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Hollywood Director Nzingha Stewart Shares Why It’s Important To Stand Tall In Your Vision
Nzingha Stewart has never been one to back down from a challenge. At the start of her career, the challenge was getting behind the camera back when female directors were an anomaly, where she shot over a hundred music videos such as Common's "The Light," Sunshine Anderson's "Heard It All Before," and Nivea's "Don't Mess With My Man". She then transitioned into the television world, adding shows like Grey's Anatomy and Scandal to her carefully crafted resume. And when Hollywood hesitated to open up their doors, she burst through them by writing and directing her own TV films With This Ring (Regina Hall, Jill Scott and Eve) and Love By the 10th Date ( Meagan Good, Andra Fuller, and Keri Hilson).
For Nzingha, being a black woman isn't a limitation; it's an opportunity.
While the entertainment industry may try to put directors of color in a box, women like Nzingha think outside of them—leaving a noteworthy trail of creative clips for future filmmakers to follow. Though the ethnic name that she adopted while on a trip to Senegal may sometimes cause the industry to turn a blind eye to her talents, Nzingha refuses to play Stevie Wonder along with them. Instead, she continues to prove that black women can tell narratives beyond that of their own. Her latest feature film, Tall Girl (Netflix), tells the story of a teenage girl who overcomes her insecurities and stands tall in who she is, a theme that all people can relate to.
In this xoChat, the director shares how she overcame feeling uncomfortable in her own skin, why she'd rather do good work than try to change people's minds, and the importance of standing firm in your vision, even in the midst of opposition.
xoNecole: What drew you to the script for Netflix’s ‘Tall Girl’?
Nzingha Stewart: There's a kind of sweetness and pain of adolescence. When I was the age of watching John Hughes movies, I felt like they spoke to me because they were so honest and allowed kids to have this real feel of vulnerability. I wanted to make that movie for this generation. I wanted to be able to talk to them like your feelings at this age and your insecurities, all of that is valid and it's beautiful.
Courtesy of Netflix
Was there ever a moment where you felt uncomfortable in your own skin?
Oh my God, every single day (laughs). I'm a pretty shy person; even small talk is so uncomfortable. I get painfully shy sometimes and have to stay in my head and continually have a running dialogue like, "It's okay; it's just a person. Just say, 'How are you?' back." I completely relate to that. Jodi doesn't necessarily have painful shyness, but she does have insecurities, and there's a beautiful scene in the movie where she says, "Sometimes you just don't want to be seen." For me, it might be a part of why I'm so shy, because I'm afraid that I'll say something crazy or embarrass myself, and I think that character has a similar thing. She just doesn't want to be seen.
Where did you grow up, and how did it influence your style of writing and directing?
I'm from Brooklyn, New York originally, and then moved to Atlanta for all of my high school years. When I was in New York I went to the United Nations International School (UNIS). At UNIS, every kind of person on earth was represented there. It was like you're a minority if you're American. So, I do feel like I grew up at an early age just learning all people have an interesting story, and they don't have to look like you; they don't have to have the same story as yours, but there are things that we can all relate to. Like with Tall Girl, maybe I'm not 6'2'', but I do relate to the insecurity, and it really is just lovely when you can connect over just having a shared experience.
You started your career creating music videos for artists such as Common, Eve, Jay-Z, and 50 Cent, and then transitioned into commercials and television and film. What made you focus on music videos at the beginning of your career?
I loved music videos (laughs). I was one of those kids who came home super early after school, and writing felt like something where if you didn't have any money and you were a black girl, you could do that without anything else. I wasn't from one of those families where we had a film camera and a projector. If you get this McDonald's meal on Sunday, feel blessed. It felt like writing was something I could at least control; I didn't have an excuse that I didn't have this or that.
So I could write, but I always felt like my heart was in the visual image. When I got to New York, it would be somebody who wanted to rap who had some money—probably not from legal sources—but wanted to rap, so I got to build a reel of just local rappers. Building that kind of reel got me other work and got me the video with Common, which became a hit, and then led to everything else.
At that time in your career, what was it like for black women music video directors?
Here's what's interesting. Most people weren't used to seeing black women on set as a director. However, because I was in music videos, it was a different experience than being in Hollywood and feature films because I was working with rappers, so I was working with black men. They had grown up a lot of the time with single moms—where their mom may have only had $5, but you were going to eat, clothes were going to be clean, and stuff was going to be in order. So, there was a difference when I would work with them because they believed that I could do it. There wasn't a doubt. The fights weren't patronizing; they were just fights. There was a respect there. But when I started taking meetings in Hollywood, there wasn't that belief that I could do it in the way that there was in a Jay-Z, 50 Cent and Kanye who saw their mom put things together.
Courtesy of Netflix
"When I started taking meetings in Hollywood, there wasn't that belief that I could do it in the way that there was in a Jay-Z, 50 Cent and Kanye who saw their mom put things together."
How did you overcome those doubts from people?
I don't think you can change their mind; I think you have to change your mind. There's something very real [about] just staring down the universe and being like I'm going to stand here and get my way. I don't care what it looks like right now; I'm going to do this. I don't care how many times I get knocked down, I'm just going to stay here until the universe is finally just like, 'Fine,' and you start to see things happen.
But it's very hard to change people's mind. There's no incentive for them to change their minds because what if you do mess up? What if they're right? What proof do you have that you're any different than anybody else? So, you have to change your mind and say, "I know I'm this good and I'm not moving until everything else falls in line."
"You have to change your mind and say, 'I know I'm this good and I'm not moving until everything else falls in line.'"
In an interview you said you haven’t always protected your vision, especially very early in your episodic career. Can you speak to how you learned to stay true to your vision without coming across as the “difficult black woman”? Is that even something that comes up in the TV/Film world?
It definitely does. I mean, it came up in Tall Girl. You have to know the material so well from the inside-out that you know when it's right to fight for something. You almost have to remind yourself, 'If I fight for this I might be seen as difficult, if I don't I might be seen as not good, because I know later on in the edit, I'm going to need that.' So I would rather fight and be seen as difficult, than to not fight and to be seen as a hack.
Was there something in particular that you had to fight for in ‘Tall Girl’?
In Tall Girl, there was a scene at the end where I just went home feeling like we didn't get it, and I know no one is going to want to spend the money to do this again, but I know in my gut that we didn't get it. So, I went to the producers and I went to Netflix. Luckily, they were like if you really feel that way we trust you and we can reshoot the scene, and they gave me everything I needed to make it happen again. Which, you never want to reshoot something, but I'm so happy seeing the finished result that I listened to that inner voice.
Television is different because then you really cannot be difficult, black or otherwise. You have to realize that in TV, the writer is the boss, and they're not hiring you so much for your vision as for your eye. They want you to protect their vision, so you have to go into it differently.
Courtesy of Netflix
"I would rather fight and be seen as difficult, than to not fight and to be seen as a hack."
Where do you get your creative inspiration?
Keep the tank full in terms of making time when you're busy to watch as much as you can watch, go to exhibits—just be around creativity. Even a trip to the gallery can spark something. Understand that part of your work is creatively refilling. Going to a concert, going to a museum, checking out a photography show, all of those things are part of the work.
For more of Nzingha, follow her on Instagram.Tall Girl is now streaming on Netflix.
Featured image by Getty Images
- Nzingha Stewart - IMDb ›
- Tall Girl's familiar teen love story fails to reach new heights ›
- Nzingha Stewart To Direct Teen Drama 'Tall Girl' For Netflix ... ›
- Netflix, McG & Director Nzingha Stewart Team On 'Tall Girl' Teen ... ›
- Now Casting: Play the Lead Role in Nzingha Stewart's Netflix ... ›
- Nzingha Stewart on 'Tall Girl' and Knee-Jerk Reactions to its Trailer ›
- Nzingha Stewart - Wikipedia ›
- 'Tall Girl' Review: Struggling to Rise Above - The New York Times ›
- Nzingha Stewart Tall Girl Director Talks Movie Backlash ›
- Netflix, McG & Director Nzingha Stewart Team On 'Tall Girl' Teen ... ›
Kiah McBride writes technical content by day and uses storytelling to pen real and raw personal development pieces on her blog Write On Kiah. Follow her on Instagram and Twitter at @writeonkiah.
This article is sponsored by Hulu.
UnPrisonedhas returned for its highly anticipated second season, delving deeper into the complex dynamics of the Alexander family.
The series premiere comes a year after its debut season garnered rave reviews from fans and critics and earned record-breaking ratings for Hulu's Onyx Collective brand. UnPrisoned's success can be attributed to its raw, relatable themes and comedic appeal.
Inspired by creator Tracy McMillan's life, the show follows Paige (Kerry Washington), a therapist and single mother whose life takes an unexpected turn when her father, Edwin (Delroy Lindo) --who was released from prison-- moves in with her and her teenage son, Finn (Faly Rakotohavana).
Throughout UnPrisoned's first season, viewers witnessed how Edwin's incarceration deeply affected Paige's life and relationships. In the series, Paige unpacks her trauma through interactions with her inner child and her online followers. Meanwhile, Edwin is overcoming specific struggles with his own past that led to his life of crime, including a dysfunctional upbringing and his mother's arrest. As the Alexanders attempt to reconcile, new challenges arise.
This new season promises to further explore their unconventional family dynamic. Here are several compelling reasons why season two of UnPrisoned should be on everyone's watchlist.
The Alexander Family Life Is Still In Shambles
UnPrisoned's second season resumes where the series left off, with Paige grappling with the fallout from her troubled therapy practice and Edwin navigating life independently after moving out. Meanwhile, Finn faces his own challenges. The teenager is battling anxiety and seeking information about his father—a topic Paige avoids discussing.
The Alexander Family Are Attending Therapy To Resolve Their Underlying Issues
Amid the chaos in their lives, the Alexander family decides to mend their bond by confronting their past traumas. They seek professional help and attend therapy sessions with a “family radical healing coach,” played by John Stamos, a new cast member. This collective effort aims to unravel the complexities of their shared history and strengthen their relationships.
The process of unraveling each character's internal conflicts and their potential impact on future relationships may clash with Paige's textbook therapy approach. While Paige is used to being in the therapist's seat in both career and family, this forces her into the unfamiliar role of a patient during therapy sessions. This shift would compel her to look in the mirror and try a radically different approach.
The Alexander Family Learned A Big Lesson During A Therapy Session
In therapy, the Alexanders are tasked with addressing their individual traumas to salvage their remaining relationships. One of the family therapist’s eccentric suggestions was an exercise involving a family wrestling match. During this session, Paige faces tough questions about her refusal to share information about Finn's father.
While it's unclear whether this scene is reality or fantasy, the image of the family duking it out in the ring certainly makes for hilarious yet compelling television.
Paige Tries Dating Again Following Failed Relationships
Amid her life's chaos, Paige decides to step back into the dating field. However, her many attempts have left her with mixed results. The dating apps have turned out to be a fail, and an outing with her ex Mal (Marque Richardson), who is also her father's parole officer, doesn’t go quite as expected after he brings an unexpected guest – his new girlfriend.
The situation takes an awkward turn when Mal's new partner learns why the former couple split, partly due to Paige's self-sabotage.
UnPrisoned Is A Perfect Balance Of Comedy And Drama
As a dramedy, UnPrisoned takes a comedic approach to its heavy subjects. The show takes us on a ride with Paige's dating misadventures and navigating a friendship with her ex.
Other lighthearted moments include Edwin's attempts at CPR based on online videos and, of course, the antics of the Alexander family's unconventional new healing coach.
The second season of UnPrisoned is now available on Hulu.
UnPrisoned | Season 2 Trailer | Hulu
Feature image courtesy
The Common Denominator Is You. So, Why Do You Keep Choosing The Wrong Men?
Everywhere you go, there you are. It’s one of those popular sayings (kind of like “It is what it is”) that I find myself using a lot, especially when I’m in sessions with my clients. Why? Well, it’s kind of likean article that I once read that pretty much said our culture likes to play the toxic game of blaming other people because it’s an easy way to deflect from personal accountability (check out “What It Actually Means To 'Hold Yourself Accountable'”). So true, so true,
Well, another way of saying “everywhere you go, there you are” is using the math term “common denominator” — and today, what we’re going to attempt to tackle is, why is it that some of us, if we stepped back a moment to take a very real and honest assessment of our dating life, do we always end up with the same kind of guy? One who really isn’t the best for us; sometimes, not even close.
Before getting into some questions that I think can help you get to the answer, let me just say that this is definitely one of the kinds of pieces that may step on at least your pinky toe before it’s all said and done. At the same time, although this might not be the most comfortable of reads, keep in mind what the late poet, singer, and publisher Tuli Kupferberg once said, “When patterns are broken, new worlds emerge.”
And so, if when it comes to the caliber of men you’ve dated, what you’ve been doing is revealing that your pattern is not really working for your ultimate good, spend a bit of time trying to unpack just why that could be the case — why, at the end of the day, you truly are the common denominator in it all.
How Self-Aware Are You?
About five years ago, I penned an article for the site entitled “These Are The Things Self-Aware People Do Daily.” You know, of all of the things to be in this life, prioritizing self-awareness is king because self-aware people do things like hold themselves accountable, know their strengths and weaknesses, identify their triggers, have good boundaries, self-reflect, pay attention to their own “blind spots” — and they can — eh hem — take feedback and constructive criticism pretty well.
That last one? If you’re constantly in a hamster wheel or even a cul-de-sac when it comes to men, be honest with yourself: did your family, friends, hell, even your co-workers warn you about some of the guys you dated, and you found yourself either defending, deflecting or getting offended? Yeah, self-aware people don’t get down like that because they would rather have peace and be wrong than act like they are always right and remain in chaos.
So yeah, if you’re always in some foolishness or even in relationships that are simply a counterproductive waste of time, pondering how self-aware you actually are is a really good place to start. Self-reflect. Know your weaknesses. Listen to what others have to say about your tendencies. All of this can do you a whole lot of good.
How Humble Are You?
Society is a wild place, boy. The reason why I say that is because, while it’s out here acting like humility is a bad thing, Scripture says, “By humility and the fear of the Lord are riches and honor and life.” (Proverbs 22:4) And why is humility such a vital spiritual attribute? Because, when you’re humble — you’re grateful; you’re teachable; you’re open to seeing things outside of your own perspective; you’re compassionate and empathetic; you’re flexible; you’re forgiving, and you’re able to release your ego so that you can accept what you need over what you want.
What you need over what you want. Chile, if that doesn’t keep some people in cyclic stuff, I honestly don’t know what does. There’s a client that I have right now who only contacts me when she’s basically blown up her life because she constantly gets caught up in a man’s looks and bedroom performance. When I tell her that she needs to stop making that #1 and #2 of things to look for in a relationship, she “uh-huh's” me and then does what she wants to do anyway — only for it to end up wreaking all sorts of havoc…again.
It’s another message for another time about how some of us could stand to look within to see if wanting a fine man above all else is more about validating some deep-rooted insecurities that we have about our own looks (ouch). For now, I’ll just say that if your ego is out here telling you that looks and sexual performance should trump things like character and consistency, it is LYING to you. If you chose to heed the humble side of yourself, you would know that.
And this actually brings me to my next question.
How Stuck Are You in Your “Type”?
The reason why I wrote “According To Experts, We All Have A ‘Type’” back in the day is because it’s true — pretty much all of us have a type which is pretty much a preference; there’s absolutely nothing wrong with that either. At the same time, I’m advising, from very up close and personal experience, that it’s a good idea to spend some time pondering “the origin story” of where your type came from.
Me? I’m always gonna be down for a very tall, hella chocolate, basketball (or soccer) build Black man. However, I’m a sexual abuse survivor and my molester looked a lot like that, so during the healing process of what he did to me, I had to factor in his influence. Plus, my first love also fits the physical mold and he definitely had quite an impact on my life. So…see what I mean? My type didn’t just come out of nowhere. Yes, sometimes your type may have some trauma or drama attached to it. And yes, that might be really uncomfortable to think about; still, that doesn’t mean it’s not true.
Now my late fiancé? He was right at about 6’ and, complexion-wise, he was lighter than I am. He treated me better than most of the men of my past, though — and even though he definitely pursued me for a while to get me to consider us beyond being friends, because I took a risk outside of my type, I learned what it was like to be loved in a healthy way. And what that did for me was it taught me to remain open outside of my standard type. I still like a tall-ass Godiva man, chile (and don’t let him have a beard and be in a tailored suit!). I don’t limit myself to that package, though. To do so would be severely limiting — potentially tragic even.
How Healed Are You?
“Healed” is a word that comes up A LOT in the social media space. When it comes to relationships, specifically, it’s important to ask yourself if you are healed from your past because, if you aren’t, you very well could be reliving it over and over…and over again, whether you realize it (or choose to accept it) or not.
Just so that we’re all on the same page, the word “heal” means things like healthy, sound, and whole. Synonyms for the word include improve, restore, mend, soothe, and rehabilitate. Signs that you have healed from past hurts of a relationship (or a series of relationships) include you don’t think of them with anger or bitterness; you can see the silver linings from the experience; you’ve forgiven them for things that they did wrong (or that simply hurt you — and no, that’s not always one and the same), and you don’t pick (or avoid) other people to be in your life solely based on what someone else did to you.
What I mean by that last one is an unhealed woman may say something like, “I don’t want to do [such and such] for a first date. That’s what my ex liked to do.” The new guy isn’t him, so why does he have to be beholden to your past? Or, “I don’t trust men who won’t let me go through their phone. That’s how I found out my ex was cheating.” You know, for all of the women who like to play a non-animated form ofInspector Gadget (the real ones know), they sure don’t want their phones inspected as much as they like to do all of the inspecting. SMDH. Anyway, I don’t go through phones. For what? I don’t pay the bill and I’m not anyone’s parent. And so, your next guy not preferring it either? That doesn’t automatically mean that he’s up to no good — he may just want his boundaries respected. An unhealed person may not accept that. A healed one tends to, though.
And how can being unhealed play a direct role in you choosing the same guys over and over again? It’s weird because, sometimes you will go back to what’s familiar to you — because the new guy is such a risk, you’d prefer to “stick to the devil you know” than take a chance on someone who rolls very differently. It’s a cryptic way of remaining the common denominator in your dating dynamics. Oh, but it happens all of the time, chile.
What Makes a Man WRONG for You? Specifically?
Okay, with a lot of the inner work out of the way, how do you even come to the conclusion that someone (or several people) is wrong for you? Because you know what? Once you’ve done some real healing (and serious maturing), you can oftentimes find yourself accepting the fact that just because someone may not be right for you, that doesn’t automatically or necessarily make them a bad person. No, not at all.
Although the word “wrong” can mean that something or someone isn’t morally right, wrong also means things like erroneous, not suitable or appropriate, not in accordance with certain requirements, or — and please catch it — out of order (which sometimes consists of the right thing happening at the wrong time). So, if it does seem like you keep choosing (because it is always a choice; that is also where accountability comes in) men who aren’t appropriate, aren’t in accordance with your needs or standards, or who aren’t what you need at the time — why is that? Is it rooted in fear? Impatience? Settling? What?
I have had enough clients go through this to know that it’s not good enough to be abstract about someone being “wrong” for you. You need to set aside one weekend, get some wine and a fresh journal, and really get into what wrong looks like. For instance, if you keep lowering your standards (which is the wrong thing to do, by definition), why is that? Because no matter how wrong the guy may ultimately turn out to be, what you have to be willing to accept is — again — you chose him. Why do you choose what’s wrong? Because, more times than not, some red (or at least orange) flags were waving long before the relationship came crashing down; oftentimes, they reveal themselves within the first couple of dates. You just chose to ignore them.
One more.
Do You Know a Good Man When You See One? You Sure?
As we close all of this out, when you get a chance, please check out “Question: Is The Man In Your Life Good 'TO' You? Good 'FOR' You? Or...Both?” Learning the difference between “to” and “for” took my own relational processing to an entirely new and freeing level. And you know what? Back to the healing point, another way to know that you’ve healed is you don’t generalize men. Meaning, that if you’re out here declaring that there aren’t any good ones, that’s not true; you’re just jaded (I mean, it’s the truth), and that head and energy space is affecting your judgment and perspective.
That said, if you’re constantly selecting the wrong men, ask yourself if you even know what a good man looks like (cue India.Arie’s “Good Man”). Again, by definition, good means things like morally excellent, right, kind, friendly, benevolent, educated, financially sound (not rich, stable and responsible…goodness), genuine, reliable, dependable, responsible, attractive, warm, intimate — satisfactory to the purpose (yes, that’s a literal definition).
For a man to be good for you, you need to know what purpose he is to serve at this particular point in your life because if, for example, all men seem to do, in your eyes, is use you for sex, why are you prioritizing sex over an emotional connection if the latter is the purpose that you seek right now? A lot of women can stop being the common denominator when it comes to choosing the wrong man if they 1) become the good that they seek and 2) do not betray the purpose behind why they even desire a relationship in the first place.
____
I know. When things aren’t going your way when it comes to matters of the heart, it can be easy to always say it’s the man’s fault. If there’s a pattern, though, please be a bit more self-reflective than that.
Once you do, you’d be amazed by how much about you shifts — to where the wrong guys can’t even get close to you, in the way that they used to, anymore.
Because you cease to be the “common denominator” you once were.
And how wonderful is that?
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