

There’s nothing like finding a good TV series or movie to watch on your favorite streaming services. The summer is the perfect time to explore what’s new and exciting or revisit an oldie but goodie. Both Netflix and HBO Max have some exciting and new releases for July. From HBO Max’s Rap Sh*t, which is presented by Issa Rae to the season three premiere of Ludacris’ Netflix animated series Karma’s World, there are plenty of options to choose from. So get your streaming on below.
Here is the full schedule of what’s coming to Netflix and HBO in July.
What's New On Netflix: July 2022
July 1
Stranger Things Season 4 Volume 2 – Netflix original movie
A Call to Spy
Big Daddy
Blue Jasmine
Boogie Nights
Catch Me If You Can
Deliverance
Falls Around Her
Final Score
GoodFellas
I Am Legend
Insidious
LOL
Mean Girls
Miss Congeniality 2: Armed and Fabulous
Natural Born Killers
Old School
Police Academy
Semi-Pro
Seven
Snatch
The Dark Knight Rises
The Dirty Dozen
The Pursuit of Happyness
The Talented Mr. Ripley
The Terminal
Vampires
Wyatt Earp
Zero Dark Thirty
July 2
Operation Romeo
July 3
Blair Witch (2016)
Oh My Baby Season 1
The Art of Incarnation
July 4
Leave No Trace
July 5
Attack on Pearl Harbor: Minute By Minute Season 1
The Secret of Skinwalker Ranch Season 1
July 6
Control Z Season 3 – Netflix original series
Girl in the Picture – Netflix original documentary
Hello, Goodbye, and Everything in Between – Netflix original movie
King of Stonks
Uncle from Another World
Fast & Feel Love
July 7
The Flash Season 8
Karma's World Season 3 – Netflix original series
VINLAND SAGA Season 1
July 8
Boo, Bitch – Netflix original series
Capitani Season 2 – Netflix original series
Dangerous Liaisons – Netflix original movie
How To Build a Sex Room – Netflix original documentary series
Incantation – Netflix original movie
Ride on Time Season 4
Jewel – Netflix original movie
The Longest Night – Netflix original series
Ranveer vs Wild with Bear Grylls – Netflix original interactive special
The Sea Beast – Netflix original animated movie
July 9
Hurdang
July 10
12 Strong
July 11
For Jojo – Netflix original movie
Team Zenko Go Season 2 – Netflix original animated series
Valley of the Dead – Netflix original movie
July 12
Bill Burr: Live at Red Rocks – Netflix original special
How to Change Your Mind – Netflix original documentary series
My Daughter's Killer – Netflix original documentary
July 13
Big Timber Season 2
CHiPS (2017)
D.B. Cooper: Where Are You?! – Netflix original documentary series
Hurts Like Hell – Netflix original series
Never Stop Dreaming: The Life and Legacy of Shimon Peres – Netflix original documentary
Sintonia Season 3 – Netflix original series
Under the Amalfi Sun – Netflix original movie
July 14
Kung Fu Panda: The Dragon Knight – Netflix original animated series
Resident Evil – Netflix original series
July 15
Alba – Netflix original series
Country Queen – Netflix original series
Farzar – Netflix original animated series
Love Goals (Jaadugar) – Netflix original movie
Mom, Don't Do That! – Netflix original series
Pan
Persuasion – Netflix original movie
Remarriage & Desires – Netflix original series
Uncharted
July 16
Umma
July 18
Live is Life – Netflix original movie
My Little Pony: A New Generation: Sing-Along – Netflix original movie
StoryBots: Laugh, Learn, Sing Collection 2: Learn to Read – Netflix original animated series
Too Old for Fairy Tales – Netflix original movie
July 19
David A. Arnold: It Ain't For the Weak – Netflix original special
July 20
Bad Exorcist Seasons 1-2 – Netflix original series
Virgin River Season 4 – Netflix original series
July 21
Jurassic World Camp Cretaceous Season 5 – Netflix original animated series
July 22
Blown Away Season 3 – Netflix original series
My Village People
One Piece (New Seasons)
The Gray Man – Netflix original movie
July 25
Gabby's Dollhouse Season 5 – Netflix original animated series
July 26
August: Osage County
DI4RIES – Netflix original series
Shania Twain: Not Just a Girl
Street Food: USA – Netflix original documentary series
July 27
Car Masters: Rust to Riches Season 4 – Netflix original documentary series
Dream Home Makeover Season 3 – Netflix original documentary series
The Most Hated Man on the Internet – Netflix original documentary
Pipa – Netflix original movie
Rebelde Season 2 – Netflix original series
July 28
A Cut Above – Netflix original movie
Another Self – Netflix original series
Keep Breathing – Netflix original series
Oggy and the Cockroaches: Next Generation – Netflix original animated series
July 29
The Beauty Queen of Jerusalem Season 2 – Netflix original series
Case Closed: Zero's Tea Time / Detective Conan: Zero's Tea Time – Netflix original animated series
The Entitled – Netflix original movie
Fanático – Netflix original series
Purple Hearts – Netflix original movie
Rebel Cheer Squad: A Get Even Series – Netflix original series
Uncoupled – Netflix original series
July 31
The Wretched
What's New On HBO Max: July 2022
July 1
A Kind of Murder
A Simple Plan
Act of Valor
Angels in the Outfield
Arbitrage
Backstabbing for Beginners
Baggage Claim
Blanes Esquina Muller (AKA Blanes St and Muller)
Bringing Out the Dead
Catch a Fire
Code of Silence
Confidence
David Copperfield
Doctor Who: Eve of Daleks
Sin City (Unrated Version)
Godzilla (1998)
Goodbye, Mr. Chips
Hollow Man (Director's Cut)
How to Screw It All Up (AKA Cómo mandarlo todo a la mierda) – Max Original Season 1 Premiere
I Spy
Indecent Proposal
Julia
La Ciudad De Las Fieras (AKA City of Wild Beasts)
Last Night in Soho
Lisztomania
Lone Survivor
Lord of War
Losing Isaiah
Mrs. Brown, You've Got a Lovely Daughter
Mrs. Winterbourne
One for the Money
Overboard
Pawn Sacrifice
Postcards From the Edge
Rio 2
Running Scared
Safe (2012)
She's Having a Baby
Sleepers
Sleepless in Seattle
Snow Day
Spy Kids
Spy Kids 2: Island of Lost Dreams
Spy Kids 3-D: Game Over
Suite Francaise
That Awkward Moment
The Bachelor and the Bobby-Soxer
The Con is On
The Counselor (Extended Version)
The Great American Pastime
The Heat (Extended Version)
The Impossible
The Legends of Zorro
The Other Woman
The Plot Thickens Season 3 Premiere
The Raid
The Satanic Rites of Dracula
The World's End
This is Elvis
Thoroughbreds
Universal Soldier: Day of Reckoning
Warrior
What's Eating Gilbert Grape
July 2
Before Midnight
Sidewalk Stories
July 7
Miss S – Max original Season 1 premiere
The Visitors – Max original Season 1 premiere
July 9
Mad Max: Fury Road
July 10
The Anarchists – HBO limited documentary series premiere
July 11
Tuca & Bertie Season 3 premiere
July 12
Craig of the Creek Season 4C premiere
Edge of the Earth – HBO sports documentary series premiere
The Bob's Burgers Movie
July 14
FBoy Island – Max original Season 2 premiere
Vote for Juan (Vota Juan/Venga Juan), Season 1 and 2
Vote for Juan (Venga Juan) Season 3 – Max original premiere
July 15
Kung Fu Season 2 premiere
The Rehearsal – HBO comedy series premiere
July 16
Godzilla (2014)
July 17
Rat in the Kitchen Season 1 premiere
July 19
We Baby Bears Season 1D premiere
July 21
Almost Fly – Max original Season 1 premiere
Pacto Brutal - O Assassinato de Daniella Perex – Max Original Documentary Series
Rap Sh!t – Max original Season 1 premiere
The Last Movie Stars – Max original 6-part documentary premiere
July 23
Walker Season 2 premiere
July 26
Bugs Bunny Builders Season 1A premiere
July 27
We Met in Virtual Reality – HBO original documentary premiere
July 28
Citizen Ashe – Max original premiere
Love Monster – Max original Season 3 premiere
Pretty Little Liars: Original Sin – Max Original Season 1 premiere
Wellington Paranormal – Season 4 premiere
July 29
Superman & Lois Season 2 premiere
The Milestone Generation
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'Black Girl Magic' Poet Mahogany L. Browne Talks Banned Books And The Power Of The Creative Pivot
You know you’re dealing with a truly talented and profound voice of a generation when the powers that be attempt to silence it. As a poet, educator, and cultural curator, Mahogany L. Browne has carved out a powerful space in the world of literature and beyond.
From penning the viral poem, “Black Girl Magic,” to writing Woke: A Young Poet’s Call To Justice (a book once banned from a Boston school library), to becoming the 2024 Paterson Poetry Prize winner and a poet-in-residence at Lincoln Center—her path exemplifies resilience, reinvention, and unapologetic artistry. She's published more than 40 works and paid the bills with her craft, a divine dream for many creatives seeking release, autonomy, and freedom in a tough economic climate.
A Goddard College graduate, who earned an MFA from Pratt Institute and was awarded an honorary doctorate from Marymount Manhattan College, Mahogany offers unapologetic realness with a side of grace and empowerment. "I started touring locally. I started creating chat books so that those poems will go in the hands of the people who were sitting in the rooms," she shared.
"And then I started facilitating poetry workshops, so I used my chat books as curriculum. And that, in turn, allowed me to further invest in my art and show the community and people who were hiring me that it wasn't just a one-off, that it's not just, you know, a fly by night—that I am invested in this art as much as I am invested in your community, in your children's learning, in our growth."
Mahogany has a special way of moving audiences, and her superpower sparks shifts in perspective, post-performance introspection, and strengthening of community bonds, especially among Black women. (One can undeniably recognize her gift for arousal of the spirit and mind merely from her listening to her insights from the other side of a Google Hangout call. I can only imagine the soul-stirring, top-tier sensory encounter when watching her perform in person.)
In this chat with xoNecole, Mahogany reflects on sustaining a creative career, the aftermath of writing a banned book, and using poetry for both healing, community-building, and activism.
Anthony Artis
xoNecole: What are three key things that have laid the foundation for a sustainable creative career for you?
Mahogany L Browne: What has helped me is that I'm willing to go in being an expert at knowing poetry and knowing the way in which art can change the landscape of our lives, not just as a poet, but also as a poetry facilitator. How you move through classes, those things are mastered, right? So when I go into another space that's maybe tech-heavy, I don't mind learning and being, you know, a student of the wonder of how we can make this magic, work together.
Two, you’ve got to know how to pivot. Sometimes we say, ‘Alright, this is what my life is going to be. I'm going to be a New York Times best-selling author. I'm going to, you know, have an album that's Grammy-nominated. And then, say you get dropped from your record label. That doesn't mean you can't make an album anymore. You can also still create an album that can be submitted to the Grammys. So, what does a pivot look like as an artist who doesn't have an institution behind them? Pivot being a student of the wonder.
Relationships also really help. How do I serve the community? And in turn, that tells me how the community can show up. For me, I have long-standing ties with a community that will outlast my one life. So, what does it mean to create space where these relationships can develop, can be nurtured, can be rooted, can be cultivated? Creating space—it happens through relationships.
xoN: With today’s economic challenges, what does your current creative process look like, and what are you working on?
MB: I’m always thinking five years ahead. I just reviewed the pages for two children’s books and recently released a YA novel. I’m drafting an adult fiction manuscript now.
Anything I create is founded with the root of poetry, but it can exist in captions. It can exist in commercials. It can exist as a musical. So that's where I’m at now.
xoN: You started performing "Black Girl Magic" in 2013, had an acclaimed performance of it via PBS and the work went on to viral success shortly after. Talk more about the inspiration. And what do you think about the continued relevance more than a decade later?
MB: I wrote it as a rally cry for the mothers who had been keeping themselves truly in harm's way by, you know, being a part of the community right after the death of their child or their loved one. They are usually mothers of victims of police brutality—and just seeing how they showed up in these community spaces, they are devout to the cause but obviously still grieving.
"I wanted this poem to be just a space of reclamation, of joy and of you, of your light, of your shine, of your brilliance, in any which way in which you fashion. Every room you enter is the room you deserve to be in. What does it mean to have a poem like that that exists?"
And the first time I did the poem, the Weeping that occurred, right? It was like this blood-letting of sorts. The next time I performed it, I'm moved to tears because I'm seeing how it's affecting other women who have just been waiting to hear, ‘You belong. You deserve. You are good. We see you. Thank you, despite everything that they said to make you regret being born in this beautiful brown, dark-skinned, light-skinned, but Black body.’
Black women are the backbone—period. Point blank. And so, that that poem became a necessity, not just to the fortitude of Black women in the community, but like you know, in service of healing the Black women.
xoN: One of your books was banned at a school in Boston, and it was later reinstated due to parental and activist support. What was that experience like?
MB: Well, I think it happened because they were racist. That's it. Point blank. The reversal of it was empowering, right? I realized, oh, I thought we just had to sit here and be on a banned book list. But no, parents are actually the leaders of this charge.
So to see that, the parents said, ‘Nah, we're not gonna let you take this book out of my baby’s school just because it's a Black kid on the front saying, ‘Woke’ and they're talking about being a global citizen. They're talking about accountability. They're talking about accessibility. They're talking about allyship, and you don't want them to have compassion or empathy or have even an understanding, right? So no, we rebuke that, and we want this book here anyway.’ To see that happen in that way. I was, like, reaffirmed. Absolutely.
xoN: You recently organized the Black Girl Magic Ball at the Lincoln Center in New York. Honorees included author and entrepreneur Rachel Cargle and National Black Theater CEO Sade Lythcott. What impact did it have and what expanded legacy do you hope to leave with your creative works?
MB: I was really interested in not celebrating just the book, but celebrating the community that made the book possible. And so I gave out five awards to women doing that thing, like, what does it mean to be a Black girl in this world?
I just thought it was gonna be an amazing time. Everybody's gonna dress up—we're gonna celebrate each other. And boom, I then realized that it responded to like a gaping hole. There was a missing thing for Black girls of all walks of life, all ages, right?
"It's very intergenerational. That was intentional to come together and celebrate just being us."
You have all these instances where just being you is either the butt of a joke or it's diminished and not worthy of a specific title in these larger institutions. So what does it mean to just to be loved up on and celebrated?
It felt like a self-care project at first. You know, for the first couple of years, folks were coming and they were getting that sisterhood. They were getting that tribe work that they were missing in their everyday lives.
I love the Black Girl Magic Ball because we got us. If I go out with a bang, they'll remember that Mahogany worked her a** off to make sure all the Black girls everywhere knew that she was the light. We are the blueprint.
For more information on Mahogany L. Browne, her work, and her future projects, visit her website or follow her on IG @mobrowne.
Featured image by Anthony Artis
Inside Tiera Kennedy’s BET Awards Night: Hanifa Dress, DIY Glam & ‘Blackbiird’ Nomination
This is Tiera Kennedy’s world, and we’re just living in it.
An Alabama native taking country music by storm thanks to her features on Beyoncé s Cowboy Carter and her recently released debut, Rooted, Kennedy is much more than just a woman living out her wildest dreams; she embodies the role of all-American girl with ease.
“I think for me, an all-American girl, for some reason, brings me back to when I was younger, and just like playing at my grandma’s house and just being outside,” Kennedy told xoNecole ahead of her attendance at the 2025 BET Awards.
“I just feel like when I was younger, you know, you don’t have as many responsibilities. There’s not as much weighing you down, and so I kind of go back to that mindset. Like, even now, being 27, I’m trying to get back to that younger girl.”
The 2025 BET Awards, hosted by Kevin Hart, took place in Los Angeles at the Peacock Theater on Monday night (June 9). The star-studded event was filled with tons of surprises, including a trip down memory lane with a 106 & Park reunion, coupled with performances by artists that dominated the top spots during the music video countdown show’s reign from 2000 to 2014.
Kennedy, who received her first nomination alongside Tanner Adell, Brittney Spencer, Reyna Roberts, and Beyoncè in the BET Her category for “Blackbiird,” the reimagination of the original The Beatles of the same title (minus the extra i), invited xoNecole to get ready with her as she prepared for her first-ever BET Awards.
Beauty Rituals Inherited From Her Mother.
Rather than booking her makeup artist ahead of the big night, Kennedy decided to go on a budget and do the task herself, something that isn’t too out of her norm. She noted how she incorporates some of the things she witnessed her mother do while growing up in her routine.
“I remember being younger and seeing all the makeup laid out on my mom’s counter,” the “I Look Good In That Truck” singer recalled. “I don’t even think she knows this, but there were moments where I would like to go and steal her makeup. She would have Mac. I think it was some kind of foundation powder, and I would go in there and I would put it on, and I’m like I hope she doesn’t see.”
She added, “My mom is very natural with her makeup, so even though I’ve got these big lashes on, I always gravitate towards just neutral looks… I don’t do anything too fancy.”
Tiera Kennedy’s Holy Grail of Products.
Kennedy took it upon herself to take a class to ensure that she’s prepared for nights like these, where she’s the one responsible for bringing her glam look to life.
“We are independent,” she said, reminding us that she is no longer tied to a big machine when it comes to her work as an artist. “We ball on a budget. I have to do my makeup for award shows, events, all the things, and so my makeup artist that taught me how to do all of this, Hailee Clark, she put me on to Nars, the foundation. I don’t know exactly what the name of it is, but I love it.”
“I don’t know all the fancy technicals, but I know that it makes me just look kind of airbrushed, and so I love it. Then, I always use this Laura Mercier [setting] powder because I get real shiny, so I’ve gotta reapply that quite often.”
“We are independent. We ball on a budget. I have to do my makeup for award shows, events, all the things, and so my makeup artist that taught me how to do all of this, Hailee Clark, she put me on."
Her Decision To Wear Hanifa For The Big Night.
Intentionality is essential for Kennedy, which is why she jumped at the opportunity to support Black designer Anifa Mvuemba with a dress from her fashion brand, Hanifa.
“Takirra on my team helped me pick out the dress. I really like to represent in country music, and being in Nashville, I like to represent Black culture through the things that I wear, and I was excited to get to wear a Black brand to the BET Awards,” said Kennedy.
“She was telling me about this brand, Hanifa, and we were on FaceTime just scrolling through the website, and she was like this looks like you. This feels very rooted, like fits those natural tones, and so she bought the dress and was like, ‘This is what you’re wearing.’”
The look was a Raven Knit Dress in Eggplant/Dark Brown Mesh from Hanifa.
Tiera Kennedy in her younger years.
Courtesy
Kennedy also nurtured her inner child for the look, taking it back to her roots with one small detail in her hair that she had her mother carry out before she hopped on the flight to LA.
“I had this vision of wearing beads in my hair because when I was younger, my mom would always do that, and I didn’t love it, but now I’m like, it would be really beautiful to tie all of that together, and the Hanifa dress just fit perfectly.”
“Just even in the past couple of days, I’ve had to take a second, and just look back at all of the awesome things we’ve gotten to do,” said Kennedy when asked what baby Tiera is feeling in this moment.
“I had this vision of wearing beads in my hair, because when I was younger, my mom would always do that, and I didn’t love it, but now I’m like, it would be really beautiful to tie all of that together, and the Hanifa dress just fit perfectly.”
“I dreamed of having a record and having this team that was doing all of these things for me, and now, being an independent artist, and being in control of my career, I’ve gotten to build an awesome team behind me that helps me get to where I am. It’s been a lot of hard work, and I think when I was younger, I would have never imagined that I could do all of these things, and so, yeah, to be here, I don’t even think I would believe it.”
Although “Blackbiird” didn’t win in the BET Her category during Monday night’s show, Kennedy’s future is brighter than ever, which she attests to her faith playing a huge role in guiding her next steps as she continues to rise to stardom.
“Thinking about the next thing, I think that can be really daunting when you’re an independent artist. It’s like you have to be thinking of what’s coming next, to prepare for that, but I think the way that I like to walk through life in general is letting the Lord lead,” Kennedy said.
“I know that a lot of time when I have a vision of what I want things to look like in my head, He always exceed my expectations. So, I think the plan is to continue to release music, and continue to show up as my authentic self. Getting to have these moments like the BET Awards is so awesome, but also, at the same time, that’s not what I do this for. I do it for the humans that are listening to my music, that are [having] fun and healing through my music, so I hope that I can just continue to do that.”
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