

Syleena Johnson's greatest instrument is her voice and has recognized her passion for music since her earliest childhood memories. With a father who was in the entertainment industry as a singer, music was part of her life from an early age and eventually blossomed into her participating in talent shows and showing the world what she was meant to do. "I just finished filming my UNSUNG episode which will premiere on TVOne early 2021 and that will tell the readers a lot about my story and how I began. I am excited for you to see it. It will show you how I got my start in the industry and how I got to where I am now," she spilled to xoNecole about her upcoming project.
As a singer, she has used her voice and songs to uplift women and Black people, but now as a talk show host on Cocktails and Queens on Fox Soul, Syleena is using her voice to empower Black women to demand respect and equality on the other side of the couch. "I am still and will always be a part of music," the former Sister Circle host told me about her transition into being a talk show host, "However, opportunities and God have allowed me to become a talk show host and share my opinions and thoughts as a woman in this world and in entertainment."
Nowadays in her career, Syleena can apply the multitude of lenses to her craft from the talent side to research and development as the interviewer. When she's not on the couch interviewing talent or in the booth making new empowerment anthems, the "Guess What" singer has been working on her latest docuseries project, The Making of a Woman, which was heavily inspired by her recently released Woman album.
Courtesy of Tony Tyus Photography
"This docuseries will show what my experience as a Black woman has been in this industry for over 20 years as well as being a working-class woman, a wife and a mother raising two sons. It will inspire people to see the challenges Black women face on a day-to-day basis and how we overcome it," she explained. "I wanted to show a message and present that in a body of work to create more of a conversation and a call-to-action. I've realized in order to make change, we must create content or use our voice to make a shift in change in our society."
xoNecole had the opportunity to catch up with the Grammy-nominated singer herself about using her voice to uplift women, her new docuseries The Making of a Woman, and being a Black woman in 2020 demanding equal rights in our current racial climate. Check out our conversation below.
xoNecole: Tell me about your docuseries, 'The Making Of A Woman', the messaging and the inspiration behind it.
Syleena Johnson: The docuseries The Making of a Woman is heavily inspired by my recent album, Woman. Each of my albums as a solo artist have been titled after chapters, however with today's racial climate I decided to create the album and docuseries to speak on the struggles and experiences of everyday Black women and what we go through in life in 2020. I created this docuseries to vocally create a body of work that documented the journey of what it took to create this album, mentally, internally and spiritually while sharing the experiences of what women go through like demanding equality and respect, having a voice to even having to work twice as hard as our male counterparts even through pain and adversity.
How does your new studio album, ‘Woman’, directly correlate with the story that you're telling us in the docuseries?
It's my journey, my thoughts and what I and many women endure as a Black woman in society as well as this industry. You'll see me on my journey of completing my album and shooting the video to my lead single off my new album. You'll see the vision that I had to want to highlight how beautiful and special women are. The docuseries speaks on dishonesty, respect and the many examples of inequality Black women face while showing the process of creating a body of work that shares the same message.
How are both releases timely considering our current racial climate?
Right now, we are in the year of the WOMAN. We have a Black woman that is working tirelessly to be the next Vice President of the United States. Black women are on the front lines organizing, protesting and leading the forefront of creating change for our economy and the futures of our next generation. Considering our current climate, both releases vocally tells a story that we still have work to do and are still fighting for respect in 2020. With both releases of my album and docuseries, I wanted to use what I've been seeing in situations like the #MeToo and Time's Up movement, and use my voice and passion in music to be a vessel for other women's stories and journeys.
What do you define as the makings of a woman?
The makings of a woman is the willingness of a woman to grow despite her flaws, despite her mistakes, despite her circumstances and her setbacks in life. The ingredients of the makings of a woman is built up of all the little experiences that you had and how you've handled them and most importantly learned from them. These are the certain experiences you must endure in life to come into your womanhood while helping you grow as a woman.
Courtesy of Tony Tyus Photography
"The makings of a woman is the willingness of a woman to grow despite her flaws, despite her mistakes, despite her circumstances and her setbacks in life. The ingredients of the makings of a woman is built up of all the little experiences that you had and how you've handled them and most importantly learned from them."
When do you feel the most "womanly" or the most beautiful as a woman?
I feel the most womanly when I am being a mother to my sons, when I am being a wife. Always working or in business mode does not make me feel like a woman, it makes me tired. I feel more womanly when I can have peace, when I can have "girl time" for myself. I feel the "womanliest" when I can be appreciated and when I am treated like a woman. I feel womanly when I can be heard and valued. More than anything, I feel the "womanliest" when I can operate as a mom and wife without having to be the authoritative figure. When you are a CEO and an entrepreneur you are the authoritative figure but when I come into my household I can relax without having to be the authoritative figure all the time because I have support.
"I feel the most womanly when I am being a mother to my sons, when I am being a wife. Always working or in business mode does not make me feel like a woman, it makes me tired. I feel more womanly when I can have peace, when I can have 'girl time' for myself. I feel the 'womanliest' when I can be appreciated and when I am treated like a woman. I feel womanly when I can be heard and valued."
What is the moment in your life when you believed that you were coming into your own as a woman?
That moment for me was when I got the diagnosis that my youngest son had autism. I developed a level of selflessness that had to take place mentally and emotionally in order for me to grow as a woman. Something like that is supposed to take me out of here and it did, however what that diagnosis did was made me come into my womanhood, turn up my senses as a mother, as a provider. I had to turn up those senses and it made me develop my own personal internal growth spurt. This has allowed me to grow into my womanhood and has taught me to be more patient overall in life. That moment and many life lessons made me understand and be OK with me, unapologetically. It allowed me to love me for who I am and become appreciative of being OK with not being perfect.
There are a lot of conversations around gender and sex. What do you see is the difference between femininity and womanhood, if there is one at all?
What I've learned throughout my own experiences in life is that femininity is a characteristic. Womanhood is a state of mind. Whereas a woman doesn't have to be any of those feminine qualities, and still be a boss, knowing who she is, having a voice, understanding her worth - those are the things that encompass womanhood. Femininity is a characteristic, an accessory. Anyone can be feminine, however it is a characteristic that is interchangeable, whereas womanhood is a growth process, state of mind. A state of being.
Courtesy of Tony Tyus Photography
"What I've learned throughout my own experiences in life is that femininity is a characteristic. Womanhood is a state of mind. Femininity is a characteristic, an accessory. Anyone can be feminine, however it is a characteristic that is interchangeable, whereas womanhood is a growth process, state of mind. A state of being."
For Black womanhood, what do you believe makes Black women the most powerful and most majestic?
Resilience, our humility, our hearts have made us majestic. The fact that we've endured so much from the test of times has made us extremely powerful and majestic. We are resilient, durable, sustainable. We are smart, we are vociferous, brilliant, studious, meticulous, but we are kind, careful, and multi-layered.
How would you say that you've grown as a singer-songwriter since you first started in the music industry?
I have grown tremendously since coming into the industry and my writing has grown and evolved. I have a different and new sound. I've grown as a woman so I can't stay in the same frame of mind as my other albums. When you're saying different things, you have to stretch out and grow. And that's where I've improved as an artist and singer since first being introduced in the industry.
Being a Black woman in the industry is tough, especially when you're in the spotlight as an artist. How do you manage your mental health and how can the music industry do a better job at protecting Black women?
I manage my mental health by working out and doing stress reduction activities. I am really into fitness and bodybuilding. It allows me to be focused and gain mental clarity. I am also an advocate and use therapy as an outlet to manage my mental health. I have recently embarked on a fitness journey where I competed in a fitness bodybuilding competition which totally improved and helped with my mental health. I was able to not only transform physically losing over 55 pounds but was also able to grow internally within the process.
The music industry can do a better job protecting Black women. The most important thing they can do is listen to Black women. We are not objects. We are not possessions. Listen to Black women and see how they feel, ask are you being heard and valued? Are you being treated fairly? That is how you can protect Black women by listening and valuing us.
If you listen, you learn.
For more of Syleena, follow her on Instagram.
Featured image courtesy of Tony Tyus Photography
Claudia Jordan, Demetria McKinney & Jill Marie Jones On 'Games Women Play' & Dating Over 40
What do you get when you mix unfiltered truths, high-stakes romance, and a few well-timed one-liners? You get Games Women Play—the sizzling new stage play by Je’Caryous Johnson that’s part relationship rollercoaster, part grown-woman group chat.
With a powerhouse cast that includes Claudia Jordan, Demetria McKinney, Jill Marie Jones, Carl Payne, Chico Bean, and Brian J. White, the play dives headfirst into the messy, hilarious, and heart-wrenching games people play for love, power, and peace of mind. And the women leading this story? They’re bringing their whole selves to the stage—and leaving nothing behind.
From Script to Spotlight
The road to Games Women Play started over 20 years ago—literally.
“This script was written 20 years ago,” Jill Marie Jones said with a smile. “It was originally called Men, Money & Gold Diggers, and I was in the film version. So when Je’Caryous called me to bring it to the stage, I was like, ‘Let’s go.’” Now reimagined for 2025, the play is updated with sharp dialogue and modern relationship dynamics that feel all too real.
Demetria McKinney, no stranger to Je’Caryous Johnson’s productions, jumped at the opportunity to join the cast once again. “This is my third time working with him,” she shared. “It was an opportunity to stretch. I’d never been directed by Carl Payne before, and the chance to work with talent I admire—Jill, Claudia, Chico—it was a no-brainer.”
Claudia Jordan joked that she originally saw the role as just another check. “I didn’t take it that seriously at first,” she admitted. “But this is my first full-on tour—and now I’ve got a whole new respect for how hard people work in theater. This ain’t easy.”
Modern Love, Stage Left
The play doesn’t hold back when it comes to the messier parts of love. One jaw-dropping moment comes when a live podcast proposal flips into a prenup bombshell—leaving the audience (and the characters) gasping.
Demetria broke it down with honesty. “People don’t ask the real questions when they date. Like, ‘Do you want kids? How do you feel about money?’ These convos aren’t happening, and then everyone’s confused. That moment in the play—it’s real. That happens all the time.”
Jill chimed in, noting how the play speaks to emotional disconnect. “We’re giving each other different tokens of love. Men might offer security and money. Women, we’re giving our hearts. But there’s a disconnect—and that’s where things fall apart.”
And then Claudia, of course, took it all the way there. “These men don’t even want to sign our prenups now!” she laughed. “They want to live the soft life, too. Wearing units, gloss, getting their brows done. We can’t have nothing! Y’all want to be like us? Then get a damn period and go through menopause.”
Dating Over 40: “You Better Come Correct”
When the conversation turned to real-life relationships, all three women lit up. Their experiences dating in their 40s and 50s have given them both clarity—and zero tolerance for games.
“I feel sexier than I’ve ever felt,” said Jill, who proudly turned 50 in January. “I say what I want. I mean what I say. I’m inside my woman, and I’m not apologizing for it.”
Demetria added that dating now comes with deeper self-awareness. “Anybody in my life is there because I want them there. I’ve worked hard to need nobody. But I’m open to love—as long as you keep doing what got me there in the first place.”
For Claudia, the bar is high—and the peace is priceless. “I’ve worked hard for my peace,” she said. “I’m not dating for food. I’m dating because I want to spend time with you. And honestly, if being with you isn’t better than being alone with my candles and fountains and cats? Then no thanks.”
Channeling Strength & Icon Status
Each actress brings something different to the play—but all of them deliver.
“I actually wish I could be messier on stage,” Claudia joked. “But I think about my grandmother—she was born in 1929, couldn’t even vote or buy a house without a man, and didn’t give a damn. She was fearless. That’s where my strength comes from.”
For Jill, the comparisons to her iconic Girlfriends character Toni Childs aren’t far off—but this role gave her a chance to dig deeper. “If you really understood Toni, you’d see how layered she was. And Paisley is the same—misunderstood, but strong. There’s more to her than people see at first glance.”
Demetria, who juggles singing and acting seamlessly, shared that live theater pushes her in a new way. “Every moment on stage counts. You can’t redo anything. It’s a different kind of love and discipline. You have to give the performance away—live, in the moment—and trust that it lands.”
Laughter, Lessons & Black Girl Gems
The show has plenty of laugh-out-loud moments—and the cast isn’t shy about who steals scenes.
“Chico Bean gets a lot of gasps and laughs,” Claudia said. “And Naomi Booker? Every scene she’s in—she’s hilarious.”
But the play isn’t just about humor. It leaves space for reflection—especially for Black women.
“I hope we get back to the foundation of love and communication,” said Demetria. “A lot of us are in protector mode. But that’s turned into survival mode. We’ve lost softness. We’ve lost connection.”
Claudia agreed. “We’re doing it all—but it’s not because we want to be strong all the time. It’s because we have to be. And I just want women to know: You can have peace, you can be soft. But stop bringing your old pain into new love. Don’t let past heartbreak build walls so high that the right person can’t climb over.”
Final Act: Pack the House
If there’s one thing this cast agrees on, it’s that this play isn’t just entertainment—it’s necessary.
“Atlanta is the Black entertainment hub,” Claudia said. “We need y’all to show up for this play. Support the arts. Support each other. Because when we pack the house, we make space for more stories like this.”
Games Women Play is more than a play—it’s a mirror. You’ll see yourself, your friends, your exes, and maybe even your next chapter. So get ready to laugh, reflect, and maybe even heal—because the games are on.
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Sterling K. Brown & Ryan Michelle Bathe Relationship Timeline
Sterling K. Brown and Ryan Michelle Bathe are one of our favorite Hollywood couples. We can't get over their adorable moments together on the red carpet and on social media. While they're both from St. Louis, they didn't meet until college, which they both attended Stanford. And the rest is as they say, history. Read below as we dive into their decades-long relationship.
Mid to Late1990s: Sterling K. Brown & Ryan Michelle Bathe Meet
Sterling and Ryan met as freshmen at Stanford University. "We were in the same dorm freshman year...that's kind of how we met," Ryan said in an interview with ET. "I was mesmerized," she said after watching him audition for the school play, Joe Turner's Come and Gone. Sterling revealed that The First Wives Club star was dating someone else, so they started off as friends.
"She got cast in the play as well, and we would ride bikes to rehearsal, and we would just talk. We found out that we were both from St. Louis. We didn't know that we were both from St. Louis, like, our parents went to rival high schools. We were born in the same hospital. Like, we were friends," he said.
The first few years of their relationship involved many breakups and makeups. However, they ended up graduating and attended NYU's Tisch Grad Acting Program together.
Early 2000s: Sterling K. Brown Tells Ryan Michelle Bathe She's 'The Love Of My Life'
The Paradise star opened up about telling Ryan that she was the one. "We broke up for three and a half years before we came back into each other's lives," he said. "She was on the treadmill working out, and I had this epiphany, 'I have to go tell this woman she's the love of my life.'"
"I go to her apartment, I tell her, and she's like, 'Well, I'm working out right now,' and I was like, 'No, I can see that—I'll just talk to you while you're on the treadmill,' and she's like, 'Well, I feel like going outside. So I'm gonna go on a run,'" he continued. "So I'm like dressed [in a suit], and she starts running through Koreatown, and I start running along with her. Brother had to work, but it was well worthwhile."
2006: Sterling K. Brown & Ryan Michelle Bathe Tie The Knot
The St. Louis natives eloped in 2006 and a year later held a larger ceremony. According to the bride, the best part of their wedding was the food. "The best thing about it was the food," she told ET.
"Can I just say, sometimes you go to weddings, and you get the winner-winner chicken dinner and you're like, 'I pay. OK, it's fine.' But I wanted people to remember their experience -- their culinary experience. So I was happy about that. The food was good."
2011: Sterling K. Brown & Ryan Michelle Bathe Welcome Their First Child
In 2011, Sterling and The Endgame actress welcomed their first son, Andrew. In a 2017 tweet, Sterling revealed they had a home birth. "An unexpected home delivery is something my wife and I went through ourselves with our first born, so this was round 2 for me!" he wrote while referring to a scene involving his character Randall, in This Is Us.
2012: Sterling K. Brown & Ryan Michelle Bathe Appear On-screen Together
A year later, the couple acted together on the Lifetime series Army Wives.
2015: Sterling K. Brown & Ryan Michelle Bathe Welcome Their Second Child
In 2015, Sterling and Ryan welcomed another son, Amaré. Sterling shared an Instagram post about their latest addition to the family. "1st post. 2nd child. All good! #imoninstagram," the Atlas star wrote.
2016: Ryan Michelle Bathe Joins Sterling K. Brown On 'This Is Us'
Ryan guest appears on her hubby's show, This Is Us.
Sterling K. Brown Reveals Ryan Michelle Bathe's Mother Didn't Like Him At First
During their sit-down interview for the Black Love series, Sterling revealed that Ryan's mother wasn't a fan of him, which caused friction in their relationship.
2024: Sterling K. Brown & Ryan Michelle Bathe Explain How Jennifer Lopez Once Broke Them Up
While visiting The Jennifer Hudson Show, Sterling and Ryan share their hilarious Jennifer Lopez break-up story. "We had just gone out, we were living in New York City, we were in grad school, and we had gone to see a Broadway play and we came back to my place and my roommate was playing the ["Love Don't Cost A Thing"] video on MTV," Sterling said.
"Now I'm a fan of Jennifer Lopez's dancing, and I was watching the video and I knew my young...21, 22-year-old girlfriend was looking at me watch the video. And I know I'm not supposed to have a reaction. In trying NOT to have a reaction, what had happened was, my eyes began to water."
Ryan jumped in, "Otherwise known as, TEARS! I turn around and my boyfriend is weeping, tears like big fat [tears]. And I'm looking and she's just a shakin' and a shimming, and he's just crying. I said 'Oh no, I got to go.' "
2024: Sterling K. Brown & Ryan Michelle Bathe Launch Their Podcast, We Don't Always Agree
The couple launched their podcast, We Don't Always Agree, where they disclose more intimate details about their love story.
Feature image by Chelsea Lauren/Shutterstock