Lawrence H. Robinson is having a moment. Like, a really good moment.
And I'm not just saying that because he recently made his well-received debut on the new BET hit seriesSistas. Nor am I saying that because he's got a new movie slated to come out around Christmas time that promises to be equal parts feel-good and funny. No, the moment Lawrence is having is one of those rare moments, where your dream slowly but surely starts turning into your reality. It's a little after 5pm when our call connects and the Philly native is in good spirits. He's inviting and easy during our conversation. (Easy on the eyes too, am I right ladies?) But as he begins to recount his journey to me in our half-hour chat, one thing becomes abundantly clear: Lawrence is a man full of persistence and perseverance. He doesn't believe in giving up. And while humble beginnings working at the airport and going to community college may have been enough to deter any other person from pursuing their heart's desire, for Lawrence, it only fanned the flame for him to keep going. And that's exactly what he did. "I've always known I wanted to do something in entertainment, ever since I was a kid," he tells xoNecole. "I just didn't know what my path was going to be."
"I didn't have a bunch of money growing up. I wasn't the smartest kid growing up but I've always been super hardworking. And if I could look back, I would just say my drive is the same. That never changed."
So how did he go from handling bags to securing bags with BET & Tyler Perry? xoNecole recently got the chance to chat with the Sistas star to find out.
xoNecole: Describe your character Chris [in ‘Sistas’].
Lawrence H. Robinson: Chris is in his early thirties and had a rough childhood growing up. He was raised by his aunt, but she passed away when he was 16. So from 16 on, he got caught up in the streets and eventually went to jail for attempted murder. After he got out, he opened his own business doing construction and now he has a million dollars in his bank account. He's a solid, good brother dating an older woman who's being played by the legend, Shari Belafonte. And he's basically getting introduced to Zach, who's played by Devale Ellis, to try to get him on the right track.
Did you always know acting and modeling was going to be in your future or was this something you kind of stumbled upon?
You know, I was actually like Zach [in the show], Devale Ellis' character--I worked at the airport for six years. I was just a hard-working dude from Philly who was just a baggage handler, but I always wanted more. So in the midst of that, I took acting as an elective because I really wanted to do it. Then I took Tasha Smith's workshop in 2011, moved to New York in 2012, and then I booked my first commercial with Diddy for Macy's. I made a lot of money and I thought that was going to be my way in. I ended up getting fired from my job on purpose so I could pursue acting full-time and I went on that. So I've always been into acting but modeling and acting go hand in hand for me.
I was still modeling like for Macy's and Pepsi, a lot of the commercial stuff. I wanted to be an editorial model but I guess I had a more commercial look. But fast forward to now, I'm in LA and still chasing it, doing the modeling and the social media stuff--that's always going to be there but my passion was always TV and film. I'm just grateful for Tyler Perry for giving me my first character.
What have you learned about yourself thus far throughout your journey?
I've definitely learned that I'm resilient. And that I don't believe in the word 'no'. The word 'no' doesnt doesnt scare me, I'm not afraid of it. It makes me want to keep going until I get [a] 'yes'. Some people are really intimidated by that word. And I love when people underestimate me, I love that. I've always been one of those people that you may see me on social media flexing and working that market but I've always [been] in the background taking acting classes. So I knew when it was time for me to hop on-screen, I knew that I was going to be invested and my character was going to make an impression because I've always been willing to do the work.
Let’s switch it up a bit and talk relationships now. How are you handling dating during quarantine? Are you doing the whole Zoom dates and...
I actually haven't been on Zoom but I've had a couple Facetime calls. It was random though! I've just been watching shows and I'll go through my DMs sometimes and if I see something that catches my attention-- then we'll have a conversation. So it's just been a lot of casual conversations and a few 'Facetime dates', but for the most part I've just been dating myself. And really trying to figure out what I want for my life. Now that I'm entering my dream world and my dream is becoming my work--I have to figure out what's next? You know: do I want to get married? Do I want to have another kid? Do I want another serious relationship? I've just been questioning myself and having some conversations internally.
Courtesy of Lawrence H. Robinson
"Now that I'm entering my dream world and my dream is becoming my work--I have to figure out what's next? You know: do I want to get married? Do I want to have another kid? Do I want another serious relationship? I've just been questioning myself and having some conversations internally."
Gotcha. So when it comes to red flags, what are some major ones you look for when it comes to dating?
It's definitely a red flag if you're not a kid person. Another one is if you don't believe in God. Everything I do is based on my faith. I respect everybody but I can't imagine having a conversation and going back to my faith and you don't believe in God. That's uncomfortable to me. Another one would also be lack of drive. You have to be clear about what you want in life and actively go towards it. You don't have to be an actress or in Hollywood--I would love to date somebody who's not doing exactly what I do. But you definitely need to be trying to work towards something and know who you are.
Understood. I know you have a little one, your son Aiden. Has fatherhood affected what you look for or what you’re attracted to when it comes to dating?
Absolutely. You have to be into kids and like kids. And you have to ask about my kid. You can't check on me and not check on Aiden. My son is the number 1 thing that makes me happy. So you need to know that my son is the highlight of my life and if you're not invested in that--you may as well go the other way.
Courtesy of Lawrence H. Robinson
"My son is the number 1 thing that makes me happy. So you need to know that my son is the highlight of my life and if you're not invested in that--you may as well go the other way."
Do you know your love language(s)?
I don't know for sure but I'm big on affirmations, for me and for her. I need to tell you I love you and I need her to tell me she loves me. I need all the compassionate words, the compliments, I need all that.
So when you’re in a relationship, how would you best like to be catered for by your partner?
I don't like to be catered to. I prefer to do all the catering. That's what I do. Besides the affirmations, that's all I need.
OK, well let’s flip it. How do you best cater to your partner?
By being there for her to provide whatever she needs so she knows 'I got you.' Any kind of support. No matter what. And that's honestly why when I was struggling as an actor, I wouldn't date. I won't date if I'm broke. Because if we're going to dinner or to the movies--I'm paying for it. I really don't like dating if I'm not financially stable. Luckily, I'm not in that position anymore, but I like to provide, be supportive. I like to encourage. I don't want her to have to look nowhere else.
Courtesy of Lawrence H. Robinson
"I won't date if I'm broke. Because if we're going to dinner or to the movies--I'm paying for it. I really don't like dating if I'm not financially stable. Luckily, I'm not in that position anymore, but I like to provide, be supportive. I like to encourage. I don't want her to have to look nowhere else."
Last thing before we wrap and this is a two-part question: What frustrates you the most and surprises you the most when it comes to finding love or about love in general?
Mmm. That's good. What frustrates me the most is not knowing when the right time for it is. I'm so focused right now and locked into my career and I feel like love can either help you or knock you off your track. And what surprises me the most is how it feels like fate. The perfect situation can really come your way out of nowhere one day and you weren't even looking for it. That's what I would say.
Season 1 of Sistas is available to stream on the BET Now app. And for more of Lawrence, connect with him on Instagram: @lawrencehrobinson.
Featured image courtesy of Lawrence H. Robinson
Amber Riley has the type of laugh that sticks with you long after the raspy, rhythmic sounds have ceased. It punctuates her sentences sometimes, whether she’s giving a chuckle to denote the serious nature of something she just said or throwing her head back in rip-roarious laughter after a joke. She laughs as if she understands the fragility of each minute. She chooses laughter often with the understanding that future joy is not guaranteed.
Credit: Ally Green
The sound of her laughter is rivaled only by her singing voice, an emblem of the past and the future resilience of Black women stretched over a few octaves. On Fox’s Glee, her character Mercedes Jones was portrayed, perhaps unfairly, as the vocal duel to Rachel Berry (Lea Michele), offering rough, full-throated belts behind her co-star’s smooth, pristine vocals. Riley’s always been more than the singer who could deliver a finishing note, though.
Portraying Effie White, she displayed the dynamic emotions of a song such as “And I'm Telling You I'm Not Going” in Dreamgirls on London’s West End without buckling under the historic weight of her predecessors. With her instrument, John Mayer’s “Gravity” became a religious experience, a belted hymnal full of growls and churchy riffs. In her voice, Nicole Scherzinger once said she heard “the power of God.”
Credit: Ally Green
Riley’s voice has been a staple throughout pop culture for nearly 15 years now. Her tone has become so distinguishable that most viewers of Fox’s The Masked Singer recognized the multihyphenate even before it was revealed that she was Harp, the competition-winning, gold-masked figure with an actual harp strapped to her back.
Still, it wasn’t until recently that Riley began to feel like she’d found her voice. This sounds unbelievable. But she’s not referring to the one she uses on stage. She’s referencing the voice that speaks to who she is at her core. “Therapy kind of gave me the training to speak my mind,” the 37-year-old says. “It’s not something we’re taught, especially as Black women. I got so comfortable in [doing so], and I really want other people, especially Black women, to get more comfortable in that space.”
“Therapy kind of gave me the training to speak my mind. It’s not something we’re taught, especially as Black women."
If you ask Riley’s manager, Myisha Brooks, she’ll tell you the foundation of who the multihyphenate is hasn’t changed much since she was a kid growing up in Compton. “She is who she is from when I met her back when she was singing in the front of the church to back when she landed major roles in film and TV,” Brooks says. Time has allowed Riley to grow more comfortable, giving fans a more intimate glimpse into her life, including her mental health journey and the ins and outs of show business.
The actress/singer has been in therapy since 2019, although she suffered from depression and anxiety way before that. In a recent interview with Jason Lee, she recalls having suicidal ideation as a kid. By the time she started seeing a psychologist and taking antidepressants in her thirties, her body had become jittery, a physical reminder of the trauma stacked high inside her. “I was shaking in [my therapist’s] office,” she tells xoNecole. “My fight or flight was on such a high level. I was constantly in survival mode. My heart was beating fast all the time. All I did was sweat.”
There wasn’t just childhood trauma to account for. After auditioning for American Idol and being turned away by producers, Riley began working for Ikea and nearly missed her Glee audition because her car broke down on the highway while en route. Thankfully, Riley had been cast to play Mercedes Jones. American Idol had temporarily convinced her she wasn’t cut out for the entertainment industry, but this was validation that she was right where she belonged. Glee launched in 2009 with the promise of becoming Riley’s big break.
In some ways, it was. The show introduced Riley to millions of fans and catapulted her into major Hollywood circles. But in other ways, it became a reminder of the types of roles Black women, especially those who are plus-sized, are relegated to. Behind the scenes, Riley says she fought for her character "to have a voice" but eventually realized her efforts were useless. "It finally got to a point where I was like, this is not my moment. I'm not who they're choosing, and this is just going to have to be a job for me for now," she says. "And, that's okay because it pays my bills, I still get to be on television, I'm doing more than any other Black plus-sized women that I'm seeing right now on screen."
The actress can recognize now that she was navigating issues associated with trauma and low self-esteem at the time. She now knows that she's long had anxiety and depression and can recognize the ways in which she was triggered by how the cult-like following of the show conflicted with her individual, isolated experiences behind the scenes. But she was in her early '20s back then. She didn't yet have the language or the tools to process how she was feeling.
Riley says she eventually sought out medical intervention. "When you're in Hollywood, and you go to a doctor, they give you pills," she says, sharing a part of her story that she'd never revealed publicly before now. "[I was] on medication and developing a habit of medicating to numb, not understanding I was developing an addiction to something that's not fixing my problem. If anything, it's making it worse."
“[I was] on medication and developing a habit of medicating to numb, not understanding I was developing an addiction to something that’s not fixing my problem. If anything it’s making it worse.”
Credit: Ally Green
At one point, while in her dressing room on set, she rested her arm on a curling iron without realizing it. It wasn't until her makeup artist alerted her that she even realized her skin was burning. Once she noticed, she says she was "so zonked out on pills" that she barely reacted. Speaking today, she holds up her arm and motions towards a scar that remains from the incident. She sought help for her reliance on the pills, but it would still be years before she finally attended therapy.
This stress was only compounded by the trauma of growing up in poverty and the realities of being a "contract worker." "Imagine going from literally one week having to borrow a car to get to set to the next week being on a private jet to New York City," she says. After Glee ended, so did the rides on private planes. The fury of opportunities she expected to follow her appearance on the show failed to materialize. She wasn't even 30 yet, and she was already forced to consider if she'd hit her career peak.
. . .
We’re only four minutes into our Zoom call before Riley delivers her new adage to me. “My new mantra is ‘humility does not serve me.’ Humility does not serve Black women. The world works so hard to humble us anyway,” she says.
On this Thursday afternoon in April, the LA-based entertainer is seated inside her closet/dressing room wearing a cerulean blue tank top with matching shorts and eating hot wings. This current phase of healing hinges on balance. It’s about having discipline and consistency, but not at the risk of inflexibility. She was planning to head to the gym, for instance, but she’s still tired from the “exhausting” day before. Instead, she’s spent her day receiving a massage, eating some chicken wings, and planning to spend quality time with friends. “I’m not going to beat myself up for it. I’m not going to talk down to myself. I’m going to eat my chicken wings, and then tomorrow I’m [back] in the gym,” she says.
“My new mantra is ‘humility does not serve me.’ Humility does not serve Black women. The world works so hard to humble us anyway."
This is the balance with which she's been approaching much of her life these days. It's why she's worried less about whether or not people see her as someone who is humble. She'd rather be respected. "I think you should be a person that's easy to work with, but in the moments where I have to ruffle feathers and make waves, I'm not shying away from that anymore. You can do it in love, you don't have to be nasty about it, but I had to finally be comfortable with the fact that setting boundaries around my life – in whatever aspect, whether that's personal or business – people are not going to like it. Some people are not going to have nice things to say about you, and you gotta be okay with it," she says.
When Amber talks about the constant humbling of Black women in Hollywood, I think of the entertainers before her who have suffered from this. The brilliant, consistent, overqualified Black women who have spoken of having to fight for opportunities and fair pay. Aretha Franklin. Viola Davis. Tracee Ellis Ross. There's a long list of stars whose success hasn't mirrored their experiences behind the scenes.
Credit: Ally Green
If Black women outside of Hollywood are struggling to decrease the pay gap, so, too, are their wealthier, more famous peers.
Riley says there’s been progress in recent years, but only in small ways and for a limited group of people. “This business is exhausting. The goalpost is constantly moving, and sometimes it’s unfair,” she says. But, I have to say it’s the love that keeps you going.”
“There’s no way you can continue to be in this business and not love it, especially being a plus-sized Black woman,” she continues. “We’re still niche. We’re still not main characters.”
"There’s no way you can continue to be in this business and not love it, especially being a plus-sized Black woman. We’re still niche. We’re still not main characters.”
Last year, Riley starred alongside Raven Goodwin in the Lifetime thriller Single Black Female (a modern, diversified take on 1992’s Single White Female). It was more than a leading role for the actress, it also served as proof that someone who looks like her can front a successful project without it hinging on her identity. It showcased that the characters she portrays don’t “have to be about being a big girl. It can just be a regular story.”
Riley sees her work in music as an extension of her efforts to push past the rigid stereotypes in entertainment. Take her appearance on The Masked Singer, for instance. Riley said she decided to perform Mayer’s “Gravity” after being told she couldn’t sing it years earlier. “I wanted to do ‘Gravity’ on Glee. [I] was told no, because that’s not a song that Mercedes would do,” she says. “That was a full circle moment for me, doing that on that show and to hear what it is they had to say.”
As Scherzinger praised the “anointed” performance, a masked Riley began to cry, her chest heaving as she stood on stage, her eyes shielded from view. “You have to understand, I have really big names – casting directors, producers, show creators – that constantly tell me ‘I’m such a big fan. Your talent is unmatched.’ Hire me, then,” she says, reflecting on the moment.
Recently, she’s been in the studio working on original music, the follow-up to her independently-released debut EP, 2020’s Riley. The sequel to songs such as the anthemic “Big Girl Energy” and the reflective ballad “A Moment” on Riley, this new project hones in on the singer’s R&B roots with sensual grooves such as the tentatively titled “All Night.” “You said I wasn’t shit, turns out that I’m the shit. Then you called me a bitch, turns out that I’m that bitch. You said no one would want me, well you should call your homies,” she sings on the tentatively titled “Lately,” a cut about reflecting on a past relationship. From the forthcoming project, xoNecole received five potential tracks. Fans likely already know the strengths and contours of Riley’s vocals, but these new songs are her strongest, most confident offerings as an artist.
“I am so much more comfortable as a writer, and I know who I am as an artist now. I’m evolving as a human being, in general, so I’m way more vulnerable in my music. I’m way more willing to talk about whatever is on my mind. I don’t stop myself from saying what it is I want to say,” she says.
Credit: Ally Green
“Every era and alliteration of Amber, the baseline is ‘Big Girl Energy.’ That’s the name of her company,” her manager Brooks says, referencing the imprint through which Riley releases her music after getting out of a label deal several years ago. “It’s just what she stands for. She’s not just talking about size, it’s in all things. Whether it’s putting your big girl pants on and having to face a boardroom full of executives or sell yourself in front of a casting agent. It’s her trying to achieve the things she wants to do in life.”
Riley says she has big dreams beyond releasing this new music, too. She’d love to star in a rom-com with Winston Duke. She hasn't starred in a biopic yet, but she’d revel in the opportunity to portray Rosetta Tharpe on screen. She’s determined that her previous setbacks won’t stop her from dreaming big.
“I think one of my superpowers is resilience because, at the end of the day, I’m going to kick, scream, cry, cuss, be mad and disappointed, but I’m going to get up and risk having to deal with it all again. It’s worth it for the happy moments,” she says.
If Riley seems more comfortable and confident professionally, it’s because of the work she’s been doing in her personal life.
She’d previously spoken to xoNecole about becoming engaged to a man she discovered in a post on the site, but she called things off last year. For Valentine’s Day, she revealed her new boyfriend publicly. “I decided to post him on Valentine’s Day, partially because I was in the dog house. I got in trouble with him,” she says, half-joking before turning serious. “The breakup was never going to stop me from finding love. Or at least trying. I don’t owe anybody a happily ever after. People break up. It happens. When it was good, it was good. When it was bad, it was terrible, hunny. I had to get the fuck up out of there. You find happiness, and you enjoy it and work through it.”
Credit: Ally Green
"I don’t owe anybody a happily ever after. People break up. It happens. When it was good, it was good. When it was bad, it was terrible, hunny. I had to get the fuck up out of there. You find happiness and you enjoy it and work through it.”
With her ex, Riley was pretty outspoken about her relationship, even appearing in content for Netflix with him. This time around is different. She’s not hiding her boyfriend of eight months, but she’s more protective of him, especially because he’s a father and isn’t interested in becoming a public figure.
She’s traveling more, too. It’s a deliberate effort on her part to enjoy her money and reject the trauma she’s developed after experiencing poverty in her childhood. “I live in constant fear of being broke. I don’t think you ever don’t remember that trauma or move past that. Now I travel and I’m like, listen, if it goes, it goes. I’m not saying [to] be reckless, but I deserve to enjoy my hard work.”
After everything she’s been through, she certainly deserves to finally let loose a bit. “I have to have a life to live,” she says. “I’ve got to have a life worth fighting for.”
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