Since we are talking about It girls, what other It girl has a hairstyle named after them? Zoë Kravitz has been that girl since birth. With parents like Lisa Bonet and Lenny Kravitz, it was only right that they create the most effortlessly cool being on this planet.
How To Get Zoë Kravitz Braids
Bonet's bohemian-chic locks and Lenny Kravitz's rockstar-inspired hairdos were emblematic of their unique style. Essentially, her free-spirited curls and his rebellious dreadlocks served as an innate inspiration for the Zoë Kravitz braids we have come to love today. For this modern-day family, it’s not just fashion statements—their hair is an expression of identity, creativity, and individuality.
In the world of braids, few trends capture attention quite like the Zoë K style. Let’s talk about all that comes with it.
What Are Zoë Kravitz Braids?
These braids typically consist of small to medium-sized box braids, sometimes accessorized with beads or cuffs, and are characterized by their bohemian style.
Rise In Popularity
The Zoë Kravitz braids have gained popularity for their effortlessly cool and stylish appearance. They offer a versatile and low-maintenance option for individuals looking for a protective hairstyle that can be worn for an extended period without daily styling.
According to Teen Vogue, the first time we saw the Big Little Lies star in braids was in 2015 when she starred in the movie DOPE. This became her go-to hairstyle, often seen on magazine covers. In May 2017, she graced the cover of Allure, sporting platinum blonde micro braids in a crown-styled design by the incredibly talented Nikki Nelms.
With ease, Kravitz has showcased the versatility of this style with messy buns, ponytails, and curls, popularizing a carefree, effortless style.
Courtesy
How Long Does It Take To Get Zoë Kravitz Braids?
The time it takes to install Zoë Kravitz braids can vary depending on factors such as the length and thickness of your hair, the size of the braids, and the skill level of the stylist. Generally, it can take anywhere from 4 to 8 hours or more to complete the braiding process.
Associated Costs
Prices vary based on factors such as the location, the salon or stylist's expertise, and the length and thickness of your hair. On average, you can expect to pay anywhere from $350 to $1000 or more for these braiding services.
The Real Tea on Zoë Kravitz Braids: Human Hair Vs Synthetic?
You have the option to use either human hair or synthetic hair extensions for Zoë Kravitz braids. Human hair tends to be more natural-looking and can be styled with heat tools, but it is also more expensive. Synthetic hair is more affordable but may not blend as seamlessly with your natural hair and typically cannot withstand heat styling.
New York-based stylist and owner of The Mu Look, Mulan McCausland, has some thoughts on the matter. “I am 100% against this style being done with synthetic loose hair," she declares. "It's not fair to the clients as it will be very short-lived." Instead, McCausland exclusively employs raw human hair, prioritizing durability and manageability. "Raw human hair for these styles will NOT become matted no matter what," she assures. "It's very easy to care for."
Maintenance Plan
But perhaps the most enticing aspect of the Zoë Kravitz braids, according to the salon owner, is its maintenance. “All you need is a spray bottle with water and a little conditioner, and you're good!”
McCausland's commitment to her client's hair health extends beyond the salon chair. "I always recommend making sure to sleep with a scarf at night," she advises. "My concern is not the human hair or the braids because they can take care of themselves. My only concern is the roots of my client's hair and making sure it can stay as fresh as possible."
Durability
This style is known for its durability and can typically last anywhere from 4 to 8 weeks or even longer with proper care and maintenance. However, factors such as your hair texture, activity level, and how well you care for your braids can affect their longevity. Regular touch-ups may be needed to keep your braids looking fresh as your natural hair grows out.
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Zoë Kravitz 2.0 — Sew-in Method
The girlies are always coming up with new ways to make life easier and relieve tension on the crown. This time, they decided to sew bundles at the crown or center of the head to give the allusion of fullness. Of course, we had to ask a professional.
Syreta Finnigan founded KnotlessGang, a braiding business where her craft has transformed braiding into an art form. Finnigan tells us that her introduction to the new sew-in method stemmed from a desire to elevate her braiding skills after initial attempts at recreating the Zoë Kravitz braids that ended up looking more like traditional goddess braids.
“It was during this pursuit that I found the perfect video on TikTok, showcased by @miaseirah. Her execution aligned perfectly with my vision, inspiring me to adopt and refine the newfound sew-in approach,” the stylist said.
According to Finnigan, by securely tucking the hair away, this technique promotes accelerated and healthier hair growth, minimizing the need for frequent manipulation. “Moreover, it serves as an ideal protective style, affording individuals the flexibility to experiment with various hairstyles, akin to both sew-ins and braids, while ensuring optimal hair care and maintenance.”
Here’s a Zoë Kravitz braids step-by-step tutorial from the Knotless Gang founder:
Step 1: Start by executing a traditional hybrid braid pattern. Personally, I opt for straight-back cornrows with a strategic leave-out at the crown. Making sure enough hair is left out during braiding guarantees seamless coverage of all tracks.
Step 2: Proceed with either the micro braids or the sew-in installation, I start with the sew-in. Utilizing a curved needle, thread through the weft and secure it to the initial braid at the back. Continue this pattern until reaching the crown, where the braiding process commences.
Step 3: Transition to the leave-out section, dividing it into sections for braiding. Begin with a center part and start your knotless micro braids. As the braids progress, incorporate sections of hair from the remaining bundles into the braids. There isn’t a definite point as to when to add the curly hair pieces. It depends on the overall look you are aiming for.
Step 4: Dip a towel into hot water and rub lightly at the top of your braids after the trimming process. Grab an edge control and lay your baby hairs for a sleek look and you are good to go.
Okay, we gave you all the tea. Now, it’s up to you to decide.
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Featured image by Laurent VU/SIPA/Shutterstock
Originally published on April 30, 2024
RELATED
So, we handpicked one hundred It Girls who embody that palpable It Factor moving through us as young Black women, the kind of motion lighting up the world both IRL and across the internet.
It Girl 100 became xoNecole’s most successful program, with the hashtag organically reaching more than forty million impressions on Instagram in just twenty-four hours. Yes, it caught on like wildfire because we celebrated some of the most brilliant and influential GenZennial women of color setting trends and shaping culture. But more than that, it resonated because the women we celebrated felt seen.
Many were already known in their industries for keeping this generation fly and lit, but rarely received recognition or flowers. It Girl 100 became a safe space to be uplifted, and for us as Black women to bask in what felt like an era of our brilliance, beauty, and boundless influence on full display.
And then, almost overnight, it was as if the rug was pulled from under us as Black women, as the It Girls of the world.
Our much-needed, much-deserved season of ease and soft living quickly metamorphosed into a time of self-preservation and survival. Our motion and economic progression seemed strategically slowed, our light under siege.
The air feels heavier now. The headlines colder. Our Black girl magic is being picked apart and politicized for simply existing.
With that climate shift, as we prepare to launch our second annual It Girl 100 honoree list, our team has had to dig deep on the purpose and intention behind this year’s list. Knowing the spirit of It Girl 100 is about motion, sauce, strides, and progression, how do we celebrate amid uncertainty and collective grief when the juice feels like it is being squeezed out of us?
As we wrestled with that question, we were reminded that this tension isn’t new. Black women have always had to find joy in the midst of struggle, to create light even in the darkest corners. We have carried the weight of scrutiny for generations, expected to be strong, to serve, to smile through the sting. But this moment feels different. It feels deeply personal.
We are living at the intersection of liberation and backlash. We are learning to take off our capes, to say no when we are tired, to embrace softness without apology.
And somehow, the world has found new ways to punish us for it.
In lifestyle, women like Kayla Nicole and Ayesha Curry have been ridiculed for daring to choose themselves. Tracee Ellis Ross was labeled bitter for speaking her truth about love. Meghan Markle, still, cannot breathe without critique.
In politics, Kamala Harris, Letitia James, and Jasmine Crockett are dragged through the mud for standing tall in rooms not built for them.
In sports, Angel Reese, Coco Gauff, and Taylor Townsend have been reminded that even excellence will not shield you from racism or judgment.
In business, visionaries like Diarrha N’Diaye-Mbaye and Melissa Butler are fighting to keep their dreams alive in an economy that too often forgets us first.
Even our icons, Beyoncé, Serena, and SZA, have faced criticism simply for evolving beyond the boxes society tried to keep them in.
From everyday women to cultural phenoms, the pattern is the same. Our light is being tested.
And yet, somehow, through it all, we are still showing up as that girl, and that deserves to be celebrated.
Because while the world debates our worth, we keep raising our value. And that proof is all around us.
This year alone, Naomi Osaka returned from motherhood and mental health challenges to reach the semifinals of the US Open. A’ja Wilson claimed another MVP, reminding us that beauty and dominance can coexist. Brandy and Monica are snatching our edges on tour. Kahlana Barfield Brown sold out her new line in the face of a retailer that had been canceled. And Melissa Butler’s company, The Lip Bar, is projecting a forty percent surge in sales.
We are no longer defining strength by how much pain we can endure. We are defining it by the unbreakable light we continue to radiate.
We are the women walking our daily steps and also continuing to run solid businesses. We are growing in love, taking solo trips, laughing until it hurts, raising babies and ideas, drinking our green juice, and praying our peace back into existence.
We are rediscovering the joy of rest and realizing that softness is not weakness, it is strategy.
And through it all, we continue to lift one another. Emma Grede is creating seats at the table. Valeisha Butterfield has started a fund for jobless Black women. Arian Simone is leading in media with fearless conviction. We are pouring into each other in ways the world rarely sees but always feels.
So yes, we are in the midst of societal warfare. Yes, we are being tested. Yes, we are facing economic strain, political targeting, and public scrutiny. But even war cannot dim a light that is divinely ours.
And we are still shining.
And we are still softening.
And we are still creating.
And we are still It.
That is the quiet magic of Black womanhood, our ability to hold both truth and triumph in the same breath, to say yes, and to life’s contradictions.
It is no coincidence that this year, as SheaMoisture embraces the message “Yes, And,” they stand beside us as partners in celebrating this class of It Girls. Because that phrase, those two simple words, capture the very essence of this moment.
Yes, we are tired. And we are still rising.
Yes, we are questioned. And we are the answer.
Yes, we are bruised. And we are still beautiful.
This year’s It Girl 100 is more than a list. It is a love letter to every Black woman who dares to live out loud in a world that would rather she whisper. This year’s class is living proof of “Yes, And,” women who are finding ways to thrive and to heal, to build and to rest, to lead and to love, all at once.
It is proof that our joy is not naive, our success not accidental. It is the reminder that our light has never needed permission.
So without further ado, we celebrate the It Girl 100 Class of 2025–2026.
We celebrate the millions of us who keep doing it with grace, grit, and glory.
Because despite it all, we still shine.
Because we are still her.
Because we are still IT, girl.
Meet all 100 women shaping culture in the It Girl 100 Class of 2025. View the complete list of honorees here.
Featured image by xoStaff
Then there were those who gave up their zip code altogether and found a permanent home in the skies. After years spent recruiting students for a university, Lisa-Gaye Shakespeare became a full-time travel influencer and founded her travel company, Shakespeare Agency. And she's not alone.
These stories mirror the experiences of women across the world. For millions, the pandemic induced a seismic shift in priorities and desires. Corporate careers that were once hailed as the ultimate “I made it” moment in one's career were pushed to the back burner as women quit their jobs in search of a more self-fulfilling purpose.
xoNecole spoke to these three Black women who used the pandemic as a springboard to make their wildest dreams a reality, the lessons they learned, and posed the question of whether they’ll ever return to cubicle life.
Answers have been edited for context and length.
xoNecole: How did the pandemic lead to you leaving the cubicle?
Randi: I was becoming stagnant. I was working in mortgage and banking but I felt like my personality was too big for that job! From there, I transitioned to radio but was laid off during the pandemic. That’s what made me go full throttle with entrepreneurship.
Gabrielle: I moved around a lot for work. Five times over a span of seven years. I knew I needed a break because I had experienced so much. So, I just quit one day. Effective immediately. I didn’t know what I was going to do, I just knew I needed a break and to just regroup.
Lisa-Gaye: I was working in recruiting at a university and my dream job just kind of fell into my lap! But, I never got to fully enjoy it before the world shut down in March [2020] and I was laid off. On top of that, I was stuck in Miami because Jamaica had closed its borders due to the pandemic before I was able to return.
Randi O
xoN: Tell us about your journey after leaving Corporate America.
Randi: I do it all now! I have a podcast, I’m an on-air talent, I act, and I own a public relations company that focuses on social media engagement. It’s all from my network. When you go out and start a business, you can’t just say, “Okay I’m done with Corporate America,” and “Let me do my own thing.” If you don’t build community, if you don’t build a network it's going to be very hard to sustain.
Gabrielle: I realized in New York, there was not a lot to do for Black lesbians and queer folks. We don’t really have dedicated bars and spaces so I started doing events and it took off. I started focusing on my brand, Raw Honey. I opened a co-working space, and I was able to host an NYC Pride event in front of 100,000 people. I hit the ground running with Raw Honey. My events were all women coming to find community and come together with other lesbians and queer folks. I found my purpose in that.
Lisa-Gaye: After being laid off, I wrote out all of my passions and that’s how I came up with [my company] Shakespeare Agency. It was all of the things that I loved to do under one umbrella. The pandemic pulled that out of me. I had a very large social media following, so I pitched to hotels that I would feature them on my blog and social media. This reignited my passion for travel. I took the rest of the year to refocus my brand to focus solely on being a content creator within the travel space.
Gabrielle
xoN: What have you learned about yourself during your time as an entrepreneur?
Randi: [I learned] the importance of my network and community that I created. When I was laid off I was still keeping those relationships with people that I used to work with. So it was easy for me to transition into social media management and I didn’t have to start from scratch.
Gabrielle: The biggest thing I learned about myself was my own personal identity as a Black lesbian and how much I had assimilated into straight and corporate culture and not being myself. Now, I feel comfortable and confident being my authentic self. Now, I'm not sacrificing anything else for my career. I have a full life. I have friends. I have a social life. And when you are happy and have a full quality of life, I feel like [I] can have more longevity in my career.
Lisa-Gaye: [I'm doing] the best that I've ever done. The discipline that I’m building within myself. Nobody is saying, ‘Oh you have to be at work at this time.’ There’s no boss saying, ‘Why are you late?’ But, if I’m laying in bed at 10 a.m. then it's me saying [to myself], 'Okay, Lisa, get up, it's time for you to start working!’ That’s all on me.
xoNecole: What mistakes do you want to help people avoid when leaving Corporate America?
Randi: You have to learn about the highs and lows of entrepreneurship. You have a fast season and a slow season and I started to learn that when you're self-employed the latter season hits hard. Don't get caught up on the lows, just keep going and don't stop. I’m glad I did.
Gabrielle: I think everyone should quit their job and just figure it out for a second. You will discover so much about yourself when you take a second to just focus on you. Your skill set will always be there. You can’t be afraid of what will happen when you bet on yourself.
Lisa-Gaye: When it comes to being an influencer the field is saturated and a lot of people suffer from imposter syndrome. There is nothing wrong with being an imposter but find out how to make it yours, how to make it better. If you go to the store, you see 10 million different brands of bread! But you are choosing the brand that you like because you like that particular flavor.
So be an imposter, but be the best imposter of yourself and add your own flair, your own flavor. Make the better bread. The bread that you want.
Lisa-Gaye Shakespeare
xoNecole: Will you ever return to your 9 to 5?
Randi: I wouldn’t go back to Corporate America. But I don’t mind working under someone. A lot of people try to get into this business saying, “I can't work under anyone.” That’s not necessarily the reason to start a business because you're always going to answer to somebody. Clients, brands, there’s always someone else involved.
Gabrielle: I went back! I really needed a break and I gave myself that. But, I realized I’m a corporate girl, [and] I enjoy the work that I do. I’m good at it and I really missed that side of myself. I have different sides of me and my whole identity is not Raw Honey or my queerness. A big side of me is business and that’s why I love having my career. Now I feel like my best self.
Lisa-Gaye: I really don’t. For right now, I love working for myself. It's gratifying, it's challenging, it's exciting. It’s a big deal for me to say I own my own business. That I am my own boss, and I'm a Black woman doing it.
Let’s make things inbox official! Sign up for the xoNecole newsletter for love, wellness, career, and exclusive content delivered straight to your inbox.
Featured image courtesy of Lisa-Gaye Shakespeare
Originally published on February 6, 2023