'Black People Love Paramore' Creator Talks Kid Fury's Influence, Meeting Hayley Williams, And More

Over the summer, podcast host Sequoia Holmes sent me a screenshot of an email with some exciting news. The email came from someone at Spotify who said that Hayley Williams of Paramore listened to Holmes’ podcast Black People Love Paramore and wanted to be on the show. Holmes would attend Paramore’s concert in Los Angeles and go backstage to conduct the interview.
By the time the logistics had been squared away, Holmes had asked me if I’d be willing to fly from Atlanta to accompany her and provide moral support. I helped her prep for the moment, but looking back, I never really asked her how it had come about. When one of your best friends asks you if you want to go meet one of your favorite musicians, you don’t ask a lot of questions.
I’d just met Holmes when Black People Love Paramore launched in 2021, and like most people, I wrongly assumed it was a podcast just about the band. I’ve appeared on the show a few times since then and have come to realize that the alternative band is just the launching pad from which Holmes has conversations about the many, varied interests of Black folks. Recently, for instance, she had The Read podcast host Kid Fury on an episode to talk about why Black people love the sitcom Golden Girls.
Black People Love The Golden Girls ft. Kid Fury of The Read | Black People Love Paramore PodcastYouTube
Whether delving into the cultural impact of all-white parties, Uno, or Princess Diana, Holmes, and guests provide a mix of serious analysis and hilarious banter about common Black experiences.
Earlier this month, Holmes announced that Black People Love Paramore joined the worker-owned podcasting network Maximum Fun, which will allow the creator to continue to grow the show with the help of a new producer, and access to a professional studio and audio engineer. Joining the cooperative network will allow her to retain artistic control of the show, while also providing her with the help she needs to continue to grow her audience heading into the show’s third year. The podcast host, who recently went from attending Kid Fury’s stand-ups and live podcast tapings to interviewing him, said she hopes to host a live event of her own in the forthcoming year.
With this year’s success in mind, I called up my friend to ask her a few questions about Black People Love Paramore and her future goals.
xoNecole: I’ve realized that I’ve never actually talked to you about most of this because I met you right around the time you started the podcast. What was the inspiration behind starting Black People Love Paramore?
Sequoia Holmes: As a former emo child, I did love Paramore. A lot. But, I found it interesting that every time anybody would tweet about Black people loving Paramore, the responses would be filled with other Black people saying, ‘Yeah, why do we love Paramore?’ It was interesting to me that so many Black people corroborated that sentiment, but no one was sure why that was. Or people would give theories and I thought those were fun.
I thought to myself, what else do Black people overwhelmingly enjoy? Not something super obvious. I brainstormed a list and decided to make it a podcast. I had already been podcasting for some years at that point.
xoN: How do you come up with the topics for Black People Love Paramore, though? You always reach out to me with a fully formed idea, so I’m curious how you decide what fits into the identity of the show.
SH: Tony Hawk was not really in my purview like that, but someone [suggested] him on my social account, and it had the most likes. [Ideas] are either suggested to me, or it’s something that I just really want to talk about. I know a lot of Black people like Degrassi, and I love Degrassi, and I really wanted to talk about it.
xoN: What’s a topic that you weren’t previously into, but once you researched and recorded the episode, you became a true fan of?
SH: It’s definitely Golden Girls or Reba. I turned both of those on, and I was like, oh, these are a good, Black ass time with no Black characters. But I understand how we arrived here.
xoN: The Golden Girls episode featured Kid Fury. Did he come up with that topic?
SH: No, I came up with that one.
xoN: Ohh, because you knew he liked it?
SH: Yeah, just having listened to his podcast for years, I knew he really liked Golden Girls and Zelda. I pitched both, and he chose Golden Girls.
xoN: You’re a huge fan of Kid Fury and Crissle’s The Read. What other podcasts were you listening to before you decided to get into podcasting?
SH: I think The Read obviously was the most instrumental one, and most Black podcasters, I assume, would have the same take on that. I think I started listening in 2016, and I think that was the only one I listened to for years.
In 2019, I started looking for a wellness podcast, and I found Balanced Black Girl. I had already been podcasting at that time, but it inspired me to continue doing so, and I became friends with Les, the creator and host.
xoN: When you had Kid Fury on the show, did you tell him what he meant to you as a podcaster, or were you trying not to be that person?
SH: I didn’t want to freak him out just because I know he’s mentioned he gets weirded out by that type of stuff. I did [show him] an eight-year-old piece of merch, a denim hat with his avatar from their artwork cover. He was like, ‘This is crazy. I love this. This needs to come back.’ And, I brought him weed.
xoN: Earlier this year, you had a huge moment for the show where you interviewed Hayley Williams of Paramore. I don’t think I know how this originally came about. Did you reach out to Spotify, or did they contact you?
SH: I received a DM on the podcast’s account, and it was from someone who worked at Spotify, Chissy. She was inviting me to a Black alternative dinner that was taking place in LA. When I arrived, she was talking to me about Paramore and was like, ‘I’m sure you’ve seen them live, right?' I was like, unfortunately, I have not. I tried to see them live, but they canceled the show, and then when they rescheduled, I was out of town. She was like, ‘Stop right there. We’re going to change this.’
She reached out to Hayley’s manager for me to go to their show in LA. I thought that was it, but then she messaged me again a week later and was like, ‘Ummm, Hayley says she wants to come on your show. Would you be okay with that?’ ...Yeah, I’d be super okay with Hayley Williams coming on my show.
xoN: A few of the clips from the interview went viral, and you got a lot of press from it. What was it like seeing the response once the episode came out?
SH: It was shocking, overwhelming, heartwarming...I’d like to emphasize overwhelming. It was great.
xoN: Have you started to think about other dream guests that you’d want to have on the show?
SH: My top three dream guests are Kid Fury, who we can scratch off the list, Issa Rae, and Quinta Brunson. They’re harder to get, but I’ll try.
xoN: Have you thought about what else you want to do in the podcasting space?
SH: I love podcasting as a medium, so I will absolutely always do this. I’m happy to have help with this podcast because I also have a second podcast that I produce entirely myself. Right now, it’s called Glass House by Sequoia Holmes, but right now, I’m brainstorming a new title and revamping it. I fell off a little bit this year, so in 2024, I would love for it to come back stronger and have a better sense of identity to it.
For more of Sequoia, follow her on Instagram @sequoiabholmes.
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Because We Are Still IT, Girl: It Girl 100 Returns
Last year, when our xoNecole team dropped our inaugural It Girl 100 honoree list, the world felt, ahem, a bit brighter.
It was March 2024, and we still had a Black woman as the Vice President of the United States. DEI rollbacks weren’t being tossed around like confetti. And more than 300,000 Black women were still gainfully employed in the workforce.
Though that was just nineteen months ago, things were different. Perhaps the world then felt more receptive to our light as Black women.
At the time, we launched It Girl 100 to spotlight the huge motion we were making as dope, GenZennial Black women leaving our mark on culture. The girls were on the rise, flourishing, drinking their water, minding their business, leading companies, and learning to do it all softly, in rest. We wanted to celebrate that momentum—because we love that for us.
So, we handpicked one hundred It Girls who embody that palpable It Factor moving through us as young Black women, the kind of motion lighting up the world both IRL and across the internet.
It Girl 100 became xoNecole’s most successful program, with the hashtag organically reaching more than forty million impressions on Instagram in just twenty-four hours. Yes, it caught on like wildfire because we celebrated some of the most brilliant and influential GenZennial women of color setting trends and shaping culture. But more than that, it resonated because the women we celebrated felt seen.
Many were already known in their industries for keeping this generation fly and lit, but rarely received recognition or flowers. It Girl 100 became a safe space to be uplifted, and for us as Black women to bask in what felt like an era of our brilliance, beauty, and boundless influence on full display.
And then, almost overnight, it was as if the rug was pulled from under us as Black women, as the It Girls of the world.
Our much-needed, much-deserved season of ease and soft living quickly metamorphosed into a time of self-preservation and survival. Our motion and economic progression seemed strategically slowed, our light under siege.
The air feels heavier now. The headlines colder. Our Black girl magic is being picked apart and politicized for simply existing.
With that climate shift, as we prepare to launch our second annual It Girl 100 honoree list, our team has had to dig deep on the purpose and intention behind this year’s list. Knowing the spirit of It Girl 100 is about motion, sauce, strides, and progression, how do we celebrate amid uncertainty and collective grief when the juice feels like it is being squeezed out of us?
As we wrestled with that question, we were reminded that this tension isn’t new. Black women have always had to find joy in the midst of struggle, to create light even in the darkest corners. We have carried the weight of scrutiny for generations, expected to be strong, to serve, to smile through the sting. But this moment feels different. It feels deeply personal.
We are living at the intersection of liberation and backlash. We are learning to take off our capes, to say no when we are tired, to embrace softness without apology.
And somehow, the world has found new ways to punish us for it.

In lifestyle, women like Kayla Nicole and Ayesha Curry have been ridiculed for daring to choose themselves. Tracee Ellis Ross was labeled bitter for speaking her truth about love. Meghan Markle, still, cannot breathe without critique.
In politics, Kamala Harris, Letitia James, and Jasmine Crockett are dragged through the mud for standing tall in rooms not built for them.
In sports, Angel Reese, Coco Gauff, and Taylor Townsend have been reminded that even excellence will not shield you from racism or judgment.

In business, visionaries like Diarrha N’Diaye-Mbaye and Melissa Butler are fighting to keep their dreams alive in an economy that too often forgets us first.
Even our icons, Beyoncé, Serena, and SZA, have faced criticism simply for evolving beyond the boxes society tried to keep them in.
From everyday women to cultural phenoms, the pattern is the same. Our light is being tested.

And yet, somehow, through it all, we are still showing up as that girl, and that deserves to be celebrated.
Because while the world debates our worth, we keep raising our value. And that proof is all around us.
This year alone, Naomi Osaka returned from motherhood and mental health challenges to reach the semifinals of the US Open. A’ja Wilson claimed another MVP, reminding us that beauty and dominance can coexist. Brandy and Monica are snatching our edges on tour. Kahlana Barfield Brown sold out her new line in the face of a retailer that had been canceled. And Melissa Butler’s company, The Lip Bar, is projecting a forty percent surge in sales.

We are no longer defining strength by how much pain we can endure. We are defining it by the unbreakable light we continue to radiate.
We are the women walking our daily steps and also continuing to run solid businesses. We are growing in love, taking solo trips, laughing until it hurts, raising babies and ideas, drinking our green juice, and praying our peace back into existence.
We are rediscovering the joy of rest and realizing that softness is not weakness, it is strategy.
And through it all, we continue to lift one another. Emma Grede is creating seats at the table. Valeisha Butterfield has started a fund for jobless Black women. Arian Simone is leading in media with fearless conviction. We are pouring into each other in ways the world rarely sees but always feels.

So yes, we are in the midst of societal warfare. Yes, we are being tested. Yes, we are facing economic strain, political targeting, and public scrutiny. But even war cannot dim a light that is divinely ours.
And we are still shining.
And we are still softening.
And we are still creating.
And we are still It.

That is the quiet magic of Black womanhood, our ability to hold both truth and triumph in the same breath, to say yes, and to life’s contradictions.
It is no coincidence that this year, as SheaMoisture embraces the message “Yes, And,” they stand beside us as partners in celebrating this class of It Girls. Because that phrase, those two simple words, capture the very essence of this moment.
Yes, we are tired. And we are still rising.
Yes, we are questioned. And we are the answer.
Yes, we are bruised. And we are still beautiful.

This year’s It Girl 100 is more than a list. It is a love letter to every Black woman who dares to live out loud in a world that would rather she whisper. This year’s class is living proof of “Yes, And,” women who are finding ways to thrive and to heal, to build and to rest, to lead and to love, all at once.
It is proof that our joy is not naive, our success not accidental. It is the reminder that our light has never needed permission.
So without further ado, we celebrate the It Girl 100 Class of 2025–2026.
We celebrate the millions of us who keep doing it with grace, grit, and glory.
Because despite it all, we still shine.
Because we are still her.
Because we are still IT, girl.
Meet all 100 women shaping culture in the It Girl 100 Class of 2025. View the complete list of honorees here.
Featured image by xoStaff
Because We Are Still IT, Girl: It Girl 100 Returns
Last year, when our xoNecole team dropped our inaugural It Girl 100 honoree list, the world felt, ahem, a bit brighter.
It was March 2024, and we still had a Black woman as the Vice President of the United States. DEI rollbacks weren’t being tossed around like confetti. And more than 300,000 Black women were still gainfully employed in the workforce.
Though that was just nineteen months ago, things were different. Perhaps the world then felt more receptive to our light as Black women.
At the time, we launched It Girl 100 to spotlight the huge motion we were making as dope, GenZennial Black women leaving our mark on culture. The girls were on the rise, flourishing, drinking their water, minding their business, leading companies, and learning to do it all softly, in rest. We wanted to celebrate that momentum—because we love that for us.
So, we handpicked one hundred It Girls who embody that palpable It Factor moving through us as young Black women, the kind of motion lighting up the world both IRL and across the internet.
It Girl 100 became xoNecole’s most successful program, with the hashtag organically reaching more than forty million impressions on Instagram in just twenty-four hours. Yes, it caught on like wildfire because we celebrated some of the most brilliant and influential GenZennial women of color setting trends and shaping culture. But more than that, it resonated because the women we celebrated felt seen.
Many were already known in their industries for keeping this generation fly and lit, but rarely received recognition or flowers. It Girl 100 became a safe space to be uplifted, and for us as Black women to bask in what felt like an era of our brilliance, beauty, and boundless influence on full display.
And then, almost overnight, it was as if the rug was pulled from under us as Black women, as the It Girls of the world.
Our much-needed, much-deserved season of ease and soft living quickly metamorphosed into a time of self-preservation and survival. Our motion and economic progression seemed strategically slowed, our light under siege.
The air feels heavier now. The headlines colder. Our Black girl magic is being picked apart and politicized for simply existing.
With that climate shift, as we prepare to launch our second annual It Girl 100 honoree list, our team has had to dig deep on the purpose and intention behind this year’s list. Knowing the spirit of It Girl 100 is about motion, sauce, strides, and progression, how do we celebrate amid uncertainty and collective grief when the juice feels like it is being squeezed out of us?
As we wrestled with that question, we were reminded that this tension isn’t new. Black women have always had to find joy in the midst of struggle, to create light even in the darkest corners. We have carried the weight of scrutiny for generations, expected to be strong, to serve, to smile through the sting. But this moment feels different. It feels deeply personal.
We are living at the intersection of liberation and backlash. We are learning to take off our capes, to say no when we are tired, to embrace softness without apology.
And somehow, the world has found new ways to punish us for it.

In lifestyle, women like Kayla Nicole and Ayesha Curry have been ridiculed for daring to choose themselves. Tracee Ellis Ross was labeled bitter for speaking her truth about love. Meghan Markle, still, cannot breathe without critique.
In politics, Kamala Harris, Letitia James, and Jasmine Crockett are dragged through the mud for standing tall in rooms not built for them.
In sports, Angel Reese, Coco Gauff, and Taylor Townsend have been reminded that even excellence will not shield you from racism or judgment.

In business, visionaries like Diarrha N’Diaye-Mbaye and Melissa Butler are fighting to keep their dreams alive in an economy that too often forgets us first.
Even our icons, Beyoncé, Serena, and SZA, have faced criticism simply for evolving beyond the boxes society tried to keep them in.
From everyday women to cultural phenoms, the pattern is the same. Our light is being tested.

And yet, somehow, through it all, we are still showing up as that girl, and that deserves to be celebrated.
Because while the world debates our worth, we keep raising our value. And that proof is all around us.
This year alone, Naomi Osaka returned from motherhood and mental health challenges to reach the semifinals of the US Open. A’ja Wilson claimed another MVP, reminding us that beauty and dominance can coexist. Brandy and Monica are snatching our edges on tour. Kahlana Barfield Brown sold out her new line in the face of a retailer that had been canceled. And Melissa Butler’s company, The Lip Bar, is projecting a forty percent surge in sales.

We are no longer defining strength by how much pain we can endure. We are defining it by the unbreakable light we continue to radiate.
We are the women walking our daily steps and also continuing to run solid businesses. We are growing in love, taking solo trips, laughing until it hurts, raising babies and ideas, drinking our green juice, and praying our peace back into existence.
We are rediscovering the joy of rest and realizing that softness is not weakness, it is strategy.
And through it all, we continue to lift one another. Emma Grede is creating seats at the table. Valeisha Butterfield has started a fund for jobless Black women. Arian Simone is leading in media with fearless conviction. We are pouring into each other in ways the world rarely sees but always feels.

So yes, we are in the midst of societal warfare. Yes, we are being tested. Yes, we are facing economic strain, political targeting, and public scrutiny. But even war cannot dim a light that is divinely ours.
And we are still shining.
And we are still softening.
And we are still creating.
And we are still It.

That is the quiet magic of Black womanhood, our ability to hold both truth and triumph in the same breath, to say yes, and to life’s contradictions.
It is no coincidence that this year, as SheaMoisture embraces the message “Yes, And,” they stand beside us as partners in celebrating this class of It Girls. Because that phrase, those two simple words, capture the very essence of this moment.
Yes, we are tired. And we are still rising.
Yes, we are questioned. And we are the answer.
Yes, we are bruised. And we are still beautiful.

This year’s It Girl 100 is more than a list. It is a love letter to every Black woman who dares to live out loud in a world that would rather she whisper. This year’s class is living proof of “Yes, And,” women who are finding ways to thrive and to heal, to build and to rest, to lead and to love, all at once.
It is proof that our joy is not naive, our success not accidental. It is the reminder that our light has never needed permission.
So without further ado, we celebrate the It Girl 100 Class of 2025–2026.
We celebrate the millions of us who keep doing it with grace, grit, and glory.
Because despite it all, we still shine.
Because we are still her.
Because we are still IT, girl.
Meet all 100 women shaping culture in the It Girl 100 Class of 2025. View the complete list of honorees here.
Featured image by xoStaff







