Gone are the days when men were the faces of the spirits industry. In the olden days, our ancestors would have beer parties for the men in the villages to foster a sense of community solidarity. Alcoholic beverages continue to serve as a sign of hospitality and friendship for the masses. But there's something special about a spirit that was created by a black woman — you know that the ingredients include magic, love, and resilience.
If you didn't know, black women are making waves in spirit, and it's time we celebrate them. Ahead, find four of the countless black women we are rooting for in the spirit industry, serving us black girl magic one shot at a time.
Nayana Ferguson of Anteel Tequila
Photo Courtesy of Nayana Ferguson
Nayana Ferguson is what happens when your passion aligns with your purpose. Tequila is personal for this businesswoman as a pancreatic cancer and breast cancer survivor. Her journey made her very intentional about what she put into her body. Nayana taught us that because tequila is a spirit that is made from the agave plant, it is naturally gluten-free and it is low in carbs, sugar and calories. Nayana has truly leaned into her purpose with her desire to educate people on the benefits of tequila and change the stereotypical thought of what tequila is.
Why she chose the spirit industry:
"I did not plan to get into the spirits industry at all. It all began as a conversation where I asked my husband while we were talking about investing and retirement, 'If you could do anything in the world, what would you do?' At the time, we both had a love for tequila and his reply was to own a tequila company, but he thought it would not be possible. I asked him, 'Why not?' I began researching distilleries in Mexico that we could work with and two days later, I found a distillery that could create our own brand.
"As we both had a passion for tequila and wanted to break the stereotypes surrounding tequila, (i.e. everyone has a bad tequila story), we wanted to start educating the consumer on what a premium spirit tequila truly is, so we decided to start our brand and do it our own way. By doing so, we have created the world's only Coconut Lime Blanco Tequila, a Reposado Tequila that is aged eight months in Tennessee whiskey barrels and a Blanco Tequila, whereas, all are now award-winning."
"You have to be fearless when entering the spirits industry, as there are so many brands that are on the market. You have to have confidence in your vision and what you create for the world."
What it means to be a black woman in the spirits industry:
"I love the fact that I am one of the very few black women in the spirits industry who owns a spirits company and that I am possibly the only black woman who owns a tequila company in the world. I look at it as we are trailblazers in an industry that is male-dominated and that we can create brands that speak to our ingenuity and vision. Being in the spirits industry is challenging, especially for someone like me who had no prior experience. However, I hope that my story is inspiring to black women to show that even if you do not have any experience within an industry that you are passionate about, you can learn and create something magnificent!"
Advice for women aspiring to jump into the spirits game:
"My advice to any woman who wants to jump into the spirits game is to do your research and jump in! You will not know everything, but do not let that stop you from moving forward, as you will learn along the way. If possible, find someone who you may be able to talk to about some of the ins and outs of the spirits industry. Otherwise, you have to be fearless when entering the spirits industry, as there are so many brands that are on the market. You have to have confidence in your vision and what you create for the world."
Samara Rivers of Black Bourbon Society
Photo Courtesy of Samara Rivers
Samara Rivers started the Black Bourbon Society when she noticed a lack of marketing geared towards POC in the spirits industry. The self-proclaimed 'Chief Bourbon Enthusiast' created the Black Bourbon Society (BBS) to galvanize upscale African-American professionals nationwide who had a taste for the finer things in life, but were virtually untapped by the emerging trend of indulging in premium spirits. "Through exclusive events, curated dinner pairings and private whiskey tastings in markets such as ATL, LA, and Chicago, BBS encourages its members to enjoy good bourbon, network with like-minded bourbon lovers and gain a deeper appreciation for America's Native Spirit," she explained in a 2019 interview with Will Drink for Travel.
BBS has over 10,000 members and they've partnered with and featured several brands including Wild Turkey, Maker's Mark and Four Roses. As a certified Executive Bourbon Steward and a co-host to a weekly podcast, Rivers dedication to visibility and diversity is definitely felt.
Why she chose the spirit industry:
"I'm not sure if I chose this industry, or [if] by luck the industry chose me. I knew that I wanted to make a difference in our world around the notion of diversity and inclusion, but never did I think it would take me on this particular journey. The spirits industry is one the most fun and genuine industries around. The moment I started BBS, I felt like I was a part of a family."
What it means to be a black woman in the spirit industry:
"Being a black woman in the spirits industry definitely can be challenging at times, but it also means that everyone notices your presence. I have gotten used to being 'the only' in the room knowing that I represent an entire demographic of tens of thousands."
Advice for women aspiring to jump in the spirit game:
"Like Nike says, 'Just do it!' If you don't have a seat at the table, be prepared to bring your own chair. But overall, you'll see that there are plenty of opportunities to be seized in this industry. You just have to be bold enough to want it!"
Joy Spence of Appleton Estate Jamaica Rum
Joy Spence
If you Google Joy Spence, you'll quickly see that she is the first woman to hold the position of Master Blender in the spirits industry globally. Her love for chemistry led her to become one of the most renown pioneers in the world. Over the course of her decades-spanning career, Spence has been at the helm of creating some of the finest rums the world has to offer, including but not limited to the Appleton Estate Rare Blend 12 Year Old. "I think I am one of the fortunate few who are able to use science and technology to create spirit – both literally and figuratively - in the world," Spence shared during a 2018 awards ceremony. "At Appleton, we have been able to blend rich Jamaican rum, making heritage with cutting edge technology to create some of the finest brands in the world. I will continue to spread the joy of rum globally and, by extension, promote Brand Jamaica."
Why she chose the spirit industry:
"I was lecturing in chemistry and decided that I wanted to gain experience in manufacturing and joined Tia Maria as their Research Chemist. After two years, I became very bored and joined J. Wray andNephew (owner of Appleton Estate) as the Chief Chemist. This is the moment that I fell in love with rum. I discovered that it had the most complex and beautiful flavors with exceptional versatility. I was tutored by the previous Master Blender for 17 years as he recognized that I had excellent sensory skills and creativity and would one day become a great Blender. In 1997, I was appointed the Master Blender and became the first female in the spirit industry."
What it means to be a black woman in the spirit industry:
"It was a true honor as a black woman to become the first Female Master Blender in the Spirits Industry. I was able to open doors for other women in the industry. We were always working in the background and now we are finally receiving recognition. It is a true testament that with hard work and passion you can achieve the impossible."
Advice for women aspiring to jump in the spirit game:
"My advice to women aspiring to jump in the spirit game is to embrace the challenge, focus on you craft, exude passion, be creative, become a sponge for knowledge, and the sky is the limit."
Chanel Turner of FOU-DRÉ
Photo Courtesy of Chanel Turner
From Pentagon Web Developer to the first African-American woman to head a vodka company, Chanel Turner is no stranger to hard work. She was not happy with the underwhelming taste of vodka so, like black women do, she pulled up to make her own. Testing over 80 formulas, this CEO was determined to create a spirit that didn't need to be paired with something else. Chanel invested all of her savings to create Fou-Dre, which is in more than 30 liquor stores in the DC area, as well as in several other states and overseas in Singapore.
Why she chose the spirit industry:
"I choose the spirit industry because I saw an opportunity for Black female ownership in an industry that was void of people who looked like me. It's also recession-proof, so that helps. With my background in IT, I wanted to find a more innovative way to create spirits. I partnered with a distillery who utilizes a technology that removes harsh cogeners and free radicals during the distillation process, creating a healthier, cleaner way to drink spirit beverages."
"I choose the spirit industry because I saw an opportunity for Black female ownership in an industry that was void of people who looked like me. It's also recession-proof, so that helps. With my background in IT, I wanted to find a more innovative way to create spirits."
What it means to be a Black woman in the spirit industry:
"It means double the work as my white counterparts. African-Americans in this industry aren't afforded the same resources as white constituents, such as distribution outlets, financial assistance, and retail opportunities. It means diversity in a space that historically is limited to people of color. Overall, it means fighting for your voice to be heard and paving the way for others to come later down the line."
Advice for women trying to jump into the Spirit game:
"I would recommend that one finds a support network and make strategic alliances because you cannot do this in silo. When I first entered this industry, I found myself alone looking for support and mentorship. Unable to find such resources, I ended up mentoring myself. Because women are the minority in this industry, we have to find ways to come together."
Featured image courtesy of Samara Rivers of Black Bourbon Society
RELATED
So, we handpicked one hundred It Girls who embody that palpable It Factor moving through us as young Black women, the kind of motion lighting up the world both IRL and across the internet.
It Girl 100 became xoNecole’s most successful program, with the hashtag organically reaching more than forty million impressions on Instagram in just twenty-four hours. Yes, it caught on like wildfire because we celebrated some of the most brilliant and influential GenZennial women of color setting trends and shaping culture. But more than that, it resonated because the women we celebrated felt seen.
Many were already known in their industries for keeping this generation fly and lit, but rarely received recognition or flowers. It Girl 100 became a safe space to be uplifted, and for us as Black women to bask in what felt like an era of our brilliance, beauty, and boundless influence on full display.
And then, almost overnight, it was as if the rug was pulled from under us as Black women, as the It Girls of the world.
Our much-needed, much-deserved season of ease and soft living quickly metamorphosed into a time of self-preservation and survival. Our motion and economic progression seemed strategically slowed, our light under siege.
The air feels heavier now. The headlines colder. Our Black girl magic is being picked apart and politicized for simply existing.
With that climate shift, as we prepare to launch our second annual It Girl 100 honoree list, our team has had to dig deep on the purpose and intention behind this year’s list. Knowing the spirit of It Girl 100 is about motion, sauce, strides, and progression, how do we celebrate amid uncertainty and collective grief when the juice feels like it is being squeezed out of us?
As we wrestled with that question, we were reminded that this tension isn’t new. Black women have always had to find joy in the midst of struggle, to create light even in the darkest corners. We have carried the weight of scrutiny for generations, expected to be strong, to serve, to smile through the sting. But this moment feels different. It feels deeply personal.
We are living at the intersection of liberation and backlash. We are learning to take off our capes, to say no when we are tired, to embrace softness without apology.
And somehow, the world has found new ways to punish us for it.
In lifestyle, women like Kayla Nicole and Ayesha Curry have been ridiculed for daring to choose themselves. Tracee Ellis Ross was labeled bitter for speaking her truth about love. Meghan Markle, still, cannot breathe without critique.
In politics, Kamala Harris, Letitia James, and Jasmine Crockett are dragged through the mud for standing tall in rooms not built for them.
In sports, Angel Reese, Coco Gauff, and Taylor Townsend have been reminded that even excellence will not shield you from racism or judgment.
In business, visionaries like Diarrha N’Diaye-Mbaye and Melissa Butler are fighting to keep their dreams alive in an economy that too often forgets us first.
Even our icons, Beyoncé, Serena, and SZA, have faced criticism simply for evolving beyond the boxes society tried to keep them in.
From everyday women to cultural phenoms, the pattern is the same. Our light is being tested.
And yet, somehow, through it all, we are still showing up as that girl, and that deserves to be celebrated.
Because while the world debates our worth, we keep raising our value. And that proof is all around us.
This year alone, Naomi Osaka returned from motherhood and mental health challenges to reach the semifinals of the US Open. A’ja Wilson claimed another MVP, reminding us that beauty and dominance can coexist. Brandy and Monica are snatching our edges on tour. Kahlana Barfield Brown sold out her new line in the face of a retailer that had been canceled. And Melissa Butler’s company, The Lip Bar, is projecting a forty percent surge in sales.
We are no longer defining strength by how much pain we can endure. We are defining it by the unbreakable light we continue to radiate.
We are the women walking our daily steps and also continuing to run solid businesses. We are growing in love, taking solo trips, laughing until it hurts, raising babies and ideas, drinking our green juice, and praying our peace back into existence.
We are rediscovering the joy of rest and realizing that softness is not weakness, it is strategy.
And through it all, we continue to lift one another. Emma Grede is creating seats at the table. Valeisha Butterfield has started a fund for jobless Black women. Arian Simone is leading in media with fearless conviction. We are pouring into each other in ways the world rarely sees but always feels.
So yes, we are in the midst of societal warfare. Yes, we are being tested. Yes, we are facing economic strain, political targeting, and public scrutiny. But even war cannot dim a light that is divinely ours.
And we are still shining.
And we are still softening.
And we are still creating.
And we are still It.
That is the quiet magic of Black womanhood, our ability to hold both truth and triumph in the same breath, to say yes, and to life’s contradictions.
It is no coincidence that this year, as SheaMoisture embraces the message “Yes, And,” they stand beside us as partners in celebrating this class of It Girls. Because that phrase, those two simple words, capture the very essence of this moment.
Yes, we are tired. And we are still rising.
Yes, we are questioned. And we are the answer.
Yes, we are bruised. And we are still beautiful.
This year’s It Girl 100 is more than a list. It is a love letter to every Black woman who dares to live out loud in a world that would rather she whisper. This year’s class is living proof of “Yes, And,” women who are finding ways to thrive and to heal, to build and to rest, to lead and to love, all at once.
It is proof that our joy is not naive, our success not accidental. It is the reminder that our light has never needed permission.
So without further ado, we celebrate the It Girl 100 Class of 2025–2026.
We celebrate the millions of us who keep doing it with grace, grit, and glory.
Because despite it all, we still shine.
Because we are still her.
Because we are still IT, girl.
Meet all 100 women shaping culture in the It Girl 100 Class of 2025. View the complete list of honorees here.
Featured image by xoStaff
Despite launching media careers from different pathways, the two New York-based women have forged a friendship where they can discuss their ambitions and challenges.
Both women are part of xoNecole’s It Girl 100 Class of 2025, recognized in the Viral Voices category for the impact they’ve made through storytelling, creativity, and authenticity. Together, they represent what it means to build an "It Girl" brand with integrity and depth. In the spirit of SheaMoisture’s "Yes, And" ethos, Les and Kayla embody the freedom to be multi-layered as women evolving boldly into every version of themselves.
This conversation has been condensed and lightly edited for clarity
On Forging Their Own Paths
Les Alfred: Being a Jane of all trades is incredibly challenging. And one of the challenges I've faced is that the scope of what podcasters now need to do has increased so much. When I first interviewed you in 2019, I was still very new at it, but I remember being on a Skype call with you from my bedroom in Seattle. That was how I ran the show. And that was good enough. That is absolutely not good enough these days. The scope and the quality keeps increasing, but the resources that you have don't necessarily increase in order to remain competitive.
I get asked so many questions from people who want to get into podcasts and they want to get started. Most of the time, I'm just like, 'I don't have tips for you.' Because, one, I don't know what it's like to start in this current environment. Two, I know what it takes to contend and be consistent in this environment. The barrier of entry is a lot higher in terms of having something of quality than it was before.
On Balancing Ambition and Rest
Kayla Greaves: I've had to make a very clear effort to slow down and just not take on as much. Yes, you're running a business, but you're also living your life. I had one of those days yesterday. I just laid down and listened to white noise for hours because I just needed my brain to just be clear. I called a friend. I cried.
I'm starting over again today. The sun is out. It's a new day. And that's just sometimes what you have to do. You can't show up for your audience or for other people, if you can't show for yourself. I think that creativity comes from a place of living your life and having genuine experiences, and then sharing those experiences through your art.
"I had to give myself permission to let myself grow publicly in ways that I'd already done personally."
Courtesy
On Evolving Through Growth and Rebranding
Les: I didn't create Balanced Black Girl until 2018, but I started blogging and creating content and doing things under the Balanced brand in 2014. I was 24 years old at the time. Now, I'm 36. The things that were important to me, the perspective that I had and the stories I wanted to tell were entirely different. I think I had to give myself permission to let myself grow publicly in ways that I'd already done personally. The show isn't really about wellness anymore. And that shift started happening a couple of years ago.
When we started expanding into more lifestyle topics, more self-help topics [and] talking about entrepreneurship, the audience responded really well. That was when the show really started to grow and take off. And that was what got so much more engagement than the episodes back in 2020 when I was doing hour-long deep dives on gut health.
Rebranding the show was something I've been thinking about for a long time. When I was finally like, 'Oh, I need to do this,' honestly, was the 2024 presidential election. I was like, these people are about to be in here acting crazy. I do not feel safe with my business name being what it is. I don't want to be targeted for any BS. We saw what they did to the Fearless Fund.
"You have to balance your integrity with your income."
Courtesy
On Integrity Over Income
Kayla: I have many other interests aside from beauty. I'm growing and I'm changing as a person. I'm not the same person I was when I started at InStyle in 2019 before the pandemic rocked everybody's world. I don't think reviewing every single lipstick that comes out is exciting or interesting, because everybody does it now, and everybody feels like they're qualified to speak on things that they're not qualified to speak on. I'm currently in that pain point of growth.
I don't think I have always been in environments where I've been encouraged to branch out on my own ideas. I finished Ina Garten’s memoir maybe a month ago. She kept repeating this quote in her book. She said, ‘What goes in early, goes in deep.’ Now that I'm on my own and I don't have the resources of a traditional media company, which is what I have become accustomed to, sometimes it's difficult for me to be like, 'Okay, just go ahead with the thing.'
I think, Les, just the other day, you reposted somebody saying that they let go of a five-figure deal and then got double the next day because it just didn't feel aligned for them. Those are the things that happen. I have to find a balance of, 'Okay, how do I keep myself afloat?' And that may mean I may not be balling out of control just yet, but I'm okay for now. I can buy myself nice things every once in a while, but you have to balance your integrity with your income.
Les: There are just certain lines that I'm not willing to cross. Especially when I created more wellness content, one of those lines was I will not promote any sort of weight loss product. All of these GLP-1s all want to advertise on my podcast. I actually have nothing against those types of products, but I don't ever want someone to look at what I'm putting into the world and think that I'm saying that they need to feel a certain way about their bodies.
Even if the money is great, that's not for me to say, and that's not the type of message that I want to put out here. Or, I had another kind of brand deal come through that would have required me to divulge things about my personal life that I just don't really want my audience knowing about me, and bringing them along on journeys that I just find personal and I want to keep offline. I don’t want to be known for dragging my mess all over the internet for a buck.
I don't want to be known for being an influencer. I would love to be 1,000% in on my podcast, scale it, have it grow to be a media empire where I'm producing and putting out other bodies of work. For now, until that other side of the business really picks up and gets to the point where I want it to be, I kind of need to play the influencer game a little bit to live in this expensive city. But I'm gonna do it on my terms. It's a constant compromise that I'm coming to with myself.
"You can never make a big vision come to fruition if you're sitting and you're waiting for somebody else to tell you exactly what to do."
Courtesy
On Mutual Admiration and Friendship
Les: Something that I really admire about you in having known you for the past couple of years is you don't wait for a roadmap. You jump in, you roll up your sleeves, and you do it. You can never make a big vision come to fruition if you're sitting and you're waiting for somebody else to tell you exactly what to do.
Kayla: Well, first of all, I want to say thank you for saying that, because that means so much to me, and it's very affirming. That's exactly how I feel about you. I remember, even at your first live show, you're like, ‘Oh my god, I'm so stressed. I don't know what I'm doing.’ And, the shit sold out. And, you know, and now, like, you see the growth of the podcast. And you have nearly 61,000 subscribers on YouTube. I just checked recently.
I talk a lot about people that really just need to not say anything on the internet, because it's so frustrating as somebody who grew up as a traditional journalist. You want people to fact check and ask thoughtful questions and have good conversations. I've never said that about you. I've always loved your podcast. And I've sent a lot of your episodes to friends when they're going through specific things that you're talking about.
This season has been a little bit slower to me, so you've been a constant source of inspiration, and it's just been such a pleasure to see your podcast grow despite the challenges you've had. I know it's not easy, but you continue to grow and continue to push through, and I really admire that as somebody who sat and cried yesterday and listened to white noise.
And this is why I tell you all the time, you really do inspire me. I love you a lot.
Les: Oh my gosh, I love you a lot. I'm so glad that the podcast brought us together.
Tap into the full It Girl 100 Class of 2025 and meet all the women changing game this year and beyond. See the full list here.
Featured image courtesy