritual work to understand what healthy attachments were and understood that if things are truly meant to be they will be. But I was sending away my person.
I did the work, I was in the right place. I knew what we shared. I knew what we had been through. But I had to let him go because his learning process couldn’t be at the expense of my feelings and he understood that. It was the biggest act of selflessness and self-love at the same time. But I had an odd sense of peace and trusted that I was making the best decision for me.
However, deep down inside, I was hoping that we would always come back.
xoN: Did you ever have any doubts that the two of you wouldn’t find your way back?
MF: It's interesting. I feel like I had closed the door but I knew that I had a crack in it for Jared. I knew inside that I would leave this door open for him. I was like if he comes back and he comes back right, this door is open for him. It was never shut completely.
I always knew that there was more for our story. I didn't know how or when it would present itself, but I'm very grateful that it was only six months. On the outside, I had to move and live and treat him and the whole situation–even amongst our mutual friends–like we were moving on. But on the inside, I knew there was more.
xoN: You previously said that as women we sometimes hold on to potential or look for ways to fix someone. Why would you say that it is important for women to let go of potential and stand firm in their boundaries in relationships?
MF: I think that Black women have enough to fight with every day for their existence. Just to exist as a strong, beautiful, Black, intelligent, established woman. As Black women, we go through so much individually and I feel like you have to set boundaries for yourself to honor your value when you know what you have to offer.
Holding on to potential or trying to fix it comes from a place of fear. I think it’s a bit of trauma response and feeling like you can't or won’t do any better. Sometimes as Black women, we take what we can get and [don't] get upset. Also, I just think Black women in general are nurturers. We have this insane and beautiful ability to come in and fix and nurture and gather and just want to take care of people. And it's depleted us over time. We see it in our mothers and our grandmothers and hear how tired they are at the end of the day from doing so much.
Courtesy of Melanie Fiona
"As Black women, we need to honor the fact that that is our superpower. That we can come in and fix and help but we can't do it in spaces that deplete us or that abuse us or take advantage of us. They have to be healthy, reciprocated environments where we're growing together. It can't be at the expense of our emotions."
I think that as Black women, we need to preserve what we know is our light and our power, and we need to always make sure that everyone sees us for that, honors it, and doesn’t take advantage of it. Because some of these dudes also want to be taken care of because of what they go through daily and are looking for somebody to come and help them through it.
As Black women, we need to honor the fact that that is our superpower. That we can come in and fix and help but we can't do it in spaces that deplete us or that abuse us or take advantage of us. They have to be healthy, reciprocated environments where we're growing together. It can't be at the expense of our emotions. It cannot be at the expense of our feelings and our happiness in the situation.
xoN: How did you come to know what your superpower was as far as what you brought to your relationship?
MF: It came through spiritual work. Through understanding the higher vibrational version of myself, and knowing that I'm very powerful with my words. I'm very powerful with my love. I can change things. I can make things happen for myself when operating from a place of self-love because it allows you to just know what is working within that vibration or is not. It comes with work, it comes from really knowing yourself and understanding. Are you ignoring what your inner voice is screaming at you right now? Or are you letting it lead and trusting it and are you going with yourself?
I knew that when there was high vibration because I could feel the difference. I could see the difference in myself. I knew that I had pure love to offer someone because I had done the work for myself. And I was in a place to do so.
Courtesy of Melanie Fiona
"I used to tell Jared that I expected exceptional love because that was what I had to offer. I know that the place in which I like to operate in love may not necessarily fit everyone's parameters or description of what a healthy relationship looks like, but I know what it looks like for me and it feels like going above the norm."
I used to tell Jared that I expected exceptional love because that was what I had to offer. I know that the place in which I like to operate in love may not necessarily fit everyone's parameters or description of what a healthy relationship looks like, but I know what it looks like for me and it feels like going above the norm. It feels it's going above standard and expected. It operates a little bit higher, a little bit more mindful. It operates a little bit more intentionally. And that's kind of the way that I feel like I've found my superpowers in all areas of my life.
xoN: Given everything that you and Jared have gone through in your relationship as far as breaking up and getting back together, how has that changed the dynamic within your relationship and how do you intend on using that to set an example for your children?
MF: The thing that we hold on to is that we made a choice. We chose to be here. We didn't get thrown into the situation. We made an absolute mindful choice to choose one another. And that's the thing that I hope more people start to think about in their relationships. By making that choice, the foundation of our union, every other choice has to honor that one. That's how we navigate our relationship now.
Courtesy of Melanie Fiona
"We chose to be here. We didn't get thrown into the situation. We made an absolute mindful choice to choose one another. By making that choice, the foundation of our union, every other choice has to honor that one. That's how we navigate our relationship now."
My husband and I are very affectionate. We love each other. And my son sees that. But the other day, he said something about getting married. I asked him if he knew what it meant to be married and he paused and said, “To be happy.” Jared, we looked at each other, and I realized we were doing it right because our six-year-old could define marriage. And that’s the goal.
I think most parents want their kids to feel that their union is healthy and happy and loving. And that was one of those confirmations along the way that reminded me we were doing something right. But again, we intentionally chose one another. And we take our actions in the way that we lived individually and together to honor that choice.
For more of Melanie, follow her on Instagram @melaniefiona.
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Racquel Coral is an experienced lifestyle writer focusing on self-love, growth, body positivity, and profiles of Black-owned businesses and community heros. Her work can be found here, and she can be found on all social media platforms @withloveracquel.
Claudia Jordan, Demetria McKinney & Jill Marie Jones On 'Games Women Play' & Dating Over 40
What do you get when you mix unfiltered truths, high-stakes romance, and a few well-timed one-liners? You get Games Women Play—the sizzling new stage play by Je’Caryous Johnson that’s part relationship rollercoaster, part grown-woman group chat.
With a powerhouse cast that includes Claudia Jordan, Demetria McKinney, Jill Marie Jones, Carl Payne, Chico Bean, and Brian J. White, the play dives headfirst into the messy, hilarious, and heart-wrenching games people play for love, power, and peace of mind. And the women leading this story? They’re bringing their whole selves to the stage—and leaving nothing behind.
From Script to Spotlight
The road to Games Women Play started over 20 years ago—literally.
“This script was written 20 years ago,” Jill Marie Jones said with a smile. “It was originally called Men, Money & Gold Diggers, and I was in the film version. So when Je’Caryous called me to bring it to the stage, I was like, ‘Let’s go.’” Now reimagined for 2025, the play is updated with sharp dialogue and modern relationship dynamics that feel all too real.
Demetria McKinney, no stranger to Je’Caryous Johnson’s productions, jumped at the opportunity to join the cast once again. “This is my third time working with him,” she shared. “It was an opportunity to stretch. I’d never been directed by Carl Payne before, and the chance to work with talent I admire—Jill, Claudia, Chico—it was a no-brainer.”
Claudia Jordan joked that she originally saw the role as just another check. “I didn’t take it that seriously at first,” she admitted. “But this is my first full-on tour—and now I’ve got a whole new respect for how hard people work in theater. This ain’t easy.”
Modern Love, Stage Left
The play doesn’t hold back when it comes to the messier parts of love. One jaw-dropping moment comes when a live podcast proposal flips into a prenup bombshell—leaving the audience (and the characters) gasping.
Demetria broke it down with honesty. “People don’t ask the real questions when they date. Like, ‘Do you want kids? How do you feel about money?’ These convos aren’t happening, and then everyone’s confused. That moment in the play—it’s real. That happens all the time.”
Jill chimed in, noting how the play speaks to emotional disconnect. “We’re giving each other different tokens of love. Men might offer security and money. Women, we’re giving our hearts. But there’s a disconnect—and that’s where things fall apart.”
And then Claudia, of course, took it all the way there. “These men don’t even want to sign our prenups now!” she laughed. “They want to live the soft life, too. Wearing units, gloss, getting their brows done. We can’t have nothing! Y’all want to be like us? Then get a damn period and go through menopause.”
Dating Over 40: “You Better Come Correct”
When the conversation turned to real-life relationships, all three women lit up. Their experiences dating in their 40s and 50s have given them both clarity—and zero tolerance for games.
“I feel sexier than I’ve ever felt,” said Jill, who proudly turned 50 in January. “I say what I want. I mean what I say. I’m inside my woman, and I’m not apologizing for it.”
Demetria added that dating now comes with deeper self-awareness. “Anybody in my life is there because I want them there. I’ve worked hard to need nobody. But I’m open to love—as long as you keep doing what got me there in the first place.”
For Claudia, the bar is high—and the peace is priceless. “I’ve worked hard for my peace,” she said. “I’m not dating for food. I’m dating because I want to spend time with you. And honestly, if being with you isn’t better than being alone with my candles and fountains and cats? Then no thanks.”
Channeling Strength & Icon Status
Each actress brings something different to the play—but all of them deliver.
“I actually wish I could be messier on stage,” Claudia joked. “But I think about my grandmother—she was born in 1929, couldn’t even vote or buy a house without a man, and didn’t give a damn. She was fearless. That’s where my strength comes from.”
For Jill, the comparisons to her iconic Girlfriends character Toni Childs aren’t far off—but this role gave her a chance to dig deeper. “If you really understood Toni, you’d see how layered she was. And Paisley is the same—misunderstood, but strong. There’s more to her than people see at first glance.”
Demetria, who juggles singing and acting seamlessly, shared that live theater pushes her in a new way. “Every moment on stage counts. You can’t redo anything. It’s a different kind of love and discipline. You have to give the performance away—live, in the moment—and trust that it lands.”
Laughter, Lessons & Black Girl Gems
The show has plenty of laugh-out-loud moments—and the cast isn’t shy about who steals scenes.
“Chico Bean gets a lot of gasps and laughs,” Claudia said. “And Naomi Booker? Every scene she’s in—she’s hilarious.”
But the play isn’t just about humor. It leaves space for reflection—especially for Black women.
“I hope we get back to the foundation of love and communication,” said Demetria. “A lot of us are in protector mode. But that’s turned into survival mode. We’ve lost softness. We’ve lost connection.”
Claudia agreed. “We’re doing it all—but it’s not because we want to be strong all the time. It’s because we have to be. And I just want women to know: You can have peace, you can be soft. But stop bringing your old pain into new love. Don’t let past heartbreak build walls so high that the right person can’t climb over.”
Final Act: Pack the House
If there’s one thing this cast agrees on, it’s that this play isn’t just entertainment—it’s necessary.
“Atlanta is the Black entertainment hub,” Claudia said. “We need y’all to show up for this play. Support the arts. Support each other. Because when we pack the house, we make space for more stories like this.”
Games Women Play is more than a play—it’s a mirror. You’ll see yourself, your friends, your exes, and maybe even your next chapter. So get ready to laugh, reflect, and maybe even heal—because the games are on.
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It’s officially Miss Keri, Baby season again—and if you ask us, it’s been a long time coming. After 15 years away from the music scene, Keri Hilson has returned not only with a brand-new album, but also a captivating new role in Lifetime’s Fame—the latest installment in The Temptations film franchise.
Between the album We Need to Talk: Love and her leading role in Fame, this isn’t just a comeback—it’s a rebirth. The Grammy-nominated singer-songwriter turned actress is letting us into her world like never before, unpacking themes of vulnerability, healing, and inner strength with grace, grit, and raw artistry.
Now streaming on Lifetime, Fame follows two superstar sisters—played by Keri and singer/actress Keshia Chanté—as they navigate the cost of stardom, sibling rivalry, and the dark side of desire. The film also stars Romeo Miller, Ecstasia Sanders, Nathan Witte, and Sophie Carriere, and is executive produced by Derrick Williams and Adriane Hopper Williams of the Seven Deadly Sins franchise.
As for the music? We Need to Talk: Love is a three-part album (Love, Drama, Redemption) that tells the story of a woman who’s been through it—and has risen from the ashes. “It was time to speak for myself,” Keri says.
We sat down with Keri to talk about her return to music, her passion for acting, the emotional depth of Fame, and how she’s learning to care for herself amidst the chaos.
From R&B Queen to Drama Star: Keri Gets Into Character
“Even though she’s famous—as am I—it was really her humanity that I wanted to portray.”
Keri plays Cherish, one half of a superstar sibling duo who must confront their fractured relationship in the wake of a traumatic robbery. For Keri, the role was more than a character—it was a psychological study.
“I enjoy departures from reality. That’s why I love acting,” she shares. “Psychology is one of my favorite things in life. I became a writer because I’m an observer of human nature, emotion, and behavior. I think I did a good job showing her humanity.”
The Fame Isn’t Always Worth the Price
“Keep the main thing the main thing.”
Keri doesn’t sugarcoat the industry. When asked about what Fame reveals about the dark side of celebrity culture, her answer is clear:
“It’s a cautionary tale. It reminds you to keep your family close and not allow anything to come between them—especially in pursuit of success. Keep the main thing the main thing. For me, that’s family, love, spirituality, and values.”
Three Chapters, One Story: Love. Drama. Redemption.
“I’ve shed the fear. It was time to tell my own story.”
Released April 18th, We Need to Talk: Love is Keri’s first album in 15 years—and a deeply personal one at that. The three-part project (Love, Drama, Redemption) represents a timeline of healing and growth.
“I’m finally in a place where I’m able and willing to open up more,” she says. “For a while, I became really guarded—shell-shocked, even—after making mistakes in the public eye. Whether it’s all your fault or not, the scrutiny takes its toll. But now, I’ve shed that fear. It’s time to tell my story.”
Cooking, Walks, and Recalibrating in the Chaos
“I’m not doing the best job—but I’m doing what I can.”
Between eight-hour rehearsals, press runs, and music releases, Hilson admits she hasn’t quite figured out the balance yet—but she’s trying. For her, the key is carving out small rituals of normalcy.
“I enjoy cooking. That’s my sanctity,” she says. “I’ll go home, take my makeup off, put on my rehearsal clothes, and cook a meal. I take walks. I run. These little things help me feel like myself again.”
Art Imitates Life (and Album Tracklists)
“Cherish goes from Love… to Drama… to Redemption.”
Asked which album chapter her Fame character would fall into, Keri doesn’t hesitate. “She fits into all three,” she says. “You see her go from love, to drama, to redemption. That arc mirrors the journey of so many women who’ve had to navigate pain and find their way back to themselves.”
No Pressure, Just Art: Keri Wants You to Feel Something
“Just enjoy the art. That’s it.”
After all the time, patience, and healing, Keri isn’t asking for much. She just wants fans to press play—and feel something.
“I just want people to enjoy what they’re seeing and hearing. Enjoy me on screen. Enjoy me through their ears. People have waited, and I feel blessed by that. That helps me keep it all pure and simple.”
As Keri Hilson steps boldly back into the spotlight, it’s clear this era is all about alignment, artistry, and authenticity. With Fame airing on Lifetime and the first chapter of We Need to Talk: Love setting the tone, we’re more than excited to see what’s next.
As she continues to unfold the album’s next two chapters—Drama and Redemption—one thing’s for sure: this isn’t just a comeback. It’s a reintroduction. And we’ll be watching, listening, and cheering her on every step of the way.
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