In xoNecole's quarterly series Dope Abodes, we tour the living spaces of millennial women, where they dwell, how they live, and the things they choose to adorn and share their spaces with.
It's a warm summer's day when McKenzie Renae invites us into her home.
Upon entering, the young creative has an instantly inviting aura that her space also reflects. Soft candles are lit, and on her speaker is the new H.E.R. record that just dropped, providing the perfect ambience to her undeniably dope abode. Whether it's for her hair or her sense of style, McKenzie has made waves on the internet as a woman to follow. And as we take in a tour of her place, we are reminded that the Atlanta-based multi-hyphenate (who also contributes to xoNecole from time to time) is the host of a wealth of knowledge on styling, a fact that effortlessly lends itself to her overall decor aesthetic.
McKenzie Renae
Photo By: Sanniyah Sloan Photography/xoNecole
"My favorite thing about my home is that I feel like it's me," McKenzie shared with us. "I've lived in two different apartments and I was finding my style, but I really feel that this is really a reflection of who I am, and I feel really good about walking home every day. It's just a feel-good feeling. I don't have a favorite piece, it's just the feeling I get when I come home."
In addition to an apartment tour, xoNecole was able to see the full extent of the magic behind her eye for flair while getting some backstory on the pieces she chose to live with her in her Buckhead condo.
Something Blue
Photo By: Sanniyah Sloan Photography
"I styled everything [in my apartment] around this one sofa. I knew I wanted a royal blue tufted sofa. That's what I wanted, and I searched high and low for it. That's the first thing I started with and everything else I designed around that one sofa. I love it. I got it from Arhaus. It's my one investment piece in the entire house," she laughed. "And then everything just kind of came around it."
Barbie Dreams
Photo By: Sanniyah Sloan Photography
"These Barbie dolls on the wall are actually vintage Barbies that I got in New York when I went for my birthday this year. They had all different kind of layouts, like Barbies on the beach, and it's all vintage," she recalled fondly. "I thought it was kinda cool because he had black Barbies."
Off the Wall
Photo By: Sanniyah Sloan Photography
"I bought this Michael Jackson piece at American Signature Furniture. I thought it was really cool and I really wanted a big piece of art. Big art is expensive and I'm a newbie at figuring out what my taste in art is, so I thought this was cool. The graffiti on top of Michael and the crown - I really liked it. It was a great deal and I just had to have it. It was perfect for the wall. I want to say I got this table from Overstock.com. And I think I got the chair from the same website."
Tunnel Vision
Photo By: Sanniyah Sloan Photography
"I wanted my vision boards to really speak to me - not just be thrown up there. Visuals are everything to me, so it needs to look nice, look neat, and make sense. I have it organized in certain ways on the vision board, and different words that stand out to me, and the gold that's on there - just to kind of make it look more like art so that it's not so temporary. Because I feel like your visions can last, it doesn't just have to apply to one year," McKenzie reflected.
BOSS
Photo By: Sanniyah Sloan Photography
"I love my desk area the most. My desk in my office is actually a vintage desk that I redid." She continued, "It's comfy in here, it's quiet in here. I write in here a lot. I read in here a lot. I like to create vision boards and stuff like that. I create my jeans in here. I take a lot of my product shots in here when I'm doing reviews. It's also my guest room when I have guests over."
Keep up with McKenzie by following her on Instagram.
Click through the gallery below to tour her dope abode, as well as some of the intimate details that make her apartment feel like home:
Photo By: Sanniyah Sloan Photography
Photos By Sanniyah Sloan Photography for xoNecole
Originally published on April 6, 2019
RELATED
While speaking to xoNecole, Eva shares that she’s a lot like the beloved 1994 character in many ways. “Lyric is so me. She's the odd flower. A flower nonetheless, but definitely not a peony,” she tells us.
“She's not the average flower you see presented, and so she reminds me of myself. I'm a sunflower, beautiful, but different. And what I loved about her character then, and even more so now, is that she was very sure of herself.
"Sure of what she wanted in life and okay to sacrifice her moments right now, to get what she knew she deserved later. And that is me. I'm not an instant gratification kind of a person. I am a long game. I'm not a sprinter, I'm a marathon.
America first fell in love with Eva when she graced our screens on cycle 3 of America’s Next Top Model in 2004, which she emerged as the winner. Since then, she's ventured into different avenues, from acting on various TV series like House of Payne to starring on Real Housewives of Atlanta.
Je-Caryous Johnson Entertainment
Eva praises her castmates and the play’s producer, Je’Caryous for her positive experience. “You know what? Je’Caryous fuels my audacity car daily, ‘cause I consider myself an extremely audacious woman, and I believe in what I know, even if no one else knows it, because God gave it to me. So I know what I know. That is who Je’Caryous is.”
But the mom of three isn’t the only one in the family who enjoys acting. Eva reveals her daughter Marley has also caught the acting bug.
“It is the most adorable thing you can ever see. She’s got a part in her school play. She's in her chorus, and she loves it,” she says. “I don't know if she loves it, because it's like, mommy does it, so maybe I should do it, but there is something about her.”
Overall, Eva hopes that her contribution to the role and the play as a whole serves as motivation for others to reach for the stars.
“I want them to walk out with hope. I want them to re-vision their dreams. Whatever they were. Whatever they are. To re-see them and then have that thing inside of them say, ‘You know what? I'm going to do that. Whatever dream you put on the back burner, go pick it up.
"Whatever dream you've accomplished, make a new dream, but continue to reach for the stars. Continue to reach for what is beyond what people say we can do, especially as [a] Black collective but especially as Black women. When it comes to us and who we are and what we accept and what we're worth, it's not about having seen it before. It's about knowing that I deserve it.”
This interview has been edited for length and clarity.
Let’s make things inbox official! Sign up for the xoNecole newsletter for love, wellness, career, and exclusive content delivered straight to your inbox.
Feature image by Leon Bennett/WireImage
In a recent interview with Democracy NOW!, Ryan opened up about the inspiration behind Sinners, his longtime collaboration with Michael B. Jordan, who plays dual roles in the film, and why this project marks a turning point in his career.
“It’s ironic because what my grandmother and her mom before her and my mom are known for is their gumbo,” Ryan shared with the outlet. “They cook a style of gumbo that comes from Port Arthur, Texas... and this was my opportunity to make some cinematic gumbo. I took some things that might seem disparate in the description, but I think they go really well together.”
That gumbo? A moody, blood-soaked love letter to the blues, to his late uncle, and to the genre-bending power of Black art. After his uncle passed, Coogler turned to blues records for comfort, describing how it felt like conjuring his uncle’s spirit. That led him to Delta blues, and ultimately, to Sinners.
“Through my research into the music, I learned more about the music industry and how much the concept of genre is related to racism,” he said. “The classification of different types of music… even though it was the same song sung the same way, they were looking at the color of the skin of the person who was singing it and enforcing the apartheid even through the artistic business model.”
The film, in many ways, is his rebellion against that system. “I wanted to make a film that was kinda raging against the concept of genre,” Ryan explained. “Making the audience constantly question, even while they are watching it, whether genre is a music angle or a film angle.”
But Sinners is more than about transcending genres, it’s also a family affair. Ryan's wife and producing partner, Zinzi Coogler, helped bring the vision to life through their production company Proximity Media (founded in 2021 with producer Sev Ohanian). Currently pregnant with their third child, Zinzi remains an essential force behind Ryan’s work and his world. “Zinzi is my favorite person in the world,” he said tenderly.
“I’ve been around her a long time, and it still somehow feels like it’s not long enough. She knows me very well… We’re very different, which is very helpful. We got two different communication styles, two different ways of seeing the world. So in general, if I have an issue-situation that I can’t crack, because she comes at things with a different angle, normally she can crack it very easily.”
Their partnership is as spiritual as it is professional. When asked about how he got into filmmaking in the first place, Ryan reflected on Zinzi’s early support, calling her gift of Final Cut Pro the “kindest thing” anyone has ever given him.
(L to R) Zinzi Coogler and Ryan Coogler photographed at 'Sinners' premiere.
Jeff Spicer/Getty Images for Warner Bros. Pictures
And while Sinners is a love letter to the past, the business side of it is firmly about the future. His now widely discussed deal with Warner Bros. includes First Dollar Gross and IP ownership after 25 years, something that’s raised both eyebrows and excitement within Hollywood circles. “I’m not the first filmmaker to get any of these deals,” he told the host.
“And Warner Bros is not the first studio to provide these deals to a filmmaker. I think that a lot has been made of my deal in particular. I’m not totally sure why… I have my guesses, but I’ve been in the industry long enough to know what kind of deals are possible.”
When Democracy NOW! host Amy Goodman pressed further, referring to headlines like Vulture’s "Hollywood Execs Fear Ryan Coogler’s Sinners Deal Could End the Studio System," Ryan chuckled and offered a smooth but telling: “I’d rather not say.”
Still, he made it clear why securing that deal mattered:
“As a writer-director, I’ve made over $2 billion in the global box office, I’m not yet 40 years old. It’s taken a lot of time, commitment, energy, and I’ve missed out on a lot of things in my life on films that will always be owned by other people. For this one, because it’s so personal… I asked for a few things that were very important to me… Thankfully, I was able to get those things I was asking for.”
Sinners may be a film about blood, spirits, and survival, but more than anything, it’s a story of legacy.
For Ryan, it’s not just about the art or the accolades; it’s about reclaiming the stories, sounds, and soul of Black America and owning the narrative, both on-screen and off.
Let’s make things inbox official! Sign up for the xoNecole newsletter for love, wellness, career, and exclusive content delivered straight to your inbox.
Featured image by Tim P. Whitby/Getty Images for Warner Bros. Pictures