In xoNecole's "How She Got Here", we uncover the journey of fearless, ambitious women at the top of their game with unconventional not-so-everyday careers. Instead of asking them about their careers, xoNecole dissects the hardships, rejections and nontraditional roads travelled by these women to create the positions they have today.
While Grace Lynne Haynes may be the 28-year-old painter behind the scenes, her artwork surely isn't. We're willing to bet that your favorite New Yorker covers starring "flat female figures in a single line," as described by Elle.com, have been curated by the Los Angeles native herself. "I find that Black women are leaning towards more diverse representations. We've all heard of the strong Black woman archetype, and I think so many of us are tired of this type of imagery," Haynes told xoNecole about the evolution of artistic portrayal of Black women, especially during the height of the Black Lives Matter movement.
"I know so many Black women who crave representation that showcases other attributes to our womanhood such as our nurturing side, the way we have kinship with one another and our vulnerability which is often left unprotected. I see more of these presentations through various art films such as television, social media and photography. Could there be a more diverse and nuanced representation? Of course, but we have come a long way."
Though there is no traditional route or rulebook to becoming an artist, Grace Lynne acknowledges her journey as one that she has learned from to become the woman in the creative spaces that she is today. "I got here simply through hard work, sacrifice, and faith in God," the Art Center College of Design graduate told xoNecole. "Stepping into my artistic identity was a spiritual decision, and when you are connected to your creative spirit, it will guide you on where to go and whom to go to."
For this installment of "How She Got Here", xoNecole spoke with Grace Lynne about the spiritual journey that led her to her artistry, getting rejected from her top choice graduate school and the lessons she's learned along the way of her journey as an artist:
AN ARTISTS’ DUTY IS TO REFLECT THE TIME
Courtesy of Grace Lynne
Nick Romanenko
At the beginning of our interview, Haynes quoted singer-songwriter and activist Nina Simone to best describe who she is as an artist and why she does what she does: "An artist's duty is to reflect the time." "I firmly believe that an artist shows what society has the potential to be, or reflects the reality of society to its audience," she said as she defined her purpose.
Grace Lynne Haynes always knew that she had a keen interest in art from a young age, but stopped drawing during her teenage years because she felt "discouraged and didn't see the purpose." It wasn't until her early 20s when she began to sit with her purpose and passion for art and strategically shape her future around happiness and her pursuit of it. After exploring art through community art classes and Tumblr blogging, Haynes had a spiritual moment of realization and tapped into the new artistic waves of her brain.
"Colors were brighter, scents were stronger and it was as if my life experience overall was enhanced and much more visible. Since then, I made a commitment to dedicate my life to art making. This wasn't just a practical decision, it was spiritual. This made the journey seamless and everflowing, because I was in my purpose and I was willing to do the hard work."
When Haynes decided to take her passion and transform it into a career, she started as a commercial illustrator and designer - but admittedly had much apprehension about the flow of money. "Coming from a low-income background, I knew I wanted to pursue a creative career but was afraid of the income trajectory. I figured commercial art was a way to be creative and bring in consistent income." Throughout her undergraduate career she had various jobs throughout her career path that both generated income and drive for her passion, including painting for a denim company, freelance commissioning for theatre companies, teaching art classes, and working as a Communications Manager for a non-profit. "Transitioning into the gallery world so soon was a complete surprise. I always say the gallery world chose me, not the other way around. I always painted as a hobby, and showcased my works online. Eventually my hobby started to garner more attention than my commercial art and I was able to become a full-time artist," Haynes revealed to xoNecole.
Above all things, her confidence in her talent and artistic abilities is a key component in who Grace Lynne Haynes is today. "If I'm not confident, then my creativity lacks and I'm not motivated to be ambitious. Even at the very early stages of my career, I've always been super confident in my work," she said. "I would apply for top notch residencies, art programs and scholarships even though my work was still in the development stages. My applications and artist statements were always confident, and this led me to Kehinde Wiley's Black Rock Senegal Residency which completely changed my life and career."
Nick Romanenko
THE CREATIVE PROCESS
Unfortunately, during the coronavirus, like most creatives, Haynes had to readjust and turn lemons into lemonade. "Each day looks different, especially because of COVID and I am also in graduate school," said the current Rutgers University student about her day-to-day routine as an artist. "On a typical weekday, I have class in the morning, and I head to my art studio right after. Some days instead of going to the studio I'll read a book that is related to my art thesis. The book I am currently reading is Glitch Feminism by Legacy Russell. Some days, with all of the heaviness in the world, I don't feel inspired to create so I'll do research or sketch to take the pressure off."
When it comes to the actual painting, Haynes prefers to sketch before hitting the brushes and toy around with compositions and colors. "For the pose, sometimes I'll have a friend pose for me or will do a few poses myself for visual reference. After a bit of experimentation, I begin to paint on the actual canvas itself."
"The majority of my ideas come from an accumulation of imagery and experiences I have collected within my subconscious or on my laptop. In my work, I like to use color as a verb, as a form of action. I'm very interested in the colors that we choose to wear and surround ourselves with and how that shapes our environment."
Similar to her creative process, the journey of being an artist - a Black female artist at that - is no cake walk, but Haynes has mastered the art of riding the wave and learning to go with the flow.
Nick Romanenko
THE NEW YORK[ER] STATE OF MIND
When you trust the process, you'd be surprised at the outcome and where life can lead you. Who would've thought that this would have led Grace Lynne Haynes to land her acclaimed interpretation of Sojourner Truth on the cover of The New Yorker to mark the hundredth anniversary of the Nineteenth Amendment. She described the major placement as "the most thrilling experience," especially during the peak of the Black Lives Matter movement. "So many people were supporting Black artists by reposting and sharing our artworks. I received about 8,000 new followers in less than two weeks, which led to my work attracting the attention of VOGUE and eventually The New Yorker. They reached out about the opportunity to submit sketches to celebrate the '100th Anniversary of Women's Rights'. I had two days to make the painting, and stayed up all night to finish the final product. It was all worth it in the end and I'd do it all over again."
As an advocate for Black women through her work, and as she said in a CNN interview, Grace Lynne takes it upon herself to "explore what it means to be a Black woman in 2020" in her artwork.
"In my work, I strive to think about how being both a millennial and a Black woman have shaped my perspective on womanhood. I think this is an era where Black women are finally getting opportunities to pursue freedom. We are able to have flourishing careers, pursue our passion and be more selective about who we choose to partner with."
"There are so many sacred havens, especially online, of Black women coming together and giving tips on how to survive and thrive in this world with what has been given to us. I strive to showcase Black women in their own sacred spaces and interiors," she continued to tell xoNecole. "The way we choose to decorate these interiors, and the colors we choose to showcase all are representative of our individual identities. I strive to showcase this in my work. "
Nick Romanenko
5 Lessons We Learned From Grace Lynne's Career Journey
Don’t Think, Just Do
"One of the major challenges is the pressure to make art strictly for capital gain. It's important that the work comes from the heart, and not to think too much about how it fits into the 'art market' or if it will sell. Thinking about this waters down my art process, and creates an anxious art process. Fortunately, I am now at a place to fully explore my creativity without any bounds. I think every artist should do check-ins with their work to make sure the market isn't swaying their decision on what to create."
Patience Is Key
"I've never had a moment where I wanted to give up or change career paths. Even through intense struggle and rejection, I knew that this is all part of the journey. I've had moments where I thought, is the hard work really worth it? But I realized sometimes it takes a few years for the world to notice the work. Paintings that I created over four years ago are finally getting recognition. Sometimes it's dependent on timing."
Learning The Difference Between Loneliness & Being Alone
"I've learned that success is great, but it doesn't mean much if you have no one to celebrate it with. I used to isolate myself when creating and building my career. When things began to pick up, I looked around and realized I wasn't too happy with my social life and relationships that I was building. My mental health was not at its best either, and it was affecting my interactions with people. I took time to slow down and focus on my personal life, and ensure that I had a stable and supportive community around me. It's so important to not neglect your mental health, because success can feel empty if you don't have a well-rounded life. Career success isn't the only type of success, and shouldn't be the only focus in your life. Balance is essential for a more well-rounded type of success."
Start From The Bottom & You’ll Get Here
"Do the work, there is no way out of it. We all have to pay our dues. In the beginning, you'll have to deal with the rejection letters, working to build others careers, and doing jobs that you aren't passionate about. This is part of the process, and it's a season we all have to cope with. Remember everyone has a different timeline, and sometimes your career might blossom at a different pace than your peers and this is OK. Also don't let your ego get in the way of great opportunities for fear of rejection. I know so many artists that don't apply for opportunities because they hate the idea of being rejected. Develop a healthy detachment from your work to be able to not take everything personally, and look at your work outside of yourself."
No Regrets, Just Lessons Learned
"I've made many mistakes in my career and will continue to do so because I am human. It is all a part of the journey, that is how you learn and grow. I've been fired from certain positions, missed deadlines and opportunities, and miscommunicated. I can't turn back or redo anything so I simply look forward knowing that I am not perfect and I am a young artist still figuring out her way."
For more information on Grace Lynne, follow her on Instagram and check out her official website.
Featured image courtesy of Nick Romanenko
Amber Riley has the type of laugh that sticks with you long after the raspy, rhythmic sounds have ceased. It punctuates her sentences sometimes, whether she’s giving a chuckle to denote the serious nature of something she just said or throwing her head back in rip-roarious laughter after a joke. She laughs as if she understands the fragility of each minute. She chooses laughter often with the understanding that future joy is not guaranteed.
Credit: Ally Green
The sound of her laughter is rivaled only by her singing voice, an emblem of the past and the future resilience of Black women stretched over a few octaves. On Fox’s Glee, her character Mercedes Jones was portrayed, perhaps unfairly, as the vocal duel to Rachel Berry (Lea Michele), offering rough, full-throated belts behind her co-star’s smooth, pristine vocals. Riley’s always been more than the singer who could deliver a finishing note, though.
Portraying Effie White, she displayed the dynamic emotions of a song such as “And I'm Telling You I'm Not Going” in Dreamgirls on London’s West End without buckling under the historic weight of her predecessors. With her instrument, John Mayer’s “Gravity” became a religious experience, a belted hymnal full of growls and churchy riffs. In her voice, Nicole Scherzinger once said she heard “the power of God.”
Credit: Ally Green
Riley’s voice has been a staple throughout pop culture for nearly 15 years now. Her tone has become so distinguishable that most viewers of Fox’s The Masked Singer recognized the multihyphenate even before it was revealed that she was Harp, the competition-winning, gold-masked figure with an actual harp strapped to her back.
Still, it wasn’t until recently that Riley began to feel like she’d found her voice. This sounds unbelievable. But she’s not referring to the one she uses on stage. She’s referencing the voice that speaks to who she is at her core. “Therapy kind of gave me the training to speak my mind,” the 37-year-old says. “It’s not something we’re taught, especially as Black women. I got so comfortable in [doing so], and I really want other people, especially Black women, to get more comfortable in that space.”
“Therapy kind of gave me the training to speak my mind. It’s not something we’re taught, especially as Black women."
If you ask Riley’s manager, Myisha Brooks, she’ll tell you the foundation of who the multihyphenate is hasn’t changed much since she was a kid growing up in Compton. “She is who she is from when I met her back when she was singing in the front of the church to back when she landed major roles in film and TV,” Brooks says. Time has allowed Riley to grow more comfortable, giving fans a more intimate glimpse into her life, including her mental health journey and the ins and outs of show business.
The actress/singer has been in therapy since 2019, although she suffered from depression and anxiety way before that. In a recent interview with Jason Lee, she recalls having suicidal ideation as a kid. By the time she started seeing a psychologist and taking antidepressants in her thirties, her body had become jittery, a physical reminder of the trauma stacked high inside her. “I was shaking in [my therapist’s] office,” she tells xoNecole. “My fight or flight was on such a high level. I was constantly in survival mode. My heart was beating fast all the time. All I did was sweat.”
There wasn’t just childhood trauma to account for. After auditioning for American Idol and being turned away by producers, Riley began working for Ikea and nearly missed her Glee audition because her car broke down on the highway while en route. Thankfully, Riley had been cast to play Mercedes Jones. American Idol had temporarily convinced her she wasn’t cut out for the entertainment industry, but this was validation that she was right where she belonged. Glee launched in 2009 with the promise of becoming Riley’s big break.
In some ways, it was. The show introduced Riley to millions of fans and catapulted her into major Hollywood circles. But in other ways, it became a reminder of the types of roles Black women, especially those who are plus-sized, are relegated to. Behind the scenes, Riley says she fought for her character "to have a voice" but eventually realized her efforts were useless. "It finally got to a point where I was like, this is not my moment. I'm not who they're choosing, and this is just going to have to be a job for me for now," she says. "And, that's okay because it pays my bills, I still get to be on television, I'm doing more than any other Black plus-sized women that I'm seeing right now on screen."
The actress can recognize now that she was navigating issues associated with trauma and low self-esteem at the time. She now knows that she's long had anxiety and depression and can recognize the ways in which she was triggered by how the cult-like following of the show conflicted with her individual, isolated experiences behind the scenes. But she was in her early '20s back then. She didn't yet have the language or the tools to process how she was feeling.
Riley says she eventually sought out medical intervention. "When you're in Hollywood, and you go to a doctor, they give you pills," she says, sharing a part of her story that she'd never revealed publicly before now. "[I was] on medication and developing a habit of medicating to numb, not understanding I was developing an addiction to something that's not fixing my problem. If anything, it's making it worse."
“[I was] on medication and developing a habit of medicating to numb, not understanding I was developing an addiction to something that’s not fixing my problem. If anything it’s making it worse.”
Credit: Ally Green
At one point, while in her dressing room on set, she rested her arm on a curling iron without realizing it. It wasn't until her makeup artist alerted her that she even realized her skin was burning. Once she noticed, she says she was "so zonked out on pills" that she barely reacted. Speaking today, she holds up her arm and motions towards a scar that remains from the incident. She sought help for her reliance on the pills, but it would still be years before she finally attended therapy.
This stress was only compounded by the trauma of growing up in poverty and the realities of being a "contract worker." "Imagine going from literally one week having to borrow a car to get to set to the next week being on a private jet to New York City," she says. After Glee ended, so did the rides on private planes. The fury of opportunities she expected to follow her appearance on the show failed to materialize. She wasn't even 30 yet, and she was already forced to consider if she'd hit her career peak.
. . .
We’re only four minutes into our Zoom call before Riley delivers her new adage to me. “My new mantra is ‘humility does not serve me.’ Humility does not serve Black women. The world works so hard to humble us anyway,” she says.
On this Thursday afternoon in April, the LA-based entertainer is seated inside her closet/dressing room wearing a cerulean blue tank top with matching shorts and eating hot wings. This current phase of healing hinges on balance. It’s about having discipline and consistency, but not at the risk of inflexibility. She was planning to head to the gym, for instance, but she’s still tired from the “exhausting” day before. Instead, she’s spent her day receiving a massage, eating some chicken wings, and planning to spend quality time with friends. “I’m not going to beat myself up for it. I’m not going to talk down to myself. I’m going to eat my chicken wings, and then tomorrow I’m [back] in the gym,” she says.
“My new mantra is ‘humility does not serve me.’ Humility does not serve Black women. The world works so hard to humble us anyway."
This is the balance with which she's been approaching much of her life these days. It's why she's worried less about whether or not people see her as someone who is humble. She'd rather be respected. "I think you should be a person that's easy to work with, but in the moments where I have to ruffle feathers and make waves, I'm not shying away from that anymore. You can do it in love, you don't have to be nasty about it, but I had to finally be comfortable with the fact that setting boundaries around my life – in whatever aspect, whether that's personal or business – people are not going to like it. Some people are not going to have nice things to say about you, and you gotta be okay with it," she says.
When Amber talks about the constant humbling of Black women in Hollywood, I think of the entertainers before her who have suffered from this. The brilliant, consistent, overqualified Black women who have spoken of having to fight for opportunities and fair pay. Aretha Franklin. Viola Davis. Tracee Ellis Ross. There's a long list of stars whose success hasn't mirrored their experiences behind the scenes.
Credit: Ally Green
If Black women outside of Hollywood are struggling to decrease the pay gap, so, too, are their wealthier, more famous peers.
Riley says there’s been progress in recent years, but only in small ways and for a limited group of people. “This business is exhausting. The goalpost is constantly moving, and sometimes it’s unfair,” she says. But, I have to say it’s the love that keeps you going.”
“There’s no way you can continue to be in this business and not love it, especially being a plus-sized Black woman,” she continues. “We’re still niche. We’re still not main characters.”
"There’s no way you can continue to be in this business and not love it, especially being a plus-sized Black woman. We’re still niche. We’re still not main characters.”
Last year, Riley starred alongside Raven Goodwin in the Lifetime thriller Single Black Female (a modern, diversified take on 1992’s Single White Female). It was more than a leading role for the actress, it also served as proof that someone who looks like her can front a successful project without it hinging on her identity. It showcased that the characters she portrays don’t “have to be about being a big girl. It can just be a regular story.”
Riley sees her work in music as an extension of her efforts to push past the rigid stereotypes in entertainment. Take her appearance on The Masked Singer, for instance. Riley said she decided to perform Mayer’s “Gravity” after being told she couldn’t sing it years earlier. “I wanted to do ‘Gravity’ on Glee. [I] was told no, because that’s not a song that Mercedes would do,” she says. “That was a full circle moment for me, doing that on that show and to hear what it is they had to say.”
As Scherzinger praised the “anointed” performance, a masked Riley began to cry, her chest heaving as she stood on stage, her eyes shielded from view. “You have to understand, I have really big names – casting directors, producers, show creators – that constantly tell me ‘I’m such a big fan. Your talent is unmatched.’ Hire me, then,” she says, reflecting on the moment.
Recently, she’s been in the studio working on original music, the follow-up to her independently-released debut EP, 2020’s Riley. The sequel to songs such as the anthemic “Big Girl Energy” and the reflective ballad “A Moment” on Riley, this new project hones in on the singer’s R&B roots with sensual grooves such as the tentatively titled “All Night.” “You said I wasn’t shit, turns out that I’m the shit. Then you called me a bitch, turns out that I’m that bitch. You said no one would want me, well you should call your homies,” she sings on the tentatively titled “Lately,” a cut about reflecting on a past relationship. From the forthcoming project, xoNecole received five potential tracks. Fans likely already know the strengths and contours of Riley’s vocals, but these new songs are her strongest, most confident offerings as an artist.
“I am so much more comfortable as a writer, and I know who I am as an artist now. I’m evolving as a human being, in general, so I’m way more vulnerable in my music. I’m way more willing to talk about whatever is on my mind. I don’t stop myself from saying what it is I want to say,” she says.
Credit: Ally Green
“Every era and alliteration of Amber, the baseline is ‘Big Girl Energy.’ That’s the name of her company,” her manager Brooks says, referencing the imprint through which Riley releases her music after getting out of a label deal several years ago. “It’s just what she stands for. She’s not just talking about size, it’s in all things. Whether it’s putting your big girl pants on and having to face a boardroom full of executives or sell yourself in front of a casting agent. It’s her trying to achieve the things she wants to do in life.”
Riley says she has big dreams beyond releasing this new music, too. She’d love to star in a rom-com with Winston Duke. She hasn't starred in a biopic yet, but she’d revel in the opportunity to portray Rosetta Tharpe on screen. She’s determined that her previous setbacks won’t stop her from dreaming big.
“I think one of my superpowers is resilience because, at the end of the day, I’m going to kick, scream, cry, cuss, be mad and disappointed, but I’m going to get up and risk having to deal with it all again. It’s worth it for the happy moments,” she says.
If Riley seems more comfortable and confident professionally, it’s because of the work she’s been doing in her personal life.
She’d previously spoken to xoNecole about becoming engaged to a man she discovered in a post on the site, but she called things off last year. For Valentine’s Day, she revealed her new boyfriend publicly. “I decided to post him on Valentine’s Day, partially because I was in the dog house. I got in trouble with him,” she says, half-joking before turning serious. “The breakup was never going to stop me from finding love. Or at least trying. I don’t owe anybody a happily ever after. People break up. It happens. When it was good, it was good. When it was bad, it was terrible, hunny. I had to get the fuck up out of there. You find happiness, and you enjoy it and work through it.”
Credit: Ally Green
"I don’t owe anybody a happily ever after. People break up. It happens. When it was good, it was good. When it was bad, it was terrible, hunny. I had to get the fuck up out of there. You find happiness and you enjoy it and work through it.”
With her ex, Riley was pretty outspoken about her relationship, even appearing in content for Netflix with him. This time around is different. She’s not hiding her boyfriend of eight months, but she’s more protective of him, especially because he’s a father and isn’t interested in becoming a public figure.
She’s traveling more, too. It’s a deliberate effort on her part to enjoy her money and reject the trauma she’s developed after experiencing poverty in her childhood. “I live in constant fear of being broke. I don’t think you ever don’t remember that trauma or move past that. Now I travel and I’m like, listen, if it goes, it goes. I’m not saying [to] be reckless, but I deserve to enjoy my hard work.”
After everything she’s been through, she certainly deserves to finally let loose a bit. “I have to have a life to live,” she says. “I’ve got to have a life worth fighting for.”
Credits
Director of Content: Jasmine Grant
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Managing Editor: Sheriden Garrett
Creative Director/Executive Producer: Tracey Woods
Cover Designer: Tierra Taylor
Photographer: Ally Green
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In a statement to People magazine, Doherty revealed that Turner had "died peacefully" in her home in Switzerland, which she shared with her husband, music producer Erwin Bach. Doherty also announced that a private funeral service would be held at an undisclosed date for Turner's close family and friends.
"Tina Turner, the 'Queen of Rock'n' Roll,' has died peacefully today at the age of 83 after a long illness in her home in Küsnacht near Zurich, Switzerland. With her, the world loses a music legend and a role model. There will be a private funeral ceremony attended by close friends and family. Please respect the privacy of her family at this difficult time," the statement read.
Tina Turner
Photo by Harry Langdon/Getty Images
In addition to the public statement, Turner's passing was also confirmed on her social media accounts. Although, at the time, details surrounding Turner's cause of death were limited, it was ultimately revealed that the "River Deep Mountain High" songstress passed away from natural causes. This comes years after Turner underwent a kidney transplant, which her husband donated, and suffering from various health issues. The list included high blood pressure, stroke, and intestinal cancer.
As the news circulated online, many of Turner's close friends and fans paid homage to the icon by expressing how much she meant to them. The list included Angela Bassett --who played Turner in the 1993 film What's Love Got To Do With It-- Beyoncé, Dionne Warwick, Mariah Carey, Ciara, and longtime friend Oprah Winfrey.
In an Instagram post, Winfrey recounted how her friendship with Turner started. The 69-year-old explained that she was a massive fan of the "Proud Mary" vocalist, and upon meeting, the pair's bond would blossom into a decades-long sisterhood.
During that time, Winfrey shared that she was in awe of Turner's resilience from her past childhood traumas and being abandoned by both her parents to how she overcame her violent relationship with ex-husband Ike Turner. The former television host added that Turner's ability to preserve through life's hardships inspired an entire nation.
"I started out as a fan of Tina Turner, then a full-on groupie, following her from show to show around the country, and then, eventually, we became real friends. She is our forever goddess of rock 'n' roll who contained a magnitude of inner strength that grew throughout her life. She was a role model not only for me but for the world. She encouraged a part of me I didn't know existed," Winfrey wrote while honoring her longtime friend.
Tina Turner
Photo by Rob Verhorst/Redferns
"Once she claimed her freedom from years of domestic abuse, her life became a clarion call for triumph. I'm grateful for her courage, for showing us what victory looks like wearing Manolo's and a leather miniskirt."
Winfrey wrapped up her words by recalling her conversation with Turner regarding death. The Oprah Winfrey Show host revealed that Turner embraced it because "she had learned how to live surrounded by her beloved husband, Erwin, and friends."
"She once shared with me that when her time came to leave this earth, she would not be afraid, but excited and curious. Because she had learned how to LIVE surrounded by her beloved husband, Erwin, and friends. I am a better woman, a better human, because her life touched mine. She was indeed simply the best," Winfrey stated.
With Turner's untimely death, the "What's Love Got To Do With It" singer leaves behind an immaculate career spanning over 60 years. Alongside her countless hit songs, Turner's past accolades consist of eight Grammy Awards, a Grammy Lifetime Achievement Award, and a Grammy Hall of Fame for three of her songs.
"The Best" songstress' other achievements included Turner earning her own star on the Hollywood Walk of Fame, becoming a double inductee in the Rock 'N' Roll Hall of Fame once in 1991 with Ike Turner, and again in 2021 as a solo artist, etc.
Turner is survived by her husband, Erwin Bach, many friends, and fans. Turner had four sons, two of whom she adopted while married to Ike. Her biological sons, Craig and Ronnie, both sadly passed away in recent years. To date, it is unclear if Turner has mended her relationship with her two adopted sons, who belonged to her ex-husband Ike Turner.
Turner’s music has impacted many people thanks to the beautiful storytelling and powerful words. In honor of Turner's legacy, xoNecole is looking back at her most memorable quotes on life, love, aging, and beauty over the years.
Tina Turner
Photo by Michael Ochs Archives/Getty Images
Tina On Life
"If you are unhappy with anything…Whatever is bringing you down, get rid of it. Because you'll find that when you're free, your true creativity, your true self, comes out."
-via 1986 interview with Ebony magazine.
Tina On Love
"He [Erwin] shows me that true love doesn't require the dimming of my light so that he can shine. On the contrary, we are the light of each other's lives, and we want to shine as bright as we can, together."
via Turner's book, Happiness Becomes You: A Guide to Changing Your Life for Good.
Tina On Her Greatest Beauty Secret
"My greatest beauty secret is being happy with myself. It's a mistake to think you are what you put on yourself. I believe that a lot of how you look has to do with how you feel about yourself and your life."
-via 2016 interview with Woman & Homemagazine.
Tina Turner - What's Love Got To Do With It (Official Music Video)
Tina On Aging
"Fifty is the new 30. Seventy is the new 50. There are no rules that say you have to dress a certain way, or be a certain way. We are living in exciting times for women. Keep up with fashion, keep up with your figure and the clothes you wear. If you look good and you can still do it, then go and do it. I have never worried about age."
-via 2009 interview with the Daily Express.
Tina On Death
"Even when it's time to go and leave to another planet, I'm excited about that because I'm curious to know what it is about. Nobody can tell you because nobody has come back. I'm not excited to die, but I don't regret it when it's time for me. I've done what I came here to do. Now is [time for] pleasure. I've got great friends. I have a great man in my life now. I have a great husband, and I'm happy."
-via 2013 interview with Oprah Winfrey.
Tina On The Legacy She's Leaving Behind
"My legacy is that I stayed on course from the beginning to the end because I believed in something inside of me that told me that it can get better…So my legacy is a person that strived for wanting it better and got it."
-via 2013 Oprah interview.
Tina On How She Would Want To Be Remembered
"As the Queen of Rock 'N' Roll. As a woman who showed other women that it is OK to strive for success on their own terms."
via April 2023 interview with The Guardian.
Although xoNecole and the world are mourning the loss of the incredible Tina Turner, it is humbling to know that she accomplished so many things, personally and professionally, during her time here and continues to show why she was, in fact, "simply the best," even after death.
We will miss you, Queen. Rest in Power!
Tina Turner - The Best (Official Music Video)
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Feature image by Paul Natkin/Getty Images
