
Visual Artist Grace Lynne Got Here By Putting Black Women First In Her Craft

In xoNecole's "How She Got Here", we uncover the journey of fearless, ambitious women at the top of their game with unconventional not-so-everyday careers. Instead of asking them about their careers, xoNecole dissects the hardships, rejections and nontraditional roads travelled by these women to create the positions they have today.
While Grace Lynne Haynes may be the 28-year-old painter behind the scenes, her artwork surely isn't. We're willing to bet that your favorite New Yorker covers starring "flat female figures in a single line," as described by Elle.com, have been curated by the Los Angeles native herself. "I find that Black women are leaning towards more diverse representations. We've all heard of the strong Black woman archetype, and I think so many of us are tired of this type of imagery," Haynes told xoNecole about the evolution of artistic portrayal of Black women, especially during the height of the Black Lives Matter movement.
"I know so many Black women who crave representation that showcases other attributes to our womanhood such as our nurturing side, the way we have kinship with one another and our vulnerability which is often left unprotected. I see more of these presentations through various art films such as television, social media and photography. Could there be a more diverse and nuanced representation? Of course, but we have come a long way."
Though there is no traditional route or rulebook to becoming an artist, Grace Lynne acknowledges her journey as one that she has learned from to become the woman in the creative spaces that she is today. "I got here simply through hard work, sacrifice, and faith in God," the Art Center College of Design graduate told xoNecole. "Stepping into my artistic identity was a spiritual decision, and when you are connected to your creative spirit, it will guide you on where to go and whom to go to."
For this installment of "How She Got Here", xoNecole spoke with Grace Lynne about the spiritual journey that led her to her artistry, getting rejected from her top choice graduate school and the lessons she's learned along the way of her journey as an artist:
AN ARTISTS’ DUTY IS TO REFLECT THE TIME
Courtesy of Grace Lynne
Nick Romanenko
At the beginning of our interview, Haynes quoted singer-songwriter and activist Nina Simone to best describe who she is as an artist and why she does what she does: "An artist's duty is to reflect the time." "I firmly believe that an artist shows what society has the potential to be, or reflects the reality of society to its audience," she said as she defined her purpose.
Grace Lynne Haynes always knew that she had a keen interest in art from a young age, but stopped drawing during her teenage years because she felt "discouraged and didn't see the purpose." It wasn't until her early 20s when she began to sit with her purpose and passion for art and strategically shape her future around happiness and her pursuit of it. After exploring art through community art classes and Tumblr blogging, Haynes had a spiritual moment of realization and tapped into the new artistic waves of her brain.
"Colors were brighter, scents were stronger and it was as if my life experience overall was enhanced and much more visible. Since then, I made a commitment to dedicate my life to art making. This wasn't just a practical decision, it was spiritual. This made the journey seamless and everflowing, because I was in my purpose and I was willing to do the hard work."
When Haynes decided to take her passion and transform it into a career, she started as a commercial illustrator and designer - but admittedly had much apprehension about the flow of money. "Coming from a low-income background, I knew I wanted to pursue a creative career but was afraid of the income trajectory. I figured commercial art was a way to be creative and bring in consistent income." Throughout her undergraduate career she had various jobs throughout her career path that both generated income and drive for her passion, including painting for a denim company, freelance commissioning for theatre companies, teaching art classes, and working as a Communications Manager for a non-profit. "Transitioning into the gallery world so soon was a complete surprise. I always say the gallery world chose me, not the other way around. I always painted as a hobby, and showcased my works online. Eventually my hobby started to garner more attention than my commercial art and I was able to become a full-time artist," Haynes revealed to xoNecole.
Above all things, her confidence in her talent and artistic abilities is a key component in who Grace Lynne Haynes is today. "If I'm not confident, then my creativity lacks and I'm not motivated to be ambitious. Even at the very early stages of my career, I've always been super confident in my work," she said. "I would apply for top notch residencies, art programs and scholarships even though my work was still in the development stages. My applications and artist statements were always confident, and this led me to Kehinde Wiley's Black Rock Senegal Residency which completely changed my life and career."
Nick Romanenko
THE CREATIVE PROCESS
Unfortunately, during the coronavirus, like most creatives, Haynes had to readjust and turn lemons into lemonade. "Each day looks different, especially because of COVID and I am also in graduate school," said the current Rutgers University student about her day-to-day routine as an artist. "On a typical weekday, I have class in the morning, and I head to my art studio right after. Some days instead of going to the studio I'll read a book that is related to my art thesis. The book I am currently reading is Glitch Feminism by Legacy Russell. Some days, with all of the heaviness in the world, I don't feel inspired to create so I'll do research or sketch to take the pressure off."
When it comes to the actual painting, Haynes prefers to sketch before hitting the brushes and toy around with compositions and colors. "For the pose, sometimes I'll have a friend pose for me or will do a few poses myself for visual reference. After a bit of experimentation, I begin to paint on the actual canvas itself."
"The majority of my ideas come from an accumulation of imagery and experiences I have collected within my subconscious or on my laptop. In my work, I like to use color as a verb, as a form of action. I'm very interested in the colors that we choose to wear and surround ourselves with and how that shapes our environment."
Similar to her creative process, the journey of being an artist - a Black female artist at that - is no cake walk, but Haynes has mastered the art of riding the wave and learning to go with the flow.
Nick Romanenko
THE NEW YORK[ER] STATE OF MIND
When you trust the process, you'd be surprised at the outcome and where life can lead you. Who would've thought that this would have led Grace Lynne Haynes to land her acclaimed interpretation of Sojourner Truth on the cover of The New Yorker to mark the hundredth anniversary of the Nineteenth Amendment. She described the major placement as "the most thrilling experience," especially during the peak of the Black Lives Matter movement. "So many people were supporting Black artists by reposting and sharing our artworks. I received about 8,000 new followers in less than two weeks, which led to my work attracting the attention of VOGUE and eventually The New Yorker. They reached out about the opportunity to submit sketches to celebrate the '100th Anniversary of Women's Rights'. I had two days to make the painting, and stayed up all night to finish the final product. It was all worth it in the end and I'd do it all over again."
As an advocate for Black women through her work, and as she said in a CNN interview, Grace Lynne takes it upon herself to "explore what it means to be a Black woman in 2020" in her artwork.
"In my work, I strive to think about how being both a millennial and a Black woman have shaped my perspective on womanhood. I think this is an era where Black women are finally getting opportunities to pursue freedom. We are able to have flourishing careers, pursue our passion and be more selective about who we choose to partner with."
"There are so many sacred havens, especially online, of Black women coming together and giving tips on how to survive and thrive in this world with what has been given to us. I strive to showcase Black women in their own sacred spaces and interiors," she continued to tell xoNecole. "The way we choose to decorate these interiors, and the colors we choose to showcase all are representative of our individual identities. I strive to showcase this in my work. "
Nick Romanenko
5 Lessons We Learned From Grace Lynne's Career Journey
Don’t Think, Just Do
"One of the major challenges is the pressure to make art strictly for capital gain. It's important that the work comes from the heart, and not to think too much about how it fits into the 'art market' or if it will sell. Thinking about this waters down my art process, and creates an anxious art process. Fortunately, I am now at a place to fully explore my creativity without any bounds. I think every artist should do check-ins with their work to make sure the market isn't swaying their decision on what to create."
Patience Is Key
"I've never had a moment where I wanted to give up or change career paths. Even through intense struggle and rejection, I knew that this is all part of the journey. I've had moments where I thought, is the hard work really worth it? But I realized sometimes it takes a few years for the world to notice the work. Paintings that I created over four years ago are finally getting recognition. Sometimes it's dependent on timing."
Learning The Difference Between Loneliness & Being Alone
"I've learned that success is great, but it doesn't mean much if you have no one to celebrate it with. I used to isolate myself when creating and building my career. When things began to pick up, I looked around and realized I wasn't too happy with my social life and relationships that I was building. My mental health was not at its best either, and it was affecting my interactions with people. I took time to slow down and focus on my personal life, and ensure that I had a stable and supportive community around me. It's so important to not neglect your mental health, because success can feel empty if you don't have a well-rounded life. Career success isn't the only type of success, and shouldn't be the only focus in your life. Balance is essential for a more well-rounded type of success."
Start From The Bottom & You’ll Get Here
"Do the work, there is no way out of it. We all have to pay our dues. In the beginning, you'll have to deal with the rejection letters, working to build others careers, and doing jobs that you aren't passionate about. This is part of the process, and it's a season we all have to cope with. Remember everyone has a different timeline, and sometimes your career might blossom at a different pace than your peers and this is OK. Also don't let your ego get in the way of great opportunities for fear of rejection. I know so many artists that don't apply for opportunities because they hate the idea of being rejected. Develop a healthy detachment from your work to be able to not take everything personally, and look at your work outside of yourself."
No Regrets, Just Lessons Learned
"I've made many mistakes in my career and will continue to do so because I am human. It is all a part of the journey, that is how you learn and grow. I've been fired from certain positions, missed deadlines and opportunities, and miscommunicated. I can't turn back or redo anything so I simply look forward knowing that I am not perfect and I am a young artist still figuring out her way."
For more information on Grace Lynne, follow her on Instagram and check out her official website.
Featured image courtesy of Nick Romanenko
On her debut album,CTRL,SZA crooned about her desire to be a “Normal Girl.” Now, nearly eight years since its release, her Not Beauty line represents her commitment to existing outside of traditional beauty norms.
The singer whose real name is Solána Imani Rowe first teased the idea of a lip gloss line during Super Bowl LIX in February, noting that the release would be happening “very shortly.” Not Beauty debuted simultaneously with the Grand National Tour, which she co-headlines with Kendrick Lamar, in Minneapolis on April 19.
Each Not Beauty pop-up would offer fans the opportunity to purchase the glosses, learn more about the brand, and have the opportunity to meet the superstar in the flesh regardless of their ticket status.
During the Los Angeles tour stop, which spanned three dates on May 21, May 23, with the finale on May 24, xoNecole had the opportunity to test out the glosses included in this soft launch, as SZA revealed in a statement that "this is just the start of other lip products, including plans to launch stains, liners, and creams all inspired by SZA's “infamous layered lip combinations.”
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So, what is included in the first Not Beauty launch?
The current Not Beauty products available are lip glosses that come in three shades: In the Flesh, Strawberry Jelly, and Quartz.
During my visit to the first LA Not Beauty pop-up activation, I not only had the chance to purchase all three glosses but also took a peek inside the blow-up log tent. Inside, fans got to experience SZA’s love for nature and her fascination with bugs, which are prominently featured in her performances for this tour. At one point, she even had human preying mantis prancing across the stage y'all.
There were blow-up photos of the beauty that is SZA for fans (myself included) to take photos, but in wooden-like tree trunks were a deeper dive into some of the ingredients featured in her products and their benefits.
For example, the glosses feature Hi-Shine Lip Jelly and Shea Butter as key ingredients and some of the listed benefits included are:
- Shea Butter - “A powerhouse ingredient, offering both functional and nourishing benefits.”
- Hi-Shine Lip Jelly (featured in the In the Flesh shade) - “Formula glides on with perfect adhesion to the lips without stickiness).
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What are in the products?
Featured in an orange package, with images of a bug and flower on the side, the back of the box reads: “It’s NOT BEAUTY, it just works. Developed by Solána “SZA” Rowe.
As someone who never leaves home without a good lip gloss, I loved how compact the wood panel packaging is. Perfect to slip into my purse, or in the case of the show at SoFi Stadium, into my pocket when I’m not carrying a bag.
Because I’m a sucker for a good black and brown lip liner and clear gloss combo, I decided to wear the Quartz flavor on night one of the Grand National Tour LA stop, and it did not disappoint. I’ll admit, it’s light weight feel made me nervous because it felt like there was nothing on my lips. However, when I checked my lips in my compact mirror several times throughout the night, I was shocked to find that my gloss was still intact. I only reapplied once out of the habit of looking cute and applying my gloss, but not necessity.
Here are some of the ingredients featured, but not limited to, in the Quartz flavor.
- Polyisoubutene
- Butyrospermum Parkii (Shea)Butter
- Ricinus Communis (Castor) Seed Oil
- Mentha Piperita (Peppermint) Oil
- Tocopherol
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Lip prep
I’m a simple girl who loves to stay true to her roots. So ahead of the show, I stopped by a local Inglewood Beauty Supply store and grabbed a Black and Brown shade lip pencil for just under $2 a piece.
Shading the outline of my lips with the black pencil first, I used the brown to lightly fill the inside of my lips before applying my Quartz Not Beauty shade gloss.
How to apply
There’s truly no right or wrong way to apply lip gloss (in my opinion), with this being a brush applicator sort of product, I simply untwisted the top and swiped the gloss around my top and bottom lip generously.
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Results
Again, my Not Beauty Quartz product stayed on my lips from the start of the show, which began with a fire DJ set from LA’s very own, Mustard, to the conclusion when Kendrick and SZA reunited on stage to send us home to their duet, “luther,” featured on the rapper's GNX album.
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The millennial in me is nostalgic at best...and at worst, deeply, deeply yearning. I’d be lying if I said I didn’t miss the past.
In the days of old, community was never hard to find. It was a knock on the door from a neighborhood friend who needed no invitation. It was trading jokes over lunch and lingering strolls after the final bell. It was choir practice on Saturdays and giggling in the pews on Sundays.
The love was free and plentiful, and my cup runneth over.
But there was a certain rhythm to the ’90s and early 2000s. People were ever-present in the most ordinary ways, and fortunately, this followed me well into adulthood. The door knocks have since turned into tequila shots, and brunch on Sundays became my new sanctuary, but you know...same thing!
However, life has changed drastically, and with it, so have we. Sometimes by force (2020..no other words needed, amirite), and other times by the natural, inevitable flow of growing up.
As we age, our identities become more defined. And while the people we’ve always loved still matter deeply, we start to crave new connections and experiences that reflect who we’re becoming.
When COVID reared its ugly head, not only did it disrupt the lives we knew, it pushed us to reevaluate the lives we want… and the people we want in them. For many, it exposed a loneliness that had already been there beneath the surface. It made space for questions we hadn’t slowed down to ask: What do I truly enjoy? Who do I feel most myself around?
After months of quarantine and isolation, we were left craving connection in a deeper, more intentional way. This sparked a renewed interest in “the third space.”
Coined by sociologist Ray Oldenburg, the term refers to those places beyond home (first space) and work (second space) where people gather, build relationships, and foster community. Think coffee shops, libraries, dance studios, run clubs, and other environments that offer connection outside of our daily obligations.
My own desire to find like-minded folks has only intensified over the past few years. And as a self-proclaimed medicine woman and wellness enthusiast, I went looking for spaces that felt good, and found more than a few.
So if you're in NYC and searching for places that feed your spirit (and tend to your interests), consider this your starter guide. Whether it's a wellness club, a run group, or a kickball league, these third spaces might just feel like home.
A Safe Space Mentor
My Shaylaaa.
What started out as a simple offering from founder Teya Knapp has grown into one of the most intentional, heartfelt communities I’ve had the privilege to be part of. Together with COO Jasmine Dayze, they have cultivated more than a collective—it’s a movement rooted in community care, softness, and restoration.
A nonprofit centered on mental health advocacy and equity, A Safe Space Mentor has redefined the possibilities of communal healing. With over 22 fully funded retreats to date (yes, free), monthly programs ranging from support groups and hikes to pottery classes, free therapy, and now a physical home at A Safe Place Studios, they’ve built an ecosystem where people can show up fully and be accepted just as they are.
I came across them by chance, but as fate would have it, it allowed me to bloom in ways I never saw coming, surrounded by women who affirm and love me in ways I didn’t know I needed. I’m serious, ya’ll. Even at the risk of sounding dramatic: expect to be changed, to find friends, possibly even family, and maybe a group chat, too.
Beyond their no-cost offerings, they also host weekly yoga and meditation classes, massages, and more. Learn more about this beautiful space here, and keep an eye out for their upcoming Juneteenth gathering.
NARC
Who needs Hinge when there’s a run club? (Kidding... kind of.)
NARC, short for Not a Run Club, is technically a run club but with a twist. Co-founded by Omari Ross and Noah Hutchins, NARC takes a holistic approach to fitness and community. Picture track workouts, dynamic circuits, core finishers, followed by a post-workout brunch with the crew. Sure, the occasional match may be made, but at its core, NARC is about connection, movement, and showing up for yourself and others.
It’s the kind of space where most people arrive solo but rarely leave without a new friend or a new perspective. And personally? I never tire of seeing Black men love on one another out loud.
If you’re looking for a solid sweat (not gonna lie, it gives Olympic training at times), laughs, and folks that show up rain or shine, they’ve got you. Beyond the track, they also host boxing classes, hot yoga sessions, social mixers, and a number of other events. NARC meets every Saturday at McCarren Park at 10 a.m. unless otherwise noted. Learn more here.
The Music Nerds
My favorite part about The Music Nerds? The DJ. Scene Serene, a former music journalist turned vibe curator, created this club out of pure love for music and the Black people who create it. And that love is felt in every detail.
Past functions have celebrated Kendrick Lamar, Black women in music, and Virginia legends, each thoughtfully crafted to tell a story through sound. Here, you’re not just dancing, you’re feeling, remembering, and reflecting, too. Additionally, she kicks off each event with icebreaker quote cards to spark conversation, because the vibe isn’t just in the music; it’s also in the people.
That sense of connection comes full circle in her choice of venues, which are always Black-owned spaces that feel safe and inclusive for all Black folk. After all, if we don’t support each other, who will?
This isn’t just a party. It’s a celebration of culture, connection, and Black joy…and yes, it’s free! She’s cooking up some magic for the summer, so follow her here to stay in the loop.
SociaLight Social Club
For the anti-social socialite or the extrovert who wants a little more intimate play, the SociaLight Club might be your sweet spot.
Nayah, the founder, is all about curating intimate, low-pressure gatherings that bring people together through random yet delightful activities, all while supporting Black-owned businesses in the process.
From coworking days to supper clubs and nights building LEGOs, it’s the kind of space where you can show up as you are and end up discovering new people and new passions. It’s chill, it’s intentional, and very much a vibe. Keep up with her events here.
Recess Kickball League
Black folks deserve to frolic, dilly-dally, and straight-up play. And that’s the spirit behind Recess Kickball League. Though kickball is the anchor, it’s really about reclaiming joy through movement and connection.
Founded by five friends during the lockdowns of 2020 (Emmanuel Maduakolam, Christopher Thomas, Cris Jones, Daemon “Tubbs” Krueger, and Ermias Tessema), the club started as a way to get outside and let loose, and now it’s blossomed into a thriving community with leagues in both LA and Brooklyn.
If you’ve been looking for field day vibes and opportunities to love on your inner child, keep up with them here.
The Free Black Women’s Library
Tucked in the heart of Bed-Stuy, The Free Black Women’s Library is a cozy nook that centers Black women and holds space for book lovers, creatives, and community-builders alike.
Founded by OlaRonke Akinmowo, it functions as more than a library but a cultural hub. While every book is written by a Black woman or non-binary author, she also hosts grief workshops, writing circles, and curated events that honor both healing and imagination, too. Their monthly calendar is packed with offerings that meet you where you are, celebrating who we are and who we’re becoming.
And the best part? You don’t have to buy a book, you can swap one. Bring something you’ve read, and leave with something new. Keep up with them here.
Peak & Pace
This one’s for the runners and the lovers. If you’re looking to meet your future bae who’s into fitness and a good Sunday reset, Peak & Pace might just be your new favorite link.
Founded by London native Owen Akhibi after relocating to NYC, the club was born out of something a lot of us know too well: feeling a little lonely in a big city. So he created a space that brings people together who just so happen to run.
Every meetup ends with a social, and some runs come with fun themes like wearing flags repping your country to wristbands signaling your relationship status (lovers tap in!). Off the track, they host yoga, comedy nights, parties, and other events to build real connections. They meet every Saturday at Prospect Park at 10 a.m. Tap in with them here.
Free Peace Meditation Club
Free Peace Meditation Club offers a rare pause in the middle of NYC’s bustling Lower East Side, encouraging folks to be still in the midst of chaos while finding beauty in it, too. What began as a simple conversation between Kenji Summers and Angelo Baque has blossomed into a welcoming sanctuary where New Yorkers gather to unplug, recenter, and recharge.
Hosted monthly at the artfully decorated Awake NY, this community-driven experience invites participants to reconnect through guided reflection, mindful breathwork, and thoughtfully curated music that features the rich sounds of New York’s rap, R&B, and jazz artists. FPANYMC stands as a powerful affirmation that stillness is not a luxury but an essential practice. Keep up with them here.
Knot Okay Club
This one’s for the soft girls, the creatives, and anyone who’s ever needed to crochet their stress away.
Knot Okay Club brings Black women and non-binary folks together through fiber arts. It’s about slowing down, making something with your hands, and feeling held while you do it. The work might be small and intentional, but the connection? That’s the magic. Learn more about them here.
Girls That Gather
Lauren Franco started Girls That Gather after moving to NYC and realizing just how hard it can be to find genuine connections as an adult.
What began as a way to bring women together has grown into a go-to space for meaningful conversation and real friendship. From curated dinner parties to small, cozy events, everything is designed to feel easy and intentional. No awkward networking energy, just good vibes and even better people. Learn more about them here.
Adanne Bookshop
Adanne is one of those places that makes you want to linger.
Tucked away in Brooklyn and owned by educator Darlene Okpo, this Black woman-owned bookshop is as intentional as it is inviting. The books are curated with care, the energy is warm, and the events, from author talks to community gatherings to incense-making, always leave you a little more full than when you walked in.
It’s not just a bookstore; it’s a cultural anchor. Check out their events here.
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Featured image by Clarke Sanders on Unsplash