

At first glance, Corey Calliet may come off as a bit intimidating. With a beautiful smile complementing his chiseled frame, the modern-day Adonis, who ironically trained Michael B. Jordan for his role as Adonis in the Creed series, has a well-deserved reputation for building the bodies of some of your favorite Hollywood celebrities.
But the vision the self-proclaimed body architect has for his career doesn't end in the gym or on the red carpet. In addition to training some of the top stars in Hollywood, he has his own apparel company (Levelz), is a featured trainer on Revenge Body with Khloe Kardashian, and has more recently caught the acting bug.
Despite having an impressive resume, it's the trainer's rags-to-riches story that has us begging for more. Growing up between New Orleans and Baton Rouge was no easy feat for Calliet. After losing his mother at the age of four, he was shuffled between his sister and grandmother before finally settling with his aunt and uncle in a crowded home. Enticed by the street life, Calliet learned the art of the hustle that eventually carried him into a successful career.
But he didn't leave home without picking up a few relationship gems from the women who raised him. "We saw love where no matter what you were going through, you weren't going to give up. No matter how bad the situation was, no matter how hurtful, they never quit."
While he may rock sweatshirts that say he's "emotionally unavailable", we can't help but to sneak a peek into this Cancer's emotional side, and dare we say that we like it. As the saying goes, never judge a book by its cover, so we're taking a dive between the sheets of this open book to find out his thoughts on love, why he's not looking for an independent woman, and his biggest fear in a relationship.
Necole: Your life sounds very busy. How do you keep the fire going when you are in a relationship?
Corey Calliet: It takes a very special woman, and I'm single right now, so I haven't mastered it. Every time I get into something serious, I get better, and it's hard because you can't give the love that you want because we know that love is patient, love is kind, love is all of these things. I can't give that to a person all the time. So, it's hard and to be honest with you, I haven't found that woman that can understand what I got going on.
You get up and train early every day. If you were with someone, how does she fit into your mornings?
When I'm with a woman, she comes first.
When I wake up, I have to make sure she's okay. Is there anything I can do before I get my day started? Anything I could do to make you comfortable? If she's hungry, I need to get breakfast. I need to make sure that everything is taken care of with her first because she's laying next to me, and this is my girlfriend now, this is not some random situation. This is somebody I take care of, somebody I want to be with. So I make sure she has the things that she needs and then I carry on to take care of what I need to take care of myself.
What are some important qualities that you look for in a woman?
Maybe this is wrong, but I don't need the most independent type woman. We have a generation of women that are coming up and saying, "I don't need you for nothing." I need a woman that's caring, that's nurturing. I need a woman that loves God. She doesn't have to be super successful, just be passionate about what you do. Love what you do. Love yourself. I need a woman, not to just love me, but to like me because if you notice, a lot of people love each other, but they don't like each other. I want a woman that will love my daughter as if she has hers. I want a woman that's strong. A woman that could have my back.
I feel like a woman could bring substance into my life. She could be my foundation. She could recharge me when I need it and we recharge each other.
My thing is, I didn't have a mom. So, I don't know what that's like. So, I don't look for a mother in every woman, but I look for her to have motherly qualities, especially if we plan on having kids. I'm already successful. I probably could help make her life even better. Just support her and build her up.
Sometimes, people want the person they're going to end up with to make a certain amount or at least be financially well-off, and some people don't care. Where are you on that?
I'm not going to say I don't care, but bring something to the table. I'm going to give the analogy of, if I bring a plate, the spoon, the fork, at least just bring the glass. That's it. Just bring the drink. I got everything else.
Looking back on your most recent relationship, if you could name one thing you would have done differently, what would it be?
I would have paid attention a little more. A lot of times we assume and do stuff that we shouldn't do because we didn't pay attention. I would have paid attention, and she would've been able to understand me because I wouldn't have got it wrong all the time. If I paid more attention, I would have known that I was going down the wrong road, and I would have seen the signs.
If I had a meeting with one of your exes, and I said tell me one thing I should know about Corey, what would she say?
He's emotional. [laughs]. 100%. She'd say, don't let that hard rock fool you. Don't let his tone fool you. Love him, and tell him that. Let him hear it, and he will give you everything you want. Nobody has been able to do that.
What is your love language?
My first love language is words of affirmation. I want you to be able to look me in my eyes and tell me how much you love me, and how much you care about me. I want to hear it.
To be honest, sometimes the words, "I love you," "I care for you," "I need you," and "I want you" – hearing those words are better than sex.
When you are personally going through something, and your partner has to stand in the fire with you, how would you like for her to support you?
I remember I used to date someone and she'd always say, "I don't have as much as you have. I don't have this. I don't have that." And I told her, "Take away all the accolades in the world and just give me you."
What happens is when I'm going through a place, I don't need nothing that you come with, I need YOU because those things will not last forever. Physically, mentally, emotionally, and spiritually, be there. Be my person that says, "You know what? No matter what, I got you. It's okay. We're going to get through this."
Do you have a fear of abandonment?
Yeah, to being rejected and shut out. That hurts. That was one of the issues in my past relationship before I moved to LA. She would shut me out at the drop of a dime. She would just cut me off. She lived almost 40 steps away from me, and she would just drop me. Don't answer the phone. Don't answer the door. Don't answer my texts. Don't do nothing. Just cut me out, and I believe that that takes a special type of mean person to just cut a person out completely, and then drag them back in when they feel like it. Like tell me, "I need time. I need space, but I'm letting you know I need this. I will be back, but I just need this."
Don't just cut me off. That's one of my reasons of being afraid of letting people in too close, but I can't help but to let them in 'cause that type of person I am.
So if there's a disagreement, who apologizes first?
Me. I'm going to apologize first unless you beat me to it. I have the gift of seeing things both ways. I take a step back and understand where you are coming from and why you may not have understood my point, and I will apologize for my actions and my wrongs. I will apologize even if I'm right just to get you to open up, and tell me why you handled things like you did, and what was going on.
Is sex an important part of the relationship?
Sex is very important, but don't overthink it. Sex shouldn't become something we have to do like a time schedule. Sex is about two people wanting each other. When I get married, sex is important, but I'm not going to put a strain on it, like, do we have to have sex every single day? Hell, no.
Your daughter is getting to that age (13) where boys are going to be interested soon. How are you preparing her for that? You got to get your shotgun ready?
I talk to my daughter all of the time. I think the best situation is being able to have an open relationship with the child. Me and Cammy have real conversations like she's almost my age, which is the great thing because we have such a close bond since she was a little girl, and having that open relationship and being able to talk, I think that's how I'm able to prepare her for what's going on. I don't hide nothing from her. I'll let her know what's going on because I need to let her know now so that she can be prepared for it in the future.
When you're dating someone, what's the prerequisite for who gets to meet your daughter?
Most of the time that she's with me, she meets who I have in my life, but Cammy has this thing where she says, "I'm not getting attached to anybody." She experienced something with my last big relationship with my ex-girlfriend. When we stopped talking, my ex cut her off too, and my girlfriend was like a stepmom to her. She told me she'll never get close to no one again.
For more of Corey, follow him on Instagram.
Featured image via Kathy Hutchins / Shutterstock.com
Originally published on March 4, 2019
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Necole Kane is a retired celeb blogger, media mogul, and the founder of xoNecole.com and My Happy Flo. After spending 7 years as a successful celebrity gossip blogger, the Maryland native launched xoNecole.com with the mission to promote positive images of women of color as well as empower, educate, and inspire millennial women to live their best lives. Keep up with Necole on Instagram and Twitter @hellonecole, or through her personal website NecoleKane.com.
'Black Girl Magic' Poet Mahogany L. Browne Talks Banned Books And The Power Of The Creative Pivot
You know you’re dealing with a truly talented and profound voice of a generation when the powers that be attempt to silence it. As a poet, educator, and cultural curator, Mahogany L. Browne has carved out a powerful space in the world of literature and beyond.
From penning the viral poem, “Black Girl Magic,” to writing Woke: A Young Poet’s Call To Justice (a book once banned from a Boston school library), to becoming the 2024 Paterson Poetry Prize winner and a poet-in-residence at Lincoln Center—her path exemplifies resilience, reinvention, and unapologetic artistry. She's published more than 40 works and paid the bills with her craft, a divine dream for many creatives seeking release, autonomy, and freedom in a tough economic climate.
A Goddard College graduate, who earned an MFA from Pratt Institute and was awarded an honorary doctorate from Marymount Manhattan College, Mahogany offers unapologetic realness with a side of grace and empowerment. "I started touring locally. I started creating chat books so that those poems will go in the hands of the people who were sitting in the rooms," she shared.
"And then I started facilitating poetry workshops, so I used my chat books as curriculum. And that, in turn, allowed me to further invest in my art and show the community and people who were hiring me that it wasn't just a one-off, that it's not just, you know, a fly by night—that I am invested in this art as much as I am invested in your community, in your children's learning, in our growth."
Mahogany has a special way of moving audiences, and her superpower sparks shifts in perspective, post-performance introspection, and strengthening of community bonds, especially among Black women. (One can undeniably recognize her gift for arousal of the spirit and mind merely from her listening to her insights from the other side of a Google Hangout call. I can only imagine the soul-stirring, top-tier sensory encounter when watching her perform in person.)
In this chat with xoNecole, Mahogany reflects on sustaining a creative career, the aftermath of writing a banned book, and using poetry for both healing, community-building, and activism.
Anthony Artis
xoNecole: What are three key things that have laid the foundation for a sustainable creative career for you?
Mahogany L Browne: What has helped me is that I'm willing to go in being an expert at knowing poetry and knowing the way in which art can change the landscape of our lives, not just as a poet, but also as a poetry facilitator. How you move through classes, those things are mastered, right? So when I go into another space that's maybe tech-heavy, I don't mind learning and being, you know, a student of the wonder of how we can make this magic, work together.
Two, you’ve got to know how to pivot. Sometimes we say, ‘Alright, this is what my life is going to be. I'm going to be a New York Times best-selling author. I'm going to, you know, have an album that's Grammy-nominated. And then, say you get dropped from your record label. That doesn't mean you can't make an album anymore. You can also still create an album that can be submitted to the Grammys. So, what does a pivot look like as an artist who doesn't have an institution behind them? Pivot being a student of the wonder.
Relationships also really help. How do I serve the community? And in turn, that tells me how the community can show up. For me, I have long-standing ties with a community that will outlast my one life. So, what does it mean to create space where these relationships can develop, can be nurtured, can be rooted, can be cultivated? Creating space—it happens through relationships.
xoN: With today’s economic challenges, what does your current creative process look like, and what are you working on?
MB: I’m always thinking five years ahead. I just reviewed the pages for two children’s books and recently released a YA novel. I’m drafting an adult fiction manuscript now.
Anything I create is founded with the root of poetry, but it can exist in captions. It can exist in commercials. It can exist as a musical. So that's where I’m at now.
xoN: You started performing "Black Girl Magic" in 2013, had an acclaimed performance of it via PBS and the work went on to viral success shortly after. Talk more about the inspiration. And what do you think about the continued relevance more than a decade later?
MB: I wrote it as a rally cry for the mothers who had been keeping themselves truly in harm's way by, you know, being a part of the community right after the death of their child or their loved one. They are usually mothers of victims of police brutality—and just seeing how they showed up in these community spaces, they are devout to the cause but obviously still grieving.
"I wanted this poem to be just a space of reclamation, of joy and of you, of your light, of your shine, of your brilliance, in any which way in which you fashion. Every room you enter is the room you deserve to be in. What does it mean to have a poem like that that exists?"
And the first time I did the poem, the Weeping that occurred, right? It was like this blood-letting of sorts. The next time I performed it, I'm moved to tears because I'm seeing how it's affecting other women who have just been waiting to hear, ‘You belong. You deserve. You are good. We see you. Thank you, despite everything that they said to make you regret being born in this beautiful brown, dark-skinned, light-skinned, but Black body.’
Black women are the backbone—period. Point blank. And so, that that poem became a necessity, not just to the fortitude of Black women in the community, but like you know, in service of healing the Black women.
xoN: One of your books was banned at a school in Boston, and it was later reinstated due to parental and activist support. What was that experience like?
MB: Well, I think it happened because they were racist. That's it. Point blank. The reversal of it was empowering, right? I realized, oh, I thought we just had to sit here and be on a banned book list. But no, parents are actually the leaders of this charge.
So to see that, the parents said, ‘Nah, we're not gonna let you take this book out of my baby’s school just because it's a Black kid on the front saying, ‘Woke’ and they're talking about being a global citizen. They're talking about accountability. They're talking about accessibility. They're talking about allyship, and you don't want them to have compassion or empathy or have even an understanding, right? So no, we rebuke that, and we want this book here anyway.’ To see that happen in that way. I was, like, reaffirmed. Absolutely.
xoN: You recently organized the Black Girl Magic Ball at the Lincoln Center in New York. Honorees included author and entrepreneur Rachel Cargle and National Black Theater CEO Sade Lythcott. What impact did it have and what expanded legacy do you hope to leave with your creative works?
MB: I was really interested in not celebrating just the book, but celebrating the community that made the book possible. And so I gave out five awards to women doing that thing, like, what does it mean to be a Black girl in this world?
I just thought it was gonna be an amazing time. Everybody's gonna dress up—we're gonna celebrate each other. And boom, I then realized that it responded to like a gaping hole. There was a missing thing for Black girls of all walks of life, all ages, right?
"It's very intergenerational. That was intentional to come together and celebrate just being us."
You have all these instances where just being you is either the butt of a joke or it's diminished and not worthy of a specific title in these larger institutions. So what does it mean to just to be loved up on and celebrated?
It felt like a self-care project at first. You know, for the first couple of years, folks were coming and they were getting that sisterhood. They were getting that tribe work that they were missing in their everyday lives.
I love the Black Girl Magic Ball because we got us. If I go out with a bang, they'll remember that Mahogany worked her a** off to make sure all the Black girls everywhere knew that she was the light. We are the blueprint.
For more information on Mahogany L. Browne, her work, and her future projects, visit her website or follow her on IG @mobrowne.
Featured image by Anthony Artis
Inside Tiera Kennedy’s BET Awards Night: Hanifa Dress, DIY Glam & ‘Blackbiird’ Nomination
This is Tiera Kennedy’s world, and we’re just living in it.
An Alabama native taking country music by storm thanks to her features on Beyoncé s Cowboy Carter and her recently released debut, Rooted, Kennedy is much more than just a woman living out her wildest dreams; she embodies the role of all-American girl with ease.
“I think for me, an all-American girl, for some reason, brings me back to when I was younger, and just like playing at my grandma’s house and just being outside,” Kennedy told xoNecole ahead of her attendance at the 2025 BET Awards.
“I just feel like when I was younger, you know, you don’t have as many responsibilities. There’s not as much weighing you down, and so I kind of go back to that mindset. Like, even now, being 27, I’m trying to get back to that younger girl.”
The 2025 BET Awards, hosted by Kevin Hart, took place in Los Angeles at the Peacock Theater on Monday night (June 9). The star-studded event was filled with tons of surprises, including a trip down memory lane with a 106 & Park reunion, coupled with performances by artists that dominated the top spots during the music video countdown show’s reign from 2000 to 2014.
Kennedy, who received her first nomination alongside Tanner Adell, Brittney Spencer, Reyna Roberts, and Beyoncè in the BET Her category for “Blackbiird,” the reimagination of the original The Beatles of the same title (minus the extra i), invited xoNecole to get ready with her as she prepared for her first-ever BET Awards.
Beauty Rituals Inherited From Her Mother.
Rather than booking her makeup artist ahead of the big night, Kennedy decided to go on a budget and do the task herself, something that isn’t too out of her norm. She noted how she incorporates some of the things she witnessed her mother do while growing up in her routine.
“I remember being younger and seeing all the makeup laid out on my mom’s counter,” the “I Look Good In That Truck” singer recalled. “I don’t even think she knows this, but there were moments where I would like to go and steal her makeup. She would have Mac. I think it was some kind of foundation powder, and I would go in there and I would put it on, and I’m like I hope she doesn’t see.”
She added, “My mom is very natural with her makeup, so even though I’ve got these big lashes on, I always gravitate towards just neutral looks… I don’t do anything too fancy.”
Tiera Kennedy’s Holy Grail of Products.
Kennedy took it upon herself to take a class to ensure that she’s prepared for nights like these, where she’s the one responsible for bringing her glam look to life.
“We are independent,” she said, reminding us that she is no longer tied to a big machine when it comes to her work as an artist. “We ball on a budget. I have to do my makeup for award shows, events, all the things, and so my makeup artist that taught me how to do all of this, Hailee Clark, she put me on to Nars, the foundation. I don’t know exactly what the name of it is, but I love it.”
“I don’t know all the fancy technicals, but I know that it makes me just look kind of airbrushed, and so I love it. Then, I always use this Laura Mercier [setting] powder because I get real shiny, so I’ve gotta reapply that quite often.”
“We are independent. We ball on a budget. I have to do my makeup for award shows, events, all the things, and so my makeup artist that taught me how to do all of this, Hailee Clark, she put me on."
Her Decision To Wear Hanifa For The Big Night.
Intentionality is essential for Kennedy, which is why she jumped at the opportunity to support Black designer Anifa Mvuemba with a dress from her fashion brand, Hanifa.
“Takirra on my team helped me pick out the dress. I really like to represent in country music, and being in Nashville, I like to represent Black culture through the things that I wear, and I was excited to get to wear a Black brand to the BET Awards,” said Kennedy.
“She was telling me about this brand, Hanifa, and we were on FaceTime just scrolling through the website, and she was like this looks like you. This feels very rooted, like fits those natural tones, and so she bought the dress and was like, ‘This is what you’re wearing.’”
The look was a Raven Knit Dress in Eggplant/Dark Brown Mesh from Hanifa.
Tiera Kennedy in her younger years.
Courtesy
Kennedy also nurtured her inner child for the look, taking it back to her roots with one small detail in her hair that she had her mother carry out before she hopped on the flight to LA.
“I had this vision of wearing beads in my hair because when I was younger, my mom would always do that, and I didn’t love it, but now I’m like, it would be really beautiful to tie all of that together, and the Hanifa dress just fit perfectly.”
“Just even in the past couple of days, I’ve had to take a second, and just look back at all of the awesome things we’ve gotten to do,” said Kennedy when asked what baby Tiera is feeling in this moment.
“I had this vision of wearing beads in my hair, because when I was younger, my mom would always do that, and I didn’t love it, but now I’m like, it would be really beautiful to tie all of that together, and the Hanifa dress just fit perfectly.”
“I dreamed of having a record and having this team that was doing all of these things for me, and now, being an independent artist, and being in control of my career, I’ve gotten to build an awesome team behind me that helps me get to where I am. It’s been a lot of hard work, and I think when I was younger, I would have never imagined that I could do all of these things, and so, yeah, to be here, I don’t even think I would believe it.”
Although “Blackbiird” didn’t win in the BET Her category during Monday night’s show, Kennedy’s future is brighter than ever, which she attests to her faith playing a huge role in guiding her next steps as she continues to rise to stardom.
“Thinking about the next thing, I think that can be really daunting when you’re an independent artist. It’s like you have to be thinking of what’s coming next, to prepare for that, but I think the way that I like to walk through life in general is letting the Lord lead,” Kennedy said.
“I know that a lot of time when I have a vision of what I want things to look like in my head, He always exceed my expectations. So, I think the plan is to continue to release music, and continue to show up as my authentic self. Getting to have these moments like the BET Awards is so awesome, but also, at the same time, that’s not what I do this for. I do it for the humans that are listening to my music, that are [having] fun and healing through my music, so I hope that I can just continue to do that.”
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Feature image by Rob Latour/Shutterstock