To say that this Gen-Z power player is taking the entertainment industry by storm is not only a clever pun, but the truth to say the least. The 19-year-old launched a bathing suit collection with PacSun. She has been featured in project after project consistently from her role as Gia in Euphoria to her latest appearance in HBO Max’s record-breaking series The Last of Us, and she’s a full-time sophomore at the University of Southern California. Damn, what can’t Storm Reid do?
The Georgia peach recently took her talents to another big screen feature alongside The Best Man: Final Chapters star Nia Long and Never Have I Ever breakout star Megan Suri for mystery-drama-thriller hybrid Missing. Starring as June, Reid’s character uses her wits and Generation Z intuition to track down her missing mother after an international trip to Colombia gone wrong.
Storm Reid and Megan Suri in 'Missing.'Photo Credit: Temma Hankin
When her mom (Long) goes off the grid, June uncovers some dark secrets about her mother, her mother’s boyfriend, and life as she knows it begins to unravel as she scours the internet with every site, app, and bugged camera possible to find her mother.
During a conversation with xoNecole, Reid got candid about working with the icon that is Nia Long for the Screen Gems-produced film, morning mantras and routines that keep her headspace sane while taking on multiple roles, and how she sets boundaries while she goes through adulting in the public eye.
xoNecole: How did June differ from any other character that you've ever played and how did it challenge you as an actress?
Storm Reid: I think June is really relatable, actually. She's just, at the end of the day, a young girl trying to figure out who she wants to be and how she wants to take up space in the world. Obviously, her given circumstances are way different from any of the characters that I've played. I love that June jumped right into action. And even though her and her mom butt heads and disagree, she will do anything that she can to find her mom. I think that's really important and something that I can relate to.
xoN: How would you say that this film highlighted the brilliance and innovation of Generation Z?
SR: I think that's what makes the movie work. That's what makes the movie so cool, relatable, and fresh because we do live in a social media era. To see this exciting movie with all of the technologies and social media platforms that we already use is really fun. To have an 18-year-old girl at the center of that story is a lot of fun, too, so I hope people enjoy it.
xoN: What was your experience like working with the icon that is Nia Long?
SR: Yes, like you said, she's an icon. I have grown up watching her so to be able to work with somebody that you've grown up looking at and admiring is really cool. She just is so lovely and she was so supportive of me on set and poured into me and really made me feel comfortable. I'm glad to have worked with her.
xoN: Another thing that I thought that was very interesting about the movie was that it was essentially shot in one setting. How challenging was it to shoot a movie that was all in one place, as opposed to projects you've done where you've been in scenes that were all over?
SR: It was a little uncomfortable because, like you said, I'm used to being in different places and having scene partners and not being confined to a screen in a little box. I think those challenges made me stronger as an actress and made me realize that I need to stop relying on the resources given to me. That being location, stage directions, scene partners, and even cameras. [Without that] you have to dig deep and bet on yourself and find the intersection of trying to be as grounded as possible but also portraying the emotional stakes. Thankfully, I think I was able to pull it off.
"I'm used to being in different places and having scene partners and not being confined to a screen in a little box. I think those challenges made me stronger as an actress and made me realize that I need to stop relying on the resources given to me."
Storm Reid and Nia Long attend the Stage 6 and Screen Gems world premiere of 'Missing.'
Matt Winkelmeyer/Getty Images
xoN: You've been in a lot of projects, but this movie is more of a suspense-thriller. How did you mentally prepare yourself and keep yourself in a good headspace while filming?
SR: It wasn't that hard. I think once I got the hang of the technical aspects, everything else came together and I just tried to step into my character's shoes and become them and not forget, like I said, their given circumstances, but also not neglect how I would feel in that situation. I'm glad that that was able to all come together and I was able to pull it off as seamlessly as possible.
xoN: 'Missing' really hones in on a relationship between mother and daughter. When it comes to you and your mother, how much does your relationship with her pour into you and put you into a positive headspace when it comes to the craziness of the entertainment industry?
SR: To be able to have my mom by my side is such a blessing. Even though I am growing up, I still love to have her around because she protects me, she's super supportive and she's mom. Anytime I'm feeling any type of way, I can go to her and we're going to figure it out. To be able to be on this journey with her is a really incredible experience and we've made beautiful memories and we'll continue to do so. I'm glad to have her around.
xoN: What’re some of the most important things your mom has ever taught you?
SR: She's taught me a lot, but being a good person has always been at the core of everything that she's taught us. Everybody has their bad days, but if you are trying to be a good person, have a good heart, and show up the best way you can in every situation, I think that's going to get people really, really far.
xoN: How do you continue balancing life as a full-time student and a full-time actress? Do you ever feel like you're not pouring yourself 100% into one or the other, or do you feel like you've established a balance?
SR: It is challenging and can be overwhelming, but I just try to give myself grace because I am doing a lot. I feel like I'm getting things done, giving 100% to both things, and I just have to remind myself that I'm trying the best that I can. I'm taking it one day at a time and I'm so blessed, and fortunate that I even have the opportunity to balance both a full-time career and going to school.
"I just have to remind myself that I'm trying the best that I can. I'm taking it one day at a time, and I'm so blessed and fortunate that I even have the opportunity to balance both a full-time career and going to school."
Storm Reid attends the Los Angeles premiere of HBO's 'The Last of Us.'
xoN: When you're off set, what are some ways that you like to stay mentally sane and what are some of Storm's self-care tools?
SR: I like being by myself. I love isolating myself to just take a moment to myself, whether that's in my room [or] listening to music in my car. Being with my friends and family obviously makes me so happy. I listen to a lot of music. I think self-care, for me, is intersected directly with listening to music. No matter what type of music, I need some noise. I need something to uplift my spirit [and] get me moving.
xoN: What does a morning routine look like for you and what are some of the mantras that you say to yourself to get yourself in a positive headspace?
SR: I try to start every day before I touch my phone and when I wake up, just say a prayer. Just to thank God that I'm alive and I'm able to breathe, move, get out of bed, and do whatever I need to do. It usually involves some turn-up music in the mornings, [which] is what I love to do and it's a great way to get my day started.
xoN: Speaking again about the many roles you’ve had, let’s talk about intentionality. How do you know when you're aligned with a role or a project? What do you look for when you're selecting what you want to do?
SR: I try to be as intentional as possible and purposeful as possible with my projects, but I think it has to align with my morals and my values and my art can't compromise who I am as a person, one. Two, I think as creative people we have the opportunity to say things and it doesn't need to be a preachy way, but if we're not saying anything, we're doing ourselves a disservice and doing audiences a disservice as well. I want art, or at least the art that I'm a part of, to be reflective of the real world, real situations, real stories, and that's what I really look for and will continue to look for.
"I want art, or at least the art that I'm a part of, to be reflective of the real world, real situations, real stories, and that's what I really look for and will continue to look for."
Matt Winkelmeyer/Getty Images
xoN: Is there any role that you haven't played yet that you have your eye on and want to explore?
SR: I'd love to do an action film one day. I think that would be really fun and maybe even try my hand at comedy. I think people are so used to seeing me serious and distraught and stressed out, like everybody else says. I think being able to be a part of a comedy one day would be really fun.
xoN: Have you ever said “no” to a role, and what made you want to set that boundary and pass on the role?
SR: Absolutely. I say no to things all the time because it just doesn't match up with the things that I want to do at the time. The creative team can be fantastic, but it doesn't match with the next role that I'm trying to play, or the script just didn't really move me in any way. I need to be impacted. If I'm not impacted, I don't feel like the audience is going to be impacted and then I just feel like it's going to be not good [or] not believable; it won't feel good. It's a case-by-case scenario.
xoN: What boundaries have you worked hard to set in place while growing up in the public eye as a young Black girl in entertainment? Whether it comes to roles, the privacy of your own life, or letting people in on social media, what boundaries have you said, "This is my limit" to?
SR: I think the privacy thing is a big one for me because I do share a lot, but I don't share everything. I am a firm believer of keeping some things private and keeping some things close to your chest and close to your heart. I think as long as people understand, yes, I'm here to share my life and share my family, my friends, my experiences, my travels, and obviously, the things that I work on, but I'm not going to share everything and I'm not perfect.
I'm perfectly imperfect. I'm not always going to say the right thing. I'm not always going to do the right thing, but it's important that people give me grace because other people get grace. So why can't people in entertainment or people in the limelight get that same grace?
Check out Storm in Missing, out in theaters now.
Featured image by Matt Winkelmeyer/Getty Images
This article is in partnership with Meta Elevate.
If you’ve been on the internet at all within the past decade, chances are the names Hey Fran Hey and Shameless Maya (aka Maya Washington) have come across your screen. These content creators have touched every platform on the web, spreading joy to help women everywhere live their best lives. From Fran’s healing natural remedies to Maya’s words of wisdom, both of these content creators have built a loyal following by sharing honest, useful, and vulnerable content. But in search of a life that lends to more creativity, freedom, and space, these digital mavens have moved from their bustling big cities (New York City and Los Angeles respectively) to more remote locations, taking their popular digital brands with them.
Content Creators Hey Fran Hey and Maya Washington Talk "Embracing The Pivot"www.youtube.com
In partnership with Meta Elevate — an online learning platform that provides Black, Hispanic, and Latinx-owned businesses access to 1:1 mentoring, digital skills training, and community — xoNecole teamed up with Franscheska Medina and Maya Washington on IG live recently for a candid conversation about how they’ve embraced the pivot by changing their surroundings to ultimately bring out the best in themselves and their work. Fran, a New York City native, moved from the Big Apple to Portland, Oregon a year ago. Feeling overstimulated by the hustle and bustle of city life, Fran headed to the Pacific Northwest in search of a more easeful life.
Her cross-country move is the backdrop for her new campaign with Meta Elevate— a perfectly-timed commercial that shows how you can level up from wherever you land with the support of free resources like Meta Elevate. Similarly, Maya packed up her life in Los Angeles and moved to Sweden, where she now resides with her husband and adorable daughter. Maya’s life is much more rural and farm-like than it had been in California, but she is thriving in this peaceful new setting while finding her groove as a new mom.
While Maya is steadily building and growing her digital brand as a self-proclaimed “mom coming out of early retirement,” Fran is redefining her own professional grind. “It’s been a year since I moved from New York City to Portland, Oregon,” says Fran. “I think the season I’m in is figuring out how to stay successful while also slowing down.” A slower-paced life has unlocked so many creative possibilities and opportunities for these ladies, and our conversation with them is a well-needed reminder that your success is not tied to your location…especially with the internet at your fingertips. Tapping into a community like Meta Elevate can help Black, Hispanic, and Latinx entrepreneurs and content creators stay connected to like minds and educated on new digital skills and tools that can help scale their businesses.
During a beautiful moment in the conversation, Fran gives Maya her flowers for being an innovator in the digital space. Back when “influencing” was in its infancy and creators were just trying to find their way, Fran says Maya was way ahead of her time. “I give Maya credit for being one of the pioneers in the digital space,” Fran said. “Maya is a one-person machine, and I always tell her she really changed the game on what ads, campaigns, and videos, in general, should look like.”
When asked what advice she’d give content creators, Maya says the key is having faith even when you don’t see the results just yet. “It’s so easy to look at what is, despite you pouring your heart into this thing that may not be giving you the returns that you thought,” she says. “Still operate from a place of love and authenticity. Have faith and do the work. A lot of people are positive thinkers, but that’s the thinking part. You also have to put your faith into work and do the work.”
Fran ultimately encourages content creators and budding entrepreneurs to take full advantage of Meta Elevate’s vast offerings to educate themselves on how to build and grow their businesses online. “It took me ten years to get to the point where I’m making ads at this level,” she says. “I didn’t have those resources in 2010. I love the partnership with Meta Elevate because they’re providing these resources for free. I just think of the people that wouldn’t be able to afford that education and information otherwise. So to amplify a company like this just feels right.”
Watch the full conversation with the link above, and join the Meta Elevate community to connect with fellow businesses and creatives that are #OnTheRiseTogether.
Featured image courtesy of Shameless Maya and Hey Fran Hey
For most of my 20s, I found myself toggled between situationships and dead-end dynamics that left me with nothing more than frosty memories of what could have been. While these relationships proved to be great learning moments and experiences that have shaped my views on what I deserve in a long-term partnership, it’s hard not to mull over why timing never quite played in my favor.
Chalk it up to naivety or simply the hopeful romantic in me, but love never seemed like a distant concept to me. Sure there were tough lessons I had to learn and breakups that I needed healing from, but the hope of finding that special someone still remained. Yet, in my reflections, I couldn’t help but wonder why I kept meeting men who seemed good enough for the moment but would be better had we met at another time.
That is, until I considered one fated component of my dating life that was simply out of my control: and that was time.
When you can’t make sense of things on your own, the TikTok algorithm has a way of leading you to the answers you’re seeking. And during a recent scroll, I stumbled upon a thread of women echoing the sentiment that “men marry the woman in front of them, at the time they are ready to be married” — but could this be the root of my dilemma?
This notion, known as the "Cab Light Theory" is a concept that was introduced in the hit TV series Sex and the City. In the scene, lawyer Miranda Hobbes suggested that men are like taxis - when they're available, their "cab light" is on, and when they're not, it's off. “When they’re available, their light goes on. They wake up one day and decide they’re ready to settle down, have babies, whatever, and they turn their light on. The next woman they pick up — boom! That’s the woman they marry. It’s not fate. It’s dumb luck,” she tells her group of friends in the ladies' room.
The theory is that men are ready and willing to pursue a romantic relationship when they're emotionally available and interested (light on), and if they’re not, well, it’s on to the next pick-up they go (light off). While men are not modes of transportation, there is a point to be made about how a passing notion in a TV series from the start of the millennium could still hold some truth today.
In the original video shared by creator Tay Talks, her take on the “Cab Light Theory” implied that men aren’t necessarily marrying their soulmate or even the love of their life, instead, “it was just the girl he was dating at the time he was ready to get married and settle down.” The “dumb luck” that Miranda Hobbes was referring to in the show is the chance encounter that a woman would find a man who is both financially sound and emotionally available enough to stop his dating pursuits and commit to one woman forever.
But as dating trends shift with new social and economic factors at play, how could it be that more “lights” aren’t going off for men?
In an illuminating piece by Psychology Today, men are more lonely than they’ve been in decades and their soil for choice isn’t helping. The article shared that dating apps drive new connections but have a gender imbalance, with 62% of users being men. And with women becoming increasingly more selective in preferring emotionally available men who share their values, men are now facing a relationship skills gap that can lead to fewer opportunities for long-term partnership if growth, healing, and deeper emotional intelligence are not achieved.
While it’s easy to oversimplify the headaches and frustrations that come with modern dating, we can’t forget that while timing does play a factor in us finding “the one,” we also have the power of choice within our grasp. Men and women both need time to heal, grow, and discover themselves on a deeper level — so would we really want to “jump in the cab” of someone who hasn’t gone through that process already?
Since love is one of those forces that we can’t just make happen a the snap of our fingers, it can be easy to fix a blanket theory into the reason behind our singleness, but it’s important to remember that we can choose to pursue other candidates who date with openness and desire for commitment rather than waiting until someone’s light hastily cuts on.
While love can be sublime it shouldn’t be random. And when love finds us, we shouldn’t have the question in the back of our mind whether we were the best our man could do at the time. We deserve to be sure.
So yes, the “cab light theory” is a cheeky concept that prompts us to appreciate the timing of our love life, but it should also remind us that alignment is everything.
Because the real question is: was his light not on, or was he simply not the one?
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Featured image by Delmaine Donson/Getty Images