
Kendrick Lamar’s Longtime Partner Whitney Alford Gives A Rare Glimpse Into Her Private Life

Whitney Alford’s presence can be seen and heard all throughout her longtime partner, Kendrick Lamar’s impressive rap career, inspiring such deep cuts like the 2009 song “She Needs Me” and providing background vocals on To Pimp a Butterfly’s “Wesley’s Theory” and “King Kunta.” Perhaps the most visible she has been was in his latest release, Mr. Morale & the Big Steppers, where she appeared on the album’s cover art with the couple’s two children, as well as in the visual for his single, “Count Me Out.”
The Grammy award-winning rapper is largely heralded as one of the greatest to ever do it, and the bond he shares with his high school sweetheart that has inspired some of his most introspective projects and self-reflective tracks has cemented Whitney as a forever muse.
The 37-year-old makeup artist has been with Kendrick since they were teenagers, with the couple meeting while attending Centennial High School. Both Whitney and Kendrick were born and raised in Compton, California, and began as friends before eventually starting a romantic relationship. In a 2015 conversation with Billboard, Kendrick expressed that he frowned on the way certain terms minimized who Whitney is to him. "I wouldn't even call her my girl," he told the outlet. "That’s my best friend."
“I don’t even like the term that society has put in the world as far as being a companion — she’s somebody I can tell my fears to.”
Larry Busacca/Getty Images for NARAS
Months later, he confirmed to The Breakfast Club his engagement to his “Day 1.” I’m loyal to the soil. At the end of the day, you want to always have real people around you, period. Everybody that’s been around me has been down since day one, and I can’t change that. I don’t change for nobody. I always show respect when respect is being given and people that’s been by your side, you supposed to honor that. That’s how you stand up.”
Whitney can even be seen in the “King Kunta” visual rocking an engagement ring on her finger. Since then, Whitney and Kendrick have welcomed two children to their growing family, a daughter and a son whose names haven’t been revealed to the media, maintaining their famously private life.
Without a doubt, the most transparent and self-reflective he has ever been about his family life was with his most recent body of work, Mr. Morale & the Big Steppers. In the 2022 release, he gave insight into his past with cheating and addictions as a means of escapism. The song “Mother I Sober” features lyrics about how his “lust addiction” impacted his relationship with Whitney, rapping:
“Intoxicated, there’s a lustful nature that I failed to mention / Insecurities that I project, sleepin’ with other women / Whitney’s hurt, the pure soul I know, I found her in the kitchen / Askin’ God, ‘Where did I lose myself? And can it be forgiven?’”
Much like an image of their family life is the focus of the album’s cover, Whitney’s voice is also featured as a narrator on the album (as well as Eckhart Tolle), and in that song in particular, she can be heard saying, “You did it, I’m proud of you/You broke a generational curse.”
2022 also marked a new era of transparency online for Whitney on social media. The mother of two shared a portrait of herself holding her youngest child captured by Renell Madrano on her Instagram account and opened up about her mental health struggles to her followers in May 2022.
In the photo, she is standing in the light but also shrouded by some darkness and shadows around her. “We all know what others see may not be a true reflection of how we feel. This pic is a great representation of how I’ve felt for many years,” she began her caption.
“I was stuck in a time and place that was no longer my reality and was no longer serving me. My babies forced me to take a long look at myself and journey back through the very things that made me.”
“I’ve always carried the light with me. As a child no one was able to help me process. Many times silence was enforced because my emotions were a lot to handle. Hiding my pain has been a technique I’ve mastered my entire life. Mask it with a smile and everything is good. Silence has been my superpower, protecting me in the most vulnerable spaces,” she continued in her caption.
Whitney wrote that a great therapist changed everything for her and jumpstarted her personal transformation. “After a few years of hard work, I can finally say I hear my own voice again. And it’s very powerful. I use my smile when it feels genuine. And it’s beautiful,” she shared.
She concluded, “Allowing the world in and sharing my experience is one of my greatest fears. But truth is always very important for me. I’ve lived a sober life, feeling every single part of it, with the exception of mastering how to float when it’s all too much. But I yearn to be centered. To flow. To heal. To enjoy life.”
Recently, the vocalist gave another rare glimpse into her private life by posting photos of her with her daughter (who is Kendrick's twin) and her son on Instagram. In the carousel post, Whitney shared five slides showing herself in different elements of mothering her babies. “Me and them… Always, in all ways. The greatest and toughest job I’ve ever been tasked with. Love my babies,” she captioned the photo.
We hope Whitney is continuing her journey of flowing, healing, and enjoying life more.
Much love to the Duckworths.
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Featured image by Larry Busacca/Getty Images for NARAS
Eva Marcille On Starring In 'Jason’s Lyric Live' & Being An Audacious Black Woman
Eva Marcille has taken her talents to the stage. The model-turned-actress is starring in her first play, Jason’s Lyric Live alongside Allen Payne, K. Michelle, Treach, and others.
The play, produced by Je’Caryous Johnson, is an adaptation of the film, which starred Allen Payne as Jason and Jada Pinkett Smith as Lyric. Allen reprised his role as Jason for the play and Eva plays Lyric.
While speaking to xoNecole, Eva shares that she’s a lot like the beloved 1994 character in many ways. “Lyric is so me. She's the odd flower. A flower nonetheless, but definitely not a peony,” she tells us.
“She's not the average flower you see presented, and so she reminds me of myself. I'm a sunflower, beautiful, but different. And what I loved about her character then, and even more so now, is that she was very sure of herself.
"Sure of what she wanted in life and okay to sacrifice her moments right now, to get what she knew she deserved later. And that is me. I'm not an instant gratification kind of a person. I am a long game. I'm not a sprinter, I'm a marathon.
America first fell in love with Eva when she graced our screens on cycle 3 of America’s Next Top Model in 2004, which she emerged as the winner. Since then, she's ventured into different avenues, from acting on various TV series like House of Payne to starring on Real Housewives of Atlanta.
Je-Caryous Johnson Entertainment
Eva praises her castmates and the play’s producer, Je’Caryous for her positive experience. “You know what? Je’Caryous fuels my audacity car daily, ‘cause I consider myself an extremely audacious woman, and I believe in what I know, even if no one else knows it, because God gave it to me. So I know what I know. That is who Je’Caryous is.”
But the mom of three isn’t the only one in the family who enjoys acting. Eva reveals her daughter Marley has also caught the acting bug.
“It is the most adorable thing you can ever see. She’s got a part in her school play. She's in her chorus, and she loves it,” she says. “I don't know if she loves it, because it's like, mommy does it, so maybe I should do it, but there is something about her.”
Overall, Eva hopes that her contribution to the role and the play as a whole serves as motivation for others to reach for the stars.
“I want them to walk out with hope. I want them to re-vision their dreams. Whatever they were. Whatever they are. To re-see them and then have that thing inside of them say, ‘You know what? I'm going to do that. Whatever dream you put on the back burner, go pick it up.
"Whatever dream you've accomplished, make a new dream, but continue to reach for the stars. Continue to reach for what is beyond what people say we can do, especially as [a] Black collective but especially as Black women. When it comes to us and who we are and what we accept and what we're worth, it's not about having seen it before. It's about knowing that I deserve it.”
This interview has been edited for length and clarity.
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Feature image by Leon Bennett/WireImage
'Leave Quicker': Keri Hilson Opens Up About Learning When To Walk Away In Love
What you might call Black love goals, Keri Hilson is kindly saying, “Nah.”
In a recent appearance on Cam Newton’s Funky Friday podcast, the We Need to Talk: Love singer opened up about a past relationship that once had the public rooting for her and former NBA star Serge Ibaka. According to Cam, the pair looked “immaculate” together. Keri agreed, admitting, “We looked good.” But her demeanor made it clear that everything that looks good isn't always a good look for you.
That was all but confirmed when Cam asked what the relationship taught her. Keri sighed deeply before replying, “Whew. Leave quicker.”
It was the kind of answer that doesn’t need to be packaged to be received, just raw truth from someone who’s done the work. “Ten months in, I should have [left],” she continued. “But I was believing. I was wanting to not believe [the signs].”
Keri revealed to Cam that despite their efforts to repair the relationship at the time, including couples counseling, individual therapy, and even sitting with Serge’s pastor, it just wasn’t meant to be. A large part of that, she said, was the seven-year age gap. “He was [in his] mid-twenties,” she said, attributing a lot of their misalignment to his youth and the temptations that came with fame, money, and status.
“There were happenings,” she shared, choosing her words carefully. “He deserved to live that… I want what you want. I don’t want anything different. So if I would’ve told him how to love me better, it would’ve denied him the experience of being ‘the man’ in the world.”
But she also made it clear that just because you understand someone’s path doesn’t mean you have to ride it out with them. Instead, you can practice compassionate detachment like our girl Keri. “You can have what you want, but you may not have me and that.”
When Cam jokingly questioned what if there was a reality where a man wanted to have both “you and a dab of that,” Keri didn’t hesitate with her stance: “No,” adding, “I can remove myself and [then you] have it. Enjoy it.” Sis said what she said.
Still, she shared that they dated for a couple of years and remain cool to this day. For Keri, being on good terms with an ex isn’t a sign of weakness; it's a reflection of where she is in her healing. In a time when blocking an ex is often seen as the ultimate sign of growth, Keri offers an alternate route: one where healing looks like resolution, not resentment. “I think because I have such a disgust for ugliness in my life. Like, I don't do well without peace between me and everyone in my life. Like, I really try to resolve issues,” she explained to Cam.
Adding, “I think that's what makes things difficult when you're like sweeping things under the rug or harboring ill feelings towards someone. When you're healed, when you've done your work, you can speak to anybody when you've healed from things. I think maybe that's the bottom line.”
Watch Keri's appearance on Funky Friday in full here.
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Featured image by Paras Griffin/Getty Images