I'm not on social media, so some things I miss when they are trending. Take the #HurtBae hashtag that went viral a couple of years ago. I just saw all of the videos recently. Whew. If you're not familiar with the backstory, there's a platform called Iris that featured a former couple—Kourtney and Leonard. The first six-minute-and-some-change video consisted of them discussing/processing the ending of their relationship (according to Leonard, he slept with so many other women while they were together that he lost count). The second five-minute-and-some-change video was about Kourtney talking about the first video going viral and how it literally changed her life overnight. The final a-little-over-seven-minutes video brought Kourtney and Leonard back together, a year later, to see where things stood (Leonard, Leonard, Leonard).
The reason why I'm intro'ing this particular topic by recommending that you check—or re-check—those videos out is for a few reasons. One reason is because it is one of the best examples of the kind of man you should never take back into your life—as a boyfriend or a friend (Leonard's pride was ridiculous; he was mad flippant and disrespectful too). Another reason is, if you're currently going through a break-up with someone, the year later follow-up is a hopeful reminder that time heals all wounds and 12 months can totally change your life for the better (hang in there). And finally, the video series is the opposite of what this article is about. Kourtney revisited why it was good to never reconcile with Leonard; this is about how to know if an ex truly wants you back.
Reconciling with an ex isn't always or automatically a bad—or stupid or pointless—thing. No two people are perfect. Sometimes break-ups happen so that both individuals can mature, evolve and come back together at a better, healthier and more purposeful time. But if that is indeed the case, there are certain things that should transpire first. So, before entertaining letting an ex back into your heart and life again, make sure that he does these following five things (at least).
He’ll Acknowledge His Faults—WITHOUT DEFLECTING
There's someone who really hurt my feelings this time last year. Last month, we met up. Kind of like Kourtney and Leonard, only without the cameras. Anyway, although he let me share how what he did affected me, not once did he apologize. It was more like, he listened and explained why he does what he does without really owning up to how supremely jacked up he can be when it comes to matters of the heart. In fact, there was a time in the convo when he said, "No one else in my life wants to have these kinds of conversations." (No one holds you accountable?) Oh, here was another gem—"Honestly, I'm here more for you than for me." Ohhh…you hurt me but rather than acknowledge what you did wrong, you want me to be thankful that you're even out here at all. #thisguy
You know, not too long ago, a friend of mine told me that their spouse never apologizes for anything and that is something that I might have to accept in order to salvage things with ole' boy. NOPE. An apology is an act of acknowledgement and humility. Someone who isn't willing to do that is someone who is setting you up to go through the same drama and trauma all over again. I'll pass.
So yeah, sis, if "he" really wants you back and he knows there are things that he did wrong (or that simply hurt you because that's not always the same thing as "doing wrong") in the first place, he's gonna bring up where he went wrong, apologize and share, without any prompting on your part, how he's going to do better in those areas. Because his love for you will be bigger than his pride (cue in Sade's "Love Is Stronger than Pride" right here).
He’ll Want to Know Your Needs. And Wants.
Clearly, if the both of you were getting your needs met (not just you, him too), things probably wouldn't have ended in the first place. But sometimes, when you're in the throes of a relationship, you're so busy trying to make it work that you're not always stopping to process if you both are bringing to the table what's required for the relationship to thrive in the first place. Sometimes a break-up lets you see if the love you had for each other really is enough to try and give things another shot.
If your ex comes to the conclusion that it is, he's already gonna know that it's an honor for him to even get a second chance. He's also going to be painfully aware of the fact that if things go south this time, there probably won't be another opportunity. For both of these reasons, he will be proactive about getting to know what you need in order to be fulfilled and happy this go around. He won't assume he knows. He won't be shocked if the time apart has revealed to you that some of your needs have changed. He'll need you, so what you need from him (within reason; check out "Are You in Love or Are You in Need?" to get what I mean by that) will be a top priority. Some of your wants—also within reason—will be as well.
He’ll Be a Better Version of the Man Who Left
There are three online dating series that I currently enjoy. One is called Can 2 Strangers Fall in Love with 36 Questions? It's a reminder to be intentional with truly getting to know someone on your first few dates with them (Russell and Kera and Azariah and Nikki are two of my favorite couples so far). Another is Eating with My Ex. In a particular episode, exes Jas and Ash ask each other (among others) four super-relevant questions: Why can't we let go? Are you always trying to win me back? Where do we go from here?Delete each other's number or get back together? (If you are considering getting back with an ex, I recommend asking these too!) Then there is the Snapchat series Second Chances.
In an episode featuring exes Rovelt and Richelle, they broke up due to flirting and poor communication issues. As they were hashing things out and trying to figure out if they could make things work, Rovelt pulled a surprise on everyone. He not only admitted the areas where he could—and should—improve but he offered Richelle a promise ring as well. He even got on one knee.
I appreciated his effort because, to me, it was a reminder that if/when an ex wants you back, he's not just going to want to be with you again; he's going to present a better version of who he was before. You'll see growth in his character, his efforts and even his perspective. You won't have to prompt any of this to happen either. He'll do it all on his own. Because he wants to. Because he wants you.
He’ll Want the Relationship to Be More than It Was Before
This one right here, while it might seem like the same point that I just made, it actually isn't. I'd venture to say that a top reason for why a lot of relationships end is because it's reached the "piss or get off the pot" portion of the program; you know, the place when one person wants to move forward while the other either wants things to remain exactly the same (see "Love Is Patient. But Is Your Relationship Just Wasting Your Time?" and "Here's How You Know He Won't Commit to You. Like, EVER."). If this is why you and your ex are no longer a couple, I don't care how much you love him, how strong the connection is or whatever other "tempting" reason you have for entertaining going another round, if he still doesn't want what you ultimately desire, what's the point in choosing to frustrate yourself all over again?
I remember Dr. Phil once saying that when he was dating his wife, Robin, there came a point when she was like, "Listen, if you're not gonna marry me, I need to get on with my life." She did just that and moved to another city. Not too long after, he went and got her back; not to be his girlfriend but to become his wife.
Some people might find what Robin did to be an ultimatum. I'm actually not big on applying those to relationships, so I don't. She didn't say, "Marry me or else". No, what she said was, "I know the kind of relationship that I desire and I'm gonna free my heart and life up in order to get it." BIG DIFFERENCE.
There really is no point in reconciling with an ex for more of what you got, that you didn't want, before. This is probably why a lot of men can break up with a woman they love and completely leave her alone; they know this. So yeah, if your ex is truly trying to get back with you and the main reason you broke up in the first place was because the relationship wasn't bad, it was simply stagnant, he's gonna come with a plan, a purpose and a future. You can take that to the bank!
He’ll Be Thorough and Consistent
Two things that are totally underestimated when it comes to both men and women is getting with someone who is thorough and consistent. To be thorough is to be extremely attentive. To be consistent is to be constant, dependable and reliable.
A lot of men like the chase, so don't be too moved by what your ex initially does in order to capture your attention. Take things slow (intimacy included) so that you can see if he's going to call when he says he will, if he's really listening to what you communicate to him, if he's avoiding the past faux pas that were made, if he's striving to make you feel safe and secure—if he's showing that getting involved with him again isn't going to be a rerun but something very fresh and new.
If this is the kind of man who shows up, while it's wise to proceed with a bit of caution, please don't close yourself off to the thought of opening up again. Especially if deep love is there, it's OK that you want to give that man a chance. Even if he is…an ex.
Featured image by Getty Images
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After being a regular contributor for about four years and being (eh hem) MIA in 2022, Shellie is back penning for the platform (did you miss her? LOL).
In some ways, nothing has changed and in others, everything has. For now, she'll just say that she's working on the 20th anniversary edition of her first book, she's in school to take life coaching to another level and she's putting together a platform that supports and encourages Black men because she loves them from head to toe.
Other than that, she still works with couples, she's still a doula, she's still not on social media and her email contact (email@example.com) still hasn't changed (neither has her request to contact her ONLY for personal reasons; pitch to the platform if you have story ideas).
Life is a funny thing but if you stay calm, moments can come full circle and this is one of them. No doubt about it.
Amber Riley Is In Her Element
Amber Riley has the type of laugh that sticks with you long after the raspy, rhythmic sounds have ceased. It punctuates her sentences sometimes, whether she’s giving a chuckle to denote the serious nature of something she just said or throwing her head back in rip-roarious laughter after a joke. She laughs as if she understands the fragility of each minute. She chooses laughter often with the understanding that future joy is not guaranteed.
Credit: Ally Green
The sound of her laughter is rivaled only by her singing voice, an emblem of the past and the future resilience of Black women stretched over a few octaves. On Fox’s Glee, her character Mercedes Jones was portrayed, perhaps unfairly, as the vocal duel to Rachel Berry (Lea Michele), offering rough, full-throated belts behind her co-star’s smooth, pristine vocals. Riley’s always been more than the singer who could deliver a finishing note, though.
Portraying Effie White, she displayed the dynamic emotions of a song such as “And I'm Telling You I'm Not Going” in Dreamgirls on London’s West End without buckling under the historic weight of her predecessors. With her instrument, John Mayer’s “Gravity” became a religious experience, a belted hymnal full of growls and churchy riffs. In her voice, Nicole Scherzinger once said she heard “the power of God.”
Credit: Ally Green
Riley’s voice has been a staple throughout pop culture for nearly 15 years now. Her tone has become so distinguishable that most viewers of Fox’s The Masked Singer recognized the multihyphenate even before it was revealed that she was Harp, the competition-winning, gold-masked figure with an actual harp strapped to her back.
Still, it wasn’t until recently that Riley began to feel like she’d found her voice. This sounds unbelievable. But she’s not referring to the one she uses on stage. She’s referencing the voice that speaks to who she is at her core. “Therapy kind of gave me the training to speak my mind,” the 37-year-old says. “It’s not something we’re taught, especially as Black women. I got so comfortable in [doing so], and I really want other people, especially Black women, to get more comfortable in that space.”
“Therapy kind of gave me the training to speak my mind. It’s not something we’re taught, especially as Black women."
If you ask Riley’s manager, Myisha Brooks, she’ll tell you the foundation of who the multihyphenate is hasn’t changed much since she was a kid growing up in Compton. “She is who she is from when I met her back when she was singing in the front of the church to back when she landed major roles in film and TV,” Brooks says. Time has allowed Riley to grow more comfortable, giving fans a more intimate glimpse into her life, including her mental health journey and the ins and outs of show business.
The actress/singer has been in therapy since 2019, although she suffered from depression and anxiety way before that. In a recent interview with Jason Lee, she recalls having suicidal ideation as a kid. By the time she started seeing a psychologist and taking antidepressants in her thirties, her body had become jittery, a physical reminder of the trauma stacked high inside her. “I was shaking in [my therapist’s] office,” she tells xoNecole. “My fight or flight was on such a high level. I was constantly in survival mode. My heart was beating fast all the time. All I did was sweat.”
There wasn’t just childhood trauma to account for. After auditioning for American Idol and being turned away by producers, Riley began working for Ikea and nearly missed her Glee audition because her car broke down on the highway while en route. Thankfully, Riley had been cast to play Mercedes Jones. American Idol had temporarily convinced her she wasn’t cut out for the entertainment industry, but this was validation that she was right where she belonged. Glee launched in 2009 with the promise of becoming Riley’s big break.
In some ways, it was. The show introduced Riley to millions of fans and catapulted her into major Hollywood circles. But in other ways, it became a reminder of the types of roles Black women, especially those who are plus-sized, are relegated to. Behind the scenes, Riley says she fought for her character "to have a voice" but eventually realized her efforts were useless. "It finally got to a point where I was like, this is not my moment. I'm not who they're choosing, and this is just going to have to be a job for me for now," she says. "And, that's okay because it pays my bills, I still get to be on television, I'm doing more than any other Black plus-sized women that I'm seeing right now on screen."
The actress can recognize now that she was navigating issues associated with trauma and low self-esteem at the time. She now knows that she's long had anxiety and depression and can recognize the ways in which she was triggered by how the cult-like following of the show conflicted with her individual, isolated experiences behind the scenes. But she was in her early '20s back then. She didn't yet have the language or the tools to process how she was feeling.
Riley says she eventually sought out medical intervention. "When you're in Hollywood, and you go to a doctor, they give you pills," she says, sharing a part of her story that she'd never revealed publicly before now. "[I was] on medication and developing a habit of medicating to numb, not understanding I was developing an addiction to something that's not fixing my problem. If anything, it's making it worse."
“[I was] on medication and developing a habit of medicating to numb, not understanding I was developing an addiction to something that’s not fixing my problem. If anything it’s making it worse.”
Credit: Ally Green
At one point, while in her dressing room on set, she rested her arm on a curling iron without realizing it. It wasn't until her makeup artist alerted her that she even realized her skin was burning. Once she noticed, she says she was "so zonked out on pills" that she barely reacted. Speaking today, she holds up her arm and motions towards a scar that remains from the incident. She sought help for her reliance on the pills, but it would still be years before she finally attended therapy.
This stress was only compounded by the trauma of growing up in poverty and the realities of being a "contract worker." "Imagine going from literally one week having to borrow a car to get to set to the next week being on a private jet to New York City," she says. After Glee ended, so did the rides on private planes. The fury of opportunities she expected to follow her appearance on the show failed to materialize. She wasn't even 30 yet, and she was already forced to consider if she'd hit her career peak.
. . .
We’re only four minutes into our Zoom call before Riley delivers her new adage to me. “My new mantra is ‘humility does not serve me.’ Humility does not serve Black women. The world works so hard to humble us anyway,” she says.
On this Thursday afternoon in April, the LA-based entertainer is seated inside her closet/dressing room wearing a cerulean blue tank top with matching shorts and eating hot wings. This current phase of healing hinges on balance. It’s about having discipline and consistency, but not at the risk of inflexibility. She was planning to head to the gym, for instance, but she’s still tired from the “exhausting” day before. Instead, she’s spent her day receiving a massage, eating some chicken wings, and planning to spend quality time with friends. “I’m not going to beat myself up for it. I’m not going to talk down to myself. I’m going to eat my chicken wings, and then tomorrow I’m [back] in the gym,” she says.
“My new mantra is ‘humility does not serve me.’ Humility does not serve Black women. The world works so hard to humble us anyway."
This is the balance with which she's been approaching much of her life these days. It's why she's worried less about whether or not people see her as someone who is humble. She'd rather be respected. "I think you should be a person that's easy to work with, but in the moments where I have to ruffle feathers and make waves, I'm not shying away from that anymore. You can do it in love, you don't have to be nasty about it, but I had to finally be comfortable with the fact that setting boundaries around my life – in whatever aspect, whether that's personal or business – people are not going to like it. Some people are not going to have nice things to say about you, and you gotta be okay with it," she says.
When Amber talks about the constant humbling of Black women in Hollywood, I think of the entertainers before her who have suffered from this. The brilliant, consistent, overqualified Black women who have spoken of having to fight for opportunities and fair pay. Aretha Franklin. Viola Davis. Tracee Ellis Ross. There's a long list of stars whose success hasn't mirrored their experiences behind the scenes.
Credit: Ally Green
If Black women outside of Hollywood are struggling to decrease the pay gap, so, too, are their wealthier, more famous peers.
Riley says there’s been progress in recent years, but only in small ways and for a limited group of people. “This business is exhausting. The goalpost is constantly moving, and sometimes it’s unfair,” she says. But, I have to say it’s the love that keeps you going.”
“There’s no way you can continue to be in this business and not love it, especially being a plus-sized Black woman,” she continues. “We’re still niche. We’re still not main characters.”
"There’s no way you can continue to be in this business and not love it, especially being a plus-sized Black woman. We’re still niche. We’re still not main characters.”
Last year, Riley starred alongside Raven Goodwin in the Lifetime thriller Single Black Female (a modern, diversified take on 1992’s Single White Female). It was more than a leading role for the actress, it also served as proof that someone who looks like her can front a successful project without it hinging on her identity. It showcased that the characters she portrays don’t “have to be about being a big girl. It can just be a regular story.”
Riley sees her work in music as an extension of her efforts to push past the rigid stereotypes in entertainment. Take her appearance on The Masked Singer, for instance. Riley said she decided to perform Mayer’s “Gravity” after being told she couldn’t sing it years earlier. “I wanted to do ‘Gravity’ on Glee. [I] was told no, because that’s not a song that Mercedes would do,” she says. “That was a full circle moment for me, doing that on that show and to hear what it is they had to say.”
As Scherzinger praised the “anointed” performance, a masked Riley began to cry, her chest heaving as she stood on stage, her eyes shielded from view. “You have to understand, I have really big names – casting directors, producers, show creators – that constantly tell me ‘I’m such a big fan. Your talent is unmatched.’ Hire me, then,” she says, reflecting on the moment.
Recently, she’s been in the studio working on original music, the follow-up to her independently-released debut EP, 2020’s Riley. The sequel to songs such as the anthemic “Big Girl Energy” and the reflective ballad “A Moment” on Riley, this new project hones in on the singer’s R&B roots with sensual grooves such as the tentatively titled “All Night.” “You said I wasn’t shit, turns out that I’m the shit. Then you called me a bitch, turns out that I’m that bitch. You said no one would want me, well you should call your homies,” she sings on the tentatively titled “Lately,” a cut about reflecting on a past relationship. From the forthcoming project, xoNecole received five potential tracks. Fans likely already know the strengths and contours of Riley’s vocals, but these new songs are her strongest, most confident offerings as an artist.
“I am so much more comfortable as a writer, and I know who I am as an artist now. I’m evolving as a human being, in general, so I’m way more vulnerable in my music. I’m way more willing to talk about whatever is on my mind. I don’t stop myself from saying what it is I want to say,” she says.
Credit: Ally Green
“Every era and alliteration of Amber, the baseline is ‘Big Girl Energy.’ That’s the name of her company,” her manager Brooks says, referencing the imprint through which Riley releases her music after getting out of a label deal several years ago. “It’s just what she stands for. She’s not just talking about size, it’s in all things. Whether it’s putting your big girl pants on and having to face a boardroom full of executives or sell yourself in front of a casting agent. It’s her trying to achieve the things she wants to do in life.”
Riley says she has big dreams beyond releasing this new music, too. She’d love to star in a rom-com with Winston Duke. She hasn't starred in a biopic yet, but she’d revel in the opportunity to portray Rosetta Tharpe on screen. She’s determined that her previous setbacks won’t stop her from dreaming big.
“I think one of my superpowers is resilience because, at the end of the day, I’m going to kick, scream, cry, cuss, be mad and disappointed, but I’m going to get up and risk having to deal with it all again. It’s worth it for the happy moments,” she says.
If Riley seems more comfortable and confident professionally, it’s because of the work she’s been doing in her personal life.
She’d previously spoken to xoNecole about becoming engaged to a man she discovered in a post on the site, but she called things off last year. For Valentine’s Day, she revealed her new boyfriend publicly. “I decided to post him on Valentine’s Day, partially because I was in the dog house. I got in trouble with him,” she says, half-joking before turning serious. “The breakup was never going to stop me from finding love. Or at least trying. I don’t owe anybody a happily ever after. People break up. It happens. When it was good, it was good. When it was bad, it was terrible, hunny. I had to get the fuck up out of there. You find happiness, and you enjoy it and work through it.”
Credit: Ally Green
"I don’t owe anybody a happily ever after. People break up. It happens. When it was good, it was good. When it was bad, it was terrible, hunny. I had to get the fuck up out of there. You find happiness and you enjoy it and work through it.”
With her ex, Riley was pretty outspoken about her relationship, even appearing in content for Netflix with him. This time around is different. She’s not hiding her boyfriend of eight months, but she’s more protective of him, especially because he’s a father and isn’t interested in becoming a public figure.
She’s traveling more, too. It’s a deliberate effort on her part to enjoy her money and reject the trauma she’s developed after experiencing poverty in her childhood. “I live in constant fear of being broke. I don’t think you ever don’t remember that trauma or move past that. Now I travel and I’m like, listen, if it goes, it goes. I’m not saying [to] be reckless, but I deserve to enjoy my hard work.”
After everything she’s been through, she certainly deserves to finally let loose a bit. “I have to have a life to live,” she says. “I’ve got to have a life worth fighting for.”
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Janelle Monáe's Reveals The Real Reason Why She Stopped Wearing Her Signature Tuxedos
Singer and actress Janelle Monáe exemplifies how change can be a powerful catalyst for growth and transformation.
Monáe, who rose to fame in 2010 following the release of her debut album, The ArchAndroid, captivated fans' hearts with her powerful vocals, catchy tunes, and style. Around that time period, when various female artists were known to wear provocative ensembles on stage, the "Tightrope" songstress set herself apart by wearing her signature black and white suits and continued to do so for almost a decade.
In the later years of her career, after the release of her studio albums The Electric Lady in 2013 and 2018's Dirty Computer, many began to notice the shift in Monáe's artistry and fashion, which some widely praised.
Although the now 37-year-old rarely addressed the reason behind the transformation over the years, that would all change when Monáe sat down with radio personality Angie Martinez on her IRL podcast earlier this month.
During the interview, Monáe --who was promoting her latest album, "The Age of Pleasure"-- opened up about her mental health struggles, how she would cope, and why she chose to live in freedom.
Janelle On Why She Stopped Wearing Her Signature Suits All the Time
Photo by Frederick M. Brown/Getty Images
In the May discussion, the "I Like That" vocalist revealed she suffers from anxiety, which she claimed would occur around "winter to spring."
Monáe added that when she has her bouts with anxiety, she tends to turn to food as a coping mechanism. Further in the interview, the "Lipstick Lover" singer disclosed that her emotional eating habits caused a weight fluctuation and that she could no longer fit into the suits she once wore earlier in her career.
Monáe explained that even though she tried to diet and exercise to return to her smaller figure, she ultimately stopped and made peace with herself with the help of therapy because she acknowledged that she isn't the same person she was nearly a decade ago and shouldn't try to be even if it was a highly "celebrated" version.
"I'm petite, but it can get thick... When I couldn't fit them suits anymore, and I was like, 'Oh my God, what is going on?' I would be dieting, running, or exercising, trying to fit into [it]. I'm just like, 'No. No, we're here. This is where we are.' We [are] not about to be utilizing life trying to be an old version of ourselves. No matter how celebrated that version of me was. I'm here. I'm here," she said.
Janelle On Freedom
As the topic shifted to freedom and what that meant to Monáe, the "Primetime" vocalist shared that in this new era of her life, she enjoys it because she can boldly express herself however she wants and honor who she is as a person right now.
Monáe also revealed that she had found ways to become a better artist and the best version of herself because of her freedom.
"What is the new version of freedom? What does that feel like? That's usually when I feel the most free is when artistically, I can honor exactly who I am right now," she stated. "I feel most free as a human when I can honor exactly who I am right now."
Monáe's fourth studio album, The Age of Pleasure, is set to be released on June 9.
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