

Landing a job interview is already a feat in itself, but actually getting through it feeling like you've won is a whole other issue. Whether it's a dream job that you want in order to take your career to the next level or that promotion at your current job, it's likely you'll be thrown a few curve balls by way of tough questions. They're often common and a tad basic, but they can bring about feelings of uncertainty, anxiety, or confusion.
It's okay, sis. We've got you covered. Here's how to answer tough but common job interview questions confidently and win. (And don't be afraid to practice answering these with a trusted friend, mentor, coach, or even in the mirror with yourself, if that's what will really ensure you stay on ready.)
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1. "Can you tell us more about yourself?"
As someone with almost 20 years of experience in my industry and who has worked for businesses large and small, I've always had to fight the urge to say, "Well, didn't you read my resume?" (And I've felt this way even when I was just starting out. You definitely don't want to say that though! Ha!)
While the person interviewing might have read your resume (or, in my experience being both an interviewee and interviewer for a job, might have just gotten your resume 10 minutes before the interview), this question often serves as your opportunity to put your resume in your own words. Talk about the things you're most passionate about when it comes to your job (working with teams, corresponding with customers, being a problem-solver), mention your educational and training background, and include one or two key roles you're proud of having shined in.
This is actually a great first question in an interview because, for me, it allows me to control the vibe and energy of the conversation. I always find the most confidence in remembering my "why" when answering, and I know that just being myself is key. Also, as my faith denotes, if a job is for me, it's for me. If not, God always has something else that is.
Add a bit of personality and elaborate on not only the key points of who you are professionally, but who you are personally as well. (Just be sure that what you say related to your personal life reflects professionalism and is actually relevant to the job you're interviewing for.)
Don't ramble. Take a breath between sentences and remember to smile. Imagine if you were in an elevator and you only had a minute to tell someone about yourself in a way that lets them know who you are, what you offer, and things you love about your career experience.
A big tip for answering this question: Do a bit of research on the professionals who will be interviewing you. Look up the HR department or the person's email on LinkedIn or Google. Don't focus on befriending them online or making them a Facebook friend. Simply take note of a few things that might be relevant to the position or relate to them on a professional level.
And you don't want to get too personal or thirsty (Think, creepy blind date who tells you what you were last doing based on your IG story or keeps asking you about a mom they never really met but saw in one of your posts). Again, be sure to only talk about things super-relevant to the role you're applying to or the skills required for it.
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2. "What's your biggest weakness?"
Again, it's like "What??? Why?" But, again, don't respond in that way. (I swear these are my immediate reactions to these sorts of "common" interview questions.) The key to answering this one is this: Oftentimes this is asked to see how honest you will be, if you're a leader in self-correction, and if you have skills that include self-awareness and self-reflection.
This is not a time to bash yourself or tell them what you think they want to hear. Think about areas of leadership, communication, or strategic thinking that you either are actively working on or plan to actively work on.
For me, for example, I've always had a weakness for perfection, and I'll often do something at least two different ways just to make sure I have a plan B if plan A doesn't work or isn't enough. I'd also over-edit my work or re-write something several times, trying to make it "perfect," until my previous editors would have to say, "Enough Janell. We've gotta file this. Give us what you've got." This is indeed something I'd been working on (and I've since gotten better at not doing). So I've said in an interview or two: "I've learned from my previous managers that, as a leader, you have to trust your instincts and experience and go with plan A." I'd then add in details on an example of this from a previous project I'd worked on that was successful when I didn't second-guess myself so much and went with my gut.
If you have a self-perceived weakness of, for example, overexplaining things, challenges communicating criticism to those on your team (i.e. being too nice), or find it difficult being an introvert among extroverts, this is the time to mention it. Definitely don't just say, "Well, I'm great. I have no weaknesses," or offer up insights that will totally get your resume thrown in the garbage ("Oh, I'm always late, even if I leave my house on time," or "I just can't seem to get organized, and I often find myself being scatterbrained." Trust me, I've heard these before and the team always wondered, "Did this person intend to waste our time today?")
A big tip for answering this question: You don't have to do too much oversharing here. You'd hate to be that person who was a tad bit too transparent about weaknesses in a job interview but had very little to say when it came to talking about accomplishments or impact. It's a clear red flag, so just be as concise and direct with this one as possible and allow the interviewer to probe for more (or not).
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3. "Why should we hire you?"
Here's another question that should show you did your research on the company and the people you might be working for. It's not something to respond to with vague statements like, "I'm a people person, and I'm a go-getter," especially if you're interviewing for the position of a manager, senior leader, or director.
In almost every situation where I've had a hand in hiring someone, the candidates who showed that they'd done their homework and actually applied what they knew about the company in talking about why they'd be a great fit for the position either made it to the next round of interviews or were hired.
It's good to lean on three key things when answering this question: your personal "why," your actual experience (and being confident in how relevant your credentials, unique talents, and skills are to the role), and how those previous two can be woven together in order to be an asset.
I once applied for a job because I knew I wanted to transition into magazines after having worked for newspapers for much of my early career. I thought it was a long shot. I'd only interned at a magazine one time before, and while it was still journalism, working for a magazine publisher would be totally different from working in a newsroom.
I knew I not only had education, experience, and transferable skills but that I'd be great at the job because I'd wanted it for more than a decade. I told the interviewers, "Along with my degree and my love for storytelling and editing, I've dreamt about working here, at this publication, since childhood. The stories you've done highlighting ________ are something I've wanted to work on since reading your articles in my Granny's den. My great uncle, her brother, was a respected entrepreneur as well, so I know how important it is to highlight those stories. He built his businesses during Jim Crow, the Reagan-era recession, and the recession we're in right now. I've always had a passion for telling stories of the voiceless, of leaders and those who overcome, and I've loved the reach of magazines in doing that. It's what I feel called to do, especially for an audience such as yours."
I made it through three whole rounds and got the job. I was so happy because, at the time, I was pretty burnt out from working in newspapers and wanted a change that would not only revive me but place me on a path I'd always wanted to be on.
A big tip for answering this question: If your why is clear and on the up-and-up, answering this question will be a breeze. If not, you might want to reconsider applying for the job altogether. I don't care if it's a job dipping fries at a burger joint or leading a Fortune 500 marketing team, your why matters. Focus on talking about your skills and allow what motivated you to apply in the first place (your kids, financial goals, lifestyle aspirations, or career fulfillment) to be the silent foundation for informing your approach. (In other words, you don't have to say, "I applied for my kids," or "I need the money," but your actions and prep for answering this question should reflect that you mean business and that you must get the job).
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4. "What's led you to look for new employment?"
There are several variations to this question such as, "Why did you leave your last position?" In this case, you definitely want to be truthful, since, depending on some state laws, your former employer can not only be contacted and asked about you but some might even offer specifics on the circumstances of you leaving.
A good way to approach this one is to put positivity at the forefront. If the previous job simply wasn't a good fit, state that. If you're interested in strengthening certain skills and feel that the new position will offer the opportunity to do that, say that. If you've relocated and are looking for a fresh start, say that. (And you don't even have to volunteer details on why you relocated, especially if it's related to health, marriage, or family. In some states, for example, it's illegal for an interviewer to ask questions that might introduce the chance of discrimination, especially those related to the aforementioned.)
Lead with what was positive about the previous experience and how you'd like to further build upon that, even if it was a job you didn't like or one that ended in a way that wasn't the best.
I once decided to move on from a job simply because I'd outgrown the position and really didn't see any chance of me getting promoted (both via title and financially) in the time I wanted to. At the interview for my next job, I simply told them, "I've led teams that did amazing work on projects I'm proud of, and I'd love to continue being an asset to grow and learn in a different capacity at this company." I kept it short and sweet, and the interviewer moved on.
If you've had an employment gap, you can approach answering this question in the same way. When I first began my grad degree studies, I didn't work in the capacity I had previously. I really wanted to focus on being a student and having schedule flexibility, and I worked jobs that were totally unrelated to my core career in order to do so. Later, when I was getting closer to the end of my program and knew I could give more time to a job more closely aligned with my career passions, I simply stated how much I'd learned about myself, about discipline, and about leadership, in pursuing my degree and that I'm now ready for applying what I've learned in my next chapter.
When it comes to tough interview questions, just remember to come to the table knowing who you are and why you're there. Rely on the boldness and greatness of what you offer the world and why you're even applying in the first place. Be strategic, practice answering these questions with someone, and seek out your destiny without hesitation. God's speed to you!
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'Black Girl Magic' Poet Mahogany L. Browne Talks Banned Books And The Power Of The Creative Pivot
You know you’re dealing with a truly talented and profound voice of a generation when the powers that be attempt to silence it. As a poet, educator, and cultural curator, Mahogany L. Browne has carved out a powerful space in the world of literature and beyond.
From penning the viral poem, “Black Girl Magic,” to writing Woke: A Young Poet’s Call To Justice (a book once banned from a Boston school library), to becoming the 2024 Paterson Poetry Prize winner and a poet-in-residence at Lincoln Center—her path exemplifies resilience, reinvention, and unapologetic artistry. She's published more than 40 works and paid the bills with her craft, a divine dream for many creatives seeking release, autonomy, and freedom in a tough economic climate.
A Goddard College graduate, who earned an MFA from Pratt Institute and was awarded an honorary doctorate from Marymount Manhattan College, Mahogany offers unapologetic realness with a side of grace and empowerment. "I started touring locally. I started creating chat books so that those poems will go in the hands of the people who were sitting in the rooms," she shared.
"And then I started facilitating poetry workshops, so I used my chat books as curriculum. And that, in turn, allowed me to further invest in my art and show the community and people who were hiring me that it wasn't just a one-off, that it's not just, you know, a fly by night—that I am invested in this art as much as I am invested in your community, in your children's learning, in our growth."
Mahogany has a special way of moving audiences, and her superpower sparks shifts in perspective, post-performance introspection, and strengthening of community bonds, especially among Black women. (One can undeniably recognize her gift for arousal of the spirit and mind merely from her listening to her insights from the other side of a Google Hangout call. I can only imagine the soul-stirring, top-tier sensory encounter when watching her perform in person.)
In this chat with xoNecole, Mahogany reflects on sustaining a creative career, the aftermath of writing a banned book, and using poetry for both healing, community-building, and activism.
Anthony Artis
xoNecole: What are three key things that have laid the foundation for a sustainable creative career for you?
Mahogany L Browne: What has helped me is that I'm willing to go in being an expert at knowing poetry and knowing the way in which art can change the landscape of our lives, not just as a poet, but also as a poetry facilitator. How you move through classes, those things are mastered, right? So when I go into another space that's maybe tech-heavy, I don't mind learning and being, you know, a student of the wonder of how we can make this magic, work together.
Two, you’ve got to know how to pivot. Sometimes we say, ‘Alright, this is what my life is going to be. I'm going to be a New York Times best-selling author. I'm going to, you know, have an album that's Grammy-nominated. And then, say you get dropped from your record label. That doesn't mean you can't make an album anymore. You can also still create an album that can be submitted to the Grammys. So, what does a pivot look like as an artist who doesn't have an institution behind them? Pivot being a student of the wonder.
Relationships also really help. How do I serve the community? And in turn, that tells me how the community can show up. For me, I have long-standing ties with a community that will outlast my one life. So, what does it mean to create space where these relationships can develop, can be nurtured, can be rooted, can be cultivated? Creating space—it happens through relationships.
xoN: With today’s economic challenges, what does your current creative process look like, and what are you working on?
MB: I’m always thinking five years ahead. I just reviewed the pages for two children’s books and recently released a YA novel. I’m drafting an adult fiction manuscript now.
Anything I create is founded with the root of poetry, but it can exist in captions. It can exist in commercials. It can exist as a musical. So that's where I’m at now.
xoN: You started performing "Black Girl Magic" in 2013, had an acclaimed performance of it via PBS and the work went on to viral success shortly after. Talk more about the inspiration. And what do you think about the continued relevance more than a decade later?
MB: I wrote it as a rally cry for the mothers who had been keeping themselves truly in harm's way by, you know, being a part of the community right after the death of their child or their loved one. They are usually mothers of victims of police brutality—and just seeing how they showed up in these community spaces, they are devout to the cause but obviously still grieving.
"I wanted this poem to be just a space of reclamation, of joy and of you, of your light, of your shine, of your brilliance, in any which way in which you fashion. Every room you enter is the room you deserve to be in. What does it mean to have a poem like that that exists?"
And the first time I did the poem, the Weeping that occurred, right? It was like this blood-letting of sorts. The next time I performed it, I'm moved to tears because I'm seeing how it's affecting other women who have just been waiting to hear, ‘You belong. You deserve. You are good. We see you. Thank you, despite everything that they said to make you regret being born in this beautiful brown, dark-skinned, light-skinned, but Black body.’
Black women are the backbone—period. Point blank. And so, that that poem became a necessity, not just to the fortitude of Black women in the community, but like you know, in service of healing the Black women.
xoN: One of your books was banned at a school in Boston, and it was later reinstated due to parental and activist support. What was that experience like?
MB: Well, I think it happened because they were racist. That's it. Point blank. The reversal of it was empowering, right? I realized, oh, I thought we just had to sit here and be on a banned book list. But no, parents are actually the leaders of this charge.
So to see that, the parents said, ‘Nah, we're not gonna let you take this book out of my baby’s school just because it's a Black kid on the front saying, ‘Woke’ and they're talking about being a global citizen. They're talking about accountability. They're talking about accessibility. They're talking about allyship, and you don't want them to have compassion or empathy or have even an understanding, right? So no, we rebuke that, and we want this book here anyway.’ To see that happen in that way. I was, like, reaffirmed. Absolutely.
xoN: You recently organized the Black Girl Magic Ball at the Lincoln Center in New York. Honorees included author and entrepreneur Rachel Cargle and National Black Theater CEO Sade Lythcott. What impact did it have and what expanded legacy do you hope to leave with your creative works?
MB: I was really interested in not celebrating just the book, but celebrating the community that made the book possible. And so I gave out five awards to women doing that thing, like, what does it mean to be a Black girl in this world?
I just thought it was gonna be an amazing time. Everybody's gonna dress up—we're gonna celebrate each other. And boom, I then realized that it responded to like a gaping hole. There was a missing thing for Black girls of all walks of life, all ages, right?
"It's very intergenerational. That was intentional to come together and celebrate just being us."
You have all these instances where just being you is either the butt of a joke or it's diminished and not worthy of a specific title in these larger institutions. So what does it mean to just to be loved up on and celebrated?
It felt like a self-care project at first. You know, for the first couple of years, folks were coming and they were getting that sisterhood. They were getting that tribe work that they were missing in their everyday lives.
I love the Black Girl Magic Ball because we got us. If I go out with a bang, they'll remember that Mahogany worked her a** off to make sure all the Black girls everywhere knew that she was the light. We are the blueprint.
For more information on Mahogany L. Browne, her work, and her future projects, visit her website or follow her on IG @mobrowne.
Featured image by Anthony Artis
Inside Tiera Kennedy’s BET Awards Night: Hanifa Dress, DIY Glam & ‘Blackbiird’ Nomination
This is Tiera Kennedy’s world, and we’re just living in it.
An Alabama native taking country music by storm thanks to her features on Beyoncé s Cowboy Carter and her recently released debut, Rooted, Kennedy is much more than just a woman living out her wildest dreams; she embodies the role of all-American girl with ease.
“I think for me, an all-American girl, for some reason, brings me back to when I was younger, and just like playing at my grandma’s house and just being outside,” Kennedy told xoNecole ahead of her attendance at the 2025 BET Awards.
“I just feel like when I was younger, you know, you don’t have as many responsibilities. There’s not as much weighing you down, and so I kind of go back to that mindset. Like, even now, being 27, I’m trying to get back to that younger girl.”
The 2025 BET Awards, hosted by Kevin Hart, took place in Los Angeles at the Peacock Theater on Monday night (June 9). The star-studded event was filled with tons of surprises, including a trip down memory lane with a 106 & Park reunion, coupled with performances by artists that dominated the top spots during the music video countdown show’s reign from 2000 to 2014.
Kennedy, who received her first nomination alongside Tanner Adell, Brittney Spencer, Reyna Roberts, and Beyoncè in the BET Her category for “Blackbiird,” the reimagination of the original The Beatles of the same title (minus the extra i), invited xoNecole to get ready with her as she prepared for her first-ever BET Awards.
Beauty Rituals Inherited From Her Mother.
Rather than booking her makeup artist ahead of the big night, Kennedy decided to go on a budget and do the task herself, something that isn’t too out of her norm. She noted how she incorporates some of the things she witnessed her mother do while growing up in her routine.
“I remember being younger and seeing all the makeup laid out on my mom’s counter,” the “I Look Good In That Truck” singer recalled. “I don’t even think she knows this, but there were moments where I would like to go and steal her makeup. She would have Mac. I think it was some kind of foundation powder, and I would go in there and I would put it on, and I’m like I hope she doesn’t see.”
She added, “My mom is very natural with her makeup, so even though I’ve got these big lashes on, I always gravitate towards just neutral looks… I don’t do anything too fancy.”
Tiera Kennedy’s Holy Grail of Products.
Kennedy took it upon herself to take a class to ensure that she’s prepared for nights like these, where she’s the one responsible for bringing her glam look to life.
“We are independent,” she said, reminding us that she is no longer tied to a big machine when it comes to her work as an artist. “We ball on a budget. I have to do my makeup for award shows, events, all the things, and so my makeup artist that taught me how to do all of this, Hailee Clark, she put me on to Nars, the foundation. I don’t know exactly what the name of it is, but I love it.”
“I don’t know all the fancy technicals, but I know that it makes me just look kind of airbrushed, and so I love it. Then, I always use this Laura Mercier [setting] powder because I get real shiny, so I’ve gotta reapply that quite often.”
“We are independent. We ball on a budget. I have to do my makeup for award shows, events, all the things, and so my makeup artist that taught me how to do all of this, Hailee Clark, she put me on."
Her Decision To Wear Hanifa For The Big Night.
Intentionality is essential for Kennedy, which is why she jumped at the opportunity to support Black designer Anifa Mvuemba with a dress from her fashion brand, Hanifa.
“Takirra on my team helped me pick out the dress. I really like to represent in country music, and being in Nashville, I like to represent Black culture through the things that I wear, and I was excited to get to wear a Black brand to the BET Awards,” said Kennedy.
“She was telling me about this brand, Hanifa, and we were on FaceTime just scrolling through the website, and she was like this looks like you. This feels very rooted, like fits those natural tones, and so she bought the dress and was like, ‘This is what you’re wearing.’”
The look was a Raven Knit Dress in Eggplant/Dark Brown Mesh from Hanifa.
Tiera Kennedy in her younger years.
Courtesy
Kennedy also nurtured her inner child for the look, taking it back to her roots with one small detail in her hair that she had her mother carry out before she hopped on the flight to LA.
“I had this vision of wearing beads in my hair because when I was younger, my mom would always do that, and I didn’t love it, but now I’m like, it would be really beautiful to tie all of that together, and the Hanifa dress just fit perfectly.”
“Just even in the past couple of days, I’ve had to take a second, and just look back at all of the awesome things we’ve gotten to do,” said Kennedy when asked what baby Tiera is feeling in this moment.
“I had this vision of wearing beads in my hair, because when I was younger, my mom would always do that, and I didn’t love it, but now I’m like, it would be really beautiful to tie all of that together, and the Hanifa dress just fit perfectly.”
“I dreamed of having a record and having this team that was doing all of these things for me, and now, being an independent artist, and being in control of my career, I’ve gotten to build an awesome team behind me that helps me get to where I am. It’s been a lot of hard work, and I think when I was younger, I would have never imagined that I could do all of these things, and so, yeah, to be here, I don’t even think I would believe it.”
Although “Blackbiird” didn’t win in the BET Her category during Monday night’s show, Kennedy’s future is brighter than ever, which she attests to her faith playing a huge role in guiding her next steps as she continues to rise to stardom.
“Thinking about the next thing, I think that can be really daunting when you’re an independent artist. It’s like you have to be thinking of what’s coming next, to prepare for that, but I think the way that I like to walk through life in general is letting the Lord lead,” Kennedy said.
“I know that a lot of time when I have a vision of what I want things to look like in my head, He always exceed my expectations. So, I think the plan is to continue to release music, and continue to show up as my authentic self. Getting to have these moments like the BET Awards is so awesome, but also, at the same time, that’s not what I do this for. I do it for the humans that are listening to my music, that are [having] fun and healing through my music, so I hope that I can just continue to do that.”
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