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'All The Queen's Men' Actress Nzinga Imani On Unapologetically Taking Up Space
Nzinga Imani is a name you may want to get familiar with. She is an actress, the owner of Nimani Boutique, a singer, and a plus-sized model who has wowed fans with her talent on social media and TV. She can currently be seen in shows including BET+'s All the Queen's Men, BET Her's Curves and a YouTube series, "Pretty for a Big Gurl." While she is steadily taking over the small screen, she's also using her social media pages to spread body positivity by proudly embracing her curves.
The first-generation Guyanase-American beauty has even addressed the criticism she has faced online for displaying her body and even spoke out about TikTok flagging her videos because of it. However, Nzinga has remained positive and continues spreading her light across social media. Besides landing TV roles on a major network, the actress just released her collab with popular online fashion boutique Fashion to Figure.
xoNecole caught up Nzinga with to talk about body positivity, her role on All the Queen's Men, and why she unapologetically takes up space as an actress.
xoNecole: You star in several projects on BET+, BET Her, and YouTube. How does it feel to see your stock literally rising in the acting world?
Nzinga Imani: It feels incredible. It feels affirming. It's everything I've been working toward these past several years. I decided a long time ago that I wanted to pursue acting, and it's been a steady climb ever since consistently working and being able to do what I love. There's nothing better than that—to see progression in the field—because as much as I've worked, a lot of times it felt like roadblocks were put up.
I'd get somewhere and then the project would be sidelined or I think I'm cast in a lead in a major production that's funded by this network and that network, and then they table the entire show even after we've filmed it. So, there's so many times that you'll think that you're moving forward and then the roadblock will hit, but it's in some ways connected to where you're supposed to be.
"As much as I've worked, a lot of times it felt like roadblocks were put up. There's so many times that you'll think that you're moving forward and then the roadblock will hit, but it's in some ways connected to where you're supposed to be."
Kaylin James of Howell Designs
In 'All the Queen's Men,' you play a character named Dawn, and you have a nude scene. What was your first reaction to finding out that you were going to do that?
I knew that the scene was nude when I auditioned for it. The moment I auditioned for it, I had some reservations for maybe five seconds and then I was like, 'Hey, it's an audition. I'm just gonna submit and see what happens.' When I got the call that I actually got it, I was first in shock because I was like, 'Really?'
Although they allowed me to audition for it, I still wasn't sure once they got the tape and physically if they would still [be] interested in using me. But I just had fun with the audition, and when they told me I got it, it was a little shocking, but I also knew I had killed that audition because it was a fun one.
Did you know this role would be a game-changer, as far as being a plus-sized woman having a nude scene on TV?
I absolutely knew that it was going to be a game-changer. I know, for myself, seeing all these shows and seeing how there's more and more nude scenes on television, a lot of the time, it's the stereotypical body that they show. It's the perfectly flat stomachs and the perfectly proportioned women and you don't see a lot of typical body types because 67% of women in the U.S. are plus-sized. But when we show that in the media, it's not reflective of what the reality is. You just see a bunch of what they consider perfect-type bodies on screen.
I had seen someone who was just barely plus-sized before in a sex scene, and I knew how much that meant to me to see her even though she doesn't really represent me or my culture, and she didn't look like me. Just the fact that she wasn't the stereotypical body type, it meant a lot to me. So, I was excited to be that for someone else and I've been receiving so many messages about what that meant to other women. To see me, 3XL body out there on TV and how they felt represented and seen—it was a big reason why I felt comfortable to do it and felt like it was something I could do and be proud of doing.
"To see me, 3XL body out there on TV and how they felt represented and seen—it was a big reason why I felt comfortable to do it and felt like it was something I could do and be proud of doing."
Kaylin James of Howell Designs
You're also a content creator who posts many photos and videos on social celebrating your body. While you receive lots of love, how do you rise above criticism?
I think that I always remember that there will always be someone who has something negative to say about what you're doing. No matter what you are doing, there's always going to be a group of people who hate what you stand for, and you just have to remember who you're standing up for and what your goal is. For me, it's just not to let something as benign as my weight stop me from doing everything that I want to do.
I've been part of a community that showed me that plus-sized women can be mothers, business owners, entrepreneurs. They can do anything. They are just powerful beyond measure. So often society tries to make us feel like we're less than if you're plus-size, then you're undesirable, but that's just not true.
I think [it's about] just kind of pushing [away] that stereotype and showing other women and girls like me that you don't have to listen to what they say and that you are desired and you are phenomenal and you can do anything despite your weight and that shouldn't even be such a big deal as people make it out to be.
You posted a video on TikTok calling the platform "fatphobic." Other TikTok creators have spoken out against TikTok in relation to censorship. What are some things you've experienced?
Although I do have a nude scene on BET+, I have not posted anything nude or in any way sexualized, to me, on my platforms. I don't violate community standards. I don't post sexual content. So, for them to continually take down posts and the content that I spend sometimes hours creating because of "nudity" or "sexually explicit" content and it would just be me in a crop top, it kind of got to the point where I just was overwhelmed and just irritated that they were consistently able to take down my content that wasn't hurting anyone. It was only promoting self-love—never anything sexual. They were consistently taking it down for violations that didn't exist.
Meanwhile, other people can wear the same things, if not less, than me and their page is not taken down. People can say horrible things and be mean on there, and they don't suspend them or block those pages, but in the meantime, they take down my posts. So, it just became very [irritating] to see that kind of behavior repeated over and over again. So many of my videos were deleted. So many of my videos were banned, and there was even a moment where I thought my page might get taken down. When you put so much time into a platform, to know that your page can be taken down—[due to] no fault of your own, just based on someone else's bias—I was done.
We see so many people talk about body positivity, more now especially with celebs like Lizzo in the forefront, but what does body positivity mean to you?
To me, body positivity is just loving yourself where you are right now. It doesn't mean that you can't be working toward a different body goal or you can't be disciplined. [It also means] not letting other people's opinions or biases affect the way you move throughout the world because there's always going to be people who look down on you or have something to say, but if you can stand up tall with your chest out and really defend yourself and not let their negative comments affect you, I feel like that's what the whole body positivity movement is about—having that community to back you up so you know you're not alone.
You know you don't deserve less and just having a support system—I think it's what the whole movement is here for. When I was growing up, I didn't really have that around or I didn't know there was this community of plus-sized people who were killing the game and successful in every avenue of life. Once I grew up and was introduced to that world, it made me realize I don't have to settle. I don't have to hide.
"If you can stand up tall with your chest out and really defend yourself and not let their negative comments affect you, I feel like that's what the whole body positivity movement is about. Once I grew up and was introduced to that world, it made me realize I don't have to settle. I don't have to hide."
Kaylin James of Howell Designs
What do you want people who are following your journey to take away from it?
I would just like to be an example of how resilience and authenticity can put you in the places where you want to be. I'm just trying to be 100% myself all the time, showing my personality whether it be a goofy day, a sexy day, whatever it is because we're not one-dimensional.
So, just being authentic with my audience, I feel has given me the momentum I need to feel confident when I walk into those rooms and when I walk into those auditions and I hope that my audience continues to see that authenticity in me and my performances, and my characters. No matter who they are, I always try to bring a little of myself into the characters to find that truth, because we all have that in common.
For more of Nzinga, follow her on Instagram @nzingaimani and on YouTube or check out her website is NzingaImani.com.
Featured image courtesy of Kaylin James of Howell Designs
This article is sponsored by Hulu.
UnPrisonedhas returned for its highly anticipated second season, delving deeper into the complex dynamics of the Alexander family.
The series premiere comes a year after its debut season garnered rave reviews from fans and critics and earned record-breaking ratings for Hulu's Onyx Collective brand. UnPrisoned's success can be attributed to its raw, relatable themes and comedic appeal.
Inspired by creator Tracy McMillan's life, the show follows Paige (Kerry Washington), a therapist and single mother whose life takes an unexpected turn when her father, Edwin (Delroy Lindo) --who was released from prison-- moves in with her and her teenage son, Finn (Faly Rakotohavana).
Throughout UnPrisoned's first season, viewers witnessed how Edwin's incarceration deeply affected Paige's life and relationships. In the series, Paige unpacks her trauma through interactions with her inner child and her online followers. Meanwhile, Edwin is overcoming specific struggles with his own past that led to his life of crime, including a dysfunctional upbringing and his mother's arrest. As the Alexanders attempt to reconcile, new challenges arise.
This new season promises to further explore their unconventional family dynamic. Here are several compelling reasons why season two of UnPrisoned should be on everyone's watchlist.
The Alexander Family Life Is Still In Shambles
UnPrisoned's second season resumes where the series left off, with Paige grappling with the fallout from her troubled therapy practice and Edwin navigating life independently after moving out. Meanwhile, Finn faces his own challenges. The teenager is battling anxiety and seeking information about his father—a topic Paige avoids discussing.
The Alexander Family Are Attending Therapy To Resolve Their Underlying Issues
Amid the chaos in their lives, the Alexander family decides to mend their bond by confronting their past traumas. They seek professional help and attend therapy sessions with a “family radical healing coach,” played by John Stamos, a new cast member. This collective effort aims to unravel the complexities of their shared history and strengthen their relationships.
The process of unraveling each character's internal conflicts and their potential impact on future relationships may clash with Paige's textbook therapy approach. While Paige is used to being in the therapist's seat in both career and family, this forces her into the unfamiliar role of a patient during therapy sessions. This shift would compel her to look in the mirror and try a radically different approach.
The Alexander Family Learned A Big Lesson During A Therapy Session
In therapy, the Alexanders are tasked with addressing their individual traumas to salvage their remaining relationships. One of the family therapist’s eccentric suggestions was an exercise involving a family wrestling match. During this session, Paige faces tough questions about her refusal to share information about Finn's father.
While it's unclear whether this scene is reality or fantasy, the image of the family duking it out in the ring certainly makes for hilarious yet compelling television.
Paige Tries Dating Again Following Failed Relationships
Amid her life's chaos, Paige decides to step back into the dating field. However, her many attempts have left her with mixed results. The dating apps have turned out to be a fail, and an outing with her ex Mal (Marque Richardson), who is also her father's parole officer, doesn’t go quite as expected after he brings an unexpected guest – his new girlfriend.
The situation takes an awkward turn when Mal's new partner learns why the former couple split, partly due to Paige's self-sabotage.
UnPrisoned Is A Perfect Balance Of Comedy And Drama
As a dramedy, UnPrisoned takes a comedic approach to its heavy subjects. The show takes us on a ride with Paige's dating misadventures and navigating a friendship with her ex.
Other lighthearted moments include Edwin's attempts at CPR based on online videos and, of course, the antics of the Alexander family's unconventional new healing coach.
The second season of UnPrisoned is now available on Hulu.
UnPrisoned | Season 2 Trailer | Hulu
Feature image courtesy
'Dear Black Girls': How A'ja Wilson Is Helping Black Girls Heal & Bloom With Confidence
In recent years, books written by Black women, such as Viola Davis, Michelle Obama, and Taraji P. Henson, have adorned our shelves and shown the great trials and tribulations one has had to endure to become the woman we see today. Though their narratives show great accomplishments, they explain in detail the price that had to be paid to achieve their monumental success. Often, this price came at the cost of having to endure unspeakable tragedy. The world was being carried on their shoulders and backs, and they had to learn to balance the weight of it all. Despite the odds, they managed to grow and become exceptionally talented women with limited support or, most of the time, alone.
However, in A'ja Wilson's recently published book, Dear Black Girls, this narrative is changing for the better. The memoir shows that WNBA superstar, and growing legend, A'ja Wilson isn't just a force to reckon with on the court, racking up championships, MVP awards, Olympic gold, and season-record-breaking accomplishments. Her impact transcends the game, reaching into the hearts of young Black women and girls, who like me might have once felt a pang of otherness for embracing their inner tomboy.
Wilson's recently published book offered a powerful remedy, a story that mirrored my own experiences and gently soothed the wounds of not always fitting in. This collection of honest stories is not just about Wilson's journey, it's also a book that holds the potential to heal and inspire countless other Black girls who deserve to see themselves reflected in the pages of a champion.
Although Wilson discusses the tribulations she had to overcome, she didn't have to do them alone and often had more than one support system installed to ensure her success. This book ultimately shows the beauty that grows when Black girls are raised with nourishment, intentionality, and understanding rather than the unrelenting grief and sadness that many believe are necessary to raise Black girls.
In Dear Black Girls: How to Be True to You, the two-time MVP shows us that love, rather than unending tragedy, can be the source of success for all Black girls--past, present, and future. Wilson also shows us how love can occasionally come from an unexpected source--a stranger who only has compassion, empathy, and understanding to offer.
Living While Black
There comes a point in time, in every Black girl's life, where they learn that they are not just a girl, but a Black girl. For me, it was on the playground of my elementary school, where a white girl--who I thought was my friend--called me the n-word when I refused to join her in a fight against a mutual friend. For A'ja Wilson, it was when her "friend" refused to invite her to her house for a sleepover, unless she slept outside. When asked why she had to be the only one to sleep outside, she was quickly informed it had been due to her race. Though her parents discussed it with her and explained why she and the young lady could no longer be friends, A'ja Wilson offers a relatable lens to express the grief of realizing one's otherness.
The year she discovered her Blackness meant a difference, Wilson felt alone and began isolating herself. It wasn't until she met a woman who worked in the cafeteria that she understood the importance of being seen by someone who looked like her. In Dear Black Girls, Wilson teaches the importance of representation and finding someone who "looks like you" and actively cares and checks in with you. Though the young readers of this book will most likely never meet Wilson, she provides her novel as a stand-in role model who actively sees how alone some Black girls feel in the world and tells them lovely: "I see you, I got you."
Finding Oneself
There is a certain power in discovering one's "why." In Dear Black Girls, Wilson explains that in order to find oneself or one's reasons for doing things, it might be important to look to your elders. The ones that could make you believe in yourself. For Wilson, it was her grandmother. Her grandmother was her place of solace and the person she felt closest to. Before she picked up the game of basketball, A'ja's grandmother believed she was special and would achieve so many things in life.
Through this belief, she nurtured Wilson and taught her to believe in the good that everyone had to possess. She taught Wilson that Black women could be heroes, and knew how to "walk the walk" and "talk the talk." She taught Wilson, and in turn, Wilson has taught Black girls, that finding oneself can be done at the hands of the ones that we love. And that if one's love is strong enough, we can "freeze it, and preserve that safe space forever."
It's Okay to Be Different
In school, Wilson was considered a "slow learner." Diagnosed with dyslexia at the late age of 16, she believed she had not been as "smart" as the other kids. Wilson would freeze up in class, and despite loving to write narratives and the school itself, she found she did not catch on with her peers as quickly as she liked. She spent hours on end stressing about being different, so much so, that at times the thought of her otherness became debilitating and all-consuming. With her family and in her solitude, she understood who she was. However, among her friends and in class, she found that she didn't know who she was, nor who they wanted her to be.
From this, she taught Black girls that being a teen is stressful enough, so being oneself should be easily embraced. Though, she admits to not knowing the right thing to say, do, or act, and therefore is unable to give us "cheat codes," the best thing a young Black girl can do, is just be.
Find Your Gardener
I often say that Black women have learned to grow without nourishment. So, in reading Dear Black Girl, it was a refreshing change of pace to read that Wilson had been adorned with love, guidance, honesty, and protection by strong support systems in her life. One of those support systems was Wilson's father. Her father taught her many things in life, but one that was most essential was the importance of perseverance and overcoming mediocrity. See, despite being the best in her career, Wilson and basketball did not mesh well from the start. Instead, she had been known to try many things and was lackluster at best.
Nevertheless, when Wilson was told that she did not play well by her father--after asking why she wasn't getting any playing time--she finally learned to overcome her challenges.
Not because she suddenly practiced more, or believed she could do anything with time. She became better because her father gave her the option to walk away from the sport. He allowed her to be scared, to be unsure of what she wanted in life, and freed her of the stress of absolutes. Through encouragement, he became her gardener--always trying to bring out the best in her through "easy" and "tough" love. In Dear BlackGirls, Wilson encourages Black girls to find their "gardeners," the people in their lives who bring out the best in them, drive them crazy and are never afraid to tell them how it is. The person that pulls out all of the weeds and negativity, and leaves enough space for you to receive sunlight and bloom.
Gaining a Nonsense Detector
While finding a gardener, Wilson also encourages Black girls to find or gain a "nonsense detector." A nonsense detector is just as it sounds, someone who can detect the nonsense that the world is attempting to bring to them and help them identify what it truly is. They are the person who is willing to approach a spade and call it by its name. In Wilson's life, this was her mother. A'ja's mom encouraged her to think logically about her education and its relationship to her basketball career.
She was the person Wilson called when she learned to drive in a new state or deal with the stress of her newfound career. Through her mother's encouragement, she learned not to chase after boys or some concept of a new sense of self, instead, she learned to make decisions with her best interest in mind. In doing so, she chose family, which meant more time with her grandmother, which she would not have had if she hadn't learned to listen to something that encourages no-nonsense.
Grief Has No Timeline, Knows No Bounds
In 2017, during her junior year of college, A'ja Wilson was known as one of the best players in the NCAA. After two seasons of coming up short of winning a national title, she had finally accomplished her goal of winning with Dawn Staley's South Caroline Gamecocks. However, the win was bittersweet, because the champ had been grieving the loss of her grandmother, one of her biggest support systems.
During this time, Wilson discovered that grief could not be neatly packed away in a box, waiting to be unraveled when she had prepared to deal with it. She noted that it was an unending rollercoaster where lows felt all-consuming and endless.
In Dear Black Girls, Wilson discusses the importance of experiencing grief at its pace, and on your own timeline. She explains to young Black girls that the feeling of despair and paralysis is normal and that instead of trying to climb out of the sadness, sometimes it is beneficial to wade through it, with the people you care about. Not only this, she encourages Black girls to embrace support that may be considered unexpected, through a beautiful anecdote involving Dawn Staley.
The champ mentioned the coach drove down to her house, upon hearing about the death of her grandmother, and sat in silence with the athlete as she cried. She informed her that she could take all of the time that she needed and that the "team would be waiting for her when she was ready to return."
You Don't Know What You Don't Know
The issue that many people hold today is they expect to be perfect. Though we know perfection is merely a concept, and the only thing perfect about perfection is the word itself, many dwell on being perfect and having the foresight to ensure it is so. When perfection is inevitably unattainable, we punish ourselves for not knowing better or being fallible. Nevertheless, dwelling on things, especially in relation to being perfect, is nothing more than wasted energy.
In Dear Black Girls, Wilson--through a humorous anecdote of her WNBA drafting day--points out that everyone makes mistakes and that many should not be ashamed for not knowing what they hadn't known before. Instead, beauty lies in learning and giving oneself credit for the knowledge that you now have for navigating future situations. Instead of beating yourself up, Wilson tells young Black girls there is no point in beating themselves up and to allow grace in moments of uncertainty and error.
Protect and Nurture Your Mental Health
The idea of seeking therapy is often a hurdle for Black women. With societal expectations and generational aversions, the concept of the "strong Black woman" often overpowers the necessary, and sometimes dire assistance Black women should seek. In Dear Black Girls, A'ja Wilson points out that most Black women are the first, or one of few, in their families to accomplish significant achievements, such as going to college, getting a corporate job, or making a high-figured salary.
This results in pressure that cannot be seen as relatable by family members, and often results in anxiety disorders, growing, unrelenting pressure, and crippling stress. To solve this, Wilson encourages Black girls to seek help outside of themselves and their friends, to ensure they are not taking on the weight of the world, simply because it was placed on their shoulders. Black women need someone to talk to, especially when it has been ingrained since birth that we should nurture and care for everyone but ourselves. By seeking a therapist, this narrative can change, and the idea of being a "strong Black woman" can come from the idea of learning to be vulnerable and asking for help.
Be Your Own Hero
It is heroic to take control of your own life. Being your own hero gives you confidence and reassurance to face obstacles directly, to follow your passion, and to define success how you see fit. It can be powerful and gratifying to become the best version of yourself and to allow yourself to be. In Dear Black Girls, Wilson teaches Black girls their final lesson, "If you can see them [your heroes], then you can be them." Many Black girls do not seek certain positions in life because they have never seen people who look like them in certain positions.
Nevertheless, Wilson explains the importance of having and seeking out representation, either in life or in media. Then, she encourages young girls to pursue that life they dream of, because anything is attainable with hard effort and--most importantly--love.
Check out A'ja Wilson and the 2024 Paris Women's Basketball Olympic team from July 26 through August 11.
xoNecole's I Read It So You Don't Have To is a recurring series of self-discovery that breaks down self-help books into a toolkit of takeaways and tips that are meant to assist you in finding the best life you can live. Take what works for you, and leave everything else where it is.
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