While most of us got our introduction to Amber Riley back in 2009 as Mercedes Jones on the critically acclaimed show Glee, she has reemerged as a spicy, confident songstress fully capable of taking on the music industry one note at a time. Her self-titled debut EP, RILEY, includes the timeless "BGE", which stands for "big girl energy", and the melodious "A Moment", tribute to her late friend and Glee castmate Naya Rivera. The Compton native has received celebrity endorsements from industry powerhouses including Zendaya, Jazmine Sullivan and Chloe x Halle, while her six-track project climbed to the number two spot on iTunes' R&B Albums chart upon its release in early October.
In addition to being one of the most undeniable talents on screen and in the booth, she is a loving partner to her now-fiancee Desean Black. Though most women choose to wander down the traditional route, Riley channeled her BGE and slid into the DMs of her future fiance. Because she took a chance on herself, the friendship and her future relationship was able to flourish. In this exclusive interview, xoNecole spoke with Amber Riley about tapping into her sensuality, how she feels her sexiest when she's with Desean, and the lessons she's learned throughout her twenties to make her the confident woman she is today.
Official 'RILEY' cover art
xoNecole: This year, a lot of women have been going through a shift during the pandemic and the year made a lot of people sit with themselves about who they are, what they want to do and where they want to be in life. Was that the case for you, and what shifted in your life this year in comparison to when we had all the distractions before the pandemic?
Amber Riley: It made me more mindful, more conscious and aware of my mental health and myself. It helped me realize that a lot of the things and distractions that keep you from paying attention to the things you need to change into your life were eliminated, which is what I think everybody was feeling. Not even just women, but men too. Personally, it made me pay more attention to myself and my own needs. Sometimes even my own flaws and the things I needed to work on personally.
Your lead track is “BGE”, which stands for “big girl energy”. Tell me a little bit about what “big girl energy” means to you.
It means literally taking care of bigness. That's what big girl energy is. It's pushing past obstacles, pushing through when you want to give up or be tired. It's about not taking people's bullshit, it's about making your money, it's about being a boss, it's about taking care of yourself. Big girl energy is literally just taking all of that great energy that you need from yourself to make it through or make it to whatever you need to in life.
Yes, I love that! Speaking of energy, the energy in the video was absolute fire! It also features your current fiance! Congrats on the engagement! You’ve been private about your personal life in the past, so walk us through the decision to say, “I’m about to show off my partner, this is what it is and this is who I’m rocking with.” What made you decide to share with the world that piece of your life?
Well, he was in my music video and I was like, "You know, they're kinda gonna know anyway and it's gonna be weird if I don't say anything." This is the first relationship that I've been in that I feel is really healthy and I love him to pieces. I need people and the people that also be in my DMs to know that I'm taken, I'm spoken for and I'm giddy and in love. It's gross (laughs).
I can tell the happiness in your voice and you can really tell when genuine love is afoot. You sound genuinely happy!
Yeah, he's really my best friend. We really worked on our friendship and respecting one another. He's just a great man all around. I feel super blessed to have even met him and I'm blessed to even have his friendship. Nothing's perfect obviously, but I wouldn't want to go through the ups and downs of life with anybody else.
Before the friendship came the initial meeting and you debuted your relationship recently with a post on Instagram about “How It Started” versus “How It’s Going” about sliding in the DMs. You mentioned that you found him because of xoNecole and I’m interested in hearing that story because you have us out here hot in these streets and women think this is where all the men are because you landed one. Tell me about how that went.
I literally was just scrolling and it was a wine night for sure. I love xoNecole because you talk about women's issues and mental health, I love reading your articles and of course I love Necole, too. You had posted him and I don't know if he was a Man Crush Monday - I don't know what he was. When I saw his picture, I was like, "Oh my God, he's such a handsome man." I believe I followed him that night, and I remember scrolling through my Instagram, I saw his picture, and I was like, "Who is this guy? I don't remember following him." He was on my timeline and I was like, "Hmmm, I'm gonna say hi," and I did. I literally just said, "Hey Desean, how are you?" in his DMs.
I've also been much bolder this year about dating and putting myself out there. A lot of people don't want to put themselves out there because they fear rejection. I'm not a special case, so if the person that you're interested in is interested in you, then they're gonna respond in that way. A lot of women say, "I don't want to be thirsty going into a guy's DMs," but I wasn't thirsty and I wasn't chasing him. I just made myself seen and I made sure that he saw me and it went on from there. In our first conversation, we were talking about science, brains and nerdy shit.
"A lot of people don't want to put themselves out there because they fear rejection. I'm not a special case, so if the person that you're interested in is interested in you, then they're gonna respond in that way. A lot of women say, 'I don't want to be thirsty going into a guy's DMs,' but I wasn't thirsty and I wasn't chasing him. I just made myself seen and I made sure that he saw me and it went on from there."
It was a genuine conversation!
Yeah, it was genuine. It would be the same way if you met somebody on the streets or at a club or at a bar. You have a conversation with someone and you see the vibe. It's the same thing.
What is your advice to a woman who feels any type of way about making the first move to get a guy? That’s major big BOSS energy to go out there and get what you want when you want it!
Don't be afraid to put yourself out there if you're interested in someone. You don't know the circumstances because some guys may be a little bit shy and you could be missing your opportunity to get an amazing friend. That could be the person that you're gonna marry, the love of your life and you miss it all because of ego or pride. If the person doesn't want you, that just means the person wasn't for you but you're just making yourself be seen or available to that person. Don't think about it as chasing them. It's basically saying, "the ball's in your court," as a man, if that's what you're concerned about.
That's what women think about sometimes like, "I want him to be the man and I want him to take the initiative." I've heard that before, but honestly, if you put the ball in their court and just let them know they're interested, if that's the kind of man you want, they're going to pursue what it is that they want.
In your track, “Temporary”, you rhetorically ask if love even exists, but you were able to find love during a pandemic. Hookup culture is screwed right now but you’re able to maintain a healthy relationship. After a few failed relationships, we tend to close ourselves off to the possibilities of love, but what are ways that you learned to open yourself up and your heart so you can meet Mr. Right?
Honestly, it was through self-love. I've had my heart broken before and I dealt with rejection in different ways, but I think the self-love aspect really helped because I got to a point where I was like, "A person who did me wrong isn't going to take away my opportunity to find love." I deserve love. I deserve to be loved and you only realize that through self-love and the way that you treat yourself and knowing what it is that you have to offer. I'm not for everybody and I'm not out here trying to be for everybody either, but I do know that I bring value to myself and I've always wanted to build with someone.
I think I just got to that place where I was looking for the right thing, something substantial and not superficial, and willing to walk away if it's not the right thing instead of fearing being alone and by myself. I'm comfortable being alone. That helped me make the right decision to be with the right person.
Will Smith said, years ago, that in order to love someone, you have to be willing to collide with the weakest parts of yourself and have to look at the things about you that are cowardly, mean and resentful. With your experiences in your current relationship, how do you feel about that statement?
That honestly speaks to vulnerability. That can be a very hard thing for Black women. Unlike other cultures, Black women aren't always raised to understand that you're the prize and not raised to understand that you don't have to carry all the load by yourself. When I wrote that song "Ride", I wrote it for Black men specifically and in our community, we were never really taught to lean on one another. Vulnerability and trust is a thing that I work on all the time because it wasn't something I was taught or was demonstrated to me as a Black woman. I was taught to take care of your own, make sure that you're good, make sure that you're strong, you don't have time to cry, you don't have time to wallow, sadness is weakness - those are the things that I was taught.
Now, I'm with a man that is a leader and I trust him, and that's hard. Vulnerability was equal to weakness to me. In vulnerability, you do have to be comfortable with the person that you're with seeing your imperfections, your flaws and your failures - and that can be a very tough thing. I have that thick cap where I wanted to be perceived as a whole person and this strong Black woman, but that doesn't work. Relationships don't work without that vulnerability because if there is no vulnerability, there is no trust.
"I'm with a man that is a leader and I trust him, and that's hard. Vulnerability was equal to weakness to me... I have that thick cap where I wanted to be perceived as a whole person and this strong Black woman, but that doesn't work. Relationships don't work without that vulnerability because if there is no vulnerability, there is no trust."
You’ve been pretty open about seeing your therapist and giving your depression a name, “Keshia”. I feel like what you did was important because what you did was humanize it and you made depression real, especially in the Black community and for Black women where it’s hard for us to accept our feelings because we don’t want to feel “weak”. How did giving depression and anxiety a name help you face “her” head-on?
I think what it did was help me to see that's not me. That's not who I am. That may be something I've dealt with or I deal with in life. It's actually very normal and I really want people to normalize it because there's a difference too in being depressed, dealing with depression and having clinical depression. Everybody deals with some level of depression or anxiety or being unsure. The more that we talk about it, we take away its power because the secrecy of it all makes it even worse.
When I named my depression "Keshia", it helped me to realize that this is not me, this is not who I am, this is something that is outside of myself that I have control of. I can't control when it comes, but I can go through the process of controlling whether or not this is going to take me down today or stop me. I don't always have a handle on it and it's not completely perfect, but naming my depression helped me to be like, "OK bitch, not today. I got shit to do today, Keshia, so sit your ass down." It gives me this power and authority that I need when it comes around.
A lot of Black women who grew up in inner cities have experienced something you have experienced as well - oversexualization and adultification during their upbringing, which shifts how they view their own bodies. How did getting male attention at an early age have an effect on how you viewed yourself and your sexuality?
It made me hate my body. Being a little more developed at a younger age is confusing because you're a kid but you're walking past men that are making comments about your body and it's comfortable. It made me want to be ugly. I felt like my body was some kind of sin, that that attention was my fault. Not the grown men who shouldn't have been commenting on a kid's body, but because I have a butt or hips or boobs, this is my fault [and] I need to cover up. It also made me eat, not care about my body, not pay attention to my body and being regrettable and treating my body badly 'cause I was upset at the fact that it gave me that type of attention.
To how you are now as a woman, you’re so confident and you own every part of you. How are you able to tap into your sensual side and be OK with being sexy during your adult years?
I'm just always really honest with myself, sometimes brutally so. I've come to the conclusion that my body is my own and I don't pay attention to what other people have to say about it. That's even if it's a compliment. I think that's why whenever people in interviews always want to talk to me about body positivity and the movement, I'm not really part of that movement. I was thrusted into that when I was on television because I was the big Black girl on TV and that's what they do. They try to make you this, what I call, Fat Black Jesus. That's what they kind of want you to be. They want to pick your body apart and pick apart its flaws, they want you to fight to love yourself and live out loud.
My body is my own and it may appear that I'm confident all the time, but I'm also more than just my body. I try to not let my body be a subject matter or consumption for other people. I'm really intelligent, I'm talented, I have other interests, and because I've talked about my body so much in my career, I've just learned to not let it be such a big subject. I don't walk around with that burden that people try to put on me about it. I think that's probably what people think. It really is just not giving a shit about what people have to say and I don't know how to explain that. I don't know if it comes with age. I'm 34 and I don't know if it's because I've dealt with so much criticism and I've come on the other end of it. I have no idea how I got there, I don't have the map and I can't really give people steps on how to get to the space of not giving a shit, but that's just where I am.
"My body is my own and it may appear that I'm confident all the time, but I'm also more than just my body. I try to not let my body be a subject matter or consumption for other people. I'm really intelligent, I'm talented, I have other interests, and because I've talked about my body so much in my career, I've just learned to not let it be such a big subject... I have no idea how I got there, I don't have the map and I can't really give people steps on how to get to the space of not giving a shit, but that's just where I am."
Where you are currently, how do you tap into your sensuality and when do you feel the sexiest?
Honestly, I feel the sexiest when I get out of the shower. I just like to be free and in my most natural state, I feel very sexy. At the same time, when I have my hair done and my makeup done, and I have a really cute outfit on because I love fashion and beauty, I feel super sexy too.
What does pleasure look like for you?
Pleasure for me now is just love. The love that I receive from my man is pleasurable, and that even is cuddling and watching TV. That's my happy place - sitting at home, in our room, in our pajamas or whatever and cracking up at a funny movie or him laughing at me watching a scary movie. I hate scary movies and he loves scary movies, and he makes me watch them and I'm terrified. That kind of happiness and that kind of companionship is something that I never thought that I would ever have. That's pure pleasure for me.
When you turned 30, you talked about the pressure of having kids and all of these markers that women are supposed to hit by a certain age. Do you feel that pressure now that you’re nearing 35 to have kids and get married?
I think being 34, I have learned to just go with the flow. I've learned to not really say what I will or won't do, or even sometimes what I want. There was a time where I was like, "I'm not having kids," then there was a time that I wanted kids. There was a time when I was like, "I don't mind if I'm single," then there was a time I was like, "I want to be in love." There's so many different markers in life. There's obviously some kind of pressure because as women, we are born on this Earth with the eggs that we are going to have to have birth. Men can just populate the Earth for the rest of their lives. You do keep that time in mind, and I'm honestly just OK with what God has for me.
Retrospectively, how does Amber in her 30s differ from Amber in her 20s?
There's so many things that differ me in my 30s than in my 20s. Amber in her 20s, I don't think paid enough attention to herself and her own needs. She did not say "no" enough and she didn't put herself first a lot. She didn't take care of herself the way that she should have. She was afraid of the hard stuff that she had to face to mature and grow, and I think Amber in her 30s is just finally in the place where she's OK if the things that she needs to work on hurt a little bit as long as she keeps growing.
If you could give Amber in her 20s any piece of advice with what you know now in your 30s, what would you tell her?
Invest in yourself first.
For more Amber Riley, follow her on Instagram. RILEY is available now on all streaming platforms.
Featured image courtesy of Amber Riley
Amber Riley Is In Her Element
Amber Riley has the type of laugh that sticks with you long after the raspy, rhythmic sounds have ceased. It punctuates her sentences sometimes, whether she’s giving a chuckle to denote the serious nature of something she just said or throwing her head back in rip-roarious laughter after a joke. She laughs as if she understands the fragility of each minute. She chooses laughter often with the understanding that future joy is not guaranteed.
Credit: Ally Green
The sound of her laughter is rivaled only by her singing voice, an emblem of the past and the future resilience of Black women stretched over a few octaves. On Fox’s Glee, her character Mercedes Jones was portrayed, perhaps unfairly, as the vocal duel to Rachel Berry (Lea Michele), offering rough, full-throated belts behind her co-star’s smooth, pristine vocals. Riley’s always been more than the singer who could deliver a finishing note, though.
Portraying Effie White, she displayed the dynamic emotions of a song such as “And I'm Telling You I'm Not Going” in Dreamgirls on London’s West End without buckling under the historic weight of her predecessors. With her instrument, John Mayer’s “Gravity” became a religious experience, a belted hymnal full of growls and churchy riffs. In her voice, Nicole Scherzinger once said she heard “the power of God.”
Credit: Ally Green
Riley’s voice has been a staple throughout pop culture for nearly 15 years now. Her tone has become so distinguishable that most viewers of Fox’s The Masked Singer recognized the multihyphenate even before it was revealed that she was Harp, the competition-winning, gold-masked figure with an actual harp strapped to her back.
Still, it wasn’t until recently that Riley began to feel like she’d found her voice. This sounds unbelievable. But she’s not referring to the one she uses on stage. She’s referencing the voice that speaks to who she is at her core. “Therapy kind of gave me the training to speak my mind,” the 37-year-old says. “It’s not something we’re taught, especially as Black women. I got so comfortable in [doing so], and I really want other people, especially Black women, to get more comfortable in that space.”
“Therapy kind of gave me the training to speak my mind. It’s not something we’re taught, especially as Black women."
If you ask Riley’s manager, Myisha Brooks, she’ll tell you the foundation of who the multihyphenate is hasn’t changed much since she was a kid growing up in Compton. “She is who she is from when I met her back when she was singing in the front of the church to back when she landed major roles in film and TV,” Brooks says. Time has allowed Riley to grow more comfortable, giving fans a more intimate glimpse into her life, including her mental health journey and the ins and outs of show business.
The actress/singer has been in therapy since 2019, although she suffered from depression and anxiety way before that. In a recent interview with Jason Lee, she recalls having suicidal ideation as a kid. By the time she started seeing a psychologist and taking antidepressants in her thirties, her body had become jittery, a physical reminder of the trauma stacked high inside her. “I was shaking in [my therapist’s] office,” she tells xoNecole. “My fight or flight was on such a high level. I was constantly in survival mode. My heart was beating fast all the time. All I did was sweat.”
There wasn’t just childhood trauma to account for. After auditioning for American Idol and being turned away by producers, Riley began working for Ikea and nearly missed her Glee audition because her car broke down on the highway while en route. Thankfully, Riley had been cast to play Mercedes Jones. American Idol had temporarily convinced her she wasn’t cut out for the entertainment industry, but this was validation that she was right where she belonged. Glee launched in 2009 with the promise of becoming Riley’s big break.
In some ways, it was. The show introduced Riley to millions of fans and catapulted her into major Hollywood circles. But in other ways, it became a reminder of the types of roles Black women, especially those who are plus-sized, are relegated to. Behind the scenes, Riley says she fought for her character "to have a voice" but eventually realized her efforts were useless. "It finally got to a point where I was like, this is not my moment. I'm not who they're choosing, and this is just going to have to be a job for me for now," she says. "And, that's okay because it pays my bills, I still get to be on television, I'm doing more than any other Black plus-sized women that I'm seeing right now on screen."
The actress can recognize now that she was navigating issues associated with trauma and low self-esteem at the time. She now knows that she's long had anxiety and depression and can recognize the ways in which she was triggered by how the cult-like following of the show conflicted with her individual, isolated experiences behind the scenes. But she was in her early '20s back then. She didn't yet have the language or the tools to process how she was feeling.
Riley says she eventually sought out medical intervention. "When you're in Hollywood, and you go to a doctor, they give you pills," she says, sharing a part of her story that she'd never revealed publicly before now. "[I was] on medication and developing a habit of medicating to numb, not understanding I was developing an addiction to something that's not fixing my problem. If anything, it's making it worse."
“[I was] on medication and developing a habit of medicating to numb, not understanding I was developing an addiction to something that’s not fixing my problem. If anything it’s making it worse.”
Credit: Ally Green
At one point, while in her dressing room on set, she rested her arm on a curling iron without realizing it. It wasn't until her makeup artist alerted her that she even realized her skin was burning. Once she noticed, she says she was "so zonked out on pills" that she barely reacted. Speaking today, she holds up her arm and motions towards a scar that remains from the incident. She sought help for her reliance on the pills, but it would still be years before she finally attended therapy.
This stress was only compounded by the trauma of growing up in poverty and the realities of being a "contract worker." "Imagine going from literally one week having to borrow a car to get to set to the next week being on a private jet to New York City," she says. After Glee ended, so did the rides on private planes. The fury of opportunities she expected to follow her appearance on the show failed to materialize. She wasn't even 30 yet, and she was already forced to consider if she'd hit her career peak.
. . .
We’re only four minutes into our Zoom call before Riley delivers her new adage to me. “My new mantra is ‘humility does not serve me.’ Humility does not serve Black women. The world works so hard to humble us anyway,” she says.
On this Thursday afternoon in April, the LA-based entertainer is seated inside her closet/dressing room wearing a cerulean blue tank top with matching shorts and eating hot wings. This current phase of healing hinges on balance. It’s about having discipline and consistency, but not at the risk of inflexibility. She was planning to head to the gym, for instance, but she’s still tired from the “exhausting” day before. Instead, she’s spent her day receiving a massage, eating some chicken wings, and planning to spend quality time with friends. “I’m not going to beat myself up for it. I’m not going to talk down to myself. I’m going to eat my chicken wings, and then tomorrow I’m [back] in the gym,” she says.
“My new mantra is ‘humility does not serve me.’ Humility does not serve Black women. The world works so hard to humble us anyway."
This is the balance with which she's been approaching much of her life these days. It's why she's worried less about whether or not people see her as someone who is humble. She'd rather be respected. "I think you should be a person that's easy to work with, but in the moments where I have to ruffle feathers and make waves, I'm not shying away from that anymore. You can do it in love, you don't have to be nasty about it, but I had to finally be comfortable with the fact that setting boundaries around my life – in whatever aspect, whether that's personal or business – people are not going to like it. Some people are not going to have nice things to say about you, and you gotta be okay with it," she says.
When Amber talks about the constant humbling of Black women in Hollywood, I think of the entertainers before her who have suffered from this. The brilliant, consistent, overqualified Black women who have spoken of having to fight for opportunities and fair pay. Aretha Franklin. Viola Davis. Tracee Ellis Ross. There's a long list of stars whose success hasn't mirrored their experiences behind the scenes.
Credit: Ally Green
If Black women outside of Hollywood are struggling to decrease the pay gap, so, too, are their wealthier, more famous peers.
Riley says there’s been progress in recent years, but only in small ways and for a limited group of people. “This business is exhausting. The goalpost is constantly moving, and sometimes it’s unfair,” she says. But, I have to say it’s the love that keeps you going.”
“There’s no way you can continue to be in this business and not love it, especially being a plus-sized Black woman,” she continues. “We’re still niche. We’re still not main characters.”
"There’s no way you can continue to be in this business and not love it, especially being a plus-sized Black woman. We’re still niche. We’re still not main characters.”
Last year, Riley starred alongside Raven Goodwin in the Lifetime thriller Single Black Female (a modern, diversified take on 1992’s Single White Female). It was more than a leading role for the actress, it also served as proof that someone who looks like her can front a successful project without it hinging on her identity. It showcased that the characters she portrays don’t “have to be about being a big girl. It can just be a regular story.”
Riley sees her work in music as an extension of her efforts to push past the rigid stereotypes in entertainment. Take her appearance on The Masked Singer, for instance. Riley said she decided to perform Mayer’s “Gravity” after being told she couldn’t sing it years earlier. “I wanted to do ‘Gravity’ on Glee. [I] was told no, because that’s not a song that Mercedes would do,” she says. “That was a full circle moment for me, doing that on that show and to hear what it is they had to say.”
As Scherzinger praised the “anointed” performance, a masked Riley began to cry, her chest heaving as she stood on stage, her eyes shielded from view. “You have to understand, I have really big names – casting directors, producers, show creators – that constantly tell me ‘I’m such a big fan. Your talent is unmatched.’ Hire me, then,” she says, reflecting on the moment.
Recently, she’s been in the studio working on original music, the follow-up to her independently-released debut EP, 2020’s Riley. The sequel to songs such as the anthemic “Big Girl Energy” and the reflective ballad “A Moment” on Riley, this new project hones in on the singer’s R&B roots with sensual grooves such as the tentatively titled “All Night.” “You said I wasn’t shit, turns out that I’m the shit. Then you called me a bitch, turns out that I’m that bitch. You said no one would want me, well you should call your homies,” she sings on the tentatively titled “Lately,” a cut about reflecting on a past relationship. From the forthcoming project, xoNecole received five potential tracks. Fans likely already know the strengths and contours of Riley’s vocals, but these new songs are her strongest, most confident offerings as an artist.
“I am so much more comfortable as a writer, and I know who I am as an artist now. I’m evolving as a human being, in general, so I’m way more vulnerable in my music. I’m way more willing to talk about whatever is on my mind. I don’t stop myself from saying what it is I want to say,” she says.
Credit: Ally Green
“Every era and alliteration of Amber, the baseline is ‘Big Girl Energy.’ That’s the name of her company,” her manager Brooks says, referencing the imprint through which Riley releases her music after getting out of a label deal several years ago. “It’s just what she stands for. She’s not just talking about size, it’s in all things. Whether it’s putting your big girl pants on and having to face a boardroom full of executives or sell yourself in front of a casting agent. It’s her trying to achieve the things she wants to do in life.”
Riley says she has big dreams beyond releasing this new music, too. She’d love to star in a rom-com with Winston Duke. She hasn't starred in a biopic yet, but she’d revel in the opportunity to portray Rosetta Tharpe on screen. She’s determined that her previous setbacks won’t stop her from dreaming big.
“I think one of my superpowers is resilience because, at the end of the day, I’m going to kick, scream, cry, cuss, be mad and disappointed, but I’m going to get up and risk having to deal with it all again. It’s worth it for the happy moments,” she says.
If Riley seems more comfortable and confident professionally, it’s because of the work she’s been doing in her personal life.
She’d previously spoken to xoNecole about becoming engaged to a man she discovered in a post on the site, but she called things off last year. For Valentine’s Day, she revealed her new boyfriend publicly. “I decided to post him on Valentine’s Day, partially because I was in the dog house. I got in trouble with him,” she says, half-joking before turning serious. “The breakup was never going to stop me from finding love. Or at least trying. I don’t owe anybody a happily ever after. People break up. It happens. When it was good, it was good. When it was bad, it was terrible, hunny. I had to get the fuck up out of there. You find happiness, and you enjoy it and work through it.”
Credit: Ally Green
"I don’t owe anybody a happily ever after. People break up. It happens. When it was good, it was good. When it was bad, it was terrible, hunny. I had to get the fuck up out of there. You find happiness and you enjoy it and work through it.”
With her ex, Riley was pretty outspoken about her relationship, even appearing in content for Netflix with him. This time around is different. She’s not hiding her boyfriend of eight months, but she’s more protective of him, especially because he’s a father and isn’t interested in becoming a public figure.
She’s traveling more, too. It’s a deliberate effort on her part to enjoy her money and reject the trauma she’s developed after experiencing poverty in her childhood. “I live in constant fear of being broke. I don’t think you ever don’t remember that trauma or move past that. Now I travel and I’m like, listen, if it goes, it goes. I’m not saying [to] be reckless, but I deserve to enjoy my hard work.”
After everything she’s been through, she certainly deserves to finally let loose a bit. “I have to have a life to live,” she says. “I’ve got to have a life worth fighting for.”
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Janelle Monáe's Reveals The Real Reason Why She Stopped Wearing Her Signature Tuxedos
Singer and actress Janelle Monáe exemplifies how change can be a powerful catalyst for growth and transformation.
Monáe, who rose to fame in 2010 following the release of her debut album, The ArchAndroid, captivated fans' hearts with her powerful vocals, catchy tunes, and style. Around that time period, when various female artists were known to wear provocative ensembles on stage, the "Tightrope" songstress set herself apart by wearing her signature black and white suits and continued to do so for almost a decade.
In the later years of her career, after the release of her studio albums The Electric Lady in 2013 and 2018's Dirty Computer, many began to notice the shift in Monáe's artistry and fashion, which some widely praised.
Although the now 37-year-old rarely addressed the reason behind the transformation over the years, that would all change when Monáe sat down with radio personality Angie Martinez on her IRL podcast earlier this month.
During the interview, Monáe --who was promoting her latest album, "The Age of Pleasure"-- opened up about her mental health struggles, how she would cope, and why she chose to live in freedom.
Janelle On Why She Stopped Wearing Her Signature Suits All the Time
Photo by Frederick M. Brown/Getty Images
In the May discussion, the "I Like That" vocalist revealed she suffers from anxiety, which she claimed would occur around "winter to spring."
Monáe added that when she has her bouts with anxiety, she tends to turn to food as a coping mechanism. Further in the interview, the "Lipstick Lover" singer disclosed that her emotional eating habits caused a weight fluctuation and that she could no longer fit into the suits she once wore earlier in her career.
Monáe explained that even though she tried to diet and exercise to return to her smaller figure, she ultimately stopped and made peace with herself with the help of therapy because she acknowledged that she isn't the same person she was nearly a decade ago and shouldn't try to be even if it was a highly "celebrated" version.
"I'm petite, but it can get thick... When I couldn't fit them suits anymore, and I was like, 'Oh my God, what is going on?' I would be dieting, running, or exercising, trying to fit into [it]. I'm just like, 'No. No, we're here. This is where we are.' We [are] not about to be utilizing life trying to be an old version of ourselves. No matter how celebrated that version of me was. I'm here. I'm here," she said.
Janelle On Freedom
As the topic shifted to freedom and what that meant to Monáe, the "Primetime" vocalist shared that in this new era of her life, she enjoys it because she can boldly express herself however she wants and honor who she is as a person right now.
Monáe also revealed that she had found ways to become a better artist and the best version of herself because of her freedom.
"What is the new version of freedom? What does that feel like? That's usually when I feel the most free is when artistically, I can honor exactly who I am right now," she stated. "I feel most free as a human when I can honor exactly who I am right now."
Monáe's fourth studio album, The Age of Pleasure, is set to be released on June 9.
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