

Tracee Ellis Ross Breaks Down What ‘Wander, Ponder, And Be’ Means To Her
As Tracee Ellis Ross preps for her 50th birthday on October 29, the black-ish star is reflecting on the many things she’s learned along the way. One of those things is “wander, ponder, be,” which she uses to help her write speeches. During her interview with Hoda & Jenna, the beloved comedic actress gave insight into what those three words actually mean and how she applies them to her life. “I started figuring out the wander, ponder, be’s whenever I was writing a speech. Because in order to write a speech you just sort of have something come in from the inside,” she explained.
If it’s one thing that the Golden Globe winner is known for outside of acting, it’s her gift of gab. From her hilarious skits on social media to her energetic conversations in interviews, Tracee has always known how to use her voice and it also shines through in her speeches. Her speech during the 2017 Glamour's Women of the Year Summit went viral after she spoke against women’s accomplishments being diminished due to them not being married and/ or starting a family. It appears we have Tracee’s 'wander, ponder, and be' strategy to thank for that.
“I really needed time to wander, ponder, be and social media does not allow it,” she continued. “Because you take all your downtime so I like to give myself a chance to wander, to not know where I’m going but just wander, have time to just ponder, and just kinda play in the imagination of my mind and to be.”
She added, “And my favorite part of my life is my life like making food, and like going to the market and being in my life.”
While she isn’t shy about using her voice to speak on matters of the world, there is one thing she struggled to use her voice for—singing. Tracee shared that she always wanted to sing but was “too terrified” to follow in her mother, the great Diana Ross’, footsteps. She finally faced that fear after starring in the film The High Notewhere she plays a singer. But she recently realized that not using her gift of singing was only holding her back from creating new experiences in her life.
“What was interesting was as I was learning how to sing…I felt like I opened lifeways, not pathways but lifeways,” she said. “Not that I was necessarily meant to be a singer, but by cutting off that part of myself just because I was afraid, I had closed off certain doors to part of my identity and myself, and so things just started to open up when I found my voice.”
In need of a little motivation? Keep reading for 9 more noteworthy gems about life that Tracee has dropped over the years.
Tracee Ellis Ross on the Advice That’s Guided Her Through Life:
"There are two things that have been the biggest guides through my life. The first one is: Follow your heart and trust your instincts. The second is: What other people think is none of your business and even sometimes what you think of yourself is none of your business. Sometimes it’s about staying in action as opposed to trying to decide how to make people think a certain way about you." - via WSJ
On Lessons She Has Learned as an Entrepreneur:
"One is to trust my instincts. Two is, there’s so much more involved than I ever had any idea of—and I knew there was a lot involved. The biggest lessons have been around the consistency of relationships and communication with retail partners and also my team…. Because it is an hourly thing, particularly right now during the supply-chain issues that are going on. And then the last thing is, you don’t need a degree in CEO-dom or entrepreneurship in order to run a successful company. You need to surround yourself with very informed and excellent people and remain teachable without losing focus on your vision." - via WSJ
On Finding Meaning in Life:
"I feel that to a certain extent, we are the first generation of choice for women, who have had the opportunity to actually choose the lives they want to live…. The cultural expectation for women that they are meant to be mothers and married and that that is almost what makes their lives valid creates a scenario that I push up against in general. There's many places where that happens in our culture that I think are very limiting for women in terms of finding meaning in their own lives." - via Good Housekeeping
On Showing Her Full Self on Social Media:
“One of the reasons that I share so much on social media is that I recently turned 49. At this age, self-care, self-love, joy and drinking plenty of water are what keep your body strong. I love posting about this because it gives you the full picture of who I am. I’m not always the perfect Tracee on the red carpet. That’s not how I wake up. Various other things are needed for that.” via Elle Canada
Rich Fury/VF22/Getty Images for Vanity Fair
On Living Life on Her Own Terms:
"I didn’t see enough examples of different versions of how a woman can find happiness and joy and power and sensuality, sexuality, all of that, without it being through the lens of how I’m seen by a man. People are like, 'You’re the poster child for being single.' And I was like, 'Great.' But what I would prefer is that I’m the poster child for living my life on my terms. And that there’s a version of that for everyone.
"I don’t live my life for other people. I just totally live it for me. This is something that has really solidified itself into an unbreakable, unshakable foundation in the last four or five years." via Harper's Bazaar
On the Power of Her Womanhood:
"There's a power I started to feel when I began to call myself a woman that I wasn't tapped into as a younger girl. I've witnessed it in friends of mine and in people I don't know. It's the power that generates from this idea that our bodies can create life—even though not every woman creates life. It's a woman's ability to look at life a certain way, to create in a certain way, to be of service in a certain way, to care in a certain way." - via Glamour
On Detaching Herself From the Opinions of Others:
"What other people think about me is none of my business. Sometimes even what I think about myself is not my business. Opinions are like assholes: We’ve all got them. What I know is that I wake up every day trying to do my best. I know that my heart and my intention is in the right place. And if somebody points something out to me that I actually think is constructive and loving and I agree and I need to take accountability for it, I can do that. My selfhood and my sense of self can withstand appropriate criticism." via The Cut
On Finding Support in Dark Moments:
"The key is you ask yourself, What do I need right now? I’ve cultivated a relationship with myself where I know I have choices…. I have a toolbox of ways I can find support; journaling is helpful, or meditation. And I have had to really make friends with loneliness. And know the difference between choice-ful solitude and lonely. [I find comfort in] being able to name it, to say I’m feeling lonely, then to have a tribe of people I feel safe enough with to share: This is how I feel.
"I don’t have the luxury of not going to work when I don’t feel up to it. Most people don’t. On those days, I acknowledge I am feeling f-cking crappy, and I’m not at my best, and I still want to or need to keep walking forward. I have to do some of my best work on my worst days. I have to look pretty even when I don’t feel pretty. There’s a way to hold both things." - via Glamour
On How She Owns Her Own Narrative:
"By not letting other people’s ideas of me change my idea of myself. It means holding my own counsel and navigating my life on my compass, which is about my relationship with higher power, my relationship with those I trust and love." via The Cut
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Exclusive: Gabrielle Union On Radical Transparency, Being Diagnosed With Perimenopause And Embracing What’s Next
Whenever Gabrielle Union graces the movie screen, she immediately commands attention. From her unforgettable scenes in films like Bring It On and Two Can Play That Game to her most recent film, in which she stars and produces Netflix’s The Perfect Find, there’s no denying that she is that girl.
Off-screen, she uses that power for good by sharing her trials and tribulations with other women in hopes of helping those who may be going through the same things or preventing them from experiencing them altogether. Recently, the Flawless by Gabrielle Union founder partnered with Clearblue to speak at the launch of their Menopause Stage Indicator, where she also shared her experience with being perimenopausal.
In a xoNecoleexclusive, the iconic actress opens up about embracing this season of her life, new projects, and overall being a “bad motherfucker.” Gabrielle reveals that she was 37 years old when she was diagnosed with perimenopause and is still going through it at 51 years old. Mayo Clinic says perimenopause “refers to the time during which your body makes the natural transition to menopause, marking the end of the reproductive years.”
“I haven't crossed over the next phase just yet, but I think part of it is when you hear any form of menopause, you automatically think of your mother or grandmother. It feels like an old-person thing, but for me, I was 37 and like not understanding what that really meant for me. And I don't think we focus so much on the word menopause without understanding that perimenopause is just the time before menopause,” she tells us.
Gabrielle Union
Photo by Brian Thomas
"But you can experience a lot of the same things during that period that people talk about, that they experienced during menopause. So you could get a hot flash, you could get the weight gain, the hair loss, depression, anxiety, like all of it, mental health challenges, all of that can come, you know, at any stage of the menopausal journey and like for me, I've been in perimenopause like 13, 14 years. When you know, most doctors are like, ‘Oh, but it's usually about ten years, and I'm like, ‘Uhh, I’m still going (laughs).’”
Conversations about perimenopause, fibroids, and all the things that are associated with women’s bodies have often been considered taboo and thus not discussed publicly. However, times are changing, and thanks to the Gabrielle’s and the Tia Mowry’s, more women are having an authentic discourse about women’s health. These open discussions lead to the creation of more safe spaces and support for one another.
“I want to be in community with folks. I don't ever want to feel like I'm on an island about anything. So, if I can help create community where we are lacking, I want to be a part of that,” she says. “So, it's like there's no harm in talking about it. You know what I mean? Like, I was a bad motherfucker before perimenopause. I’m a bad motherfucker now, and I'll be a bad motherfucker after menopause. Know what I’m saying? None of that has to change. How I’m a bad motherfucker, I welcome that part of the change. I'm just getting better and stronger and more intelligent, more wise, more patient, more compassionate, more empathetic. All of that is very, very welcomed, and none of it should be scary.”
The Being Mary Jane star hasn’t been shy about her stance on therapy. If you don’t know, here’s a hint: she’s all for it, and she encourages others to try it as well. She likens therapy to dating by suggesting that you keep looking for the right therapist to match your needs. Two other essential keys to her growth are radical transparency and radical acceptance (though she admits she is still working on the latter).
"I was a bad motherfucker before perimenopause. I’m a bad motherfucker now, and I'll be a bad motherfucker after menopause. Know what I’m saying? None of that has to change. How I’m a bad motherfucker, I welcome that part of the change."
Gabrielle Union and Kaavia Union-Wade
Photo by Monica Schipper/Getty Images
“I hope that a.) you recognize that you're not alone. Seek out help and know that it's okay to be honest about what the hell is happening in your life. That's the only way that you know you can get help, and that's also the only other way that people know that you are in need if there's something going on,” she says, “because we have all these big, very wild, high expectations of people, but if they don't know what they're actually dealing with, they're always going to be failing, and you will always be disappointed. So how about just tell the truth, be transparent, and let people know where you are. So they can be of service, they can be compassionate.”
Gabrielle’s transparency is what makes her so relatable, and has so many people root for her. Whether through her TV and film projects, her memoirs, or her social media, the actress has a knack for making you feel like she’s your homegirl. Scrolling through her Instagram, you see the special moments with her family, exciting new business ventures, and jaw-dropping fashion moments. Throughout her life and career, we’ve seen her evolve in a multitude of ways. From producing films to starting a haircare line to marriage and motherhood, her journey is a story of courage and triumph. And right now, in this season, she’s asking, “What’s next?”
“This is a season of discovery and change. In a billion ways,” says the NAACP Image Award winner. “The notion of like, ‘Oh, so and so changed. They got brand new.’ I want you to be brand new. I want me to be brand new. I want us to be always constantly growing, evolving. Having more clarity, moving with different purpose, like, and all of that is for me very, very welcomed."
"I want you to be brand new. I want me to be brand new. I want us to be always constantly growing, evolving. Having more clarity, moving with different purpose, like, and all of that is for me very, very welcomed."
She continues, “So I'm just trying to figure out what's next. You know what I mean? I'm jumping into what's next. I'm excited going into what's next and new. I'm just sort of embracing all of what life has to offer.”
Look out for Gabrielle in the upcoming indie film Riff Raff, which is a crime comedy starring her and Jennifer Coolidge, and she will also produce The Idea of You, which stars Anne Hathaway.
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Jada Pinkett Smith & Why Authenticity In Black Women Sparks Controversy
Will Smith and Jada Pinkett Smith went to social media to share their Thanksgiving holiday with followers. The pair were surrounded by family and friends Thursday, and both posted how grateful they were to be with the ones they loved. Yet this comes on the heels of Pinkett Smith’s whirlwind of negative opinions and critics forecasting her book would be a flop.
Despite the negative feedback she received, Worthy, Pinkett Smith’s memoir, still debuted at #3 on the New York Times’ Best Seller list on October 25. The greatest backlash she received was centered around her relationship with Smith and the fact that the two had been living separate lives since 2016.
The commentary about their marriage overshadowed the reality that this book is ultimately about her journey to self-worth and the path she’s had to take in order to get there.
Social media comments about her book tour ranged from, “Me counting all the times Jada woke up and chose to embarrass Will Smith,” to podcasts like The Joe Budden Podcast saying, “Take me out the group chat,” which was a sentiment shared by many celebrities and fans alike. Yet, a point made by comedian KevOnStage proved that even though people say they don’t want to know about the Smiths, they’re secretly interested and want to know more.
Since the Smiths were wed in 1997, people have been fascinated with their marriage, and rumors about their marital arrangement have always been a topic of conversation. People continue to speculate that the pair is gay and swingers, and even new allegations have come out that Smith and Duane Martin shared an intimate relationship at one point.
However, despite their consistent united front throughout their marriage in recent years, Pinkett Smith has borne the brunt of backlash in the couple’s relationship, from her entanglement with August Alsina to Smith slapping Chris Rock at the 2022 Academy Awards to the recent truths she’s shared about the couple’s marriage in her memoir.
Individuals are consistently running to the internet to support Smith and villainize Pinkett Smith, from podcast guests saying things such as “She doesn’t like Will, she likes the lifestyle” to deeming her “mean” or "manipulative" because of her facial expressions and demeanor.
Likewise, when you have hosts of daytime talk shows such as Ana Navarro saying, “I think she’s having a relationship with her bank account,” insinuating Pinkett Smith only shared stories about Smith to increase her book sales, it begs the question of where was this same energy when Smith released his memoir?
In Will, Smith discusses both of his marriages and how, in relationships, because of his upbringing, he needed constant validation and praise from his partners to feel secure. He also shared the reality that Pinkett Smith never wanted to be married, just as she never wanted the huge estate they share in California, but he wanted to give it to her despite her feelings about it.
Smith admitted to creating this family empire that only further boosted his ego and what he wanted his legacy to be instead of actually asking his family what they wanted or needed. People praised him for his vulnerability and said his book was an inspiration.
So how is it that one book about a person’s family, upbringing, and journey to self is praised, and another is villainized? The glaring thought that comes to me is, does likability often trump accountability?
People love Smith and his “good guy” persona; he’s always been an attractive, charismatic man that people can relate to, so even when he speaks about the way he mismanaged his marriage and family, it’s seen as growth. On the contrary, because Pinkett Smith doesn’t constantly fawn over him and shares how miserable she was in their marriage, she’s the villain.
People still blame her for not stopping Smith from smacking Rock at the Oscars and share their sentiments about how she embarrassed Smith with her entanglement with Alsina. Though this is a celebrity couple we’ve all followed for years, the question must be asked, how much accountability must Black women be subjected to in relationship to their partners' actions?
Why is it that the media is more interested in the marriage between Smith and Pinkett Smith than her childhood, or the fact her memoir consists of writing prompts, meditations, and methods for other women to find their sense of worth?
Could it be that the larger society doesn’t value Black women having the tools to find their own sense of worth? Or is it that Black women are expected to accept whatever is given to them regardless of how they feel or what they want?
The exclusive interview with Eboni K. Williams (@ebonikwilliams) and Dr. Iyanla Vanzant about if she would date a bus driver seems to have a lot of people talking. You can watch her response tonight on #theGrio. Catch the full interview, here: https://t.co/ctxE0zKFWj pic.twitter.com/BhIO52T2fg
— theGrio.com (@theGrio) May 2, 2023
When Eboni K. Williams shared that she wasn’t interested in dating a bus driver, the internet blew up with individuals saying that Black women need to be less selective with their dating prospects. The commentary around this conversation shed much light on the reality that this demographic is expected and invited to settle in love if they actually want a life partner.
Black women aren’t often given the space to find their joy, fulfillment, or even self-worth because of the responsibility they’re forced to acquire in order to support their families and communities. Yet, “high value” Black men speak vehemently about Black women’s masculinity and inability to submit. We’re often inundated with podcast guests sharing that they’re not impressed by our success and are uninterested in our aspirations.
Black women, from a young age, are taught to place their community first and cater to the men around them regardless of what they do or how they behave.
We see this when young girls are told to put on pants when male relatives come around, we experience it when domestic violence survivors are encouraged not to press charges against their perpetrators, and we even see it when Black women face backlash for dating outside of their race.
The way Pinkett Smith has been treated since sharing the truth about her life and journey of discovering her self-worth is another example of how the world isn’t receptive to Black women being their most authentic selves.
It’s another example we can hold up to illustrate how Black women are expected to be magical but not human.
Even with this article, I’m sure there will be many who want to argue why Pinkett Smith was wrong in her narrative, but at the end of the day, it was her story to tell, and no one has more authority to share her lived experience than her.
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