

Syleena Johnson's greatest instrument is her voice and has recognized her passion for music since her earliest childhood memories. With a father who was in the entertainment industry as a singer, music was part of her life from an early age and eventually blossomed into her participating in talent shows and showing the world what she was meant to do. "I just finished filming my UNSUNG episode which will premiere on TVOne early 2021 and that will tell the readers a lot about my story and how I began. I am excited for you to see it. It will show you how I got my start in the industry and how I got to where I am now," she spilled to xoNecole about her upcoming project.
As a singer, she has used her voice and songs to uplift women and Black people, but now as a talk show host on Cocktails and Queens on Fox Soul, Syleena is using her voice to empower Black women to demand respect and equality on the other side of the couch. "I am still and will always be a part of music," the former Sister Circle host told me about her transition into being a talk show host, "However, opportunities and God have allowed me to become a talk show host and share my opinions and thoughts as a woman in this world and in entertainment."
Nowadays in her career, Syleena can apply the multitude of lenses to her craft from the talent side to research and development as the interviewer. When she's not on the couch interviewing talent or in the booth making new empowerment anthems, the "Guess What" singer has been working on her latest docuseries project, The Making of a Woman, which was heavily inspired by her recently released Woman album.
Courtesy of Tony Tyus Photography
"This docuseries will show what my experience as a Black woman has been in this industry for over 20 years as well as being a working-class woman, a wife and a mother raising two sons. It will inspire people to see the challenges Black women face on a day-to-day basis and how we overcome it," she explained. "I wanted to show a message and present that in a body of work to create more of a conversation and a call-to-action. I've realized in order to make change, we must create content or use our voice to make a shift in change in our society."
xoNecole had the opportunity to catch up with the Grammy-nominated singer herself about using her voice to uplift women, her new docuseries The Making of a Woman, and being a Black woman in 2020 demanding equal rights in our current racial climate. Check out our conversation below.
xoNecole: Tell me about your docuseries, 'The Making Of A Woman', the messaging and the inspiration behind it.
Syleena Johnson: The docuseries The Making of a Woman is heavily inspired by my recent album, Woman. Each of my albums as a solo artist have been titled after chapters, however with today's racial climate I decided to create the album and docuseries to speak on the struggles and experiences of everyday Black women and what we go through in life in 2020. I created this docuseries to vocally create a body of work that documented the journey of what it took to create this album, mentally, internally and spiritually while sharing the experiences of what women go through like demanding equality and respect, having a voice to even having to work twice as hard as our male counterparts even through pain and adversity.
How does your new studio album, ‘Woman’, directly correlate with the story that you're telling us in the docuseries?
It's my journey, my thoughts and what I and many women endure as a Black woman in society as well as this industry. You'll see me on my journey of completing my album and shooting the video to my lead single off my new album. You'll see the vision that I had to want to highlight how beautiful and special women are. The docuseries speaks on dishonesty, respect and the many examples of inequality Black women face while showing the process of creating a body of work that shares the same message.
How are both releases timely considering our current racial climate?
Right now, we are in the year of the WOMAN. We have a Black woman that is working tirelessly to be the next Vice President of the United States. Black women are on the front lines organizing, protesting and leading the forefront of creating change for our economy and the futures of our next generation. Considering our current climate, both releases vocally tells a story that we still have work to do and are still fighting for respect in 2020. With both releases of my album and docuseries, I wanted to use what I've been seeing in situations like the #MeToo and Time's Up movement, and use my voice and passion in music to be a vessel for other women's stories and journeys.
What do you define as the makings of a woman?
The makings of a woman is the willingness of a woman to grow despite her flaws, despite her mistakes, despite her circumstances and her setbacks in life. The ingredients of the makings of a woman is built up of all the little experiences that you had and how you've handled them and most importantly learned from them. These are the certain experiences you must endure in life to come into your womanhood while helping you grow as a woman.
Courtesy of Tony Tyus Photography
"The makings of a woman is the willingness of a woman to grow despite her flaws, despite her mistakes, despite her circumstances and her setbacks in life. The ingredients of the makings of a woman is built up of all the little experiences that you had and how you've handled them and most importantly learned from them."
When do you feel the most "womanly" or the most beautiful as a woman?
I feel the most womanly when I am being a mother to my sons, when I am being a wife. Always working or in business mode does not make me feel like a woman, it makes me tired. I feel more womanly when I can have peace, when I can have "girl time" for myself. I feel the "womanliest" when I can be appreciated and when I am treated like a woman. I feel womanly when I can be heard and valued. More than anything, I feel the "womanliest" when I can operate as a mom and wife without having to be the authoritative figure. When you are a CEO and an entrepreneur you are the authoritative figure but when I come into my household I can relax without having to be the authoritative figure all the time because I have support.
"I feel the most womanly when I am being a mother to my sons, when I am being a wife. Always working or in business mode does not make me feel like a woman, it makes me tired. I feel more womanly when I can have peace, when I can have 'girl time' for myself. I feel the 'womanliest' when I can be appreciated and when I am treated like a woman. I feel womanly when I can be heard and valued."
What is the moment in your life when you believed that you were coming into your own as a woman?
That moment for me was when I got the diagnosis that my youngest son had autism. I developed a level of selflessness that had to take place mentally and emotionally in order for me to grow as a woman. Something like that is supposed to take me out of here and it did, however what that diagnosis did was made me come into my womanhood, turn up my senses as a mother, as a provider. I had to turn up those senses and it made me develop my own personal internal growth spurt. This has allowed me to grow into my womanhood and has taught me to be more patient overall in life. That moment and many life lessons made me understand and be OK with me, unapologetically. It allowed me to love me for who I am and become appreciative of being OK with not being perfect.
There are a lot of conversations around gender and sex. What do you see is the difference between femininity and womanhood, if there is one at all?
What I've learned throughout my own experiences in life is that femininity is a characteristic. Womanhood is a state of mind. Whereas a woman doesn't have to be any of those feminine qualities, and still be a boss, knowing who she is, having a voice, understanding her worth - those are the things that encompass womanhood. Femininity is a characteristic, an accessory. Anyone can be feminine, however it is a characteristic that is interchangeable, whereas womanhood is a growth process, state of mind. A state of being.
Courtesy of Tony Tyus Photography
"What I've learned throughout my own experiences in life is that femininity is a characteristic. Womanhood is a state of mind. Femininity is a characteristic, an accessory. Anyone can be feminine, however it is a characteristic that is interchangeable, whereas womanhood is a growth process, state of mind. A state of being."
For Black womanhood, what do you believe makes Black women the most powerful and most majestic?
Resilience, our humility, our hearts have made us majestic. The fact that we've endured so much from the test of times has made us extremely powerful and majestic. We are resilient, durable, sustainable. We are smart, we are vociferous, brilliant, studious, meticulous, but we are kind, careful, and multi-layered.
How would you say that you've grown as a singer-songwriter since you first started in the music industry?
I have grown tremendously since coming into the industry and my writing has grown and evolved. I have a different and new sound. I've grown as a woman so I can't stay in the same frame of mind as my other albums. When you're saying different things, you have to stretch out and grow. And that's where I've improved as an artist and singer since first being introduced in the industry.
Being a Black woman in the industry is tough, especially when you're in the spotlight as an artist. How do you manage your mental health and how can the music industry do a better job at protecting Black women?
I manage my mental health by working out and doing stress reduction activities. I am really into fitness and bodybuilding. It allows me to be focused and gain mental clarity. I am also an advocate and use therapy as an outlet to manage my mental health. I have recently embarked on a fitness journey where I competed in a fitness bodybuilding competition which totally improved and helped with my mental health. I was able to not only transform physically losing over 55 pounds but was also able to grow internally within the process.
The music industry can do a better job protecting Black women. The most important thing they can do is listen to Black women. We are not objects. We are not possessions. Listen to Black women and see how they feel, ask are you being heard and valued? Are you being treated fairly? That is how you can protect Black women by listening and valuing us.
If you listen, you learn.
For more of Syleena, follow her on Instagram.
Featured image courtesy of Tony Tyus Photography
Claudia Jordan, Demetria McKinney & Jill Marie Jones On 'Games Women Play' & Dating Over 40
What do you get when you mix unfiltered truths, high-stakes romance, and a few well-timed one-liners? You get Games Women Play—the sizzling new stage play by Je’Caryous Johnson that’s part relationship rollercoaster, part grown-woman group chat.
With a powerhouse cast that includes Claudia Jordan, Demetria McKinney, Jill Marie Jones, Carl Payne, Chico Bean, and Brian J. White, the play dives headfirst into the messy, hilarious, and heart-wrenching games people play for love, power, and peace of mind. And the women leading this story? They’re bringing their whole selves to the stage—and leaving nothing behind.
From Script to Spotlight
The road to Games Women Play started over 20 years ago—literally.
“This script was written 20 years ago,” Jill Marie Jones said with a smile. “It was originally called Men, Money & Gold Diggers, and I was in the film version. So when Je’Caryous called me to bring it to the stage, I was like, ‘Let’s go.’” Now reimagined for 2025, the play is updated with sharp dialogue and modern relationship dynamics that feel all too real.
Demetria McKinney, no stranger to Je’Caryous Johnson’s productions, jumped at the opportunity to join the cast once again. “This is my third time working with him,” she shared. “It was an opportunity to stretch. I’d never been directed by Carl Payne before, and the chance to work with talent I admire—Jill, Claudia, Chico—it was a no-brainer.”
Claudia Jordan joked that she originally saw the role as just another check. “I didn’t take it that seriously at first,” she admitted. “But this is my first full-on tour—and now I’ve got a whole new respect for how hard people work in theater. This ain’t easy.”
Modern Love, Stage Left
The play doesn’t hold back when it comes to the messier parts of love. One jaw-dropping moment comes when a live podcast proposal flips into a prenup bombshell—leaving the audience (and the characters) gasping.
Demetria broke it down with honesty. “People don’t ask the real questions when they date. Like, ‘Do you want kids? How do you feel about money?’ These convos aren’t happening, and then everyone’s confused. That moment in the play—it’s real. That happens all the time.”
Jill chimed in, noting how the play speaks to emotional disconnect. “We’re giving each other different tokens of love. Men might offer security and money. Women, we’re giving our hearts. But there’s a disconnect—and that’s where things fall apart.”
And then Claudia, of course, took it all the way there. “These men don’t even want to sign our prenups now!” she laughed. “They want to live the soft life, too. Wearing units, gloss, getting their brows done. We can’t have nothing! Y’all want to be like us? Then get a damn period and go through menopause.”
Dating Over 40: “You Better Come Correct”
When the conversation turned to real-life relationships, all three women lit up. Their experiences dating in their 40s and 50s have given them both clarity—and zero tolerance for games.
“I feel sexier than I’ve ever felt,” said Jill, who proudly turned 50 in January. “I say what I want. I mean what I say. I’m inside my woman, and I’m not apologizing for it.”
Demetria added that dating now comes with deeper self-awareness. “Anybody in my life is there because I want them there. I’ve worked hard to need nobody. But I’m open to love—as long as you keep doing what got me there in the first place.”
For Claudia, the bar is high—and the peace is priceless. “I’ve worked hard for my peace,” she said. “I’m not dating for food. I’m dating because I want to spend time with you. And honestly, if being with you isn’t better than being alone with my candles and fountains and cats? Then no thanks.”
Channeling Strength & Icon Status
Each actress brings something different to the play—but all of them deliver.
“I actually wish I could be messier on stage,” Claudia joked. “But I think about my grandmother—she was born in 1929, couldn’t even vote or buy a house without a man, and didn’t give a damn. She was fearless. That’s where my strength comes from.”
For Jill, the comparisons to her iconic Girlfriends character Toni Childs aren’t far off—but this role gave her a chance to dig deeper. “If you really understood Toni, you’d see how layered she was. And Paisley is the same—misunderstood, but strong. There’s more to her than people see at first glance.”
Demetria, who juggles singing and acting seamlessly, shared that live theater pushes her in a new way. “Every moment on stage counts. You can’t redo anything. It’s a different kind of love and discipline. You have to give the performance away—live, in the moment—and trust that it lands.”
Laughter, Lessons & Black Girl Gems
The show has plenty of laugh-out-loud moments—and the cast isn’t shy about who steals scenes.
“Chico Bean gets a lot of gasps and laughs,” Claudia said. “And Naomi Booker? Every scene she’s in—she’s hilarious.”
But the play isn’t just about humor. It leaves space for reflection—especially for Black women.
“I hope we get back to the foundation of love and communication,” said Demetria. “A lot of us are in protector mode. But that’s turned into survival mode. We’ve lost softness. We’ve lost connection.”
Claudia agreed. “We’re doing it all—but it’s not because we want to be strong all the time. It’s because we have to be. And I just want women to know: You can have peace, you can be soft. But stop bringing your old pain into new love. Don’t let past heartbreak build walls so high that the right person can’t climb over.”
Final Act: Pack the House
If there’s one thing this cast agrees on, it’s that this play isn’t just entertainment—it’s necessary.
“Atlanta is the Black entertainment hub,” Claudia said. “We need y’all to show up for this play. Support the arts. Support each other. Because when we pack the house, we make space for more stories like this.”
Games Women Play is more than a play—it’s a mirror. You’ll see yourself, your friends, your exes, and maybe even your next chapter. So get ready to laugh, reflect, and maybe even heal—because the games are on.
Let’s make things inbox official! Sign up for the xoNecole newsletter for love, wellness, career, and exclusive content delivered straight to your inbox.
Feature image courtesy
It’s officially Miss Keri, Baby season again—and if you ask us, it’s been a long time coming. After 15 years away from the music scene, Keri Hilson has returned not only with a brand-new album, but also a captivating new role in Lifetime’s Fame—the latest installment in The Temptations film franchise.
Between the album We Need to Talk: Love and her leading role in Fame, this isn’t just a comeback—it’s a rebirth. The Grammy-nominated singer-songwriter turned actress is letting us into her world like never before, unpacking themes of vulnerability, healing, and inner strength with grace, grit, and raw artistry.
Now streaming on Lifetime, Fame follows two superstar sisters—played by Keri and singer/actress Keshia Chanté—as they navigate the cost of stardom, sibling rivalry, and the dark side of desire. The film also stars Romeo Miller, Ecstasia Sanders, Nathan Witte, and Sophie Carriere, and is executive produced by Derrick Williams and Adriane Hopper Williams of the Seven Deadly Sins franchise.
As for the music? We Need to Talk: Love is a three-part album (Love, Drama, Redemption) that tells the story of a woman who’s been through it—and has risen from the ashes. “It was time to speak for myself,” Keri says.
We sat down with Keri to talk about her return to music, her passion for acting, the emotional depth of Fame, and how she’s learning to care for herself amidst the chaos.
From R&B Queen to Drama Star: Keri Gets Into Character
“Even though she’s famous—as am I—it was really her humanity that I wanted to portray.”
Keri plays Cherish, one half of a superstar sibling duo who must confront their fractured relationship in the wake of a traumatic robbery. For Keri, the role was more than a character—it was a psychological study.
“I enjoy departures from reality. That’s why I love acting,” she shares. “Psychology is one of my favorite things in life. I became a writer because I’m an observer of human nature, emotion, and behavior. I think I did a good job showing her humanity.”
The Fame Isn’t Always Worth the Price
“Keep the main thing the main thing.”
Keri doesn’t sugarcoat the industry. When asked about what Fame reveals about the dark side of celebrity culture, her answer is clear:
“It’s a cautionary tale. It reminds you to keep your family close and not allow anything to come between them—especially in pursuit of success. Keep the main thing the main thing. For me, that’s family, love, spirituality, and values.”
Three Chapters, One Story: Love. Drama. Redemption.
“I’ve shed the fear. It was time to tell my own story.”
Released April 18th, We Need to Talk: Love is Keri’s first album in 15 years—and a deeply personal one at that. The three-part project (Love, Drama, Redemption) represents a timeline of healing and growth.
“I’m finally in a place where I’m able and willing to open up more,” she says. “For a while, I became really guarded—shell-shocked, even—after making mistakes in the public eye. Whether it’s all your fault or not, the scrutiny takes its toll. But now, I’ve shed that fear. It’s time to tell my story.”
Cooking, Walks, and Recalibrating in the Chaos
“I’m not doing the best job—but I’m doing what I can.”
Between eight-hour rehearsals, press runs, and music releases, Hilson admits she hasn’t quite figured out the balance yet—but she’s trying. For her, the key is carving out small rituals of normalcy.
“I enjoy cooking. That’s my sanctity,” she says. “I’ll go home, take my makeup off, put on my rehearsal clothes, and cook a meal. I take walks. I run. These little things help me feel like myself again.”
Art Imitates Life (and Album Tracklists)
“Cherish goes from Love… to Drama… to Redemption.”
Asked which album chapter her Fame character would fall into, Keri doesn’t hesitate. “She fits into all three,” she says. “You see her go from love, to drama, to redemption. That arc mirrors the journey of so many women who’ve had to navigate pain and find their way back to themselves.”
No Pressure, Just Art: Keri Wants You to Feel Something
“Just enjoy the art. That’s it.”
After all the time, patience, and healing, Keri isn’t asking for much. She just wants fans to press play—and feel something.
“I just want people to enjoy what they’re seeing and hearing. Enjoy me on screen. Enjoy me through their ears. People have waited, and I feel blessed by that. That helps me keep it all pure and simple.”
As Keri Hilson steps boldly back into the spotlight, it’s clear this era is all about alignment, artistry, and authenticity. With Fame airing on Lifetime and the first chapter of We Need to Talk: Love setting the tone, we’re more than excited to see what’s next.
As she continues to unfold the album’s next two chapters—Drama and Redemption—one thing’s for sure: this isn’t just a comeback. It’s a reintroduction. And we’ll be watching, listening, and cheering her on every step of the way.
Let’s make things inbox official! Sign up for the xoNecole newsletter for love, wellness, career, and exclusive content delivered straight to your inbox.
Feature image by AFF-USA/Shutterstock