Chlöe has single-handedly reimagined how to wear dreadlocks thanks to her stepping outside of the box with her hairstyles. The singer along with her sister Halle Bailey began their loc journey when they were children, and while their hair is beautiful as is, Chlöe has shown that loc versatility is a realm she plans to master.
The "Body Do" artist had the internet buzzing again after her recent 2024 Grammys look. This time, she hid her luscious locs under a ginger lace front wig with a side part and long, loose curls. It was giving Jessica Rabbit.
Chlöe at 2024 GrammysPhoto by Kayla Oaddams/WireImage
In an interview with Teen Vogue, the “Have Mercy” singer credited her mom for having confidence in wearing dreadlocks. “I definitely have to give props to my mom,” she said. “Because ever since I was about three years old, I've had locs. I've grown up in Atlanta, Georgia, and I thought nothing was really different with my hair from the other kids. Definitely, I realized early on in the industry, having locs wasn't really normal. But I feel like when you are confident with yourself, and you own it, then everyone else has to catch up to that. And I'm so grateful to be given a platform as a young Black woman with locs.”
Honing in on that confidence translates into Chlöe's recent hairstyles, which include extensions from curly to bold hair colors. Get into the hair versatility below:
1.Blonde Babe
The singer blew fans away after she rocked blonde locs in her “Have Mercy” video. While she never shared why she decided to go blonde after rocking her natural brown color for so long, it was clear to everyone that this was just another way of showing her personality outside of her sister after the two of them have been in a group for so long.
2.Bantu Beauty
Last Halloween, the 24-year-old singer/actress dressed up as Jada Pinkett Smith’s character Niobe in The Matrix: Reloaded and sported Bantu knots similar to the character. In the first series of photos she posted on Instagram, Chlöe captioned it, “Welcome to the matrix…lmao this my last one yall.” In the second series of photos, she captioned the post “if this wasn’t a costume, i’d still wear it.”
3.Voluminous Ponytail
The Grown-ish actress shined like a “disco-ball” at the 2022 Grammy Awards. Chlöe pulled out the baby hairs and wore her locs slicked back in a high, voluminous ponytail. In a series of photos, she swung her ponytail from side to side giving us angles.
4.Curly Cute
During Grammy weekend, Chlöe attended the Recording Academy Honors presented by The Black Music Collective. The singer was giving glam and sophistication as she sported a big curly ‘fro paired with a sexy black gown. She captioned her Instagram post, “what’s the tea?”
5.Red Hot
For the 2021 American Music Awards, she debuted her red hot locs on the red carpet while wearing a cut-out black gown. That night, she performed her hit song “Have Mercy.”
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However, in our exclusive interview with Shaunie, the Undefeated author said the show was created out of necessity.
"We just tend to tear our own people up for whatever reason. When I started Basketball Wives, it was really a matter of survival for me. I was in desperation mode. I needed the show to be successful because I had to figure out how I was going to live and provide a life for my children," she said. "Basketball Wives is a platform and it is a space for women to have the freedom to be and say and do what represents them. And what that is, is their decision, right? I just provided the platform for it to happen.
She also explained that she wanted to help other women financially by having a platform that will give them access to opportunities.
"I knew that I had lost my voice before, and I wanted to provide a space to ensure that other women didn’t lose theirs. Again, what they decided to do with the camera time and who they decided to show up as is on them, but here's the platform, and I think for many women, it has been just that. It’s boosted them into a space in their life where they're able to make money and branch out into other opportunities that they may not have had otherwise."
"I knew that I had lost my voice before, and I wanted to provide a space to ensure that other women didn’t lose theirs. Again, what they decided to do with the camera time and who they decided to show up as is on them, but here's the platform, and I think for many women, it has been just that. It’s boosted them into a space in their life where they're able to make money and branch out into other opportunities that they may not have had otherwise."
Basketball Wives: LA Cast. L-R: Jac'Eil Duckworth, Brooke Bailey, Jackie Christie, Shaunie Henderson, Evelyn Lozada, Jennifer Williams, and Brandi Maxiell
Photo by Robin L Marshall/Getty Images
One of Basketball Wives' most infamous moments was the fight that occurred between Evelyn Lozada and Tami Roman in the second season. While it was a very explosive scene, Shaunie revealed that behind the scenes, the following day, everything was copacetic. She recalled that moment and said it was one of her most cherished memories from the show.
"It was probably the day after the infamous fight between Tami Roman and Evelyn Lozada. Evelyn had coined the “non-mf factor” phrase, and production had broken up their fight the night before. Me and her were on the beach, and Tami called to see what I was up to. I told her I was with Evelyn, and she said she was coming to meet us," she said.
"I'm thinking I'm about to be in part two. There's no security, we were off for the day and I was sure it was about to be horrible. Tami gets there. She’s already got her cigarette lit, her bob is bouncing as she walks up to us, and I just remember her saying, ‘What y’all heffas doing?’ It was just like nothing had happened at all. It was like they fought, they got it out, and she was off to the next thing."
She added, "Those type of moments I wish people could experience and see that although things happen that seem outrageous, it’s all love. It doesn't always end up perfect. But for the most part, we have had a really, really good time."
Read more from the interview here.
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