Tonight, the biggest names in hip-hop gather to kick off the 16th annual BET Hip Hop Awards in Atlanta. Held at the Cobb Energy Performing Arts Centre, this year's show is hosted by the 85 South Crew: Karlous Miller, Young Fly, and Chico Bean. Nelly will be honored with the I Am Hip Hop Award, awarded last year to Master P.
Industry powerhouses Cardi B and Meg Thee Stallion lead the pack in nominations with 9 each, while our controversial loverboy, Drake, follows closely with 8. Performances will include ATL legend Lil' John, chart-topping darling BIA, and 'Best Duo' nominee Young Thug. "Best New Hip Hop Artist" Award nominees include BLXST, Coi Leray, Don Toliver, Morray, Pooh Shiesty, and Yung Bleu.
The theme was definitely comfortable and cozy this year, with few artists differing. Below, see what all your favorite artists, actors, and singers wore on the BET red carpet.
85 South
Derek White/WireImage via Getty Images
85 South put a show on the red carpet before taking up hosting duties inside. The crew donned a mix of utilitarian, classic hip hop, and new school fresh; each playing to their respective personalities.
Fat Joe
Paras Griffin/Getty Images for BET
Fat Joe went for the ultimate old-school hip-hop vibes this year. He hosted the BET Live pregame in baby blue sweatpants and a matching Louis Vuitton bomber jacket.
BIA
Paras Griffin/Getty Images for BET
Ahead of her performance, BIA shut it down in a black bodysuit and head-to-toe zebra print. The rapper solidified the look with an oversized 'BIA' chain and 90's-style crimped blonde hair.
Lakeyah
Aaron J. Thornton/Getty Images
The stunning rapper Lakeyah showed out in a beautifully draped gold-sequined cut-out gown. The gown was selectively sheer, giving us the ultimate sophisticated but seductive look.
Sarunas J. Jackson
Paras Griffin/Getty Images for BET
The block's favorite Insecure love interests, Sarunas J. Jackson was peak causal in a delicious royal blue sweatsuit. While he did elevate the look by adding loafers, he doubled down on the coziness with the undone jacket. Speaking of Insecure, we can't wait to see the finale season on October 24.
Benny The Butcher
Aaron J. Thornton/Getty Images
Benny the Butcher stayed casual in a logo-centric Balenciaga sweater and gold accessories.
Kidd Kenn
Marcus Ingram/Getty Images
Kidd Kenn shut down the red carpet in a modernized silver and blue suit. Male artists tend to wear the same thing, so it's exciting to see a risk-taker on the BET red carpet.
D Smoke & Angelina Sherie
Paras Griffin/Getty Images for BET
D Smoke and Angelina Sherie were the epitome of cozy-chic as they hit the red carpet, hand-in-hand. Angelina was angelic in an all-white slightly oversized suit, while D Smoke elevated his casual look with a stylish wide-brim hat.
Nelly
Paras Griffin/Getty Images for BET
Nelly was one of the only celebrities that brought the fall vibes on the carpet. The I Am Hip Hop Award honoree rocked camouflage Burberry from head to toe and accessorized in everyone's favorite: diamonds.
Ari Fletcher
Paras Griffin/Getty Images for BET
Ari Fletcher came through to support her man, Moneybagg Yo, but she did not disappoint. In all-black custom Calechie, Ari completed the look with a sleek bun and meticulously placed diamond-studded barrettes.
Doechii
Marcus Ingram/Getty Images
Doechii stunned in a plunging neckline, secured by safety pins and the gods. The plunging neckline and metallic skirt are giving us major inspiration for upcoming holiday parties.
DreamDoll
Paras Griffin/Getty Images for BET
DreamDoll decided to give us 'Headmistress Realness' in a corseted tuxedo coat-dress. Only a doll of this magnitude can pull off this plaid look effortlessly.
Nick Cannon
Derek White/WireImage via Getty Images
Nick Cannon showed up in Christmas crocs, a metal breastplate, and a long fur coat. Complete with red beaded braids and a stack of foam cups, it's clear that Nick opted for the classic Hollywood rockstar vibe.
Tyler, The Creator
Aaron J. Thornton/Getty Images
Tyler, the Creator secured the bag literally. He channeled classic bellhop vibes in a plush orange hat, silky smooth button-up, and match suitcase that he often posed with on the carpet.
The Originals
Paras Griffin/Getty Images for BET
LaNell Grant, her brother Tobe Nwigwe, and his wife Martika Ivory Rogers (also known as "Fat") were complete #familygoals on the red carpet as The Originals in coordinating sweatsuits. And we can talk about those adorable girls?! By far the cutest dressed in our book.
Remy Ma & Papoose
Paras Griffin/Getty Images for BET
Remy Ma left everyone speechless in a perfect cut-out red asymmetrical number, complete with gorgeous strappy heels. She pulled up with her husband Papoose, radiating Black love up and down the red carpet.
Latto
Aaron J. Thornton/Getty Images
Latto hit the red carpet in a modern deconstructed suit, with exposed, drop shoulders and 'cut-off' suit shorts. Latto personalized the look with her signature long (red) nails and layered silver chains.
Young Thug
Aaron J. Thornton/Getty Images
By far one of the biggest risk-takers on the red carpet, Young Thug sported metallic-draped jeans and a fur-lined cardigan jacket. Complete with 90s style sunglasses, we always appreciate a man who takes risks in fashion.
Featured image by Paras Griffin/Getty Images for BET
RELATED
A Goddard College graduate, who earned an MFA from Pratt Institute and was awarded an honorary doctorate from Marymount Manhattan College, Mahogany offers unapologetic realness with a side of grace and empowerment. "I started touring locally. I started creating chat books so that those poems will go in the hands of the people who were sitting in the rooms," she shared.
"And then I started facilitating poetry workshops, so I used my chat books as curriculum. And that, in turn, allowed me to further invest in my art and show the community and people who were hiring me that it wasn't just a one-off, that it's not just, you know, a fly by night—that I am invested in this art as much as I am invested in your community, in your children's learning, in our growth."
Mahogany has a special way of moving audiences, and her superpower sparks shifts in perspective, post-performance introspection, and strengthening of community bonds, especially among Black women. (One can undeniably recognize her gift for arousal of the spirit and mind merely from her listening to her insights from the other side of a Google Hangout call. I can only imagine the soul-stirring, top-tier sensory encounter when watching her perform in person.)
In this chat with xoNecole, Mahogany reflects on sustaining a creative career, the aftermath of writing a banned book, and using poetry for both healing, community-building, and activism.
Anthony Artis
xoNecole: What are three key things that have laid the foundation for a sustainable creative career for you?
Mahogany L Browne: What has helped me is that I'm willing to go in being an expert at knowing poetry and knowing the way in which art can change the landscape of our lives, not just as a poet, but also as a poetry facilitator. How you move through classes, those things are mastered, right? So when I go into another space that's maybe tech-heavy, I don't mind learning and being, you know, a student of the wonder of how we can make this magic, work together.
Two, you’ve got to know how to pivot. Sometimes we say, ‘Alright, this is what my life is going to be. I'm going to be a New York Times best-selling author. I'm going to, you know, have an album that's Grammy-nominated. And then, say you get dropped from your record label. That doesn't mean you can't make an album anymore. You can also still create an album that can be submitted to the Grammys. So, what does a pivot look like as an artist who doesn't have an institution behind them? Pivot being a student of the wonder.
Relationships also really help. How do I serve the community? And in turn, that tells me how the community can show up. For me, I have long-standing ties with a community that will outlast my one life. So, what does it mean to create space where these relationships can develop, can be nurtured, can be rooted, can be cultivated? Creating space—it happens through relationships.
xoN: With today’s economic challenges, what does your current creative process look like, and what are you working on?
MB: I’m always thinking five years ahead. I just reviewed the pages for two children’s books and recently released a YA novel. I’m drafting an adult fiction manuscript now.
Anything I create is founded with the root of poetry, but it can exist in captions. It can exist in commercials. It can exist as a musical. So that's where I’m at now.
xoN: You started performing "Black Girl Magic" in 2013, had an acclaimed performance of it via PBS and the work went on to viral success shortly after. Talk more about the inspiration. And what do you think about the continued relevance more than a decade later?
MB: I wrote it as a rally cry for the mothers who had been keeping themselves truly in harm's way by, you know, being a part of the community right after the death of their child or their loved one. They are usually mothers of victims of police brutality—and just seeing how they showed up in these community spaces, they are devout to the cause but obviously still grieving.
"I wanted this poem to be just a space of reclamation, of joy and of you, of your light, of your shine, of your brilliance, in any which way in which you fashion. Every room you enter is the room you deserve to be in. What does it mean to have a poem like that that exists?"
And the first time I did the poem, the Weeping that occurred, right? It was like this blood-letting of sorts. The next time I performed it, I'm moved to tears because I'm seeing how it's affecting other women who have just been waiting to hear, ‘You belong. You deserve. You are good. We see you. Thank you, despite everything that they said to make you regret being born in this beautiful brown, dark-skinned, light-skinned, but Black body.’
Black women are the backbone—period. Point blank. And so, that that poem became a necessity, not just to the fortitude of Black women in the community, but like you know, in service of healing the Black women.
xoN: One of your books was banned at a school in Boston, and it was later reinstated due to parental and activist support. What was that experience like?
MB: Well, I think it happened because they were racist. That's it. Point blank. The reversal of it was empowering, right? I realized, oh, I thought we just had to sit here and be on a banned book list. But no, parents are actually the leaders of this charge.
So to see that, the parents said, ‘Nah, we're not gonna let you take this book out of my baby’s school just because it's a Black kid on the front saying, ‘Woke’ and they're talking about being a global citizen. They're talking about accountability. They're talking about accessibility. They're talking about allyship, and you don't want them to have compassion or empathy or have even an understanding, right? So no, we rebuke that, and we want this book here anyway.’ To see that happen in that way. I was, like, reaffirmed. Absolutely.
xoN: You recently organized the Black Girl Magic Ball at the Lincoln Center in New York. Honorees included author and entrepreneur Rachel Cargle and National Black Theater CEO Sade Lythcott. What impact did it have and what expanded legacy do you hope to leave with your creative works?
MB: I was really interested in not celebrating just the book, but celebrating the community that made the book possible. And so I gave out five awards to women doing that thing, like, what does it mean to be a Black girl in this world?
I just thought it was gonna be an amazing time. Everybody's gonna dress up—we're gonna celebrate each other. And boom, I then realized that it responded to like a gaping hole. There was a missing thing for Black girls of all walks of life, all ages, right?
"It's very intergenerational. That was intentional to come together and celebrate just being us."
You have all these instances where just being you is either the butt of a joke or it's diminished and not worthy of a specific title in these larger institutions. So what does it mean to just to be loved up on and celebrated?
It felt like a self-care project at first. You know, for the first couple of years, folks were coming and they were getting that sisterhood. They were getting that tribe work that they were missing in their everyday lives.
I love the Black Girl Magic Ball because we got us. If I go out with a bang, they'll remember that Mahogany worked her a** off to make sure all the Black girls everywhere knew that she was the light. We are the blueprint.
For more information on Mahogany L. Browne, her work, and her future projects, visit her website or follow her on IG @mobrowne.
Featured image by Anthony Artis
“I think for me, an all-American girl, for some reason, brings me back to when I was younger, and just like playing at my grandma’s house and just being outside,” Kennedy told xoNecole ahead of her attendance at the 2025 BET Awards.
“I just feel like when I was younger, you know, you don’t have as many responsibilities. There’s not as much weighing you down, and so I kind of go back to that mindset. Like, even now, being 27, I’m trying to get back to that younger girl.”
The 2025 BET Awards, hosted by Kevin Hart, took place in Los Angeles at the Peacock Theater on Monday night (June 9). The star-studded event was filled with tons of surprises, including a trip down memory lane with a 106 & Park reunion, coupled with performances by artists that dominated the top spots during the music video countdown show’s reign from 2000 to 2014.
Kennedy, who received her first nomination alongside Tanner Adell, Brittney Spencer, Reyna Roberts, and Beyoncè in the BET Her category for “Blackbiird,” the reimagination of the original The Beatles of the same title (minus the extra i), invited xoNecole to get ready with her as she prepared for her first-ever BET Awards.
Beauty Rituals Inherited From Her Mother.
Rather than booking her makeup artist ahead of the big night, Kennedy decided to go on a budget and do the task herself, something that isn’t too out of her norm. She noted how she incorporates some of the things she witnessed her mother do while growing up in her routine.
“I remember being younger and seeing all the makeup laid out on my mom’s counter,” the “I Look Good In That Truck” singer recalled. “I don’t even think she knows this, but there were moments where I would like to go and steal her makeup. She would have Mac. I think it was some kind of foundation powder, and I would go in there and I would put it on, and I’m like I hope she doesn’t see.”
She added, “My mom is very natural with her makeup, so even though I’ve got these big lashes on, I always gravitate towards just neutral looks… I don’t do anything too fancy.”
Tiera Kennedy’s Holy Grail of Products.
Kennedy took it upon herself to take a class to ensure that she’s prepared for nights like these, where she’s the one responsible for bringing her glam look to life.
“We are independent,” she said, reminding us that she is no longer tied to a big machine when it comes to her work as an artist. “We ball on a budget. I have to do my makeup for award shows, events, all the things, and so my makeup artist that taught me how to do all of this, Hailee Clark, she put me on to Nars, the foundation. I don’t know exactly what the name of it is, but I love it.”
“I don’t know all the fancy technicals, but I know that it makes me just look kind of airbrushed, and so I love it. Then, I always use this Laura Mercier [setting] powder because I get real shiny, so I’ve gotta reapply that quite often.”
“We are independent. We ball on a budget. I have to do my makeup for award shows, events, all the things, and so my makeup artist that taught me how to do all of this, Hailee Clark, she put me on."
Her Decision To Wear Hanifa For The Big Night.
Intentionality is essential for Kennedy, which is why she jumped at the opportunity to support Black designer Anifa Mvuemba with a dress from her fashion brand, Hanifa.
“Takirra on my team helped me pick out the dress. I really like to represent in country music, and being in Nashville, I like to represent Black culture through the things that I wear, and I was excited to get to wear a Black brand to the BET Awards,” said Kennedy.
“She was telling me about this brand, Hanifa, and we were on FaceTime just scrolling through the website, and she was like this looks like you. This feels very rooted, like fits those natural tones, and so she bought the dress and was like, ‘This is what you’re wearing.’”
The look was a Raven Knit Dress in Eggplant/Dark Brown Mesh from Hanifa.
Tiera Kennedy in her younger years.
Courtesy
Kennedy also nurtured her inner child for the look, taking it back to her roots with one small detail in her hair that she had her mother carry out before she hopped on the flight to LA.
“I had this vision of wearing beads in my hair because when I was younger, my mom would always do that, and I didn’t love it, but now I’m like, it would be really beautiful to tie all of that together, and the Hanifa dress just fit perfectly.”
“Just even in the past couple of days, I’ve had to take a second, and just look back at all of the awesome things we’ve gotten to do,” said Kennedy when asked what baby Tiera is feeling in this moment.
“I had this vision of wearing beads in my hair, because when I was younger, my mom would always do that, and I didn’t love it, but now I’m like, it would be really beautiful to tie all of that together, and the Hanifa dress just fit perfectly.”
“I dreamed of having a record and having this team that was doing all of these things for me, and now, being an independent artist, and being in control of my career, I’ve gotten to build an awesome team behind me that helps me get to where I am. It’s been a lot of hard work, and I think when I was younger, I would have never imagined that I could do all of these things, and so, yeah, to be here, I don’t even think I would believe it.”
Although “Blackbiird” didn’t win in the BET Her category during Monday night’s show, Kennedy’s future is brighter than ever, which she attests to her faith playing a huge role in guiding her next steps as she continues to rise to stardom.
“Thinking about the next thing, I think that can be really daunting when you’re an independent artist. It’s like you have to be thinking of what’s coming next, to prepare for that, but I think the way that I like to walk through life in general is letting the Lord lead,” Kennedy said.
“I know that a lot of time when I have a vision of what I want things to look like in my head, He always exceed my expectations. So, I think the plan is to continue to release music, and continue to show up as my authentic self. Getting to have these moments like the BET Awards is so awesome, but also, at the same time, that’s not what I do this for. I do it for the humans that are listening to my music, that are [having] fun and healing through my music, so I hope that I can just continue to do that.”
Let’s make things inbox official! Sign up for the xoNecole newsletter for love, wellness, career, and exclusive content delivered straight to your inbox.
Feature image by Rob Latour/Shutterstock